Eliana Willis

More stories

  • 188 Shares189 Views

    in Television

    ‘Bob’s Burgers’ Actor Sentenced to One Year in Prison for Role in Jan. 6 Riot

    The actor, Jay Johnston, pleaded guilty in July to obstructing police during the riots at the Capitol on Jan. 6, 2021, according to prosecutors.Jay Johnston, a comedian and actor who voiced Jimmy Pesto Sr. on the Fox sitcom “Bob’s Burgers,” was sentenced to a year and a day in prison over his involvement in the attack on the U.S. Capitol on Jan. 6, 2021.Mr. Johnston, 55, pleaded guilty in July to a felony charge of obstruction of law enforcement after reaching a plea agreement that dropped three other charges originally brought against him. The actor was arrested in June 2023 in California with the help of internet sleuths who identified Mr. Johnston after the F.B.I. posted photos of him at the Capitol during the riot. Three other people who know Mr. Johnston also identified him.While Mr. Johnston is best known for his role in “Bob’s Burgers,” he was a regular on the 1990s sketch comedy show, “Mr. Show with Bob and David,” as well as on “The Sarah Silverman Program.” He has mostly starred in comedies on television and in movies.He will be on supervised release for two years after his yearlong prison sentence, according to a news release from the U.S. attorney’s office for the District of Columbia. U.S. District Judge Carl J. Nichols also ordered Mr. Johnston to pay a $2,000 fine.Authorities said that when rioters broke through police barricades, Mr. Johnston continued to get closer to the police line. Security footage showed that he had helped push others up against police officers who were pinned against a door near the tunnel entrance of the Capitol building, prosecutors said.Mr. Johnston also filmed the crowds throughout the day on his phone, according to the news release. A person who knows Mr. Johnston showed investigators a text message that he had sent in which he admitted to having been at the Capitol.“The news has presented it as an attack,” the message stated, according to court documents. “It actually wasn’t. Thought it kind of turned into that. It was a mess. Got maced and tear gassed and I found it quite untastic.”Investigators also found that he had booked flights to arrive in Washington on Jan. 4, 2021, and to return to Los Angeles three days later.Mr. Johnston is one of more than 1,500 people who have been charged with crimes related to the Jan. 6 riots at the Capitol, according to the Justice Department. More

  • 138 Shares139 Views

    in Television

    Why Trump Uses Comics Like Tony Hinchcliffe to Spread His Message

    Like the former president, these stand-ups loathe the news media, delight in transgression and harbor a deep-seated love of cruel insult jokes.The stand-up of Tony Hinchcliffe, a popular insult comic, became an immediate issue in the presidential campaign on Sunday after his racist lines at a Donald J. Trump rally earned immediate blowback and criticism from, among others, the Democratic vice-presidential candidate, Tim Walz.As Hinchcliffe has done in the past when embroiled in controversy, he doubled down. On X, he wrote that Walz had found the time to “analyze a joke taken out of context to make it seem racist.” Walz didn’t do that. But to the extent that there was a relevant context to Hinchcliffe’s dopey, trolling punchlines, it’s this: They were delivered at a Trump campaign event nine days before the election.There was a time not long ago when people wondered why there weren’t more conservative comedians or why there wasn’t a right-wing version of “The Daily Show.” These questions have always been a little naïve. Comedy has long had a conservative streak, and anyone who ever attended middle school knows that jokes can be as effective at reaffirming the status quo as challenging it.But comedy has become more partisan over the years; late-night TV’s move from neutral Johnny Carson to anti-Trump hosts is only one example. In this election, a forceful new Trump-friendly contingent has emerged, one dominated by male comics, many from Joe Rogan’s orbit. Whereas the biggest names in pop music have come out aggressively for Vice President Kamala Harris, the artists who have provided the most support for Trump have been comedians.Trump and his running mate, JD Vance, have made comedy podcasts a regular stop, aiming to win over young male voters dissatisfied with mainstream news outlets. Just in the past week, Vance has appeared on the podcasts of Tim Dillon, a satirical comic who specializes in booming nihilistic rants, and the oddly poetic, bro-ish comic Theo Von. After much public speculation over whether Trump would be invited to sit down with Rogan — the most popular comedy podcaster and the one who gave a boost to many of these comics — it happened. (Trump has also appeared on podcasts with Von and with the New York standup Andrew Schulz, a podcaster so popular he headlined Madison Square Garden this year.)This doesn’t even count Greg Gutfeld, who as Fox’s highly rated right-wing answer to late night has had Trump on as well.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 100 Shares149 Views

