Eliana Willis

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    ‘Black Twitter’: Movements, Memes and Crying Jordan

    This new Hulu docuseries explores how a social media subculture influenced American culture at large.When Prentice Penny first began work on the forthcoming docuseries “Black Twitter: A People’s History,” the last thing the director wanted to do was explain to anybody just what Black Twitter was. How could he?“Everybody has a different opinion what it is, and a different entry point and path to how they feel about it,” he said.“Black Twitter” is a kind of shorthand descriptor referring loosely to commentary, jokes and other kinds of cultural conversation and activism driven largely by Black users of the social media platform now named X. What Penny wanted to do was capture the pivotal moments that have come to define this organic online community, including the movements (Black Lives Matter; OscarsSoWhite) and defining hashtags (#uknowurblackwhen, #BlackGirlMagic) it has propelled and championed.And he wanted to do all of this while Black Twitter was still around.“So much of Black culture in this country isn’t documented,” Penny said. “When you see books about culture and race being banned, when you see narratives saying, oh, there were good sides to slavery, you realize that Black Twitter could be here today and gone tomorrow.”Prentice Penny, left, Joie Jacoby and Jason Parham at the film’s debut at the South by Southwest film festival in March.Andrew Walker/DisneyIndeed, since Penny started the project, Twitter itself has disappeared — or the name officially has, anyway. “I don’t trust anybody who stopped calling it Twitter,” said Jason Parham, a producer on the show whose 2021 Wired story “A People’s History of Black Twitter” inspired the series.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Caitlin Clark Hype Will Test the W.N.B.A.’s Television Limits

    The docuseries “Full Court Press” closely tracked college stars like Clark and Kamilla Cardoso. Fans who want to follow elite W.N.B.A. rookies could have a tougher time.The decision makers for the docuseries “Full Court Press” chose wisely when selecting which women’s college basketball players they would follow for an entire season.They recruited Caitlin Clark, whose long-distance shots at the University of Iowa made her a lucrative draw. Kamilla Cardoso, a Brazilian attending the University of South Carolina, could provide an international perspective. Kiki Rice, from the University of California, Los Angeles, would be the talented but reserved young prospect.Those selections proved fortuitous when each player advanced deep into the N.C.A.A. tournament. Clark and Cardoso competed in the most-watched women’s championship game in history before becoming two of the top three picks in the W.N.B.A. draft.“The way that it turned out, it’s like, ‘This is not real life,’” said Kristen Lappas, the director of the four-part ESPN series that will air on ABC on Saturday and Sunday. “That just doesn’t happen in documentary filmmaking.”Interest in women’s basketball is surging because of young talent. Clark, Cardoso and other top rookies like Angel Reese and Cameron Brink are providing the W.N.B.A. a vital infusion of star power, quickly obliterating one record when 2.4 million viewers watched April’s draft.Now the league, whose media rights package expires in 2025, must capitalize by making sure fans can easily follow the players they grew to love during their collegiate careers.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jimmy Kimmel Recaps Stormy Daniels’s Testimony in Court

    “Team Trump spent much of the day trying to paint Daniels as a sleazy, money-grubbing liar, which, if that is true, you can see why they hit it off,” Kimmel said.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Quite a dayOn Thursday, former President Donald Trump’s defense attorneys concluded their cross-examination of Stormy Daniels.“And I’ll tell you, it was quite a day to be a stenographer. These are actual phrases that were used in court today: ‘Human toilet,’ ‘Orange turd’ and ‘Make America horny again.’ And print those out and hang them on the Smithsonian wall.” — JIMMY KIMMEL“Team Trump spent much of the day trying to paint Daniels as a sleazy, money-grubbing liar, which, if that is true, you can see why they hit it off.” — JIMMY KIMMEL“During her cross-examination today, one of Trump’s lawyers asked Stormy Daniels, ‘You made all this up, right?’ A strategy that immediately backfired when Trump yelled, ‘No, she didn’t! We had sex!’” — SETH MEYERS“Today, former President Trump’s attorneys finished their cross-examination of Stormy Daniels, and they accused her of lying and hawking merchandise for personal gain. Trump was like, ‘This also feels like a shot at me, too.’” — JIMMY FALLON“[imitating Trump] And for more on why it’s so wrong to be a sleazy money-grubbing merch seller, please buy my God Bless America Donald Trump Bible.” — STEPHEN COLBERTThe Punchiest Punchlines (Heated and Intense Edition)“Today’s cross-examination was described as ‘heated’ and ‘intense,’ which coincidentally are the only two settings on Trump’s tanning bed.” — JIMMY FALLON“Trump was like, ‘If you think that’s bad, you should see the texts I’m getting from Melania.’” — JIMMY FALLON“Former President Trump appeared to briefly fall asleep in court again this morning during adult film star Stormy Daniels’s testimony. Because in real life, you can’t fast-forward the scenes where the actors are talking.” — SETH MEYERS“But this was not her first rodeo, and they would have known that if they would have seen her movie, ‘My Third Rodeo.’ Very good. It’s part of a series.’” — STEPHEN COLBERTThe Bits Worth WatchingJohn Della Volpe, the polling director at the Harvard Institute of Politics, sat down with Jon Stewart to discuss his new book “Fight: How Gen Z is Channeling Their Fear and Passion to Save America” on Thursday’s “Daily Show.”Also, Check This OutCass Elliot performing on her television special “Don’t Call Me Mama Anymore” in September 1973. After she went solo, she found it hard to shake her nickname.CBS Photo Archive, via Getty ImagesFor 50 years, singer Cass Elliott’s talent has been overshadowed by a hurtful rumor about her death. More

