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    How Going to Commercial During the Super Bowl Works

    Television commercial breaks are the bane of every N.F.L. fan. They interrupt a game already riddled with stoppages, bombard viewers with come-ons and force fans and players in the stadium to stand around for about two and a half minutes, sometimes in the freezing cold.Yet commercials are the lifeblood of the N.F.L. Without them, broadcasters could not afford to pay the league billions of dollars for rights fees, money that goes to paying players’ salaries and much more.Most games have 18 commercial breaks. A few timeouts, like at the end of the first and third quarters and at the two-minute warnings, are fixed. The league and networks avoid taking breaks if a team’s opening drive of the game ends quickly, because they want fans to settle into the broadcast. If all goes well, the last commercials run at the two-minute warning in the fourth quarter.Most commercial breaks, though, are chosen in real time as league executives, network producers and officials on the field look for natural breaks in the action. Finding them is more art than science because every game unfolds differently, with long drives, three-and-outs, injury timeouts and coaches’ challenges.League officials sit in the press box during games and help determine when to take commercial breaks.Caroline Gutman for The New York Times“Our fans know that the commercial breaks are coming,” said Mike North, vice president of broadcast planning and scheduling at the N.F.L. “The whole idea from where we sit is to try to use those breaks to cover downtime: resetting the field after a score; if there happens to be an injury, hopefully a minor one; or an instant replay review when the referee goes to the sideline.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    in Theater

    Tony Roberts, Nonchalant Fixture in Woody Allen Films, Dies at 85

    Tony Roberts, the affable actor who was best known as the hero’s best friend in Woody Allen movies like “Annie Hall,” and who distinguished himself on the New York stage with two Tony Award nominations and what the critic Clive Barnes of The New York Times called his “careful nonchalance,” died on Friday at his home in Manhattan. He was 85.His daughter and only immediate survivor, Nicole Burley, said the cause was complications of lung cancer.Mr. Roberts played easygoing, confident characters that were a perfect counterpoint to the rampant insecurities of Mr. Allen’s.Alvy Singer, the hero of “Annie Hall” (1977), which won the Oscar for best picture, stuttered, dithered and fumbled his way around Manhattan’s Upper East Side alongside Rob (Mr. Roberts), his taller, better-looking, far more self-assured Hollywood actor friend and tennis partner. If truth be told, Rob would rather be in Los Angeles, where the weather is nicer, adding a laugh track to his sitcom.Mr. Roberts, center, with Woody Allen and Diane Keaton in “Annie Hall” (1977). Mr. Roberts appeared in several of Mr. Allen’s films, playing easygoing, confident characters that were a perfect counterpoint to the rampant insecurities of Mr. Allen’s.Brian Hamill/United Artists, via Everett CollectionMr. Roberts played similar types in other Allen films. In “A Midsummer Night’s Sex Comedy” (1982), he was a jovial bachelor doctor at the turn of the 20th century. “Marriage, for me, is the death of hope,” his character announced. In “Stardust Memories” (1980), he was a brash actor who brought a Playboy centerfold model to a film festival.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Best and Worst Super Bowl Commercials, Ranked

    Here is our critic’s evolving survey of this year’s Super Bowl commercials, from best to worst.Here is my annual critical ranking of the Super Bowl commercials. This is the pregame edition, with all the available national ads that I could track down; the list will be updated after Sunday’s game.The trends so far? Nothing controversial, as you would expect, but also — and perhaps for associated reasons — very little creativity. It’s a bad year for ads; the ones at the top of this list aren’t much better than average. More spots than usual depend entirely on the appeal of a relatable celebrity (who is almost certainly male). Concepts beat ideas — there is a lot of fussy, overly complicated silliness and not much in the way of simple, effective storytelling or mood setting.(You may not see every commercial listed here during the game, and you may see commercials not listed here. The various broadcast and streaming platforms will carry different selections of ads, and some ads will only be shown in certain regions.)No. 1National Football LeagueN.F.L.The N.F.L.’s own feel-good promo, “Somebody,” is affecting in a highly produced, can’t-we-all-just-get-along manner. Its implicit endorsement of diversity and inclusion offers a muted contrast to the league’s decision to forgo the “End Racism” end-zone slogan.No. 2Stella ArtoisWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A Katt Williams Interview Made Shannon Sharpe’s “Club Shay Shay” a Hit

