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    Seth Meyers and His Brother, Josh, Poke Fun at Family Vacations on Podcast

    In their podcast, “Family Trips With the Meyers Brothers,” the comedians interview notable guests about memorable childhood holidays.When Seth and Josh Meyers were kids, their family spent a week in Maine at a waterfront cabin, where their mother got bitten by a horsefly, developed a bad reaction and ended up in the emergency room.“Her forearms looked like Popeye’s,” Josh recalled.“I remember spending the entirety of the trip in a room with a bunk bed that was a billion degrees,” added Seth, the host of a late-night talk show and a “Saturday Night Live” alumnus.These days, the brothers — both writers and comedians and the rare siblings who claim not to have fought over territory when they were young — mine similar vacation disasters for their weekly podcast, “Family Trips With the Meyers Brothers.” They interview guests including comedians, actors, musicians and even Bill Gates, about their memories of childhood vacations, many of which went awry.“Family trips are high-stakes affairs. We have expectations that these trips should be special. We go into them with the intention of making memories,” Josh said. “And the further we get away from the doomed excursions, creepy hotels, car breakdowns, illnesses, bad weather and knock-down drag-out fights with our siblings, the funnier it all gets.”We talked about the inception of their podcast, which turns two this month, aspects of childhood travel that they miss and what makes family trips, even disastrous ones, worth taking.This conversation has been condensed and edited for clarity.Tell us how the podcast came about.Seth: A family trip sort of stress-tests the family dynamic, both for the good and the bad. I think you really find out a lot about the people you’re closest with when it’s an away game.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    In ‘Ironheart,’ Dominique Thorne Suits Up for the Spotlight

    It isn’t a hard question: Where do you live?But Dominique Thorne, the 27-year-old star of Marvel’s new “Ironheart” mini-series, needed a moment to answer because, well, honestly, she wasn’t sure.She had just gotten back from two weeks in Japan. Before that, she spent seven months in Thailand, where she “ate my way across the country.” (“As a pescatarian, it was like a dream come true,” she said.)And now she was about to embark on a press tour to promote the six-part “Ironheart,” premiering Tuesday on Disney+, in which she reprises the role of Riri Williams, the brilliant young inventor and M.I.T. student from the 2022 movie “Black Panther: Wakanda Forever.” That tour will take her from New York, where she was born, to Los Angeles, where she holed up for a few months during the pandemic, to Atlanta, where parts of the show were filmed and where her parents and two younger brothers live.“I’m at the point where I’m thinking now about where I want to settle down,” she said on a Monday afternoon last month, her big brown eyes sparkling as she settled in to a velour couch in the lobby of the Hotel Chelsea, in Manhattan. (For now, her mailing address is in New York.)In “Ironheart,” Dominique Thorne plays a young genius who is pushed to find creative, and not strictly ethical, means of funding her super suit.Marvel Studios/Disney+She pulled an oversize Malcolm X sweatshirt over a sleeveless white top and green cargo pants. Her purple ombré nails glinted in the sunlight streaming in from the adjoining solarium as she reached for a cup of tea.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jimmy Kimmel Isn’t Shocked by Trump’s Silence on Juneteenth

    Kimmel imagined the Trump base’s reaction had the president acknowledged the holiday: “We’re the ones who stopped enslaving — they should have a holiday for us!”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Another Day at the OfficeOn Thursday, the United States celebrated Juneteenth, four years after it became a federal holiday honoring the end of slavery. But President Trump didn’t acknowledge it, except by complaining on Truth Social that there were too many “non-working holidays.”Jimmy Kimmel joked that while it might be “hard to believe, from a president who has done more for Blacks than Abraham Lincoln, Trump is not a fan” of Juneteenth.“I don’t know, to me, it seems like a holiday that celebrates the end of slavery is one we should all be for.” — JIMMY KIMMEL“If Trump were to acknowledge Juneteenth, he would risk upsetting his not-at-all-racist-and-how-dare-you-say-we-are base. They’re like, ‘We’re the ones who stopped enslaving — they should have a holiday for us!’” — JIMMY KIMMEL“But then, a miracle happened. Trump did post about Juneteenth. He wrote, ‘Too many non-working holidays in America. Soon, we’ll end up having a holiday for every once working day of the year.’ Says the guy who just had a birthday parade for himself. Says the guy who has been in office for 150 days and has golfed 37 times that we know of.” — JIMMY KIMMELThe Punchiest Punchlines (Two Weeks Edition)“I saw that today the White House said Trump will make a decision on the U.S. involvement in Iran within the next two weeks. All good. No rush. Just take your time.” — JIMMY FALLON“It’s always two weeks. For a guy whose catchphrase was ‘You’re fired,’ no one has ever given more two weeks’ notice than Donald J. Trump.” — JIMMY KIMMEL“If Trump thinks about this decision for two weeks, it’ll beat his previous thinking record by two weeks.” — JIMMY FALLON“Trump understands that starting a war in the Middle East is a lot like quitting your sales job at Best Buy. It’s just polite.” — STEPHEN COLBERTThe Bits Worth WatchingThe comedian and actor Mike Birbiglia talked about an intriguing offer he’d gotten for a film role on “Late Night with Seth Meyers.”Also, Check This OutUnraveling family mysteries for her documentary left Mariska Hargitay at peace: “It’s like a miracle to me to feel this way. I never thought I could.”Kobe Wagstaff for The New York TimesThe “Law & Order: SVU” star Mariska Hargitay’s documentary “My Mom Jayne” offers a candid portrayal of her family history and the mother she hardly knew, Jayne Mansfield. More

