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    Matthew Perry’s Assistant and Doctors Charged With Getting Him Ketamine

    Five people have been charged with a conspiracy to distribute the powerful anesthetic that led to the death of the “Friends” star. Three of them are pleading guilty.Matthew Perry’s personal assistant, two doctors and two others have been indicted and charged with providing the ketamine that caused his death.Jason LaVeris/FilmMagicMatthew Perry’s personal assistant, two doctors and two others have been indicted and charged with providing the ketamine that caused the death of Mr. Perry, a star on the television show “Friends,” the authorities said on Thursday.In documents filed in federal court in California, prosecutors said that Mr. Perry’s assistant and an acquaintance had worked with two doctors and a drug dealer to procure tens of thousands of dollars worth of ketamine for Mr. Perry, who had long struggled with substance abuse and addiction.The actor, who gained sitcom superstardom as Chandler Bing on “Friends,” was discovered floating face down in a hot tub at his home in Los Angeles on Oct. 28. The Los Angeles County medical examiner’s office said in an autopsy report that Mr. Perry, 54, had died of “acute effects of ketamine.”An indictment filed in federal court on Wednesday detailed grand jury charges against Jasveen Sangha, who prosecutors said was known as “the Ketamine Queen,” and Dr. Salvador Plasencia, known as “Dr. P.”Ms. Sangha maintained a “stash house” in North Hollywood, the indictment said, and Dr. Plasencia, a physician at an urgent care center, was among those who worked to get the ketamine to Mr. Perry despite knowing he had a history of drug abuse.Court documents say that Mr. Perry’s personal assistant, Kenneth Iwamasa, injected him with at least 27 shots of ketamine in the five days leading up to his death, including at least three on the day he died. An indictment said that the defendants used coded language to discuss drug deals, referring to bottles of ketamine as “Dr Pepper,” “cans” and “bots.” And it said that when Dr. Plasencia texted with another doctor about how much to charge Mr. Perry for ketamine, he wrote, “I wonder how much this moron will pay” and “Lets find out.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Peter Marshall, Longtime Host of ‘The Hollywood Squares,’ Dies at 98

    He played straight man to all manner of celebrities, asking questions on what was for many years the most popular game show on television.Peter Marshall, who coaxed cheeky rejoinders from celebrities like Burt Reynolds, Mel Brooks, Joan Rivers and Paul Lynde as the longtime host of “The Hollywood Squares,” for years one of the most popular game shows on television, died on Thursday at his home in Encino, Calif. He was 98.His wife of 35 years, Laurie Marshall, said the cause was kidney failure.Mr. Marshall, an actor, singer and comedian with an authoritative baritone, hosted “The Hollywood Squares” from 1966 until 1981. The show brought him four Daytime Emmy Awards.“The Hollywood Squares,” which stuffed celebrity guests and risqué humor into a daytime game show, was a variation on tic-tac-toe, played by two contestants on a set that featured a grid of nine squares rising above the stage, a celebrity guest seated in each.A contestant would choose a square, Mr. Marshall would ask the star inside it a question, and the star would usually respond with a quip — a zinger, in the show’s parlance — before giving a serious answer. The contestant would then tell Mr. Marshall whether he or she thought the star had answered correctly, and the square would be won if the contestant was right. The first contestant to complete a line won the game; the first to win two games won cash and prizes.The center square was reserved for the funniest celebrity; the comedian Paul Lynde occupied it for much of the show’s run.Mr. Marshall, center, with an early group of “Hollywood Squares” panelists. From left: Wally Cox, Abby Dalton, Rose Marie and Morey Amsterdam.NBC, via Everett CollectionWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Chimp Crazy’ Is a Jaw-Dropping Look at ‘Monkey Love’

