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    ‘The Emigrants’ Review: A Troubled Show Finally Debuts

    Krystian Lupa’s latest work had its premiere in Paris after an earlier attempt collapsed. The delay would have been a good time to rethink the four-and-a-half-hour show.The spotlight is rarely on them. Yet as the technical crew moved furniture between scenes of Krystian Lupa’s new play “The Emigrants,” which finally had its world premiere in Paris on Saturday, they were watched as carefully as headline performers.Without these inconspicuous figures, the show can’t go on — and for much of the past year, a dispute with technicians has kept “The Emigrants” from the stage. Initially scheduled to debut last June at the Comédie de Genève, a prestigious Swiss playhouse, that production was canceled less than a week before opening night.At the time, the Comédie de Genève cited differences in “work philosophy” and “values” between its team and Lupa, 80, a longtime luminary of European theater. An article in the Swiss newspaper Le Temps said that the theater’s crew had been “mentally and physically exhausted” by Lupa’s attitude in rehearsal. In a reply published in the French newspaper Libération, Lupa apologized for two violent outbursts during rehearsals, but maintained that technicians “should at least attempt to adapt” to a director’s creative process.Members of the Comédie de Genève technical crew responded with a long letter, describing “multiple instances of disrespect, scoldings, taunting, scenes of drunkenness and humiliations, as well as chaotic organization.”The play’s director, Kristian Lupa, at the Odéon earlier this month. An earlier attempt to stage “The Emigrants” in Geneva collapsed after members of the technical crew walked out.Woytek Konarzewski/SIPA, via Associated PressThe domino effect was swift, and the prestigious Avignon Festival, which was supposed to present the work this past summer, pulled out, too. The Odéon — Théâtre de l’Europe, a Paris theater where Lupa has been a frequent guest over the years, ultimately stepped in to make up for the lost rehearsal time this winter, allowing for a belated premiere using its own technical crew. (No performances of “The Emigrants” are currently planned beyond the Paris dates.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    A ‘Great Gatsby’ Musical Is Coming to Broadway in March

    The latest adaptation of F. Scott Fitzgerald’s classic novel will feature Jeremy Jordan (“Newsies”) as Jay Gatsby and Eva Noblezada (“Hadestown”) as Daisy Buchanan.“The Great Gatsby,” F. Scott Fitzgerald’s 1925 novel of garish glamour and dashed dreams, is coming to Broadway as a musical this spring.The show — the latest in a long string of adaptations of this widely read story — had a pre-Broadway run last fall at the Paper Mill Playhouse in Millburn, N.J., where it opened to mixed reviews. (As it happens, the book also arrived to mixed reviews, and is now widely considered a great classic of American literature.)The lavish production will join a spring Broadway season packed with new musicals at a moment when many industry leaders are concerned that there do not seem to be enough patrons to keep most of the shows afloat.This new “Gatsby” musical is backed by Chunsoo Shin, a Korean producer hungering for a Broadway hit after a spate of unsuccessful ventures here. He most recently was part of the producing team for “Once Upon a One More Time,” the short-lived show featuring Britney Spears songs; previous endeavors included a stage adaptation of “Doctor Zhivago” and a Tupac Shakur musical, “Holler if Ya Hear Me.”The “Great Gatsby” musical features songs by Nathan Tysen and Jason Howland, who collaborated on the 2022 musical “Paradise Square,” and a book by the playwright Kait Kerrigan (“The Mad Ones”). (Tysen and Kerrigan are married to each other.) The director is Marc Bruni, whose previous Broadway outing, “Beautiful: The Carole King Musical,” which opened in 2014, was a significant hit.The musical will star two Broadway fan favorites. Jeremy Jordan, a Tony nominee for “Newsies,” will play the nouveau riche title character, Jay Gatsby, while Eva Noblezada, a two-time Tony nominee, for “Miss Saigon” and “Hadestown,” will play Daisy Buchanan, the young woman with old money whom Gatsby has long desired.“The Great Gatsby” is scheduled to begin previews March 29 and to open April 25 at the Broadway Theater, one of Broadway’s largest houses.The novel has been explored in other media many times, including in a glitzy 2013 Hollywood film directed by Baz Luhrmann that starred Leonardo DiCaprio and Carey Mulligan. On Broadway, there was a “Great Gatsby” play staged in 1926, the year after the novel’s publication; Off Broadway there was a highly acclaimed seven-hour version, called “Gatz,” developed by Elevator Repair Service and staged at the Public Theater in 2010.The novel entered the public domain in 2021, opening the door to any number of adaptations. Most significantly, at least for theater audiences, is another musical adaptation in development. It’s called “Gatsby” and is scheduled to start performances in May at the American Repertory Theater in Cambridge, Mass.That production, which also has Broadway aspirations, has a book by the Pulitzer-winning playwright Martyna Majok (“Cost of Living”), songs by the rock star Florence Welch (of Florence and the Machine) and Thomas Bartlett (also known as Doveman), and direction by Rachel Chavkin (a Tony winner for “Hadestown”). More

