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    Late Night Weighs In on the ‘World’s Dumbest Trade War’

    Jimmy Kimmel thinks President Trump decided not to impose tariffs on Mexico because he saw the guacamole bill for his Super Bowl party.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Tariff ManPresident Trump announced new tariffs on Canada and Mexico over the weekend but agreed to pause them for 30 days on Monday.Jimmy Kimmel called Trump’s tariffs “fake,” saying he was “pretending to issue tariffs so that Canada and Mexico can pretend to bend over for him, and then it’ll look like he’s the big hero.”“He’s like a toddler negotiating nap time with his parents.” — JIMMY KIMMEL“People are wondering why Trump would start a war with our closest allies, and he was like, ‘I didn’t say anything about Russia and North Korea.’” — JIMMY FALLON“Maybe it’s the New Yorker in me, but the last people you want to upset are your upstairs and downstairs neighbors.” — JIMMY FALLON“So now, we have a one-month cease-fire in what some liberal rag called The Wall Street Journal described as ‘the dumbest trade war in history.’ To which the Dallas Mavericks said, ‘Hold my Luka Dončić.’” — STEPHEN COLBERT“But you do have to hand it to him. Starting the ‘world’s dumbest trade war’ is an accomplishment to add to a very long list: first of all, world’s dumbest trade war, world’s dumbest Covid response, world’s dumbest climate policy, world’s dumbest hurricane map, world’s dumbest election interference, world’s dumbest wildfire response, world’s dumbest crowd size comparison, world’s dumbest insurrection, and world’s dumbest Eric. He’s like the Michael Phelps of the world’s dumbest stuff.” — JIMMY KIMMEL“No American wakes up saying, ‘Damn Canada. We should really go after Canada.’ I mean, except for Kendrick Lamar. That dude has it out for Canadian rap.” — SETH MEYERS“I just hope cooler heads prevail and the countries involved in this dumb trade war can all get back to selling each other crap as soon as possible.” — JIMMY KIMMELThe Punchiest Punchlines (Tequila Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Schmigadoon!’ Review: An Affectionate Golden Age Schpoof

    The Apple TV+ series comes to the stage of the Kennedy Center with its snark and affection for classic Broadway musicals intact.Rejoice, ye musical nerds! On the stage of the Eisenhower Theater, off the Hall of States at the Kennedy Center, between the Watergate complex and the Lincoln Memorial, at the heart of America’s temple to high-minded midcentury cultural propriety, your disreputable art form, with its salty predilections and disruptive mores, is on loving display in “Schmigadoon!”But maybe that’s overselling what is essentially a dandy little spoof of some tuners.You may recall that “Schmigadoon!” was an Apple TV+ series about a contemporary couple who, experiencing relationship problems, find themselves trapped in a world of love-insisting musicals. During its first season, in 2021, that world was highly reminiscent of Broadway shows of the 1940s and ’50s like “The Music Man,” “Carousel” and “Oklahoma!” but with bits of “The Sound of Music,” “Brigadoon” and “Kiss Me, Kate” tossed in. In the second season, the scene shifted to “Schmicago” and musicals of the ’70s. (An unproduced third season would have taken the couple “Into the Schmoods.”)The show being offered through Sunday by the Kennedy Center’s musical theater initiative, called Broadway Center Stage, is essentially the first season’s six-episode arc boiled down to two acts by its author, Cinco Paul. If you loved the television show, you probably know every note. If not, you probably don’t want to.I say that as someone whose feelings run in the middle. Neither onscreen nor onstage was I ever very interested in the on-the-outs couple, Josh and Melissa, for the simple reason that as characters they are skeletally thin. He’s the repressed, flat-affect guy; she’s in touch with her ambivalence to the point of annoyance. Though very smartly and appealingly performed here, by Alex Brightman and especially Sara Chase, neither would have lasted two scenes as protagonists of any of the musicals “Schmigadoon” models itself on.But, oh, those musicals! They are classics for a reason, whether for pure delight or complex feeling, and never as normative as they appear on the surface. “Oklahoma!” asks us to accept the inevitable harshness of life but not buckle under it; “Carousel” questions the possibility of redemption. “The Music Man” suggests that, in River City as elsewhere, even the truest love is a bit of a scam.Sara Chase and Alex Brightman, both seated, as a couple trapped in a world of love-insisting musicals, with McKenzie Kurtz, center, as one of those musical theater archetypes, a variant on Ado Annie from “Oklahoma!”Matthew Murphy and Evan ZimmermanWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Super Bowl LIX, Plus 9 Things to Watch on TV This Week

