Eliana Willis

More stories

  • 163 Shares199 Views

    in Television

    International TV Series to Stream Now: ‘Miss Austen,’ ‘I, Jack Wright’ and More

    New international series include a drama about Jane Austen and her sister, a Netflix reboot of a French institution and a whimsical sci-fi anime.In this roundup of recent series from other shores, we go tripping through time and space: from Roman Empire high jinks to Regency England melodrama, and from contemporary British mystery to a postapocalyptic Japanese hotel.‘Apocalypse Hotel’This whimsical, oddball science-fiction anime has not ranked highly in surveys of this spring’s season of Japanese animated series, perhaps because it doesn’t fit precisely into a standard category. (It also has the disadvantage of being a rare original series, with no ties to an already popular manga or light-novel franchise.) In a Tokyo slowly being reclaimed by nature, on an Earth abandoned by humans because of an environmental catastrophe, an intrepid band of robots keep the lights on at a luxury hotel, prepping every day for nonexistent guests. The staff members’ intelligence may be artificial, but their commitment to service is touchingly genuine.When guests do appear — sometimes decades or even centuries apart — they are not humans but wandering aliens whose habits and needs test the robots’ resourcefulness. A family of shape-shifting interstellar tanuki (raccoon dogs) decorate their rooms with towers of dung; a superpowered kangaroo with boxing gloves for paws is intent on destroying the planet’s civilization, not realizing the job is already done. As the travelers and the staff adjust to one another, the robots enact their own version of exquisite Japanese tact and hospitality, with results that are both melancholy and raucously comic. (Streaming at Crunchyroll.)‘Asterix & Obelix: The Big Fight’The tremendous success of the Asterix comics and their offshoots across more than 60 years — hundreds of millions of books sold, a panoply of movies, a popular theme park outside Paris — has never translated particularly well to the United States. The heroes of the stories, a village of 1st-century-B.C. Gauls with egregiously punny names, may hold out against Roman occupation because of the magic strength potion brewed by their druid priest. But their true power, in literary terms, is a projection of insular French wit and wordplay and rough-and-ready Gallic sang-froid. For Americans, the humor can seem both beneath our standards and over our heads.“Asterix & Obelix: The Big Fight” is based on the long-running Asterix comics.2025 Les éditions Albert René/Goscinny-Uderzo/NetflixNow that Netflix is involved, however, it is a sure bet that the intention is to cross over into as many markets as possible, not least the United States. This five-episode adaptation of an early (1966) Asterix book accomplishes that goal with sufficient style, primarily through its brightly colorful 3-D animation. The images are vivid and pleasing, and they hold your interest even when the action kicks in and the storytelling loses some of its French particularity, sliding into a Pixar-derived international-blockbuster groove. (Streaming at Netflix.)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 75 Shares119 Views

    in Television

    Jimmy Kimmel Digests Trump’s Crypto Dinner

    “Listen, he’s only corrupt in his free time, guys,” Kimmel said of the president. “When he’s in the Oval Office, he’s by the book. This is all completely on the up and up.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Guess Who’s Coming to DinnerOn Thursday, President Trump hosted a dinner for the biggest investors in his personal cryptocurrency. Protesters gathered outside the golf club where it was held, denouncing what they called “crypto corruption,” and late-night hosts lodged their own form of protest in their monologues.“Tonight, President Trump hosted a private dinner for the top 200 holders of his memecoin,” Jimmy Fallon said. “Yep, over 200 crypto bros in one room. Even Satan’s like, ‘Now, that’s hell.’”Several of the dinner guests told The New York Times that they were hoping to influence Trump and, ultimately, U.S. financial regulation. Jimmy Kimmel was not reassured by Karoline Leavitt, the White House press secretary, who told reporters it was a private dinner and that it was “absurd for anyone to insinuate that this president is profiting off of the presidency.”“It is absurd to say it’s absurd for anyone to insinuate that the president is profiting off of the presidency,” Kimmel said.“As far as I know, he’s the only president I’ve ever heard of who sells his own Bible and watch.” — JIMMY KIMMEL“Listen, he’s only corrupt in his free time, guys. When he’s in the Oval Office, he’s by the book. This is all completely on the up and up.” — JIMMY KIMMEL“These people gave Trump’s business a combined $394 million for this dinner in one night. Seats went for from $55,000 to $37 million a pop. And no plus ones. That’s just by yourself.” — JIMMY KIMMELWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 113 Shares189 Views