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    Best Red Carpet Fashion At the Emmys: Suki Waterhouse, Jennifer Coolidge & More

    After being postponed because of labor strikes in Hollywood, the Emmy Awards returned on Monday night and with the ceremony came what might be the television industry’s biggest fashion show.Though the carpet was gray, there was no shortage of red, a color that also proved quite popular at the Golden Globes this month. Bows, an inescapable accessory of 2023, held on as a favorite embellishment: Riley Keough had a black bow in her hair, while her “Daisy Jones and the Six” castmate Suki Waterhouse and the “Abbott Elementary” actress and screenwriter Quinta Brunson each had them on their gowns. (Ms. Waterhouse’s sat beneath her baby bump.)The ceremony was honoring television programs broadcast last year, which gave viewers a chance to catch up with casts like that of “White Lotus” season two. Some of its members seemed to use the occasion to pay homage to the show’s setting by wearing Italian designers: Meghann Fahy chose a rosette-laden strapless gown by Armani (that was red); Simona Tabasco donned full-skirted, floral Marni; and Jennifer Coolidge wore a sheer dress by Etro.Amid a carpet full of feathers, beads, sequins, diamonds and plenty of well-tailored suits, the following 15 outfits stood out from the rest (for better or worse).Aubrey Plaza: Most Dangerous!Looking sharp.Neilson Barnard/Getty ImagesThe actress and a star of “The White Lotus” had a colossal pin stuck through her pale yellow-green Loewe look. If the accessory looked familiar, it might be because the “Past Lives” director Celine Song had a similarly large pin through her Loewe skirt at the Golden Globes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    2023 Emmys: Best and Worst Moments From the Awards Show

