Eliana Willis

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    ‘The Agency’ and ‘Black Doves’: Spy Dramas in Touch With Their Feelings

    ‘The Agency’ and ‘Black Doves’ are part of a new crop of espionage series whose biggest battles take place within the hearts and minds of their agents.Ukraine and Russia are at war. Political instability and civil war rage in Sudan. Iran is ramping up its nuclear capabilities. The world is basically a mess in “The Agency,” the new espionage series that inundates the viewer with rapidly intersecting story lines set on an increasingly complicated geopolitical playing field.The series, which premiered last week on Paramount+ (with the Showtime tier), is part of a surge in spy shows that also includes “The Day of the Jackal,” on Peacock; “Black Doves,” premiering Dec. 5 on Netflix; and “Slow Horses,” which wrapped up its fourth season on Apple TV+ this fall.True to the genre, these series jet all over the globe (though mostly Europe) and unfold in high-tech command centers and in dark urban alleyways, via thrilling shootouts and furtive meetups. Some operatives pursue sanctioned missions as others go rogue. Multiple cats chase multiple mice, and it’s not always clear who is which.The most pitched battles, however, happen within the hearts and minds of the individual players. Even as the new spy shows reflect a fraught, tangled and mercenary post-Cold War world, the existential threats and conflicts are more interior, intimate and, in many ways, timeless.“It’s the agency,” a Central Intelligence Agency honcho (Jeffrey Wright) tells a field agent (Michael Fassbender) in “The Agency.” “Nothing is personal.” Nothing, that is, except everything.Jeffrey Wright, right, with John Magaro, plays a C.I.A. boss in “The Agency,” based on the French series “The Bureau.”Luke Varley/Paramount+ with ShowtimeWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Let’s Make a Dance.’ At Nature Theater, the Body Rules.

    In “No President,” Nature Theater of Oklahoma creates its version of a story ballet, one burpee at a time.It started with a dance. For Nature Theater of Oklahoma, that’s not unusual. Pavol Liska, who directs the company with his wife, Kelly Copper, said, “Dance becomes a kind of cell that contains the full DNA of everything.”In “No President,” set mainly to Tchaikovsky’s “The Nutcracker,” the dance that Liska and Copper made is not performed in its entirety until the very end. It’s a distillation of the movement and gestural material seen throughout the work, its “vocabulary,” Liska said. “You steal from the dance.”There is no Land of the Sweets or Sugarplum Fairy in “No President,” which has its North American premiere at NYU Skirball on Thursday and runs through Saturday. But the show, subtitled “a story ballet of enlightenment in two immoral acts,” is choreographed — humorously, violently, roughly, tenderly — within an inch of its life. For Nature Theater, a capacious, playful experimental theater company in New York City that is known for its risk and rigor, dance serves a distinct purpose.“I’m always nervous,” Liska said. “I’m always anxious, and the best way for me to just relax myself into the process is to make a dance. Even if we teach a class, the first thing I say is, ‘OK, let’s make a dance.’”Copper said, “Dance is like a way of insisting that the heart of the thing will be a kind of pleasure, because it is a pleasure for us to work in dance. It’s the most fun we have.”A scene from “No President”: “Dance becomes a kind of cell that contains the full DNA of everything,” Liska said.Heinrich Brinkmöller-BeckerWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Late Night Razzes Trump’s Upcoming Visit to Notre-Dame

    “If all goes according to plan, he would like to buy it and turn it into a casino,” Jimmy Kimmel said of the Paris cathedral on Tuesday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Prayers Up for ParisPresident-elect Donald Trump will fly to France this weekend to attend the reopening of the historic Notre-Dame Cathedral in Paris, five years after it was gutted by a fire.“If all goes according to plan, he would like to buy it and turn it into a casino,” Jimmy Kimmel joked on Tuesday.“When Notre-Dame was on fire five years ago, if you remember, Trump was very helpful. He tweeted, ‘So horrible to watch the massive fire at Notre-Dame Cathedral in Paris. Perhaps flying water tankers could be used to put it out?’ Because before then, nobody had thought of using water to put out a fire. That’s why he’s a genius.” — JIMMY KIMMEL“Trump plans to meet with French President Macron, who is one of the first world leaders smart enough to congratulate him on his victory last month. He wrote: ‘Ready to work together as we did for four years. With your convictions and mine.’ That’s right — between the two of them, they’ve got 34 convictions.” — JIMMY KIMMEL“And it’ll be interesting to see Trump and Macron interact. Trump is said to be jealous of the French president because he’s able to button his suit jacket without adding butter to his chest.” — JIMMY KIMMEL“But it’s expected to be a nice, very pleasant trip for the president-elect to enjoy Paris before he takes office, and, of course, for his wife Melania to enjoy wherever it is she will be this weekend.” — JIMMY KIMMELThe Punchiest Punchlines (On Fire Edition)“I read that President-elect Trump is going to Paris this weekend to attend the reopening of the Notre-Dame Cathedral after it was destroyed in a fire back in 2019. Yep, Trump’s going to take one step inside the church, and it’s going to burst right back into flames.” — JIMMY FALLON“The opening ceremonies are this Sunday, and the restored cathedral will be honored with massive pyrotechnics, a fire-eater and an exhibit of Europe’s most oily rags.” — STEPHEN COLBERTThe Bits Worth WatchingOn “The Tonight Show” the comedian Fortune Feimster shared the story of successfully introducing her wife to Madonna after 10 years of trying.What We’re Excited About on Wednesday NightBest buddies Anderson Cooper and Andy Cohen will stop by Wednesday’s “Late Show.”Also, Check This OutJulia Fox takes pride in being one of New York’s most out-there artists.Megan LovalloActress, writer and all-around It Girl Julia Fox shared her tips for being a freak in T Magazine’s Freak City issue. More