    The Philadelphia Eagles and Kansas City Chiefs will face off, after the much anticipated Puppy Bowl XXI.Between streaming and cable, there is a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that air or stream this week, Feb. 3-9. Details and times are subject to change.A Sunday filled with football, puppies and ads.It’s time for the annual Taylor Swift-bowl — oh, sorry, I mean Super Bowl. For the second year in a row, Swift will be rooting on her boyfriend, Travis Kelce, and his team, the Kansas City Chiefs, who are facing off against the Philadelphia Eagles at the Caesars Superdome in New Orleans. Sunday at 6:30 p.m. on Fox.Before the biggest football game of the year, there is a much fiercer competition happening between team ruff and team fluff in their pursuit of the Lombarky trophy at Puppy Bowl XXI. Featuring over 100 puppies from shelters all around the country, it’s an opportunity to see cuteness on the small screen and support their adoptions. Sunday at 2 p.m. on TBS and streaming on Max.However you spend game day, get ready earlier in the week by recalling some of the best advertisements of the past, with “Super Bowl Greatest Commercials.” Wednesday at 9 p.m. on CBS.Puppy Bowl XXI features over 100 puppies from shelters all around the country.Animal Planet, via Associated PressAre you working on the yachts or chartering it?Everybody’s favorite hunky captain is back for a new season of “Below Deck Down Under,” the show that follows the crew of a charter yacht. Sailing around the Seychelles off the coast of Africa, Captain Jason Chambers leads a crew of familiar faces and some new ones — for the first time on the franchise, there is sous chef, which feels long overdue. But who is going to put in Captain Chambers’ contact lens now that his chief stewardess Aesha Scott has moved on to the original “Below Deck”? Monday at 8 p.m. on Bravo.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Hell’s Kitchen’ Wins Grammy for Best Musical Theater Album

    “Hell’s Kitchen,” a coming-of-age show inspired by the adolescent experiences of Alicia Keys and fueled by her music, won a Grammy Award on Sunday for best musical theater album.The album, produced by Keys along with Adam Blackstone and Tom Kitt, was released in June and features the original stars of the Broadway production, Maleah Joi Moon and Kecia Lewis, both of whom won Tony Awards for their performances, as well as Shoshana Bean and Brandon Victor Dixon.Keys was already a 16-time Grammy winner, and on Sunday she was also being honored with the Dr. Dre Global Impact Award presented by the Black Music Collective. She is both the composer and lyricist for the songs on the “Hell’s Kitchen” album.The show, which opened on Broadway last spring following an Off Broadway run at the Public Theater, is still running at the Shubert Theater and has been selling well, although its grosses softened last month. A North American tour is scheduled to begin at Playhouse Square in Cleveland in October.“Hell’s Kitchen” tells the story of a 17-year-old girl, Ali, being raised by a single mother in an apartment tower where most of the units are subsidized for performing artists; Ali, whose life has close parallels to that of Keys, is starting to find her way romantically and musically.This year’s six Grammy-nominated cast albums were all for musicals that opened on Broadway during the 2023-24 season.The other nominees were “Merrily We Roll Along,” a Tony-winning revival of Stephen Sondheim and George Furth’s 1981 flop about the implosion of a three-way friendship; “The Notebook,” based on the much-loved 1996 Nicholas Sparks romance novel; “The Outsiders,” the Tony-winning musical based on the classic 1967 S.E. Hinton novel about two warring groups of adolescents in Tulsa, Okla.; “Suffs,” Shaina Taub’s exploration of the American women’s suffrage movement; and “The Wiz,” a revival of the 1975 show based on “The Wonderful Wizard of Oz.”“The Outsiders” won the Tony for best new musical, and “Merrily We Roll Along” won for best musical revival. Only “The Outsiders” and “Hell’s Kitchen” are still running on Broadway. More

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    ‘Mythic Quest’ Is Only the Start of Her Real-Life Journey

    Season 4 of the Apple series has Charlotte Nicdao’s character branching out in new directions. The actress is doing likewise, including as a director.Set in a video game studio, the sitcom “Mythic Quest” is full of eccentric workaholics. But none are more frantic, frenzied or anxious than Poppy Li, played by Charlotte Nicdao.A prodigious but petulant engineer, Poppy is given to meltdowns and primal screams, many stemming from a war of wills with her egomaniacal, codependent business partner, Ian Grimm, played by Rob McElhenney. (McElhenney created the show with Charlie Day and Megan Ganz, who also work with him on “It’s Always Sunny in Philadelphia.”)Over three seasons, Nicdao has viewed her character as everything from a “lovable underdog” to an unprintable descriptor. These days she’s looking favorably upon her geeky, gawky enfant terrible thanks to a paradigm shift in the fourth season, which debuted this week on Apple TV+. (Note the premiere episode is entitled “Boundaries.”)“There’s always this power imbalance between Poppy and Ian — like, who’s the queen, who’s the king?” Nicdao said. “This season, Poppy has got more power, there’s no question. But it’s not in the ways that you’d expect.”“Mythic Quest” is the first major American series for Nicdao, who grew up and still lives in Australia. Previously a classical pianist, singer and orchestral clarinetist, she started acting in high school productions and began her TV career at 17 on an Australian kids’ show. (Her father, Alfred Nicdao, is a well-known actor in Australia.)Nicdao with Rob McElhenney, a creator of the series who also plays her egomaniacal business partner at the video game company where they work.Patrick McElhenneyApple TV+We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Cymbeline’ and F. Murray Abraham in ‘Beckett Briefs’ Delight Off Broadway