    in Television

    Jon Stewart Extends ‘Daily Show’ Run Through 2025

    Stewart, who returned to the show in February as a host on Monday nights, originally planned to work through the presidential election.Jon Stewart is sticking around. After nearly nine months with Stewart back at the desk of “The Daily Show,” Comedy Central announced on Monday that he would continue to host the show on Monday nights through 2025.Stewart, who regularly won Emmys while hosting the Comedy Central show full-time from 1999 to 2015, was originally expected to host through the 2024 presidential election.“I’ve truly enjoyed being back working with the incredible team at ‘The Daily Show’ and Comedy Central,” Stewart, 61, said in a statement. “I was really hoping they’d allow me to do every other Monday, but I’ll just have to suck it up.”In addition to continuing his hosting duties one night a week, Stewart will also continue to serve as an executive producer.“Jon’s incisive intellect and sharp wit make him one of the most important voices in political and cultural commentary today,” Chris McCarthy, a senior executive at Paramount, Comedy Central’s parent company, said in the statement. “His ability to cut through the noise and deliver cleareyed insights is exactly what we need.”In September, “The Daily Show” won an Emmy for best talk series. “You have made an old man very happy,” Stewart said in the acceptance speech. “It has really made my Mondays.”A rotating lineup of hosts — including Desi Lydic, Ronny Chieng, Michael Kosta and Jordan Klepper — will continue to anchor the rest of the week. “The Daily Show” has been without a permanent host since Trevor Noah stepped down in late 2022. More

  • 125 Shares119 Views

    in Theater

    Broadway Is Singing Louis Armstrong’s Songs. Here Are 6 Classics.

    When Christopher Renshaw was growing up in England in the 1950s and ’60s, everybody knew about Louis Armstrong. “He was an icon for me as a child,” he said. “He was just there — he’s smiling, he’s funny.”But when Renshaw — whose directing credits include the 1996 Broadway production of “The King and I” and “Taboo,” which he conceived with Boy George — was approached about creating an Armstrong musical, he quickly learned that the musician was far more than just the affable, popular entertainer he saw on television.Armstrong’s story sprawls across five decades, numerous musical and social upheavals, and his own creative breakthroughs from the revolutionary 1920s recordings with his Hot Five band to worldwide celebrity with the ’60s pop smashes “Hello, Dolly!” and “What a Wonderful World.”That story is now being told on Broadway in “A Wonderful World: The Louis Armstrong Musical,” which is in previews at Studio 54, following a 2021 premiere in Miami and runs in New Orleans and Chicago. For the show’s creative team, exploring the offstage struggles and tensions of this cultural and musical titan was as important as illustrating his pioneering, radical work as a trumpeter and singer.“Louis Armstrong was a real Black man,” James Monroe Iglehart, who is portraying Armstrong and is one of the directors, said, noting the ways Armstrong’s image was cleaned up and deracinated for Hollywood and television. “We worked really hard to show that side of him, the good and the bad.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 150 Shares169 Views

    in Television

    The Mysterious ‘Ketamine Queen’ at the Center of the Matthew Perry Case

    One year after Mr. Perry’s death, Jasveen Sangha is in jail awaiting trial on charges that she sold him the ketamine that killed him.A few weeks after Matthew Perry was discovered floating facedown in a hot tub, the woman who prosecutors say supplied the ketamine that killed the actor was indulging in afternoon tea at a five-star hotel in Japan and taking mirror selfies while modeling a kimono. Several months later, she posted highlights from a trip to Mexico, where she enjoyed caviar at the airport, sitting poolside at the beach and admiring a drink within a coconut.The woman, Jasveen Sangha, liked to share images of a glamorous life on social media, of herself rubbing elbows with celebrities and traveling around the world to Spain, China and Dubai.But her home was a midrise building for the aspiring upper class in North Hollywood, an unglamorous space in an unremarkable part of town. It was there, prosecutors say, that Ms. Sangha manufactured, stored and distributed illegal drugs for at least five years, including those connected to the deaths of Mr. Perry and another man.When the authorities raided Ms. Sangha’s fourth-floor apartment in March, they said they found cocaine, 79 vials of ketamine and three pounds of orange pills containing methamphetamine. Prosecutors emphasized in court documents that customers knew her as the “Ketamine Queen.” Ms. Sangha in a photo taken from her Instagram account.“Given the volume of drugs defendant sold, there are likely more victims,” they wrote in court documents.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 113 Shares139 Views

    in Television

    What’s on TV This Week: ‘Grotesquerie’ and Halloween Movies

    FX airs the finale of Ryan Murphy’s latest show. And various channels celebrate the spooky frights and delights of the holiday.For those who still enjoy a cable subscription, here is a selection of cable and network TV shows, movies and specials that broadcast this week, Oct. 28-Nov. 3 Details and times are subject to change.MondaySMILE (2022) 8 p.m. on MTV. If you plan to catch “Smile 2” in theaters, it might be good to refresh your memory with the original. This film follows Dr. Rose Cotter (Sosie Bacon) and her patient (Caitlin Stasey), who believes she is being followed by an evil entity that forces people to smile. Leave it to a psychological thriller to make something that is usually joyful into something terrifying.A still from “American Dad.”Courtesy of Fox.AMERICAN DAD 10 p.m. on TBS. This show, which began in 2005, is back with guest stars such as Kevin Bacon, Michael Imperioli and Leslie Jones. The story will focus on the fictional town of Langley Falls and its boardwalk reopening.TuesdayCITIZEN NATION 9 p.m. on PBS (check local listings). This documentary series shadows teenagers across the United States who are taking part in a civics competition. The cameras follows the Gen Zers as they make their way through regional and state competitions in the form of congressional hearings, with the ultimate goal of a championship win in Washington.WednesdayGROTESQUERIE 10 p.m. on FX. For the last month, the majority of my TikTok page has consisted of edits of Nicholas Alexander Chavez in two different Ryan Murphy shows — either as Lyle Menendez in “Monsters” on Netflix or as Father Charlie Mayhew in “Grotesquerie.,” and it’s easy to see why. The twisty series follows Lois Tryon (Niecy Nash), a detective, as she works with Megan Duval (Micaela Diamond), a nun and journalist, to solve the horrible crimes happening in the community.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 125 Shares139 Views

