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    For Niecy Nash-Betts, the Fear Was Motivating

    Niecy Nash-Betts is serious about finding “stolen moments” in life, she said, as a balance to her busy acting schedule. And she is quick to nudge others to do the same. During a recent lunch at an Italian restaurant in Calabasas, she fired off a few date-night suggestions for a reporter who had lackluster birthday plans — maybe a couples ceramics class?“If you need to put a battery in your back, you’re talking to the right one!” she exclaimed. Indeed her battery always seems charged. Just last month, she wrapped production on a leading role in the FX horror series “Grotesquerie,” premiering Wednesday, her latest collaboration with Ryan Murphy — and then hopped immediately on a flight to the Amalfi Coast, in Italy, where she and her wife, the musician Jessica Betts, celebrated their fourth anniversary.Back home barely a week, she was already gearing up to film with Murphy again this month, this time as comic relief in the Hulu legal drama “All’s Fair.” A year-end Mexico vacation was already in the works, as well.“You got to wring life out like a dirty rag,” she said as she sipped ice water, looking polished in a pink cotton gauze pantsuit, seemingly unfazed by the triple-digit temperatures scorching the San Fernando Valley. “You got to get every inch of it.”As a detective in “Grotesquerie,” Nash-Betts (with Micaela Diamond, left) must investigate a series of grisly, potentially supernatural murders — and reckon with her internal demons.Prashant Gupta/FXIn the past year, Nash-Betts also hosted her third season of the latest revival of “Don’t Forget the Lyrics!,” a weekly game show on Fox, and played a kindhearted confidant in the Ava DuVernay film “Origin,” her third collaboration with DuVernay after a minor part in “Selma” and her Emmy-nominated lead role in the Netflix series “When They See Us,” about the so-called Central Park Five.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Stephen Colbert Is Tickled by Trump’s Vow to Make Women Great Again

    “I‘m not sure if he’s running for president or marketing a new brand of tampon,” Colbert said on Monday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Make Women Great AgainFormer President Donald Trump made several comments about women over the weekend, vowing that under his presidency, he would “protect women at a level never seen before,” saying they would be “healthy, hopeful, safe and secure.”“I‘m not sure if he’s running for president or marketing a new brand of tampon,” Stephen Colbert joked on Monday.“[imitating Trump] Women will be safe, secure — they’ll be safe, secure and unscented. I will install all my judges with a comfort glide applicator. Vote for me, or there will be heavy days. I’m talking about, your friends will be riding bikes and laughing in the pool, and you’re going to be sitting by yourself, dealing with that cup of blue juice.” — STEPHEN COLBERT“During a rally on Saturday in North Carolina, former President Trump spoke about his agenda for women and said, ‘Let’s talk about our great women, all right? Because women have gone through a lot.’ And I assume he’s speaking from experience.” — SETH MEYERS“In a post over the weekend on Truth Social, former President Trump said that if he is elected, ‘Women will be happy, healthy, confident and free.’ So now JD Vance is undecided.” — SETH MEYERS“‘Women are poorer than they were four years ago, are less healthy than they were four years ago, are less safe on the streets than they were four years ago, are more depressed and unhappy than they were four years ago, and are less optimistic and confident in the future than they were four years ago! I will fix all of that, and fast, and at long last this national nightmare will be over.’ This reads like a suicide pact.” — JIMMY KIMMEL“[imitating Trump] Their lives will be happy, beautiful, and great again — and if you don’t believe it, ask my wife Melania, who every night prays I drive my golf cart into a lagoon.” — JIMMY KIMMELThe Punchiest Punchlines (The Oprah Treatment Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What Did ‘The West Wing’ Do to Us?

    As Aaron Sorkin’s political fantasy turns 25, its romance has aged better than its politics.“‘I am the Lord your God. Thou shalt worship no other god before me.’ Boy, those were the days, huh?”Thus do we meet President Josiah Bartlet (Martin Sheen), Democrat of New Hampshire, in the pilot of “The West Wing,” which premiered on Sept. 22, 1999.Having your protagonist’s first line be the literal words of the Almighty is, shall we say, a statement. This was a series that saw politics as civic religion. It was a work of patriotic evangelism that appealed to our better angels but failed to match up to earthly reality.But before it was all that, it was a well-crafted, emotional workplace drama. The pilot finds the White House amid a number of crises, personal, political and in between. A flotilla of Cuban refugees headed for Florida is in danger. Sam Seaborn (Rob Lowe), one of the president’s aides, has unknowingly slept with a prostitute. Another aide, Josh Lyman (Bradley Whitford), may lose his job after having embarrassed a prominent religious conservative in a TV appearance. And President Bartlet has injured himself crashing a bicycle into a tree.The episode, written by the creator, Aaron Sorkin, and directed by Thomas Schlamme, establishes the show’s signature look and energy. The camera races to keep up with the staff; the dialogue has the rat-a-tat brio of a ’30s screwball comedy. The score, by W.G. Snuffy Walden, sauces the action in star-spangled emotion. Smart, smart, smart!, the pilot says. Busy, busy, busy!Above all, the pilot establishes the show’s core fantasy: That the right thing and the politically effective thing are the same thing. Josh drags himself into a forced-apology meeting with a religious group. It goes badly: His main antagonist shows herself to be a sour, meanspirited antisemite, and the meeting devolves into a shouting match, interrupted by Bartlet, who corrects a guest’s misquote of the First Commandment.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    On City Strolls, ‘Fat Ham’ Writer Was Inspired by ‘Ghosts of Absence’

