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    Jimmy Kimmel Bashes Trump’s Bizarre Town Hall

    Kimmel joked on Tuesday that Trump “just said ‘To hell with it’ and started asking his tech guys to play songs off his iPad.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Dance Hall CrashersOn Monday, former President Donald Trump took only five questions from the audience at a town hall in Pennsylvania. He spent the last 39 minutes onstage swaying to music.Jimmy Kimmel joked on Tuesday that Trump “just said ‘To hell with it’ and started asking his tech guys to play songs off his iPad.”“Why remain onstage for 39 minutes? Just pretend it was one of Don Jr.’s piano recitals and leave. Go home!” — JIMMY KIMMEL“He played music and kind of did that baby toddler jumping dance that he does for a full 39 minutes. He just stood there swaying like a manatee tangled in seaweed.” — JIMMY KIMMEL“I want you to imagine a world in which Kamala Harris stood there at a rally and said nothing, just danced around for almost 40 minutes. Fox News would have — they would have blocked out a full week to cover it.” — JIMMY KIMMELThe Punchiest Punchlines (Let the Record Show Edition)“Watching an elderly man sway to Vatican elevator music for 40 minutes might make you wonder, ‘Is he OK?’ And you wouldn’t be the only one, because yesterday more than 230 doctors and health care providers called on Trump to release his medical records. Do you know how hard it is to get 230 doctors to agree on anything?” — STEPHEN COLBERT“Trump took the time to fire back at the doctors with this lie, [imitating Trump] ‘I’ve put out more medical exams than any other president in history, and aced two cognitive exams.’ First of all, no, you haven’t. Second of all, just because you were healthy in the past doesn’t mean you’re still healthy now. ‘Oh, am I prediabetic? I don’t know — why don’t you ask this urine sample from January of 1996?’” — STEPHEN COLBERT“This guy, he wasn’t healthy enough to be in the military during the draft, but 60 years later, he’s the healthiest man alive. He’s perfect.” — JIMMY KIMMELThe Bits Worth Watching“Shrinking” star Jason Segal discussed working with co-star Harrison Ford on Tuesday’s “Late Show.”What We’re Excited About on Wednesday NightAustralian pop duo Royel Otis will make their American late night debut on Kimmel’s show Wednesday.Also, Check This OutMiami Beach officials wanted to highlight where Desi Arnaz launched his career, with a historical marker at the site of the nightclub where he popularized the conga.Martina Tuaty for The New York TimesA new historical marker in Miami Beach honors the nightclub where Desi Arnaz launched his musical career. More

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    Desi Arnaz Historical Marker Celebrates the ‘I Love Lucy’ Star in Miami Beach

    A new historical marker in Miami Beach pays tribute to his younger years, before Hollywood, when as a Cuban émigré he performed at a nightclub.Years before he played the charming and devoted husband Ricky Ricardo on the sitcom “I Love Lucy” and became a bandleader who belted out “Babalú” before audiences, Desi Arnaz was a teenage Cuban immigrant who struggled to learn English in Florida.He attended a Catholic school in Miami Beach, picking up the guitar and the conga drum. And he was eventually hired as a bandleader at a nightclub where he popularized the conga.Nearly 90 years after that first big break, Miami Beach honored him on Tuesday with a historical marker that was placed near where the nightclub stood. The marker pays tribute to his younger years in the city and celebrates him for paving the way for generations of Latino entertainers.“He was not only a pioneer for Cubans that were coming to the United States but he was a pioneer for the arts in Miami Beach,” said Alex Fernandez, a member of the Miami Beach Commission, the city’s legislative body.Desi, ‘an American Original’Desi Arnaz during a publicity tour to Lucille Ball’s hometown in Jamestown, N.Y., in 1956.Charlotte BrooksThe new marker is at Collins Park outside the Miami City Ballet. It is near the site of the former Park Avenue Restaurant that hosted performances and came to be remembered as the Park Avenue nightclub. The memorial joins an artsy Miami Beach district that includes the Bass Museum of Art and a library.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Political Theater: 7 Shows That Wrestle With Cultural Issues