    Most of the awards on Monday night went to favored shows like “Succession” and “The Bear.” But the ceremony, delayed from September, still had a few surprises.The 2023 Emmys finally happened. In 2024.Delayed from September by the dual strike of Hollywood’s actors and writers, the belated ceremony, hosted by Anthony Anderson, took place on Monday night at the Peacock Theater in Los Angeles. On an evening in which the broadcast competed with coverage of the Iowa caucuses and an N.F.L. playoff game — and just a week after the Golden Globes honored many of the same shows — the Emmys made for pleasant, if rarely necessary, viewing.Most of the awards went to favored artists and shows, with “Succession,” “The Bear,” “Beef” and “Last Week Tonight With John Oliver” dominating. (“Better Call Saul,” nominated for 53 Emmys over its six seasons, failed to earn even one statue.) Still, the show did have a few surprises.There was Niecy Nash-Betts’s impassioned speech, Elton John’s newly minted EGOT status and the presenter Joan Collins’s timeless smolder. Kieran Culkin, a winner for “Succession,” used his speech to petition his wife for another child. Ebon Moss-Bachrach celebrated the best comedy win for “The Bear” by planting a long kiss on his co-star Matty Matheson. And Anderson’s mother, Doris Bowman, killed as the evening’s shadow co-host, heckling winners who took too long with their speeches.Here are some of the evenings high and lowlights. — Alexis SoloskiLeast Surprising Wins: All of Them?Most of them, anyway. It’s nice when an awards show allows for a little envelope-opening suspense. This year, the Emmys had nearly none. With a very few exceptions, three shows swept the awards: “Succession” for drama (six Emmys); “The Bear” for comedy (six Emmys); and “Beef” for limited or anthology series or movie (five Emmys). Throw in two for “Late Night With John Oliver” — the eighth consecutive time it has won Emmys in a variety series category and for variety writing — and that was pretty much the winners list.Largely, these awards felt deserved. Who could fail to honor a devastating episode like “Connor’s Wedding,” from “Succession”? Who would overlook Ali Wong? And those “Bear” actors deserve something nice — that show is stressful! But with every minute and every award, the outcomes felt more assured. This Emmys awarded the first season of “The Bear,” and a second — that, in many ways, improves on the first — has already aired. But with “Succession” having ended and “Beef” being a limited series, the next Emmys may offer a few more surprises. — Alexis SoloskiMost Surprising Win: ‘The Daily Show With Trevor Noah’“The Daily Show With Trevor Noah” won best talk series.Kevin Winter/Getty ImagesThe rechristened best talk series category was wide open this year after the Television Academy moved John Oliver over into best scripted variety series. (Which he won, naturally.) Most expected Oliver’s former “Daily Show” colleague Stephen Colbert, whose “Late Show” has been the most-watched late-night show for several years, to claim the trophy. But it was “The Daily Show” itself that won. The Comedy Central standby dominated this category during Jon Stewart’s tenure, but it had never won while Trevor Noah was its host. And it still hasn’t, in a way: Even though it was Noah who accepted the award and gave the speech, he left the show in 2022. (Roy Wood, the former “Daily Show” correspondent, mouthed “Please hire a host” on the stage as Noah gave his speech.) It was yet another example of the weird time warps that made these delayed Emmy Awards even more confusing than usual. — Jeremy EgnerBest Return to the Stage: Christina ApplegateChristina Applegate, who has multiple sclerosis, stood with Anthony Anderson as she presented the Emmy for best supporting actress on Monday.Valerie Macon/Agence France-Presse — Getty ImagesChristina Applegate (“Dead to Me,” “Married With Children”) has made few public appearances since disclosing a diagnosis of multiple sclerosis. Her turn at the Emmys, presenting the award for supporting actress in a comedy series, reaffirmed why she is much missed. Leaning on a handsome escort and a cane, she teared up at the standing ovation the audience gave her, then sliced through the emotion saying, “You’re totally shaming me with disability by standing up.” Spiky, sardonic, lemon-tart, even through tears, she was as funny and complicated as any of the characters she has played. She may not have won for “Dead to Me,” but her presence was a win for the ceremony. — Alexis SoloskiBest Speech: Niecy Nash-BettsNiecy Nash-Betts won the Emmy for best supporting actress in a limited series on Monday. “As an artist, my job is to speak truth to power,” she said in her electric acceptance speech. Mario Anzuoni/ReutersNiecy Nash-Betts is regularly among the best performers in any program she appears in, and the Emmys was no exception. Accepting for “Dahmer,” Nash-Betts gave a blazing speech in which she dedicated her victory to the struggles of “unheard, yet overpoliced” Black and brown women, “like Glenda Cleveland, like Sandra Bland, like Breonna Taylor.” She continued: “As an artist, my job is to speak truth to power. And, baby, I’ma do it till the day I die.” She also said what you have to imagine has gone through the head of many a past award winner: “And you know who I want to thank? I want to thank me, for believing in me and doing what they said I could not do.” Monday night, she did it. — James PoniewozikNot Best, Not Worst, Just Fine: Anthony Anderson as HostAnthony Anderson, left, opened the Emmy Awards ceremony with song on Monday night, accompanied on the drums by Travis Barker.Kevin Winter/Getty ImagesAnthony Anderson opened the Emmys with an ode to the programs