    From a director of “Tiger King,” the four-part HBO documentary dives into the wild, salacious and dangerous world of people who have chimpanzees as pets.The four-part documentary series “Chimp Crazy,” debuting at 10 p.m. Sunday, on HBO, has plenty of chimps, and boy is it crazy. Sad and gruesome, too, and sometimes poignant and philosophical. “Monkey love,” we’re told, is a unique, radicalizing kind of love — more profound than the one between two humans. “The bond is much deeper,” says Tonia Haddix, one of the show’s central figures. “It’s just natural; it’s like your love for God.”Can she get an amen? Actually, no: Haddix, who describes herself as “the Dolly Parton of the chimps,” is an advocate for and a participant in the private chimpanzee market. She says she has a special, spectacular bond with Tonka, an adult chimp who was in several movies and whom she considers particularly docile and soulful. She insists, repeatedly, that Tonka, among others, is more of a “humanzee” — as much a person as he is a chimp. In one scene, she and Tonka watch Instagram videos of other chimpanzees, including his offspring.“Chimp Crazy” and “Tiger King” share an executive producer and director in Eric Goode, and they also share an ecstatic tabloid salaciousness. One woman breastfed a chimp baby alongside her human daughter. A man describes the chimp his mother housed as “the Tom Brady of chimpanzees,” on account of his handsomeness.Everyone in this documentary is suffering, and some of them are ridiculous. And others of them are chimps. “Chimp Crazy” is more textured than “Tiger King,” partly because of its closer attention to the plight of animals. Intertwined with Haddix’s saga are stories of other people who thought they could raise chimps and live together in unending familial bliss — until the chimps reached adolescence, at which point they attacked someone. These attacks are horrific and often fatal, though the chimp owners are rarely deterred.Haddix’s battle with the animal rights group People for the Ethical Treatment of Animals shapes much of the action of the documentary, and jaw-dropping details and twists are never more than a doleful recollection away. “Crazy” is both compassionate and manipulative, and the filmmakers themselves deceive some of their subjects and become major players in Haddix and Tonka’s story. (Also a player: the actor Alan Cumming, who once acted alongside Tonka and eventually offers a $10,000 reward for information leading to the animal’s whereabouts.) There’s an endless “OMG” feeling to everything here, the kind of show that puts the outrage in outrageousness. More

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    New Movies and TV Shows Coming to Netflix in August: ‘Emily in Paris,’ ‘Kaos’ and More

    This month sees the return of “Emily in Paris” and a superhero ensemble, along with a heartbreaking documentary about the daughters of imprisoned men.Every month, Netflix adds movies and TV shows to its library. Here are our picks for some of the most promising new titles in August. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)‘A Good Girl’s Guide to Murder’ Season 1Stream it hereThe charming young actress Emma Myers (seen recently as an irrepressibly cheerful werewolf on “Wednesday”) gets a starring role in this adaptation of the best-selling young adult novel by Holly Jackson. Myers plays Pip, a sweet but somewhat naïve British schoolgirl, who for a class project decides to reinvestigate the death of a popular teen and her boyfriend — a crime that her small town’s local police force classified as a murder-suicide. To get closer to the truth, Pip relentlessly pesters her peers and tries to cozy up to her worldlier, more party-minded classmates. “A Good Girl’s Guide to Murder” is a mystery series with a somewhat unusual hero: an awkward amateur detective who is learning as much about herself and her neighbors as she is about the crime.‘The Umbrella Academy’ Season 4Stream it hereThe fourth and final season of this surreal superhero series brings back the world-saving, reality-bending Hargreeves family for one more adventure, set in another of their many timelines. This time, the siblings find themselves stuck in a world where none of them have superpowers, and where some new enemies intend to take advantage of their sudden weakness. Based on a comic book franchise created and written by Gerard Way (the lead singer for the rock band My Chemical Romance), “The Umbrella Academy” retains the wildness of its source material, converting Way’s love of science-fiction and teen angst into a visually imaginative, absurdly funny and frequently unpredictable show about a fractious family whose members have to learn over and over that they are stronger together.‘Daughters’Stream it hereFor over a decade, Angela Patton has helped lead a program called Girls for a Change, which offers resources and guidance to young women whose lives have been affected by poverty, crime and incarcerated parents. Patton is also the co-director (with Natalie Rae) of the documentary “Daughters,” which takes an intimate look at one remarkable G.F.A.C. program, which gives imprisoned men an opportunity to attend a dance with their daughters. The film spends time with the children and their fathers, both in the weeks leading up to the dance and in the weeks after. “Daughters” blends hope and heartbreak into a story about how broken families can stay broken for generation after generation until someone makes an effort to fix them.‘Emily in Paris’ Season 4, Part 1Stream it hereSeason 3 of this breezy romantic-comedy series ended with the American influencer Emily Cooper (Lily Collins) suddenly single after a breakup with her boyfriend Alfie (Lucien Laviscount), prompted by her feelings for the seemingly unavailable Gabriel (Lucas Bravo). Season 4 will be released in two parts (the second comes on Sept. 12) and will see Emily contemplating new romantic opportunities while still dealing with her attraction to both of the men in her life. As always, this new set of “Emily in Paris” episodes will emphasize the glamorous locations and fashions of Europe, as the heroine shares her travails and her travels on social media — often to the consternation of her friends, colleagues and potential lovers.‘Kaos’ Season 1Starts streaming: Aug. 29The fantastical comedy “Kaos” imagines a world where the gods and heroes of Greek myths are still around in our modern times, meddling in mortals’ lives and receiving their tribute. Jeff Goldblum plays Zeus, whose immense power and popularity doesn’t keep him from feeling anxious about his legacy and future. Aurora Perrineau plays Eurydice, who receives a dire prophecy that shakes up her relationship with her pop star husband, Orpheus (Killian Scott). An eclectic cast — including Janet McTeer as Hera, Cliff Curtis as Poseidon, David Thewlis as Hades and Stephen Dillane as Prometheus — fills out the creator Charlie Covell’s satirical epic, which deals with the perils of fame and fortune and the dangers of divine caprice.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Sydney Lemmon Puts the Twisted Humanity Behind Tech on Broadway