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    An Imaginative Treat for ‘Adventure Time’ Fans

    From the creator of that series comes “Mystery Cuddlers,” on Adult Swim, about a retired couple who have taken up private investigating.Today for your viewing pleasure: two Adult Swim one-offs, one newly birthed, the other sadly dead but still glorious. To be a TV fan is to know that sometimes 22 minutes is all you get.The new cartoon “Mystery Cuddlers,” available on the Adult Swim website and YouTube, follows a loving couple, Arthur and June Cuddler (voiced by Randall Park and Pam Grier), who’ve taken up private investigating in their retirement. “Cuddlers” has a bright, appealing oddness and fun character names like Helvetica Deathgurgle, but perhaps its biggest draw is its lineage: It was created by Pendleton Ward, the creator of “Adventure Time,” and Jack Pendarvis, an “Adventure Time” collaborator. “Adventure Time” and its spinoffs are among the most enchanting, dynamic shows of the 2000s, so even a glimmer of its greatness here is an exciting development. Adult Swim often posts pilots, many of which go no further, but in trying times, it’s good to practice hope. (The creators have called the cartoon a “pilot,” but a spokesperson for Adult Swim said it was a “special.”)As we turn our gaze to the future, we also honor those pilots that fared less well. “I’m the Mayor of Bimmi Gardens,” now on YouTube, was made in 2021 but not picked up. It’s a shame because “Bimmi” is filled with an ecstatic strangeness not currently present on television. (I’ll miss you forever, “At Home With Amy Sedaris.”) The show was created by and stars the comedian Chris Fleming and is set in the magical city of Bimmi Gardens, an island off the coast of Florida but technically “a territory of Maine,” whose primary crop is boba.“The boba crop grows when men stay virginal of mind and body,” the mayor reminds us. “Every year people have the same irrational fear: that the men of Bimmi Gardens will become horny and the moon will punish us by preventing our precious boba bushes from fruiting.”The mayor’s assistant (Victoria Pedretti, of “You”) is named RossandRachel, and the evil, alternative crop to boba is mojito, which the mayor fears will turn Bimmi into the worst imaginable place: Miami. Maybe it’s not that surprising that a pastel boba fantasia did not capture the hearts of TV executives, but that stinks for the rest of us.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘How Did I Get Here?’: 7 Days in the Life of a Busy Arts Programmer

    Jay Wegman runs from rehearsals to lunches to shows for his job at N.Y.U. Skirball, then home for a “What We Do in the Shadows” episode or two.Jay Wegman, the artistic director of the N.Y.U. Skirball performing-arts center, likes to say that he lives in three time zones: “the present, a year from now and two years from now.”As far as the present is concerned, he monitors Skirball’s programming, with shows that in November included the Civilians docu-play “Sex Variants of 1941 — A Study of Homosexual Patterns” and “No President,” a wild experiment by Nature Theater of Oklahoma set to “The Nutcracker.”At the same time, Wegman, who moved from the Abrons Art Center to the N.Y.U. position in 2016, works out logistics for the following months and plans for events much farther in the future — a lead time of two or three years is not uncommon when bringing over the international productions that have become one of Skirball’s calling cards.Wegman, 60, kept a diary of his cultural diet during a late October/early November week. These are edited excerpts from phone and email interviews.Wegman joined Skirball as artistic director in 2016 from the Abron Arts Center.Graham Dickie/The New York TimesMonday: The 2 Best Shows on TV?I spent most of the day on emails. We were trying to nail down travel plans for Isabelle Huppert, who is doing “Mary Said What She Said” in February. I went out to dinner with her and Robert Wilson in May, and it freaked me out because I was so aware that I was sitting there with those people. It just was like, “How did I get here?”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jon Stewart Thinks Biden Could Have Timed That Pardon Better