    The Tower Records on Broad Street, the Borders bookstore on Chestnut, and the Kitchen Kapers boutique at the corner of Walnut and 17th Streets in Philadelphia: The playwright James Ijames shopped at all of them in the early 2000s while pursuing his M.F.A. at Temple University.I frequented them as well, in the late 1990s, as a student at the University of Pennsylvania. During a walk around downtown Philadelphia on a sweltering August afternoon, we noticed that those businesses were long gone. Passing by the buildings that once housed them, we reflected on how those old haunts endure, in some way, because they stay in our memories, paralleling many of the ideas of that lingering generational history Ijames gets at in his work.Our small talk — about our fondness for the city, receiving Pulitzer Prizes the same year (in 2022) and being college professors — gave way to weightier issues: gentrification, ghosts and intergenerational trauma. Those subjects are all explored in “Good Bones,” his much-anticipated follow-up to his Tony-nominated “Fat Ham,” a Pulitzer winner about a Hamlet-inspired character’s struggles to overcome his family’s cycles of trauma and violence.The cast of “Fat Ham” during its Tony-nominated Broadway run in 2023.Sara Krulwich/The New York TimesIjames (pronounced “imes”) still lives in Philadelphia, with his husband, and teaches at Villanova University. (He is also a former co-artistic director of that city’s Wilma Theater, which produced a film version of “Fat Ham” in 2021, before the Public Theater in Manhattan staged the play’s in-person premiere in 2022.) As we stood on the corner of 15th and Locust Streets, he pointed out that his favorite video store is now a plastic surgery center.“I loved TLA Video because they carried queer independent films, like ‘The Watermelon Woman.’ It was the only place I could find that stuff,” Ijames said. “I’m sad that there isn’t a place for a little queer boy to go.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What’s on TV This Week: Lots of Medical and Police Dramas

    ABC, NBC and Fox are all premiering new shows about doctors, cops or firefighters. The Voice is also returning, with Snoop Dogg joining the judges’ panel.For those who still enjoy a cable subscription, here is a selection of cable and network TV shows, movies and specials that broadcast this week, Sept. 23-29. Details and times are subject to change.Monday9-1-1: LONE STAR 8 p.m. on Fox. As we reminisce about “The West Wing” premiering 25 years ago and daydream about Rob Lowe’s Sam Seaborn (oh, just me?), it’s the perfect time to turn our attention to his current show about a fire station, which is returning for its fifth season.THE VOICE 8 p.m. on NBC. Gwen Stefani and Reba McEntire are back in their red swiveling judges’ chairs, this year joined by Snoop Dogg and Michael Bublé. While in Paris covering the Olympics, Snoop called the judges “a fearless foursome.”Zachary Quinto in “Brilliant Minds.”Rafy/NBCBRILLIANT MINDS 10 p.m. on NBC. If there’s something that we collectively can’t get enough of, it’s doctor shows. This one is inspired by the work of the famed neurologist and author Oliver Sacks, whose research and widely read writings illuminated disorders and cases he had studied or treated. The show stars Zachary Quinto as Dr. Oliver Wolf, a neurologist who works with his team not only to help solve their patients’ difficult cases, but also to deal with their own mental health.TuesdayMURDER IN A SMALL TOWN 8 p.m. on Fox. Based on the Karl Alberg books by L.R. Wright, this show follows Alberg (Rossif Sutherland), as he moves to a small town to become its police chief. And there is, of course, much more drama than expected in this seemingly idyllic community.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Kelsey Grammer Analyzes 40 Years of Frasier: ‘I Have Nothing to Regret’