that animated his living room TV set growing up, kicking off a 75th anniversary ceremony that spent a lot of time looking back at the history of television. Walking onstage and hanging up his fur coat a la “Mister Rogers’ Neighborhood,” Anderson took to the piano, starting with the theme song from “Good Times,” the 1970s Norman Lear sitcom that Anderson said taught him about “the importance of family, a dynamic catchphrase and spinoff money.” He added: “No ‘Good Times,’ no ‘black-ish,’ no ‘grown-ish,’ no ‘mixed-ish,’” referring to the sitcom he is best known for and the spinoffs that followed. He followed with the theme from “The Facts of Life” and — with an assist from Travis Barker on drums — a rendition of “In the Air Tonight,” which appeared in “Miami Vice.” The theatrical romp, though short, allowed Anderson to sidestep the kind of moments that plagued Jo Koy’s monologue last week at the Golden Globes, where an opening stand-up routine with jokes about celebrities in the room and the most nominated movies fell flat. — Julia JacobsBest Working Mom: Doris BowmanPlaying off winners who ramble in their acceptance speeches? Rude. Anthony Anderson having his mother scold the loquacious? Brilliant. Anderson, who often includes his mother, Doris Bowman, in his act — and in the game show “We Are Family,” which she co-hosts — recruited her as a “playoff mama,” a job she took seriously enough to rebuke her own son when his intro ran too long. “I want to go to the after party,” she said. “Hurry up.” She interrupted Jennifer Coolidge (who would dare?) and silenced John Oliver when he baited her by padding out his speech with Liverpool football players. Kieran Culkin kept his speech short. “I don’t want to be yelled at,” he said. When Anderson donned a latex gimp suit for an “American Horror Story” bit, she piped up to tell him to wash. Good advice and seemingly a great ad-lib. — Alexis SoloskiBest Recurring Feature: The ReunionsThe ceremony’s many reunions included one featuring “Cheers” cast members including, from left, Kelsey Grammer, Rhea Perlman, Ted Danson, John Ratzenberger and George Wendt.Valerie Macon/Agence France-Presse — Getty ImagesUsually, when awards shows “pay tribute” to a medium, it’s a momentum killer for the ceremony and a mildly depressing slog. But the cast reunion segments here were light on their feet — brief, and more important, integrated into the proceedings. Tina Fey and Amy Poehler reunite … to present an award! Hey, it’s some people from the cast of “Cheers” … here to present an award! Throw in a little dance number from some “Ally McBeal” alums for good measure. (Do I wonder how exactly the guest lists were assembled? I do.) The sets did a lot of the heavy lifting, so even the flatter segments still stirred fond memories. — Margaret LyonsWorst Recurring Feature: The MathThe Emmys are usually held in September; because of the Hollywood strikes, this ceremony came four months late. This meant delayed curtain calls for series like “Better Call Saul” and “Dead to Me,” which ended in 2022, as well as having to keep track of which seasons the night’s winners were actually being celebrated for. “The Bear” picked up several wins Monday night, for instance, just as it did at the Golden Globes a week earlier. But the Globes were for the show’s more recent Season 2, while the Emmys were for … Season 1, from summer 2022. Here’s hoping that by the fall, the TV space-time continuum will have been repaired. — James PoniewozikWorst Recurring Omission: The SwearsFor those of us watching at home, it was agony not knowing what filthy, provocative words we missed in so many of the speeches. Only people at Peacock Theater in Los Angeles heard just what Kieran Culkin did to Pedro Pascal’s shoulder, what obscenities Brett Goldstein unleashed and what RuPaul said that had him silenced for multiple seconds. Lip readers of the world — or any available attendees — please advise. — Alexis SoloskiBest Career Milestone: Elton John Gets an EGOTElton John reached EGOT status by winning an Emmy for his special, “Elton John Live: Farewell From Dodger Stadium.”Willy Sanjuan/Invision, via Associated PressElton John secured an EGOT on Monday night, joining the select group who have won an Emmy, a Grammy, an Oscar and a Tony when he won an Emmy for outstanding variety special category for his televised farewell concert at Dodger Stadium. John has won five Grammys, a Tony Award for best original score for “Aida” and two Oscars for songs in “The Lion King” (“Can You Feel the Love Tonight”) and “Rocketman” (“(I’m Gonna) Love Me Again”). With his Emmy for “Elton John Live: Farewell From Dodger Stadium,” which streamed on Disney+, John became the 19th person to gain a title that is totally unofficial yet an enduring source of fascination online. The rather elite club includes Audrey Hepburn, Rita Moreno, Mel Brooks, Whoopi Goldberg, John Legend, Jennifer Hudson and Viola Davis. John, 76, did not attend the Emmys ceremony. — Julia JacobsMost Egregious Snub: ‘Better Call Saul’Seven seasons. Seven Emmy nominations for best drama series, and a whopping 53 nominations overall. And how many Emmy wins for “Better Call Saul”? Zero. I had to double check that a few times; it just didn’t seem possible. And yet, it is true. AMC’s prequel series to the much-Emmyed crime drama “Breaking Bad” had five more chances to win something on Monday night (it had already struck out on its two Creative Emmys nods earlier this month). Wins for Bob Odenkirk and Rhea Seehorn, for best actor and supporting actress, seemed at least plausible. Instead, the show holds the record for most Emmy nominations in history without a win. Slippin’ Jimmy’s final opportunity has thus slipped away. — Austin Considine More