    “Normally, you drop a controversial pardon like the way you buy porn at a gas station: in a flurry of other distracting purchases,” the “Late Night” host said.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Hypocrisy Isn’t Illegal’As Thanksgiving weekend drew to a close, President Biden issued a full and unconditional pardon for his son Hunter, despite having repeatedly pledged not to do so. It was the talk of late night on Monday.On “The Daily Show,” Jon Stewart questioned the president’s timing.“Normally, you drop a controversial pardon like the way you buy porn at a gas station: in a flurry of other distracting purchases.” — JON STEWART“Thanksgiving! I knew it! Perhaps I can explain the way this pardon went down in my new one-man show, ‘Can You Get Hunter to Stop Looking at Me Like That?’” — JON STEWART“He’s an 82-year-old man — he doesn’t want to spend the rest of his life visiting his son in prison.” — JON STEWART“Hypocrisy isn’t illegal, nor is it particularly unusual in politics. It’s not like he’s ever going to run again, so why not take care of your kid, even if you said you weren’t going to? I respect it. I don’t have a problem with it. The problem is, the rest of the Democrats made Biden’s pledge to not pardon Hunter the foundation of their defense of America.” — JON STEWARTThe Punchiest Punchlines (World’s Greatest Dad Edition)“Yeah, it was a big shopping weekend, and millions of people got great deals, but nobody got a better deal than Hunter Biden.” — JIMMY FALLON“Christmas came early for this guy.” — TYRUS, guest host of “Gutfeld!”“The Biden presidency has now entered the ‘Grandpa doesn’t give a damn about what you think’ phase.” — JIMMY KIMMEL“And, yes, Joe Biden did say he wasn’t going to pardon Hunter. But, to be fair, there’s a very good chance he doesn’t remember saying that.” — JIMMY KIMMELWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jason Laks Named President of Broadway League

    The Broadway League, an industry trade organization, named Jason Laks as its new president. “I think our mission has to be more than to make it 2019 again,” Laks said.The Broadway League, the trade organization that represents commercial theater producers and the industry’s powerful theater owners, has chosen Jason Laks, a longtime official at the organization, to be its next president at a time when the sector is still struggling to recover its prepandemic financial strength.Laks, 52, is a lawyer who has been with the League off and on since 2012, primarily as the director of labor relations in charge of negotiating contracts with 14 unions representing the Broadway work force. Laks has been serving as the League’s interim president since February, when its longtime leader, Charlotte St. Martin, stepped down.The League’s most well-known role is as a co-presenter, alongside the American Theater Wing, of the annual Tony Awards, which honor plays and musicals staged on Broadway. The organization represents commercial producers in labor negotiations, handles government relations for the industry, works with organizations seeking to diversify the American theater and oversees the Jimmy Awards, a national high school musical theater competition.The League’s board of governors voted on Monday to approve Laks’s appointment.The organization, with a $12 million annual budget and a 33-person staff, has 830 members who include not only the owners and operators of the 41 Broadway houses, but also presenters of touring Broadway shows around the country, as well as general managers, vendors and suppliers.Broadway, which had been booming in the years preceding the coronavirus pandemic, has not fully recovered from a roughly 18-month shutdown; pre-Thanksgiving audiences this season were about 5 percent below prepandemic levels. Even as domestic and international tourism is rebounding, there has been a decline in theater attendance by New York-area suburbanites that is associated with the rise of hybrid work, a shift toward home-based entertainment consumption and concerns about costs, crime and congestion.“I think we are doing a remarkable job of coming back postpandemic, but it’s an important moment for the industry — we’re not back to where we were in 2019, but I think our mission has to be more than to make it 2019 again,” Laks said. “We need to continue to work to grow and diversify our audiences and get people into the city to see our shows.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    With ‘Sunset Boulevard,’ One Look Wasn’t Enough

    A bare-bones revival of the Broadway musical grew on me with subsequent viewings, and the additional details I noticed bolstered my reporting.Times Insider explains who we are and what we do, and delivers behind-the-scenes insights into how our journalism comes together.Something I wish I had the chance to do more often as a reporter is to see shows multiple times, deeper into their runs — the “Notre Dame de Paris” musical, which I’ve seen seven times, and “The Phantom of the Opera,” which I’ve seen six times, come to mind.The first time I saw “Sunset Boulevard” in London last year, I was, to say the least, underwhelmed. Directed by Jamie Lloyd, the British minimalist, the revival of the Andrew Lloyd Webber musical had no sets, all-black costumes and almost no props.I had seen neither the original 1993 musical, nor the 1950 black-and-white Billy Wilder film on which it is based. This is not an approach I would recommend for a Jamie Lloyd show; the experience was akin to watching a gender-swapped Shakespeare production with no concept of the original.But one thing did grab me: The outrageously ambitious title number, which is filmed live every night. In a six-minute sequence that begins backstage before spilling out onto the street, the screenwriter Joe Gillis (played by Tom Francis) contemplates the circumstances that led to him becoming the plaything of Norma Desmond (Nicole Scherzinger).“There’s no way that’s live,” someone sitting next to me said, as the audience watched the street sequence unfold on a towering screen at the front of the stage.But the actor had grabbed an umbrella as he headed outside — it was raining that night in London, as it often does — which seemed to give it all away.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More