    in Theater

    Review: ‘We Live in Cairo’ Falls Short of Being Revolutionary

    Egyptians stand up to their government in a play that excels in its design but rings hollow when its subtext and character development are scrutinized.Building a new world is just as difficult, maybe even more so, as tearing down an old one. Just ask the Arab Spring revolutionaries of “We Live in Cairo,” whose solidarity fractures after they get what they were fighting for.The brothers Daniel and Patrick Lazour’s show, which opened on Sunday at New York Theater Workshop, is divided into a before and after, with intermission sitting neatly in the middle: The leadup to the violent protests of January and February 2011, which prompted the resignation of the autocratic Egyptian president Hosni Mubarak, followed by the buildup of bitterness and strife. But while passions supposedly run high, the temperature of this new musical — which at best and at worst feels like “Rent” on the barricades — almost never rises above tepid.Like Mark Cohen, the aspiring filmmaker in “Rent,” Layla (Nadina Hassan), a photographer, takes on the responsibility of documenting the action, in this case the resistance of a handful of young Cairenes fighting government oppression.Layla meets them through her boyfriend, Amir (Ali Louis Bourzgui, the lead in the recent revival of “The Who’s Tommy”). The group’s firebrand, Fadwa (Rotana Tarabzouni), who comes from an activist family, landed in jail for criticizing Mubarak on Facebook. Its levelheaded pillar is Amir’s brother, Hany (Michael Khalid Karadsheh), who wants to attend law school in New York, and its party-loving jester is Fadwa’s wealthy cousin, Karim (John El-Jor), an artist who spray-paints caricatures of the country’s leaders.Those murals connect to some of the brightest elements of Taibi Magar’s production — the physical ones. Tilly Grimes’s set, with carpets in red tones and a place for the band at the back of the stage, has a lived-in quality that suggests the warmth of the friends’ relationship as well as the feeling of relative safety that prevails at their hangout. David Bengali’s video design does the heavy lifting when the outside world intrudes, and includes illustrations by the Egyptian artist Ganzeer that represent Karim’s work alongside projected news images, some of them appropriately brutal. (Raphael Mishler designed the papier-mâché head of Mubarak that Karim wears when we meet him.)Unfortunately, design alone does not a musical make, and piddly details like book and score must be taken into account. There is no questioning the Lazours’ passion for the project, which has been in the works for a decade and premiered at American Repertory Theater, in Massachusetts, in 2019 — the album “Flap My Wings (Songs from We Live in Cairo)” was recorded remotely with various singers the following year. But the characters are never convincingly defined, except for Fadwa, who also benefits from Tarabzouni’s fiery performance.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 138 Shares189 Views

    in Theater

    Mimi Hines, a Replacement Star in ‘Funny Girl,’ Dies at 91

    She was best known as half of a comedy team with her husband, Phil Ford, until her hall-filling voice earned her raves in a role made famous by Barbra Streisand.Mimi Hines, a powerful singer and live-wire comedian who etched her name in Broadway lore as the replacement for Barbra Streisand in the original production of “Funny Girl,” died on Oct. 21 at her home in Las Vegas. She was 91.Her death was confirmed by her lawyer and friend Mark Sendroff.A “mischievous sprite,” as The New York Times once called her, the diminutive Ms. Hines brought an outsize energy to her work, whether she was dishing out one-liners in nightclubs as half of a comedy-and-song duo, Ford & Hines, with her husband, Phil Ford, or delivering showstopping numbers to packed houses on Broadway.During her peak in the 1950s and ’60s, journalists often noted her elfin quality and her distinctive facial features — cleft chin, deep dimples and wide, toothy grin — which she was not shy about using as a comic prop.When Mike Wallace interviewed her and Mr. Ford in 1961, he informed her that a newspaper writer had recently described her as “two buck teeth and a carload of talent.”“That’s not true,” she responded. “My whole mouth is buck.”Ms. Hines and Mr. Ford got their first big break in 1958 on “The Tonight Show,” which at the time was hosted by Jack Paar. It was the first of several “Tonight” appearances they would make over the years. Her rendition of the song “Till There Was You” from “The Music Man” moved Mr. Paar to tears.“It was a magic night on TV,” Ms. Hines said in a 1963 interview with The Prince Herald Daily Tribune of Saskatchewan. “They say 12 million people saw it.” They also appeared on several episodes of “The Ed Sullivan Show,” as well as on many other variety and talk shows.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More