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    Late Night Tackles Trump’s Obsession With Crowd Size

    “The fact that Kamala Harris is pulling such huge crowds is really getting under his, let’s call it, skin,” Stephen Colbert said of former President Donald Trump.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Crowd WorkFormer President Donald Trump falsely claimed in a series of posts on Truth Social that Vice President Kamala Harris had used artificial intelligence to create images and videos of large crowds at her rallies.On Monday’s “Late Show,” Stephen Colbert said that “Trump’s crowd envy has set his brain to ‘broil’” over the thousands of people confirmed to be in attendance.“[imitating Trump] Fake crowd, everybody! Many people are asking — no, many people are asking, ‘Is it cake?’” — STEPHEN COLBERT“The fact that Kamala Harris is pulling such huge crowds is really getting under his, let’s call it, skin.” — STEPHEN COLBERT“It is the definition of insanity to think that this crowd here is A.I., though I would not be surprised if Harris generated Tim Walz with A.I. by just using the prompt ‘Sympathetic Meatloaf.’” — STEPHEN COLBERT“OK, OK, that’s one of those mom-and-pop issues for the single-issue crowd size voter.” — JON STEWART“First of all, I guarantee Trump has no idea what A.I. stands for. He probably thinks it’s a steak sauce: [imitating Trump] ‘She A1-ed the crowd. She gave out free bottles of steak sauce to people on the street to get them to come in. That’s why I was there. I was wearing a Kamala T-shirt and camo hat.’” — SETH MEYERSThe Punchiest Punchlines (Olympics Edition)“Yep, the big winners at the Olympics were Team USA, China and the French pole-vaulter’s Tinder account.” — JIMMY FALLON“He didn’t medal. You know I felt bad for him, but, then again, I didn’t.” — JIMMY FALLONThe Bits Worth WatchingOn Monday, Jeff Goldblum kicked off a week of guest hosting for his neighbor, Jimmy Kimmel.What We’re Excited About on Tuesday NightThe “Saturday Night Live” star Bowen Yang will appear on Tuesday’s “Late Night.”Also, Check This OutShelby Lynne left Nashville behind two and a half decades ago. When she returned this time, she found a group of female collaborators who supported her new vision.Eric Ryan Anderson for The New York TimesThe singer-songwriter Shelby Lynne makes her return to country music with her 17th studio album, “Consequences of the Crown.” More

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    Sutton Foster and Michael Urie Reunite in the Zany ‘Once Upon a Mattress’

    The hit Encores! production has transferred to Broadway, with a cast fiercely dedicated to entertaining its audience.Princess Winnifred and Prince Dauntless are goofy and playful characters. In most musicals, they would provide comic relief from the main story line. But in “Once Upon a Mattress,” it’s the funny people who rule, both literally and figuratively.All the more so since Winnifred and Dauntless are played by Sutton Foster and Michael Urie in symbiotic performances that are highly controlled and precise while maintaining the appearance of off-the-cuff abandon.And with the rest of the cast mostly following suit, it is refreshing to see actors so actively dedicating themselves to entertaining their audience. This kind of unabashed reveling in the joys of strutting your stuff appears to be in demand, too, judging by the recent success of “Oh, Mary!” and “Cats: The Jellicle Ball.”The family-friendly “Once Upon a Mattress,” which premiered in 1959, is a good fit for the Encores! series — which stages shows that are rarely revived and presented this one in January. Now the production has transferred, with some changes in the supporting cast, to the Hudson Theater on Broadway.Like many Encores! entries, Mary Rodgers and Marshall Barer’s variation on the Hans Christian Andersen tale “The Princess and the Pea” would probably struggle to crack anybody but a tween’s Top 10 list of the best musicals ever.Also like many of those entries, “Once Upon a Mattress” turns out to be surprisingly sturdy in the right hands. Rodgers’s music is zingy and Barer’s lyrics often deploy sneakily enjoyable wordplay (“I lack a lass; alas! Alack!”). Just as important, the book by Barer, Jay Thompson and Dean Fuller is engineered to let gifted comic actors run loose — it is no coincidence that Carol Burnett originated the role of Winnifred.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Rachael Lillis, Who Voiced Popular ‘Pokémon’ Characters, Dies at 55