    in Television

    6 Comedy Specials Worth Watching Over Memorial Day Weekend

    New hours from Sarah Silverman, Mike Birbiglia, Jerrod Carmichael and others range widely in subject and style. But they all provide laugh-out-loud moments.Sarah Silverman, ‘PostMortem’(Stream it on Netflix)“Death is really hard for me,” Sarah Silverman says with the kind of impeccably performed earnestness that makes you believe her banal statement for just long enough to be sideswiped by the punchline. “And that’s what makes me unique.” What actually makes Silverman different is that few others would handle the death of a father and stepmother in the same month by joking merrily about merch. “I really feel like my parents would want me to monetize this,” she says.No amount of tragedy is going to turn Silverman into a maudlin solo artist. Her funniest jokes employ sarcasm, not sincerity. Despite its subject matter, this new hour is, in some ways, classic Silverman terrain, with raunchy bits and Hitler references. I wouldn’t even call it her most personal special. The closest she gets to philosophizing is a long chunk about the ignored life of the fly. Attention must be paid. She pays tribute to the memory of her parents through descriptions in loving detail.As those who saw her 2022 musical “The Bedwetter” know, her father clearly passed down a warmhearted, open-book sensibility. She ends with a scene from his last days, a beautiful (and gross) account of helping him pee. The most moving moment to me, though, was her consideration of the last words of her stepmother: “Your hair. It’s so dry.” Silverman looks grateful: “She always told me the truth.”Mike Birbiglia, ‘The Good Life’(Stream it on Netflix)Mike Birbiglia dislikes the friends of his 9-year-old daughter. Watching them, he quips, “makes me really not understand pedophilia.” That may not sound like a Birbiglia joke to you, but despite being a mostly clean, NPR- and Lincoln Center-approved comic, he has long been drawn to secrets, small transgressions and the humorous possibilities of being unlikable. He’s just not flamboyant about it.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 88 Shares129 Views

    in Theater

    ‘O.K.!’ Review: When the Abortion Clinic Cancels

    In Christin Eve Cato’s new backstage dramedy, an actress’s plan to terminate a pregnancy collides with the rollback of reproductive rights.In a shared dressing room of a theater somewhere in Oklahoma, an actress named Melinda is the first to arrive. It’s 90 minutes before the curtain rises, and to the keen-eyed stage manager, Alex, she seems not quite herself.“You look like you’ve been throwing up,” Alex says, getting it right in one guess, not that Melinda is about to admit that she is pregnant. She has an abortion scheduled, and no one needs to know.But in Christin Eve Cato’s new backstage dramedy, “O.K.!,” Melinda’s timing is on a collision course with the rollback of reproductive rights. The date is June 24, 2022, and the U.S. Supreme Court has just overturned Roe v. Wade. Soon the clinic calls to cancel Melinda’s appointment permanently, and the clear vision she had of her future clouds over with panic.“O.K.!” is about how Melinda (Danaya Esperanza) moves through that fear as the clock ticks down to showtime, with the help of her fellow actors Jolie (Yadira Correa) and Elena (Claudia Ramos Jordán) and their collective reverence for tarot-card wisdom. Also instrumental: the calming competency of Alex (a very funny Cristina Pitter), who herds unruly cast members like cats.The barely glimpsed show within a show is a nonunion tour of a musical called “Okla-Hola,” a parody of Rodgers and Hammerstein’s cowboy-Americana classic “Oklahoma!,” told from a Latino point of view. Melinda stars as Lori (a version of Laurey, of course, the farmhouse beauty pursued by two suitors), with the jaded, politically engaged Jolie as Titi Elder (a variation on Laurey’s Aunt Eller) and the high-spirited, Spanglish-speaking Elena as Ada Ana (the inveterate flirt Ado Annie). In a corner of their dressing room stands a scaled-down, rustic farm windmill, which will transform into the tarot deck’s glowing, 3D Wheel of Fortune. (The set is by Rodrigo Escalante.)Directed by Melissa Crespo for Intar Theater and Radio Drama Network, “O.K.!” blends a loving critique of the theater with a historically minded explication of threats to women’s health and autonomy, leavens it all with comedy and sprinkles it with the surreal. Tonally, that is quite a mix to pull off, particularly with the script’s didacticism working against its drama.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 100 Shares109 Views