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    ‘And Just Like That …’ Season 3, Episode 4 Recap: Guilty

    Aidan says he invited Carrie to stay with him longer in Virginia because he felt guilty. But is that really true?Season 3, Episode 4: ‘Apples to Apples’Is it time for all of us to face the very real possibility that Aidan is a narcissist?For the second time in their yearslong love affair, Aidan has lured Carrie to the countryside. In “Sex and the City” Season 4, Aidan finds a backwoods cabin in the unfortunately named Suffern, N.Y., and all but forces Carrie to spend weekends up there with him and a domestic terrorist squirrel.This time, though, Carrie is in Virginia with Aidan, not so much against her will. In last week’s episode, Carrie eagerly showed up down south to deliver Aidan a key to “their” (insert eye-roll emoji) Gramercy palace, and then Aidan asked her to stay.Why, exactly, does he do that? Carrie asks Aidan that very question toward the end of this episode. There is only one correct answer, and it goes something like: “Because you’re the love of my life. I miss you, and I wish we could be together all the time, and I just wanted to feel that for at least a few days.”But Aidan tells Carrie nothing of the sort. He says simply, “I felt guilty because you came all the way down here, and if I couldn’t ask you to stay, what does that say about us?”Here is what I think: I think that response solidifies for viewers that Aidan is a deeply selfish, stubborn, manipulative jerk who is dead-set on making everyone close to him bend to his will.For starters, Aidan has successfully maneuvered his way into getting what he wants out of Carrie in this most recent iteration of their relationship. In “And Just Like That …” Season 2, he refused to set foot in Carrie’s house — a melodramatic boundary rooted in old cheating wounds Carrie had apologized for time and again. But then Carrie went and sold it and bought the Gramercy townhouse that he all but refuses, essentially, to set foot in today.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    6 Months After the Pelicot Trial, a Staging Brings Insight and Despair

    The stripped-back performance, based on the rape trial that shocked France and the world, ran all night at a church in Vienna.It was a case that shook France. Last December, the husband of Gisèle Pelicot was convicted of drugging and assaulting her for over a decade, and for inviting dozens of men to rape her while she was unconscious.Now, just six months later, the trial has already inspired a work of theater — in Vienna, as part of the city’s prestigious Festwochen festival. On Wednesday, the Swiss director Milo Rau, who has led the event since 2023, and the French dramaturg Servane Dècle presented “The Pelicot Trial,” a seven-hour reading of excerpts from the French legal proceedings and of interviews and commentary related to the case.It was a long night at the Church of St. Elisabeth, a red brick Roman Catholic church in a southern district of Vienna. The sun was setting when the audience went in at 9 p.m., filling the pews to capacity. When the final words were spoken, at around 4:15 a.m., sunrise was near, and only around 30 people remained.In a joint interview before the performance, Rau and Dècle said the wide range of material involved, with sections delving into history, philosophy and biology, was intended to dispel any notion that Pelicot’s story was an isolated event. “It’s an example of patriarchal violence,” Rau said. “The more we dive into it, the more we see that it’s the tip of the iceberg.”Rau has a long history of bringing trials to the stage. In “The Last Days of the Ceausescus,” Rau reenacted the 1989 legal proceedings against the Romanian dictator Nicolae Ceausescu and his wife. In “The Congo Tribunal” and “The Moscow Trials,” he created mock criminal courts to analyze real political events.Gisèle Pelicot at the courthouse in Avignon, France, last December, when her husband was convicted of drugging and assaulting her for over a decade.Miguel Medina/Agence France-Presse — Getty ImagesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Kim Woodburn, British TV’s No-Nonsense ‘Queen of Clean,’ Dies at 83