    Ms. Lillis voiced the characters of Misty and Jessie in the animated series based on a video game. She was diagnosed with breast cancer in May.Rachael Lillis, an actress who voiced the original English versions of Misty and Jessie, popular characters in the 1990s “Pokémon” anime television series, and later in the franchise’s movies and games as well, died on Saturday in Los Angeles. She was 55.The cause was cancer, according to Laurie Orr, one of her sisters.Ms. Lillis started voice acting in the 1980s, according to her IMDB page, but her big break came in the late 1990s when she was cast in the English version of the “Pokémon” TV series, a popular Japanese anime based on the “Pokémon” video games. In hundreds of episodes over eight years, Ms. Lillis voiced the characters Misty, a trusted friend of the main character, Ash Ketchum, and Jessie, one of the show’s villains.She also voiced those characters in two “Pokemon” movies as the cultural phenomenon grew.Ms. Lillis, who lived in Los Angeles, also was the voice of Jigglypuff, whose fairy song put listeners to sleep and was one of the creatures the characters pursue.Ms. Lillis, who had dozens of other voice credits to her name, had a strong sense of humor and a talent for voice acting, said Eric Stuart, who voiced James, the other member of Team Rocket in the “Pokémon” series, and worked with Ms. Lillis for many years.“If you met her, you’d not say this was so natural for her,” Mr. Stuart said in a phone interview. “Rachael in real life was pretty low key, kind of quiet and sweet,” Mr. Stuart added. “The minute she stepped in that booth it was like this whole other energy came out.”Mr. Stuart first met Ms. Lillis in the mid-1990s, when there were not a lot of people dubbing anime into English.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    This Theater Company in Wisconsin Banks on the Glory of the Human Voice

    For a regular theatergoer, a recent July evening in rural Wisconsin was peak surreal.It could have been the sight of an amphitheater packed to its 1,075-seat capacity for a weeknight performance of the fairly obscure French comedy “Ring Round the Moon.”Or maybe it was that the actors didn’t have mics, which is a rarity nowadays. From my seat, I could see audience members leaning in, transfixed by those unamplified voices.“They’re here to listen,” Brenda DeVita, the artistic director of American Players Theater, said of the faithful who flock to Spring Green, about an hour west of Madison.A.P.T., in its 45th season, describes itself as a language-based company, which explains why it has doubled down on idiosyncratic choices in the current theatrical landscape. One is not doing musicals. Another is eschewing mics.That last is partly a practical choice since A.P.T. productions — nine this season, with the last closing on Nov. 10 — are done in repertory. This means the actors are always busy rehearsing or performing, leaving little spare time to add microphones to tech rehearsals. But banking on the glory of the human voice is primarily an artistic decision: Nothing comes between the actors, their words and the public.“Much Ado About Nothing,” featuring Sydney Lolita Cusic, lower left, and Samantha Newcomb and Briana J. Resa on the balcony, is running through September at American Players Theater’s 1,100-seat outdoor amphitheater.Eric Ruby for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What’s on TV This Week: ‘Chimp Crazy’ and ‘The Challenge’

    HBO airs a new documentary that could fall into the category “exotic animals as pets gone wrong.” The MTV competition show is back for a 40th season.For those who still enjoy a cable subscription, here is a selection of cable and network TV shows, movies and specials that broadcast this week, Aug. 12-18. Details and times are subject to change.MondayCELEBRITY IOU 8 p.m. on HGTV. Drew and Jonathan Scott, whom you probably know from “Property Brothers,” are back for another season of this show, which allows celebrities to gift home renovations to someone. The first episode of this season features Mandy Moore, who works with Drew and Jonathan on a dream backyard for her friend Celina. Other celebrities featured include Wanda Sykes, Tony Hawk and Zach Braff.THE GREAT AMERICAN RECIPE 9 p.m. on PBS (check local listings). Only three cooks are left on this season of this competition cooking show. Throughout the season, the chefs have used their family recipes to wow the judges — and the finale won’t be any different.TuesdayZac Efron in “Neighbors.”Glen Wilson/Universal PicturesNEIGHBORS (2014) 9 p.m. on E! Come for Seth Rogen being hilarious and stay for Dave Franco’s horrible Robert De Niro impression. This movie stars Rogen and Rose Byrne as parents who move into a new house with their baby. Unfortunately for them, Franco and Zac Efron live in the frat house next door, and after the couple calls the police for a noise complaint, the frat decides to make their lives a living hell. The movie is “a status report on mainstream American movie comedy, operating in a sweet spot between the friendly and the nasty, and not straining to be daring, obnoxious or even especially original,” A.O. Scott wrote in his review for The New York Times.WednesdayTHE CHALLENGE 8 p.m. on MTV. This reality competition show, one of the longest running, is about to begin its 40th season. Entitled “The Battle of the Eras,” it will feature competitors from the shows “The Real World,” “Are You the One?,” “Big Brother,” “Survivor,” “Love Island” and “Exatlón Estados Unidos,” meaning there will be lots of big personalities competing for the $1 million prize.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How ‘Seinfeld Night’ Became a New York Summer Tradition