    These productions are grappling with climate change, reproductive rights, the Arab Spring and accusations of sexual assault.The stage has always been a political setting, whether explicitly or implicitly. The lights go down, and confrontation and conflict ensues. With the U.S. presidential election around the corner, and the political fractures of society on full display, recent theater productions have grappled with these difficulties head-on. Here are a few of the current and upcoming productions tackling loaded and thorny issues.‘The Ford/Hill Project’Oct. 16-20 at the Public TheaterThat this verbatim play was staged at Woolly Mammoth Theater Company in Washington on Oct. 7, the first day of the Supreme Court’s new term, should make its political mission clear enough. As for the play itself? The actors onstage were re-enacting the accusations of sexual assault and harassment leveled at two Supreme Court justices, Clarence Thomas and Bret Kavanaugh.“The Ford/Hill Project,” which begins performances on Wednesday at the Public Theater in Manhattan, interweaves real excerpts from the Senate hearings in which Anita Hill recounted her sexual harassment allegations against Thomas and, 30 years later, Christine Blasey Ford recounted hers against Kavanaugh. The replication of verbatim quotes allows the audience to attend these seismic political events themselves, draws attention to the very public nature of these proceedings and the theatricality of politics, and highlights the connection between our past and present.In a recent video call, Lee Sunday Evans, the play’s director and co-creator, discussed how the performance breaks from being pure re-enactment. Hill and Ford “were extraordinarily alone when they gave their testimony,” she explained, but in the piece, “they’re able to stand side by side.” She added that she hopes the play helps people see their stories as more related and “creates a space where they don’t have to be alone.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Late Night Is Still Waiting for Trump’s Medical Report

    Kamala Harris’s health is said to be “excellent,” but the nation has yet to hear about Donald Trump’s. “Do you really want to see his X-rays?” said Stephen Colbert.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Can Walk Up Stairs’Kamala Harris released a medical report on Saturday, wherein the vice president’s doctor stated that she was in “excellent health.”“It’s great that just the words ‘excellent health’ kind of feel like a dig at Donald Trump,” Stephen Colbert said on Monday.“They should follow that up with ‘can walk up stairs’ and ‘is potty trained.’” — STEPHEN COLBERT“According to a letter from Harris’s physician, ‘She possesses the physical and mental resiliency required to successfully execute the duties of the presidency, to include those as chief executive, head of state and commander in chief.’ Yeah! That’s impressive. That’s a hell of a doctor’s note. After my last physical, Dr. Shaker just wrote, ‘can continue to host “The Late Show,” maybe sit down for monologue?’” — STEPHEN COLBERT“According to the doctor, Harris works out daily and eats healthy. OK, but politicians are supposed to be relatable to Americans. We do not eat healthy. Has she forgotten the immortal words of Thomas Jefferson in the Declaration of Independence: ‘Love that chicken from Popeyes’?” — STEPHEN COLBERT“You know who hasn’t released his medical records? Donald Trump, which Harris pointed out. [audience boos] Do you really want to see his X-rays?” — STEPHEN COLBERTThe Punchiest Punchlines (Pay-Per-View Edition)“Trump has not released his medical report. He has not released his medical report, he has not released his tax returns, his health care plan. He hasn’t released his sports bra for months. But he was up at 1:12 a.m. posting, ‘I believe it is very important that Kamala Harris pass a test on cognitive stamina and agility.’ The guy who’s up in the middle of the night reading tweets about himself wants to give someone else a cognitive test.” — JIMMY KIMMEL“If you’re too scared to debate again, I dare you to take a cognitive test against the vice president. Let’s see how you do. You could charge people for it if you want. Make it a pay-per-view. I will pay you $49.99 to watch that.” — JIMMY KIMMEL“He won’t even release his blood pressure.” — JIMMY KIMMELThe Bits Worth WatchingThe “Smile 2” star Naomi Scott taught Kimmel and Guillermo Rodriguez how to nail a creepy grin on “Jimmy Kimmel Live.”What We’re Excited About on Tuesday NightThe “Shrinking” star Jason Segel will visit “The Late Show.”Also, Check This OutChad Unger for The New York TimesIn Los Angeles, Deaf West’s revival of Green Day’s “American Idiot” musical finds ways to communicate its rage and angst through sign language. More