    She was a blunt and bossy domestic dominatrix on the series “How Clean Is Your House?” honing a persona as the rudest woman on reality television.Kim Woodburn, the platinum-haired, trash-talking darling of British reality television who found fame as a domestic dominatrix in the long-running series “How Clean Is Your House” and in other shows of the mean TV genre, died on Monday. She was 83.Her death, after a short illness, was announced in a statement by her manager. It did not specify a cause or say where she died.Ms. Woodburn had been working in Kent, England, as a live-in housekeeper for a Saudi sheikh when her employment agency asked her to audition for a new Channel 4 reality show. The idea was that she and Aggie MacKenzie, a brisk Scottish editor at the British version of Good Housekeeping magazine, would invade the houses of slobs, hoarders and other housekeeping failures and teach them how to mend their messy ways.She was 60 years old at the time, and she nailed the audition, which involved scrutinizing a young woman’s grimy flat in West London.“Well, this is a flaming comic opera, isn’t it,” Ms. Woodburn declared in the woman’s terrifyingly filthy kitchen, as she recalled in her 2006 memoir, “Unbeaten: The Story of My Brutal Childhood.” “You look so clean yourself, and yet you live like this. Talk about fur coat, no knickers!”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘America’s Sweethearts’ Is a Compelling Sports Series

    Season 2 of this docuseries about the Dallas Cowboys cheerleaders is an intense look at found families and all the healing and trouble that come with them.Season 2 of the documentary series “America’s Sweethearts: Dallas Cowboys Cheerleaders,” on Netflix, is a bit less rah-rah than Season 1 — still full of tears, high kicks and sisterhood but also more attuned to the pain of it all, the sorrow and struggle of cobbling together one’s self-worth.One of this season’s leads is Jada, a five-year veteran of the team and among its best dancers and most thoughtful leaders. She lays out the season’s theme at the beginning: “Everyone’s going to say, ‘Well, they’re just cheerleaders,’” she says. “Well, we’re really good cheerleaders.”Her grin begins to spread. “Show us that you appreciate us,” she adds.Are the members of the team appreciated? Not with money, they’re not, and part of this season’s most invigorating arc is the cheerleaders’ quest for better pay. Season 1 brought additional fame and adulation to the team, and it also drew attention to the exploitation of the enterprise. As Kylie, another team veteran, explains: “The world was kind of telling us, ‘Girls, fight for more.’ And we’re like, ‘OK!’”As the women practice the grueling signature routine, we hear the opening strains of the AC/DC song “Thunderstruck,” over and over. But the true refrain of the season is the fretting about being in one’s own head. It’s the catchall term for all distress and self-recrimination, the explanation for any lack of confidence or lapse in perfection. Yes, performers can overthink things, especially in prolonged auditions, and rumination and anxiety are enemies to the wide smiles and sexy winks the Dallas cheerleaders’ routines require. The job is to make it look easy.But there’s an interesting tension. Your head is where the good ideas are, too — ideas like: “Hey, a lot of people are making a lot of money off my work; why doesn’t any of that go to me?” Or: “Even people who I believe have my best interests at heart can disappoint and hurt me.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘The Waterfront’ Brings More Murder to Netflix

    Created by Kevin Williamson, this new drama set in North Carolina is a pulpy family saga of violence and secrets, land and legacy.“The Waterfront,” a Netflix drama created by Kevin Williamson, is set in North Carolina in a small coastal town. The Buckleys are local royalty — not only in the sense that they’re well known and powerful, but also in that they’re tortured by their circumstances and deeply resent one another, even as they feel a duty to protect the family.The show is one of many to follow the “Yellowstone” model, a family saga of violence and secrets, of huffy men and sly women, of distinctive names (Cane, Harlan, Diller, Hoyt). It is also about land that’s been in this family for generations, gosh darn it — land that’s our legacy if only the cruelties of debt and developers would abate.Our gruff patriarch is Harlan (Holt McCallany), a drunk and a womanizer with heart troubles and a shady past. His wife, Belle (Maria Bello), has her own valuable secrets and runs the family restaurant. Their son, Cane (Jake Weary), meddles with the fishing side of the business, and their daughter, Bree (Melissa Benoist), tenuously sober and trying to rebuild a relationship with her surly teenage son (Brady Hepner), wants more responsibility in the family’s enterprises. But Belle isn’t so sure she’s ready. Cane has gotten himself into a spot of trouble with a drug ring, and suddenly his side hustle is a bigger and bigger problem.Only three of the eight episodes of “The Waterfront” were made available for review, so I cannot speak to its stamina or big arcs. But these early chapters do a few things well.Whatever its flaws may be as it goes on, “The Waterfront” does not start slow — it knows how to escalate. The bodies start piling up quickly and surprisingly, the double-crossing starts right away and the flirtatious glances turn to naughty trysts within an episode. Mysterious strangers do not remain so mysterious or strange for too long. The show often lacks texture, but it compensates with earnest momentum.The series also has dark fun with its setting, and its moody crimes include murder by fishing net, intimidation by dunking someone as shark bait and hiding a body in a swamp in the hopes that alligators will take care of the rest.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More