    It’s a night that combines the zaniness of “Seinfeld,” a Coney Island freak show and a lower-level minor league baseball team with nothing to lose.It all began 10 years ago as a whimsical one-off minor league baseball promotion that ended with a contest.Yada, yada, yada …“Seinfeld Night” at the Brooklyn Cyclones is now a “Must-See-TV” kind of New York summer tradition, a game that easily sells out the 7,500 seats at the team’s Coney Island ballpark every year and demonstrates the show’s enduring appeal.It’s a night that combines the zaniness of “Seinfeld,” a Coney Island freak show and a lower-level minor league baseball team that has all the chutzpah of a short, stocky, balding man trying to impress a woman by pretending to be a marine biologist.Not that there’s anything wrong with that.On Saturday night, there were numerous contests. Men got as much ice cream on their face as possible. Soup was dumped on the head of someone who had been repeatedly scolded: “No soup for you!” And it all ended, of course, with 20 dancing Elaines.Sam Wekselblatt, left, and Patrick Westervelt Jr. compete for the messiest face. Mr. Westervelt was declared the winner.Lanna Apisukh for The New York TimesIt did not matter much that the Cyclones — make that the Bubble Boys — got shut out 3-0 by their archrivals, the Hudson Valley Renegades. (The Cyclones are part of the Mets organization and the Renegades belong to the Yankees.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Bob Tischler, Who Helped Revive ‘Saturday Night Live,’ Dies at 78

    A producer of “The National Lampoon Radio Hour” and albums by the Blues Brothers, he became S.N.L.’s head writer after a dismal season early in its history.Bob Tischler, who was part of the production and writing team that helped revive “Saturday Night Live” after the groundbreaking comedy show fell into a deep creative trough in the 1980-81 season, died on July 13 at his home in Bodega Bay, Calif. He was 78.His son, Zeke, said the cause was pancreatic cancer.Mr. Tischler did not define himself as a writer when he joined “S.N.L.” He was best known for his work in audio, having produced “The National Lampoon Radio Hour” and albums by the Blues Brothers.“I produced a lot of comedy and I did writing, but I wasn’t a member of the union or anything,” Mr. Tischler told James Andrew Miller and Tom Shales for their book “Live From New York: An Uncensored History of ‘Saturday Night Live’” (2002).“S.N.L.” needed a lot of help. After five trailblazing seasons under Lorne Michaels, its first producer, it floundered under his successor, Jean Doumanian, whose only season was widely considered the show’s worst to date.The show’s “flinty irreverence gave way a year ago to cheap shocks and worn-out formulas,” the reporter Tony Schwartz wrote in a 1981 New York Times article.Dick Ebersol, who replaced Ms. Doumanian as producer, hired Mr. Tischler as a supervisory producer in the spring of 1981 at the suggestion of the dark and temperamental Michael O’Donoghue, a veteran of the original “S.N.L.” whom Mr. Ebersol had brought back as head writer, and who had known Mr. Tischler from the Lampoon radio show. We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How Hollywood Glamour Is Reviving the Endangered Broadway Play

    George Clooney, Robert Downey Jr., Denzel Washington and Mia Farrow are coming to Broadway, where some producers see plays with stars as safer bets than musicals.Robert Downey Jr. is deep in rehearsals for his Broadway debut next month as an A.I.-obsessed novelist in “McNeal.” Next spring, George Clooney arrives for his own Broadway debut in “Good Night, and Good Luck,” and Denzel Washington returns, after a seven-year absence, to star in “Othello” with Jake Gyllenhaal.Then comes an even more surprising debut: Keanu Reeves plans to begin his Broadway career in the fall of 2025, opposite his longtime “Bill & Ted” slacker-buddy Alex Winter in “Waiting for Godot,” the ur-two-guys-being-unimpressive tragicomedy.Broadway, still adapting to sharply higher production costs and audiences that have not fully rebounded since the coronavirus pandemic, is betting big on star power, hoping that a helping of Hollywood glamour will hasten its rejuvenation.Even for an industry long accustomed to stopovers by screen and pop stars, the current abundance is striking.It reflects a new economic calculus by many producers, who have concluded that short-run plays with celebrity-led casts are more likely to earn a profit than the expensive razzle-dazzle musicals that have long been Broadway’s bread and butter.For the actors, there is another factor: As TV networks and streaming companies cut back on scripted series, and as Hollywood focuses on franchise films, the stage offers a chance to tell more challenging stories.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More