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    York Theater Artistic Director Out After ‘Hurtful’ Diversity Comments

    James Morgan, who has been with the small New York theater company for 50 years, blamed the effects of a stroke for his behavior.The longtime leader of the York Theater Company, a small New York nonprofit known for its emphasis on musical theater, is acknowledging making “hurtful” comments about diversity that he says prompted his abrupt departure from the organization.James Morgan, who has served as producing artistic director of the York since 1979, and who has been with the company for 50 years, issued a letter on Monday saying that he had suffered a stroke in 2022, and attributed his behavior to that medical incident.“During a recent staff meeting, I responded to a colleague’s concerns about the diversity of our audiences in a way that was inappropriate and hurtful,” Morgan wrote in the letter. “The words came out — at a raised volume that has been one of the side effects of the stroke — differently than I intended them.”The York is a niche company, founded in 1969, that operates out of a church on Manhattan’s Upper East Side. During fiscal 2023, it had an annual budget of $2.2 million, according to a filing with the Internal Revenue Service; Morgan was paid a salary of $95,000.On Friday at 5 p.m., the company issued a news release saying that Morgan had “resigned from his duties, effective immediately.” Jim Kierstead, the board’s president, raised the diversity issue in his statement in the news release, saying, “We will soon be announcing plans for a future filled with diversity, talent, and musical theater in order to continue our long legacy of supporting artists of all backgrounds.”It quickly became clear that Morgan’s departure had been preceded by the resignation of Gerry McIntyre, the theater’s associate artistic director.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘American Idiot,’ Reborn in L.A. With American Sign Language

    Inside the Mark Taper Forum in downtown Los Angeles on a recent Wednesday, the air was saturated with stage fog and preshow jitters. The first performance of a revival of Green Day’s “American Idiot” was just hours away, and the choreographer Jennifer Weber had some final instructions for the cast members, who were wearing their costumes — combat boots, eyeliner, enough artfully ripped jeans to fill a Hot Topic — while they ran through dance movements onstage. Weber, microphone in hand, sang the song “Homecoming” as she demonstrated choreography:“What the hell’s your name?/What’s your pleasure, what is your pain?”An American Sign Language interpreter, Maria Cardoza, stood alongside the actors, signing Weber’s directions. At one point, Colin Analco, the show’s ASL choreographer, was slipped a small flashlight to illuminate Cardoza’s signing motions under the din of the fog and ambient lights. Weber kept singing, then started counting the beats:“‘Blew his brains out’ … one! … two! … three! …”Around the theater, about a dozen other conversations, some in spoken English and some in sign language, were happening among the cast and crew. Their show is the latest interpretation of a set of songs that have had many lives: After all, “American Idiot” is many things. It’s an album that monopolized alternative radio in 2004, but also a present-day staple of nostalgic streaming playlists. It’s a time capsule of Iraq War-era political disillusionment, and a distillation of timeless teenage angst. A musical adaptation of the album debuted in 2009, and made its way to Broadway in 2010. Now, this revival of that show is proving, with gusto, that “American Idiot” can be yet another thing: a near-scientific study of the innumerable ways to give somebody the finger.Landen Gonzales (signer, on the right) and Brady Fritz (singer, on the left) perform an excerpt from “Jesus of Suburbia.”Chad Unger for The New York TimesOr at least how many different ways the human body can be used to convey the emotions behind a raised middle finger. The production, which opened Oct. 9 and is running through Nov. 16, is a collaboration between the nonprofit Center Theater Group and Deaf West Theater, a Tony Award-winning company that stages plays and musicals that blend American Sign Language with spoken English.The cast includes both Deaf and hearing performers. Certain lead characters are played by two people at once — one Deaf actor who primarily communicates using sign language, and one hearing actor who sings and talks in spoken English. It’s a well-established method for producing work for audiences of Deaf and hearing people. Deaf West has specialized in it for decades. But as one might expect, “American Idiot,” a fast-paced, loud pop-punk musical filled with wordplay (“alien nation,” for instance) and four-letter words, presented the artists with some novel challenges.An idiosyncratic musicalBuilt around rock songs that were not written for the stage — among them “Boulevard of Broken Dreams,” “Wake Me Up When September Ends” and the title track — the “American Idiot” musical is almost entirely sung through, with little dialogue. Its book was written by Green Day’s frontman, Billie Joe Armstrong, and the Broadway director Michael Mayer. Its story, about three teenage misfits named Johnny, Will and Tunny whose lives diverge, is primarily conveyed through the staging.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What’s on TV This Week: ‘The Wranglers’ and ‘Elsbeth’