    Kelsey Grammer likes his raw meat cut very fine. On a recent afternoon, at the restaurant of a Midtown hotel, he requested that his steak tartare be put through the grinder twice. He wanted it, he said, like velvet. The tartare, topped with its quail egg, was presented roughly chopped. “I’ll deal with it,” Grammer said uncomplainingly.Frasier Crane would never. On and off for 40 years on several different sitcoms, Grammer, 69, has played Frasier, a dyed-in-the-cashmere-wool snob and psychiatrist about town. The character is indelibly associated with Grammer. He can’t shake him, though Grammer mostly sees this as a boon.“It’s wonderful to spend your lifetime entertaining people,” he said.In 1984, Grammer, a stage actor who had studied at Juilliard, was cast on the sitcom “Cheers” as Frasier Crane, a love interest for Shelley Long’s waitress character, Diane Chambers. He stayed with the show until it ended in 1993.That same year, Grammer starred in a spinoff, “Frasier,” which saw the character move from Boston back to Seattle, where he lived with his father (John Mahoney) and brother (David Hyde Pierce). Grammer was often a tabloid fixture in those days, with an erratic personal life. Much married, he would eventually father seven children with four different women. He was arrested for drug possession and for driving under the influence. He now believes his chaotic behavior was a response to the trauma of his early life — in separate incidents, both his father and his sister were murdered.The revived “Frasier,” which premiered last year on Paramount+, has included other past characters like Frasier’s ex-wife Lilith, played by Bebe Neuwirth.Chris Haston/Paramount+But he stuck with the show until the 2004 finale. After that, Grammer moved on to other projects, but none lasted very long. And then in 2023, a “Frasier” reboot returned Frasier to Boston, reuniting him with his son, Freddy (Jack Cutmore-Scott), and his best friend, Alan (Nicholas Lyndhurst). The second season premiered Thursday on Paramount+.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Kate Mulgrew Walks the Creative and Emotional Plank in ‘The Beacon’

    Holding tightly to the Dublin accent of her character, the actress talks about starring in Nancy Harris’s feminist thriller at Irish Rep.Sitting in her dressing room on Tuesday at Irish Repertory Theater in Manhattan, talking to me about her latest role, the actress Kate Mulgrew initially sounded like herself: an American from Iowa who happens to share a voice with Kathryn Janeway, the Starfleet captain she played on “Star Trek: Voyager.”A minute or two into the interview, though, a Dublin accent started shading some of her phrases, and soon it was coloring all of them. That’s the first thing you need to know, because when you read her words here it helps to imagine their cadence as they hit the air.The second thing to know is why she would slip into that lilt and sustain it for nearly an hour. She was simply holding tight to Beiv Scanlon, the character she is playing in Nancy Harris’s thriller “The Beacon,” on the Irish Rep main stage.Not that Mulgrew, 69, has been speaking with that accent constantly, but she has been doing it “a lot,” she said. “Yesterday I didn’t. I had to go off and do some things, and I didn’t want to disconcert people who’ve known me for years. Right? That would be odd.”But if, offstage, the accent can be discombobulating even for those of us who don’t know her personally, it’s all in service of Beiv (rhymes with wave).Kate Mulgrew and Zach Appelman in “The Beacon,” at Irish Rep in Manhattan. The play opens Sunday, and is scheduled to run through Nov. 3.Carol RoseggWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Norman Reedus, ‘Walking Dead’ Star and Hieronymus Bosch Fan

    “We wanted to reinvent the show,” the actor said of his spinoff, “The Walking Dead: Daryl Dixon.” Filming in Madrid gave him time to explore the Prado.When Daryl Dixon was introduced in the third episode of “The Walking Dead” in 2010, few viewers could have predicted this half-feral-looking character would end up leading the series. Or that Daryl, played by Norman Reedus, would headline a spinoff set in France.“We wanted to reinvent the show,” Reedus, 55, said in a video interview from Paris.“We just didn’t want to do the same storytelling as in Georgia,” he continued, referring to the location for most of the original series, “and we didn’t want to make an American tourist version of France. So we got French writers. We fought to have French as much as English.”Season 2 of “The Walking Dead: Daryl Dixon” premieres Sept. 29 on AMC, but the new franchise is so successful that Reedus (who also appeared this year in the film “The Bikeriders” and has a second career as a photographer) is already working on the next installment in Spain.He talked about his connection with rock, art and food, as well as his 5-year-old daughter’s influence on his reading. These are edited excerpts from the conversation.1‘Wild God’ by Nick Cave and the Bad SeedsNick Cave and Warren Ellis’s album “Carnage” was my go-to for the entire French filming portion of the first two seasons, and in Spain it’s this album. It just sings, full of life and stories and beautiful thundering bliss. I don’t know anyone that doesn’t love this band. Not one person.2‘Nina Simone’s Gum’ by Warren EllisI met Warren in Paris and we immediately hit it off. When he told me of this book, I immediately got it. I find it interesting to learn of the things that inspire the people that inspire me. He had noticed Nina Simone take out her gum before a show and stick it under the piano. As soon as the show was over, he bolted toward the piano and ripped the gum out. He had a gold cast made of it. He was wearing it as a necklace.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More