    After a small part in “Succession,” the actor has a breakout role in “Job,” in which she plays a content moderator having a mental breakdown.Jane is a young professional living in the Bay Area whom you might find at SoulCycle. The actor Sydney Lemmon has taken that description of her character in “Job” with a grain of salt.The young woman she is presenting to Broadway audiences is not a stereotypical millennial. Instead, Lemmon’s Jane is a formidable vessel of reckless passion, someone who has been shaped by the corporate grind of a Silicon Valley job monitoring the heinous acts that people upload onto social media. She is a self-described “Xanax girlie” white knuckling her way through a mandated therapy session meant to determine whether she is ready to return to work after a psychological breakdown that went viral.Oh, and Jane has a gun, too.“She loves her job,” Lemmon said last week during an interview in her dressing room at the Helen Hayes Theater in Midtown Manhattan. “But the thing that most people seem to connect with when I talk to them at the stage door is her feeling of isolation.”Lemmon has played the character for more than a year, charting an unlikely path in a hit commercial production nearly seven years after she first appeared on Broadway, following her graduation from the Yale School of Drama. Smaller roles in film and television — including a short run on the acclaimed HBO series “Succession” — helped raise her profile within the industry; theater, however, is where she has developed a cult following.Lemmon and Peter Friedman in “Job,” which is running through Oct. 27 at the Helen Hayes Theater.Hiroko Masuike/The New York Times“All of the show was crafted around Sydney,” said Michael Herwitz, the production’s director.“When we cast her, she was absolutely not what we thought we wanted,” he recalled. “We thought Jane was going to be someone demure, a petite white woman who graduated college two years ago and wouldn’t necessarily pose a physical threat.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    At a Festival Amid Industrial Ruins, Ivo van Hove Takes Charge

    For the Belgian director’s first edition as leader of the Ruhrtriennale, abandoned sites are “the starting point and the end point,” he says.The calling card of the Ruhrtriennale Festival of the Arts is to present shows in former industrial sites, like power stations or coal plants, among cities in the Ruhr region of northwestern Germany. For the theater-maker Ivo van Hove, who is presenting his first season as the festival’s artistic director, this is churning up feelings of déjà vu.“I was 20 years old at a time in Belgium when theater was the most old-fashioned thing you could imagine,” van Hove, 65, said. “My generation made a real change and we did that by, for instance, not playing in theaters. My first production was in an abandoned laundry. We played for 30 people and we had 30 actors onstage.”The scale is much larger at the Ruhrtriennale, but at least van Hove had staged five productions at the festival before taking the helm, so he is familiar with the artistic parameters.One of them is paying attention to musical theater, which can take on vastly different forms in Europe compared with English-speaking countries. According to Krystian Lada, a Polish director who helped van Hove put together the slate, the Ruhrtriennale is known for presenting “a new vision of music theater” in Germany, where so-called high and low cultures are often rigidly separated. Lada’s own entry in the 2024 festival, “Abendzauber,” combines works by Bruckner and Björk.Van Hove’s “I Want Absolute Beauty,” which kicks off the festival on Friday, revolves around the “Anatomy of a Fall” and “The Zone of Interest” star Sandra Hüller (whom he had directed in Eugene O’Neill’s play “Strange Interlude” in 2013) performing a song cycle pulled from P.J. Harvey’s back catalog. (Van Hove’s take on musical theater, or any theater for that matter, is often divisive: A recent review in The New York Times called his musical adaptation of the film “Opening Night,” with new songs by Rufus Wainwright, “a travesty.”)Other offerings of note at the festival include “Legende,” the dissident Russian director Kirill Serebrennikov’s take on the filmmaker Sergei Parajanov’s work; Anne Teresa De Keersmaeker’s new dance piece “Y”; and Philip Venables and Ted Huffman’s music-theater work “The Faggots and Their Friends Between Revolutions.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Seth Meyers Calls Trump ‘Desperate’ for Likes