    “Club Shay Shay” became a must-stop destination for Hollywood after Katt Williams aired his grievances. “This was our ‘Thriller’ album,” said the host Shannon Sharpe.Shannon Sharpe won three Super Bowls in a Hall of Fame career and once recorded 214 receiving yards in a game, the most ever by a National Football League tight end. Another crowning achievement came long after he was outmuscling bulky defenders, when he convinced a 5-foot-5 comedian to open up while sipping cognac on a brown leather sofa.When that comedian and actor, Katt Williams, aired his grievances against prominent Black celebrities, including Sean Combs and Kevin Hart, it instantly turned Sharpe’s podcast “Club Shay Shay” into a must-stop destination in Hollywood and beyond. In the months after the episode aired in January 2024, Sharpe secured interviews with the rapper Megan Thee Stallion and the Democratic presidential candidate Kamala Harris.“‘Club Shay Shay’ has become the modern-day talk show,” said Lillian Xu, a top podcast executive for Vox Media, which produces a handful of rival series.Sharpe has cut through in a saturated podcast ecosystem where Alex Cooper and the Kelce brothers command nine-figure contracts. In addition to “Club Shay Shay,” Sharpe makes twice-weekly appearances on “First Take,” ESPN’s popular morning debate show, and hosts a secondary podcast, “Nightcap,” with the former N.F.L. receiver Chad Johnson.Before a live taping of a “Nightcap” episode in New Orleans this week ahead of the Super Bowl, Sharpe exercised his vocal cords in a backstage greenroom as a makeup artist prepared to pat his face. Moments later, his voice, laced with a country-twang accent, soared throughout an auditorium. The friends debated N.F.L. award winners, Johnson’s relationship issues and other topics.In the past year, Sharpe has interviewed Megan Thee Stallion, Kamala Harris, Mo’Nique and Kai Cenat on his podcast “Club Shay Shay.”Emily Kask for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Troubled Volksbühne Theater Announces Another New Director

    Matthias Lilienthal will take over running the Berlin playhouse, which has been lurching from crisis to crisis for years.Berlin city officials announced Friday that the theater maker Matthias Lilienthal would take over leadership of the Volksbühne, one of Europe’s most influential playhouses.Lilienthal is an established figure in German theater, having previously led major institutions in Berlin and Munich. He is set to take up the role in 2026, with a contract until 2031.At a news conference, Lilienthal announced plans to expand the theater’s dance offering. He also said he planned to feature a slate of works by international directors — a decision he described as “a conscious resistance” to rising nationalism in Germany.“Hopefully it is a joyful resistance,” he added.Many theater lovers are hoping that Lilienthal’s appointment marks the end of a prolonged period of turmoil at the Volksbühne, which has long been known for its formally daring and politically provocative works. But in recent years, the theater has been plagued by scandal and tragedy, as well as vicious conflicts about its creative direction that have mirrored broader debates about Berlin’s identity.Lilienthal is no stranger to the Volksbühne. He served as its chief dramaturg in the 1990s, when it was led by Frank Castorf, a towering figure in German theater. It was Castorf, the Volksbühne’s director from 1992 to 2017, who put the playhouse on the international map and established its reputation for high-minded, no-holds-barred performance.Matthias Lilienthal at a news conference at the Volksbühne on Friday.Soeren Stache/picture alliance via Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A Fungus That Turns Spiders Into Zombies Is a Discovery to Haunt Your Nightmares

    A BBC documentary crew in Northern Ireland stumbled upon a fungus that hijacks spiders in an arachnid version of “The Last of Us.”An abandoned gunpowder storage shed pokes out from a small mound of earth in what’s now a nature preserve in Northern Ireland. It is the perfect place for a spider: semi-subterranean, cool and dark. But in 2021, a crew working on a BBC nature program found more than an average arachnid lurking there. They spotted a dead spider with a lacy white fungus erupting from its body.The fungus, scientists announced in a paper published last month in the journal Fungal Systematics and Evolution, is a newly discovered species that spreads its spore by hijacking a spider and turning the unlucky arachnid into a zombie. This evolutionary strategy has been made famous by the zombie ant fungus Ophiocordyceps, which inspired the video game and HBO show “The Last of Us.” This spider version is only distantly related to that fungus.Volunteers at the Castle Espie Wetland Centre near Belfast were assisting the BBC filmmakers when they noticed the infected spider. Pictures of the specimen made their way to Harry Evans, an emeritus fellow at CAB International, a nonprofit organization focusing on agricultural and environmental research. “I posited that it was an unknown or unusual species and requested the specimen once the filming had finished,” Dr. Evans, an author of the paper, said.When the BBC program aired, Tim Fogg, a cave explorer, reached out to Dr. Evans to say that he had observed a similar fungus in Irish caves. Each of the five infected spiders Mr. Fogg collected was engulfed by a tiny, tangled thicket of fungi.João Araújo, an author of the paper and a curator of mycology at the Denmark Natural History Museum, said he and his colleagues believe that when a spore lands on a spider, the fungus sprouts a root-like structure called a germ tube that drills into the arachnid’s exoskeleton. Once inside, the fungus buds and multiplies, Dr. Araújo said, “taking over basically almost the entire body of the spider.”Gibellula attenboroughii on orb-weaving spiders found in Irish caves, and a microscope view of the fungus. Tim Fogg; Evans et al., FUSE, 2025; Harry EvansWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Rami Malek and Brie Larson Try Sophocles in London