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    A Broadway Star Gets Married With Help From Daniel Radcliffe

    Lindsay Mendez, nominated for a Tony in “Merrily We Roll Along,” married actor J. Alex Brinson in a Monday ceremony officiated by castmate Jonathan Groff. Daniel Radcliffe was their ring bearer.On Broadway, with most shows shuttered, Monday is typically the day actors and crews rest and recharge.Or, if you’re Lindsay Michelle Mendez and John Alex Brinson, it’s the day you get married.Ms. Mendez currently stars as Mary Flynn in the musical “Merrily We Roll Along,” so the wedding was planned not just around her schedule, but that of the officiant and ring bearer’s, too — Ms. Mendez’s castmates Jonathan Groff and Daniel Radcliffe.Ms. Mendez and Mr. Brinson, who is also an actor and goes by J. Alex Brinson, first met in 2019 while working on the CBS courtroom procedural “All Rise.” Ms. Mendez played the court reporter and Mr. Brinson the bailiff. In the very first episode, Mr. Brinson’s character jumped up to protect Ms. Mendez and their other castmates during a dramatic scene.“My hero from day one,” Ms. Mendez said. “Even in storytelling form.”Binge more Vows columns here and read all our wedding, relationship and divorce coverage here.At first, the pair were just friends; both were married to other people at the time. Three years and many episodes of “All Rise” later, in the spring of 2022, they took one step closer to becoming something more when Ms. Mendez, who had divorced, asked Mr. Brinson to move in with her … as a roommate.“He was living in a hotel and filming and had to drop his laundry at a random place,” said Ms. Mendez, who has a daughter named Lucy, now 3, from her previous marriage. “I said, ‘you know, I have a 1-year-old at my house and a pullout sofa. I don’t know if that would be interesting to anyone, but you’re welcome to stay if you need a place.’”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Woman Who Says She Inspired ‘Baby Reindeer’ Character Denies Stalking

    The show, a surprise Netflix hit that says it is based on real events, had inspired viewers to try to uncover the real identities of the characters depicted onscreen.As the surprise success of “Baby Reindeer,” the Netflix drama about a comedian and his stalker, has highlighted the complications that can arise from basing a popular series on real events, a woman who claims to be the inspiration for the stalker character said on Thursday that much of the show’s plot was untrue, calling it a “work of fiction.”In the four weeks since “Baby Reindeer” debuted, it has been viewed more than 56 million times, according to data released by Netflix. The intense interest in the seven-episode series, which is billed as a true story based on the experience of the comedian Richard Gadd, has also spawned an army of amateur detectives trying to uncover the actual identities of the characters onscreen.Those efforts have resulted in the online abuse of a British writer and director as well as blowback for Netflix officials, one of whom was questioned about the streamer’s “duty of care” by a British lawmaker this week. Gadd has all but begged internet sleuths to stop digging, writing on social media: “Please don’t speculate on who any of the real life people could be. That’s not the point of the show.”But in an interview that ran Thursday, Fiona Harvey, who says that the show’s stalker character was modeled after her, provided her side of the story on camera for the first time.In “Baby Reindeer,” a woman named Martha (Jessica Gunning) approaches an aspiring comedian, Donny (Gadd), while he is working as a bartender and eventually torments him through emails and voice mail messages.In an hourlong interview on YouTube with the television personality Piers Morgan, Harvey said she had not watched the series — “I think I’d be sick,” she said — but had become aware of her connection to it after reading news media reports and being contacted by journalists. Certain details in the show had convinced some viewers that Harvey was the inspiration for Martha.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Black Twitter’ Review: Hulu’s Docuseries Doubles as a Snapshot of Recent History