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    When Nate Berkus Decorates Your Home, It’s Best Not to Change a Thing

    Just ask the actors Patrick Page and Paige Davis, whose Upper West Side apartment has remained virtually untouched for two decades.Patrick Page and Paige Davis met in the mid 1990s, during New York rehearsals for the first national tour of the musical “Beauty and the Beast.” But with Mr. Page working on his scenes in one studio (he played Lumière), and Ms. Davis, an ensemble member, singing and dancing in another, they didn’t really get acquainted until performances began in Minneapolis.“We started hanging out as friends, and we’ve been hanging out ever since,” said Mr. Page, 61. The couple’s 2001 alfresco nuptials were chronicled on the TLC series “A Wedding Story.”For several years, the vivacious Ms. Davis, now 54, was the host of TLC’s “Trading Spaces,” a home improvement show (wherein neighbors, backed by a design team, would redo a room in each other’s homes on a $1,000 budget), and later returned to her theater roots, starring in “Chicago” on Broadway. Recently, she completed an indie short film that’s due out this year.Husband-and-wife actors Patrick Page and Paige Davis live in a two-bedroom co-op on the Upper West Side that Nate Berkus decorated 20 years ago, for an episode of “The Oprah Winfrey Show.”Maansi Srivastava/The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Emmys Takeaways: ‘Succession’ Triumphs as ‘The Bear’ and ‘Beef’ Also Win

    “Succession” triumphed one last time.HBO’s chronicle of a feuding media dynasty took best drama honors for its final season at the Emmys on Monday night, the third time the show has claimed television’s most prestigious prize. “Succession” swept nearly all the major acting awards for drama, with Kieran Culkin, Sarah Snook and Matthew Macfadyen winning for their last-season performances. Jesse Armstrong, the show’s creator, won his fourth Emmy for best drama writing — one for each “Succession” season.The show now joins the fabled ranks of dramas that were rewarded with top honors for their farewell seasons, a lineup that includes “The Sopranos,” “Breaking Bad” and “Game of Thrones.”“It was a great sadness to end this show, but it was a great pleasure to do it,” Armstrong said, as he accepted his best writing Emmy.Emmys voters were not as kind to other returning winners.“The Bear,” the FX and Hulu series chronicling an oddball Chicago-based restaurant staff, took best comedy honors for its freshman season. “The Bear” bested “Ted Lasso,” the big-hearted Apple TV+ series that previously won best comedy two times in a row, which is widely believed to have wrapped its final season.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber?  More

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    Niecy Nash-Betts Honors Sandra Bland and Breonna Taylor in Her Emmy Speech

    Niecy Nash-Betts, who played a neighbor in Netflix’s “Dahmer,” won her first Emmy on Monday night for best supporting actress in a limited series.In her acceptance speech, Nash-Betts called attention to Black people who have been overlooked and who have been victims of police violence.“I accept this award on behalf of every Black and brown woman who has gone unheard, yet overpoliced, like Glenda Cleveland, like Sandra Bland, like Breonna Taylor,” she said. “As an artist, my job is to speak truth to power. And, baby, I’ma do it till the day I die. Mama, I won!”Going into Monday night, Nash-Betts had received five Emmy nominations, including nominations for best actress in a comedy for her role as Denise “Didi” Ortley in HBO’s “Getting On.”In “Dahmer — Monster: The Jeffrey Dahmer Story,” a show about the serial killer who murdered 17 boys and men between 1978 and 1991, Nash-Betts plays Glenda Cleveland, Dahmer’s neighbor. In the show, Cleveland, who is based on a real person, alerts the police about Dahmer’s violent behavior but is systematically ignored.In winning the Emmy, Nash-Betts beat fellow nominees Annaleigh Ashford of “Welcome to Chippendales,” Maria Bello of “Beef,” Claire Danes of “Fleishman Is in Trouble,” Juliette Lewis of “Welcome to Chippendales,” Camila Morrone of “Daisy Jones & the Six” and Merritt Wever of “Tiny Beautiful Things.” More

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    Ali Wong Wins Her First Emmy: Best Actress in a Limited Series for ‘Beef’

    Ali Wong won best actress in a limited series for “Beef,” her first Emmy, capping a strong start to the year for her and the Netflix series.Last week, Wong won a Golden Globe in the same category for her performance as a woman who enters into a prolonged feud with a contractor, played by Steven Yeun, after a road rage incident. Yeun also won an Emmy and a Golden Globe.The series, which Wong, better known as a comedian, also executive produced, was widely acclaimed by critics and award voters. It won the Emmy for best limited series and received a total of 13 nominations.As she walked on to the stage in a shimmering multicolored dress, Wong thanked the cast and crew of “Beef” and her parents before tearing up as she thanked her daughters.“Thank you for inspiring me, this is for you,” Wong said. More