    Shakespeare’s overstuffed late play gets an entertaining refresh Off Broadway, where Irish Rep is also offering a program of Samuel Beckett shorts.“Cymbeline,” really? But why?That tends to be my reaction whenever I hear that the overstuffed late Shakespeare play is getting a revival. Surely there must be something to stage that’s less of a slog?Now along comes a “Cymbeline” to prove me wrong. The National Asian American Theater Company’s production, using a lucid modern verse translation by Andrea Thome, is frankly a delight: funny, absorbing, even affecting. And with not a single man among its wonderfully strong cast, it has both a sense of frolic in satirizing macho pride and an in-the-bones understanding of male menace.Directed by Stephen Brown-Fried at the Lynn F. Angelson Theater in Greenwich Village, with dramaturgy by John Dias, this “Cymbeline” is presented with Play on Shakespeare, a project dedicated to creating versions of Shakespeare’s plays in modern English. The freedom of that approach makes it a striking contrast to “Beckett Briefs,” slightly uptown at Irish Repertory Theater, where another dead canonical playwright, Samuel Beckett, retains his customary tight control to fine effect. More on that below.Thome imbues her translation with a light, graceful touch; her “Cymbeline” feels like Shakespeare, but our 21st-century ears acclimate to it faster. The plot is still, of course, ridiculous, and less about the title character, a British king (Amy Hill), than about his daughter, Imogen (Jennifer Lim), who has secretly wed her beloved Posthumus (KK Moggie). Cymbeline wanted Imogen to marry the son of his dreadful new queen (Maria-Christina Oliveras), the doltish Cloten (Jeena Yi), whose one selling point is the amusingly puckish lord (Purva Bedi) who makes up his retinue.The exiled Posthumus, tricked into believing Imogen has been unfaithful, commands his servant, Pisanio (Julyana Soelistyo), to murder her. The honorable Pisanio secretly defies him. Adventure ensues, involving Imogen’s brothers, Arviragus (Annie Fang) and the heroic Guiderius (Sarah Suzuki), who were kidnapped as tiny children 20 years earlier and raised as rustics by Belarius (again the excellent Oliveras).There is also a war with the Romans. I defy you to care about that, even here.The rest of the performance is awfully entertaining, though, despite the fact that Imogen doesn’t deem Posthumus’s attempt to have her killed a marital deal breaker. She still considers him a prize.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What’s the ‘S.N.L.’ Line That You and Your Friends Use?

    “Making copies”? “Don’t make me sing”? “Wouldn’t be prudent”? We want to know. Talk amongst yourselves.My earliest memories of “Saturday Night Live” were hearing my parents incorporate catchphrases from Dana Carvey’s Church Lady — “Could it be … Satan?” or “Well isn’t that special?” — into casual conversation.Once I was allowed to stay up late enough to watch, I started doing the same thing — and looking for friends who didn’t think it was weird to respond to someone winning a video game with “We’re not worthy!”For the 50 years it has been on the air, “S.N.L.” has changed how we talk. That was the basis of our roundup of 50 catchphrases the show has popularized.Now we want to hear from you. Is there a catchphrase you’ve found yourself saying? Tell us about it and what your connection to it is.We will read every response and plan to publish a selection of them, but we won’t publish yours without following up with and hearing back from you. We won’t share your contact info outside the Times newsroom, and we won’t use it for any reason other than to get in touch. More

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    Melissa Rauch, ‘Night Court’ Star, on Her 10 Favorite Things

    The “Night Court” star loves community theater and the “distilled joy” of watching people who perform just for fun.After almost a decade playing the microbiologist Bernadette on “The Big Bang Theory,” Melissa Rauch knew exactly what she wanted to do when the show ended in 2019.“I just fell in love with the format,” she said of the traditional style of filming in front of an audience. “It was my goal to bring more multicamera sitcoms to the landscape.”Rauch already had a production company at Warner Bros. And she had been a huge fan of the 1980s NBC comedy “Night Court,” starring Harry Anderson as Judge Harry T. Stone. Its irreverence. Its moments of heart. Its cranked-up, almost vaudevillian humor.So she set out to produce what she called a “newboot,” this time about Judge Abby Stone, Harry’s daughter. She just didn’t want to star in it. But the network was asking her to. So was John Larroquette, who was hemming and hawing about reprising his role as the lawyer Dan Fielding.“And I was like, ‘What am I doing?’” Rauch recalled. “If this script came to me, I’d be fighting for it. I’m being such a dummy.”Rauch finally told Larroquette that she was in as Abby.“I believe his words were, ‘Oh [expletive], now we’ve got to do this thing,’” Rauch said. (New episodes from Season 3 began airing last month on NBC.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More