    Sophocles is suddenly everywhere on the city’s stages. In concurrent shows, Rami Malek is playing Oedipus and Brie Larson is taking on Elektra.At the Old Vic theater in London, a tenebrous stage is lit now and again with deep, yellowy-orange hues; at its center is a stark solar orb. The effect is soothing, like being gently woken by an enormous sunrise alarm. The setting is a drought-stricken Thebes and the play is a reimagining of Sophocles’ tragedy, “Oedipus Rex,” first performed around 429 B.C. and relevant as ever in our era of vainglorious leaders.King Oedipus, played by the movie star Rami Malek — best known for his Oscar-winning performance in “Bohemian Rhapsody” — wants to figure out who killed his predecessor, Laius, in hopes that solving the mystery will bring an end to the drought. In the process, he stumbles upon a series of revelations that bear out the truth of the Oracle’s infamous prediction: that he is destined to kill his father and sleep with his mother.In this production, running through March 29, the story is set in a featureless, vaguely postapocalyptic landscape and told through a blend of drama and dance. (The Israeli choreographer Hofesh Shechter shares the directorial credit with the Old Vic’s artistic director, Matthew Warchus.) Between scenes, a chorus throws beautifully unsettling shapes to a soundtrack of moody electronic beats and pounding drums.Remi Malek, left, as Oedipus and Indira Varma as Jocasta in “Oedipus” at the Young Vic.Manuel HarlanThe dancers’ twitchy, convulsive movements and supplicatory body language evoke the plight of a suffering populace, but once the truth is out and the gods appeased, the rain comes and the chorus moves with unburdened grace under a glorious drizzle. (Set design is by Rae Smith, lighting by Tom Visser.)Malek’s assertive drawl and blithe, can-do rhetoric carry hints of President Trump. (“Whatever the Oracle gives us. … I can work with that!”) And Indira Varma brings a suitably regal poise to the role of Jocasta, who was long ago forced by Laius to abandon her baby. That child was Oedipus himself; he was rescued, adopted and went on to marry Jocasta.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jimmy Kimmel Has Doubts About Trump’s Religious Convictions

    According to Kimmel, “MAGA Teresa” only attended the National Prayer Breakfast “because he doesn’t like it when people worship anyone other than him.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Put a Shirt On’President Trump attended the National Prayer Breakfast in Washington on Thursday. Jimmy Kimmel, who called him “MAGA Teresa,” said he only showed up “because he doesn’t like it when people worship anyone other than him.”“He covered a lot of subjects. He bragged about deporting immigrants, his war on diversity, fighting ‘transgenders’ — all the sacred teachings of Jesus.” — JIMMY KIMMEL“President Trump spoke today at the National Prayer Breakfast, in case you needed more proof that those don’t work.” — SETH MEYERS“While speaking today at the National Prayer Breakfast, President Trump said, ‘None of us knows exactly when our time on Earth will be over.’ I don’t know, I’m thinking whenever R.F.K. Jr. gets confirmed.” — SETH MEYERS“Trump also told the audience we need to bring religion back, and who better to bring it back than the guy who sells ‘God Bless the U.S.A.’ bibles for $59.99.” — JIMMY KIMMEL“Of all the unbelievable things about Donald Trump, religious people believing he is also a religious person might be the toughest one to understand.” — JIMMY KIMMEL“Honestly, if Trump met Jesus, he’d call him a loser, he’d tell him to get a haircut and put a shirt on.” — JIMMY KIMMELThe Punchiest Punchlines (Super Bowl LIX Edition)“Super Bowl Sunday, also known as ‘Get Drunk in a Friend of a Friend’s Weird Living Room Day,’ is imminent. Hope everyone has their friendship bracelets picked out.” — JIMMY KIMMEL“Yeah, between the game and the commercials, it’s going to be four straight hours of Patrick Mahomes on TV.” — JIMMY FALLON“Donald Trump will be there at the game. He said — this is fun — he said he’s going to let Elon pick the winner this year.” — JIMMY KIMMEL“He will make history as the first sitting president to go to the Super Bowl. I think the reason Trump’s going to the Super Bowl, he can’t stand to have even one day where he’s on TV less than Taylor Swift.” — JIMMY KIMMEL“Taylor Swift will also be in attendance to support her boyfriend, the Chiefs’ superstar tight end, Taylor Swift’s boyfriend.” — STEPHEN COLBERT“I saw that this year’s Super Bowl will be watched in 180 countries. Yeah, well, 179 if we take over Canada by Saturday.” — JIMMY FALLONThe Bits Worth WatchingThe Oscar-winning actor Ke Huy Quan discussed his new role in the film “Love Hurts” on Thursday’s “Daily Show.”Also, Check This OutIn a new installment of the franchise, Smurfette and the other Smurfs leave their village for an adventure in the live-action world.Paramount PicturesA trailer for the upcoming “Smurfs” movie features Rihanna, who’ll be the voice of Smurfette. More