    Hulu’s docuseries on a social-media subculture doubles as a serious snapshot of recent history.Who created Twitter?On one level, the business level, the Wikipedia level, the answer is simple: Twitter, a social-media service allowing users to post brief messages, was founded in 2006 by Jack Dorsey, Noah Glass, Biz Stone and Evan Williams.But on the level of culture, the people who “create” a social platform — that is, who decide what it’s for, what it can do, how it feels — are the people who use it. “Black Twitter: A People’s History,” which arrives on Hulu on Thursday, argues that it was Black users who, as much or more than anyone, gave Twitter its voice.A couple of caveats are useful here. Though Twitter, now called X, is a global infosystem with worldwide effects, the three-part documentary, based on a Wired oral history by Jason Parham, focuses mainly on Twitter as an American phenomenon. And Black Twitter, the series is careful to point out, isn’t a monolith or formal group but the more general phenomenon of Blackness and Black culture manifesting online.“Black Twitter” treats the network not mainly as technology or business but as a cultural artifact — a platform, even an art form, for commentary, community and comedy. Twitter, it argues, is another part of American culture, like music and food, that Black Americans defined by coming to it from the margins.“In the same way that we took our lamentations and made gospel music, we took a site like Twitter and we made it a storytelling forum,” Meredith Clark, a journalism professor undertaking an archive of Black Twitter, says in the documentary. Or as the comedian Baratunde Thurston pithily puts it: “We repurposed Twitter the way we repurposed chitlins.”This scaffolding of ideas elevates “Black Twitter” above the kind of remember-this-remember-that pop-history documentary that it can resemble on the surface. Appropriate to its subject, it tells its story in a series of small bites. It stitches together interviews with academics, journalists, entertainers, viral stars and figures from business and politics with a nimble narration by the director, Prentice Penny.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    By the Book Interview With Judi Dench

    What’s the best book you’ve ever received as a gift?That’s an impossible question. The best in 89 years? How do I know? I remember being given A.P. Wavell’s “Other Men’s Flowers” as a birthday present when I was young. It’s a collection of poetry, which opened my eyes to the power of verse. But then I also adored “The Talented Mr. Ripley,” by Patricia Highsmith. My husband, Michael [Williams], bought it for me as a holiday read. I devoured it and didn’t want it to end. I had to ration myself to a couple of pages a day.What’s the last great book you read?“Dormouse Has a Cold,” by Julia Donaldson. It’s a lift-the-flap children’s book, sent to me when I was recovering from a cold.Have you ever gotten in trouble for reading a book?After lights out at boarding school when I was 15. I was in bed under the covers with a torch reading Rudyard Kipling’s “Just So Stories.”How do you organize your books?I don’t. I have so many books, but never enough shelves, so I have books everywhere — piled up on tables, chairs, running along window sills, books in every available nook and cranny. Because of my eyesight I can no longer read, but I love being surrounded by books — they’re snapshots of the past: first-night gifts, holidays abroad, memories of lost friends and loved ones. I still have my father’s individual copies of the Temple Shakespeare from 1903. They’re small, red-leather-bound copies with gilt lettering on the cover, and if I hold one I can be transported back to my childhood and family quizzes about Shakespeare.Shakespeare’s writing, you say in the new book, “has the capacity to make us feel less alone.” What other writing has done that for you?Oh so many — Iris Murdoch, Chekhov, Zoë Heller, J.D. Salinger — any writer who can reflect us back to ourselves and help us discover who we are.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Spirited Away’ Review: Impressed, but Not Transported

    A stage production of the beloved Studio Ghibli movie is big on spectacle, but rarely grabs the heart.There’s big, and then there’s “Spirited Away,” a show on a scale that few theater productions attempt.Adapted from the venerated Studio Ghibli film by Hayao Miyazaki, the British director John Caird’s stage iteration was first seen in Miyazaki’s native Japan in 2022 and has now traveled to the London Coliseum — the West End’s largest theater — where it runs through Aug. 24.Performed in Japanese, with many of the original cast members along for its British premiere, the production has size, sweep and opulence to spare. Length, too: At just over three hours, the stage version runs nearly an hour longer than the film. I can’t remember a foreign-language production given such a long run on a London stage — which itself speaks to the international cachet of this title.What’s missing, though, is human connection. The story of “Spirited Away” gets lost amid the spectacle, and, exciting though it is to watch, the show rarely grabs the heart.The show arrived in London after a run in Japan in 2022.Johan PerssonBoth the stage and screen versions introduce so many characters that you sometimes need a road map to keep track. Aficionados of the material will note the brilliance with which characters are brought to three-dimensional life by the genius puppet designer, Toby Olié, and his hard-working team.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More