    in Television

    For the Creators of ‘Adults,’ Maturity Is Overrated

    Rebecca Shaw and Ben Kronengold graduated from college in 2018. At commencement, they gave a speech in which they talked about moving on from Yale. As the speech went on, it appeared that Shaw was also moving on from Kronengold. A video clip of the speech went viral, not least because Hillary Clinton, that year’s speaker, can be seen giggling at a joke about Yale’s endowment.Shaw and Kronengold were briefly famous. Days later, jobless, they moved back in with their respective parents. She returned to the Upper West Side. He was back on Long Island.“All of my autonomy and independence and this beautiful sense of self I’d cultivated, no one cared about it anymore,” Kronengold said.Shaw and Kronengold were still together — the breakup had been a comic bit — but separated by the L.I.R.R. They missed school, they missed their friends, they missed having a schedule and a sense of purpose. Adulthood, it turned out, was kind of a bummer.Bored and isolated, they began to sketch out a show about five housemates living together, clumsily, in Queens, New York, a “Friends” remade for an extremely online, acutely self-conscious Gen Z crowd.“We were clearly lonely and, like, imagining this fantasy where all our friends lived with us,” Kronengold said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 75 Shares99 Views

    in Television

    ‘Sirens’ Is a Poppy Summer Getaway

    The new Netflix series, starring Meghann Fahy, Milly Alcock and Julianne Moore, isn’t breaking any boundaries, but it is often entertaining.“Sirens,” a five-part mini-series on Netflix, brims with trendy TV elements, a mythology-tinged beach drama with a weepy trauma plot and a poppy attention to cult sagas. It’s more summer fling than marriage material, but who doesn’t like to get away?Meghann Fahy stars as the down-and-out Devon, who dresses in black, smokes cigarettes, has casual sexual encounters and tries to care for her ailing father with dementia in Buffalo. Milly Alcock is Simone, her little sister, a live-in assistant on Martha’s Vineyard whose outfits seem ripped from a Lilly Pulitzer lookbook. Devon arrives, unbidden, because she needs help, but she soon becomes worried that Simone is in a cult led by her employer, Kiki (Julianne Moore), an ethereal, overwhelming ex-lawyer married to a frustrated billionaire (Kevin Bacon).“Sirens” is “White Lotus”-adjacent, thanks in part to its “rich people: they are actually very sad sometimes” elements and especially thanks to Fahy, its lead and a “White Lotus” alumna. It shares an “Upstairs, Downstairs” behind-the-scenes energy and a fascination with birds with “The Residence.” As in the dopey yet engrossing thriller “Paradise,” there is something unsettling and amiss about the luxury here. Every mysterious streaming drama needs a parade of famous faces, and “Sirens” gives us Moore, Bacon and Glenn Howerton. And as with dozens of other poor-little-rich-folks series, primo real estate is the backbone of the show.Those are relatively chichi shows to resemble, but “Sirens” is perhaps more in keeping with trends from the other end of the prestige spectrum: It often feels like a Hallmark Channel movie.“Sirens” swims from campy to grounded and back, feeling sometimes refreshingly unpredictable and other times confusingly disjointed. When the oddities amplify each other, the show takes on an eerie, alluring dreaminess. But then the show backs away from its boldest ideas, as if it had this bolder, grander plan and then just said, “Eh, never mind.”The draw here is the goofy luminosity of it all and the commitment of the performances. It is also a show that could be told entirely through hair: Each perfect ponytail is an instant character biography; frizz stands in for personal failure; face-framing waves that crest right at the cheekbone might as well be a halo; and a stick-straight blowout cuts deeper than a knife in the back. More