    A CW documentary, inspired by the series “Yellowstone,” shows what real life in ranch country looks like. And “The Good Wife” spinoff is back for a second season.For those who still enjoy a cable subscription, here is a selection of cable and network TV shows, movies and specials that broadcast this week, Oct. 14-20 Details and times are subject to change.MondayTHE WRANGLERS 9 p.m. on the CW. This new documentary is like the reality show “Below Deck,” if it were on a dude ranch instead of a yacht. This show follows a group of cowboys and cowgirls who, by day, work at the Circle Bar Dude Ranch in Montana and then, of course, party by night. Inspired by the drama “Yellowstone,” this series aims to show what real life in ranch country looks like. You know what they say: Save a horse …TuesdayI’M NOT A MONSTER 9 p.m. on HBO. In 2018, Lois Riess started a journey that would leave her with the nickname “fugitive grandma.” Riess shot and killed her husband of 26 years in Minnesota, then fled to Florida, committing identity theft, robbery and murder again. This two-part documentary series is her first time speaking out from prison.WednesdaySCAMANDA 10 p.m. on ABC. The blogger Amanda Riley had been writing about her fight against Stage 3 blood cancer when an investigative reporter, Nancy Moscatiello, got a tip that Riley wasn’t telling the truth. Eventually Moscatiello uncovered that Riley had lied about her cancer diagnosis and accepted donations to cover medical expenses that didn’t exist. This new documentary series about Riley, who’s currently serving five years in prison, dives deeper in to the case, which was also covered in the podcast “Scamanda.”ThursdayNathan Lane and Carrie Preston in “Elsbeth.”Michael Parmelee/CBSELSBETH 10 p.m. on CBS. This spinoff of “The Good Wife,” revolving around the quirky attorney Elsbeth Tascioni, played by Carrie Preston, is back for a second season. This year, she continues to work with the N.Y.P.D. to help solve the crimes happening around the city. The season starts off with a murder in a theater, a ringing cellphone and an opera lover played by Nathan Lane — need I say more?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    On ‘S.N.L.,’ Harris and Trump Take Their Contest to ‘Family Feud’

    It was also an especially music-filled evening, with Stevie Nicks as the musical guest and Ariana Grande, as host, breaking often into song.Although former President Donald J. Trump refused invitations for a second debate with Vice President Kamala Harris, “Saturday Night Live” came up with another setting where both presidential nominees might share the stage: the game show “Family Feud.”This weekend’s “S.N.L.” broadcast, hosted by Ariana Grande and featuring the musical guest Stevie Nicks, opened with what looked like a CNN report — but quickly threw to a special election edition of “Family Feud,” hosted by Steve Harvey (played by Kenan Thompson).Thompson first introduced the players on the Democratic team, led by Maya Rudolph in her recurring role as Harris. “My campaign has raised a billion dollars,” Rudolph noted.“How are you not winning by a landslide?” Thompson asked her.Rudolph laughed and then replied, “That’s a question I scream into my pillow every morning.”The rest of the Democratic team included Andy Samberg as Doug Emhoff, Jim Gaffigan as Governor Tim Walz of Minnesota (“I am such a huge fan of your standup, Cedric,” he told Thompson) and Dana Carvey as President Biden.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More