    Meyers said the former president’s return to X shows he yearns “for the spotlight and for some praise or positive coverage from anyone, anywhere.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘The Worst of All Worlds’Former President Donald Trump’s conversation with Elon Musk continued to be fodder for late night jokes on Wednesday.Seth Meyers called the X livestream on Monday night “disastrous,” saying Trump only returned to the platform because he “is desperate for the spotlight and for some praise or positive coverage from anyone, anywhere.”“OK, but it’s not what it used to be, dude. That’s like going back to your old high school and finding out it’s a Big Lots now.” — SETH MEYERS“The plan backfired because the conversation was the worst of all worlds. It was insane, it was a tactical disaster and it was boring.” — SETH MEYERS“Also, I like how Musk teed up this conversation as being for open-minded independent voters. You know how independent voters are always looking for good information on the fifth-most-popular feature of a dying app. Why don’t you just hold a round table in the chat feature on Words with Friends?” — SETH MEYERS“But, sure, finally, someone speaking to the American voter who believes bacon is too expensive and nuclear war isn’t that bad.” — SETH MEYERSThe Punchiest Punchlines (V.P. Edition)“According to a new report, former President Trump is furious at his campaign staff for letting him make the ‘terrible decision of picking JD Vance as his V.P.’ Yeah, Trump regrets pairing up with Vance. He’s like, ‘This is why I always sign a prenup.’” — JIMMY FALLON“According to FiveThirtyEight, Tim Walz has a net favorability rating of plus 5, while JD Vance is at minus 9.4. I think what we get from this is, apparently, people want ‘coach’ — not ‘couch.’” — STEPHEN COLBERT“Meanwhile, ahead of the Democratic National Convention, Kamala Harris and Tim Walz are taking a bus tour together through Pennsylvania. Yeah, and this is interesting — this is interesting — it’s the same bus the Democrats threw President Biden under.” — JIMMY FALLON“Former Vice President Mike Pence said in a recent interview that he cannot endorse former President Trump because Trump wanted him to overturn the 2020 election, and he can’t endorse Kamala Harris because that’s third base, and he’s married.” — SETH MEYERSThe Bits Worth WatchingJanet McTeer imitated what it was like to work with her “Kaos” co-star Jeff Goldblum on Wednesday’s “Jimmy Kimmel Live.”What We’re Excited About on Thursday NightBillie Eilish will take The Colbert Questionert on Thursday’s “Late Show.”Also, Check This OutMissy Elliott onstage at Barclays Center in Brooklyn on Monday night.Alexis SmithThe multifaceted music artist Missy Elliott’s first headlining tour in her 30-year career is as exhilarating as it is visually and theatrically ambitious. More

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    ‘Life and Trust’ Review: Choose Your Own Faustian Adventure

    A new theatrical experience in the Financial District is composed of 25 individual stories, but it’s hard to make sense of any of them.In one room in Conwell Tower, a stately skyscraper in the Financial District, a police officer strips off his shirt and flogs himself — passionately, even sensually — before coolly donning his uniform again. At the end of a long hall, a woman performs a Houdini-esque escape from a straitjacket. Elsewhere, in a dark underground boxing ring, two men trade punches in a cinematic fight scene where lights flash and dim with each maneuver, the bodies sometimes moving in slow motion like scenes from a “Rocky” film.What are these characters’ motivations, and what is their connection to one another? Your guess is as good as mine.In “Life and Trust” — the new theatrical experience from Emursive, producers of the popular “Sleep No More” with Punchdrunk — the story never rises to meet the spectacle, creating a visually appealing yet narratively incoherent piece of exploration theater.The show, directed by Teddy Bergman, begins on Oct. 23, 1929, the evening before the stock market crash. The audience has been invited to a “prospective investors fete” by the head of the Life and Trust Bank, a J.G. Conwell, who has made his fortune mass-producing a mysterious bright green syrup that’s something between a panacea and an addictive opiate.There is, of course, something shady about this invitation: Early in the show a suited man purrs to the audience, “If you choose to invest with us, you’re one of ours … forever.” (It turns out “forever” means roughly three hours in this site-specific show … which can sometimes feel like an eternity.) Faced with the imminent fall of his financial empire, Conwell takes a devilish offer to travel back in time to the Gilded Age.In this earlier time of glamour and pleasures, we meet a younger Conwell and dozens of other characters based on real historical figures, from eugenicists to magicians. The show is mostly dialogue-free; acrobatic choreography by the Tony nominees Jeff and Rick Kuperman is meant to fill some of the role speech would. Sometimes it works, as when one character shows otherworldly control over another through mirrored movements — a wave of one’s hand seems to command another’s body to tumble forward. Other instances, particularly during scenes of confrontation or seduction, when the characters’ bodies repeatedly swoon into one another, feel less novel and instead highlight how unclear the relationships and stories are.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More