  • 138 Shares169 Views

    in Theater

    James Corden, Neil Patrick Harris and Bobby Cannavale Lead Broadway ‘Art’

    The three actors will star in a revival of Yasmina Reza’s 1994 play, which begins performances at the end of August.Broadway’s run of starry plays shows no signs of slowing down.James Corden, Neil Patrick Harris and Bobby Cannavale will return to Broadway in a late summer revival of “Art,” a Yasmina Reza comedy that explores what happens to a three-way friendship when one of the men spends a lot of money on a painting that is mostly a white canvas.First staged in France in 1994, the show made it to Broadway in 1998, and won the Tony Award for best play that season. It has been widely staged in the years since its debut. The revival is scheduled to begin performances on Aug. 28 and to open Sept. 16 at the Music Box Theater. It is expected to run through Dec. 21.The new production will be directed by Scott Ellis, a Broadway regular who is currently serving as interim artistic director of Roundabout Theater Company and who directed this spring’s production of “Pirates! The Penzance Musical.”The show is being produced by Sand & Snow Entertainment, a company founded by Michael Shulman, as well as by ATG Productions, led by Adam Speers, and Gavin Kalin.This star-led production is the latest example of a growing trend: Broadway producers are turning to limited-run plays featuring TV and film celebrities because those shows seem more likely to succeed. At a time when almost every new musical is failing financially, six of this season’s plays have already become profitable: “Oh, Mary!,” “All In: Comedy About Love,” “Romeo + Juliet,” “Othello,” “Glengarry Glen Ross” and “Good Night, and Good Luck.”Corden, Harris and Cannavale are not just stars of the big and small screen — all three are experienced and accomplished stage performers. Corden and Harris are both Tony winners — Corden in 2012 for “One Man, Two Guvnors,” and Harris in 2014 for “Hedwig and the Angry Inch.” Cannavale is a two-time Tony nominee. More

  • 138 Shares189 Views

    in Television

    Late Night Thinks Trump’s ‘White Genocide’ Video Was a Bit Much

    “The guy who couldn’t find South Africa on a map of Africa” subjected its leader to an extremely dubious video about his own country, Jimmy Kimmel said.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Lie, the Beloved CountryOn Wednesday, President Trump lectured the visiting president of South Africa, claiming that genocide was being carried out against white farmers in his country (and subjecting him to a dubious video on that subject). In turn, Trump got a lecture from late-night hosts, who dismantled his false claims.“There’s a right-wing conspiracy theory bubbling right now that says they’re killing all the white people in South Africa,” Jimmy Kimmel explained on Wednesday night. “Trump apparently has seen this online, so he brings the president in, he turns the lights down and makes him sit through a multimedia presentation about his own country titled ‘White Genocide.’”“I mean, seriously, does anyone at the White House — does anyone around him ever say, ‘Oh, Mr. President, this one is wrong, this is not real, this one makes you look demented and dumb’? Nobody does.” — JIMMY KIMMELOn “The Daily Show,” Ronny Chieng said Trump had turned the White House meeting “into a murder podcast.”“Trump is convinced that there is white genocide going on in South Africa, which of course means there is no white genocide happening in South Africa. It’s not even mathematically possible. I mean, you’ll never run out of white South Africans when one of them is making 5,000 kids a week.” — RONNY CHIENG, referring to Elon Musk“But still, Trump thinks there is one, and you know he cares about it because he said ‘white genocide.’ It’s like someone told him, ‘Hey, it’s not just a genocide, it’s a white genocide. You know, the bad kind.’” — RONNY CHIENG“During the meeting, this is real, things got pretty heated, and the president of South Africa actually said, ‘I’m sorry I don’t have a plane to give you.’ And then, to mess with Trump even more, he gave him tickets to see a Springsteen concert in New Jersey.” — JIMMY FALLON“Trump asked some tough questions, like, ‘How did you get rid of Elon? I’ll tell you what I did. How did you do it?’ — JIMMY FALLON“If you really want to impress Trump, you should have given him one of your golf courses. Then Trump would be like, ‘Hell, yeah! Sorry, white South Africans, if that’s even a real thing. Thoughts and prayers.’” — RONNY CHIENGThe Punchiest Punchlines (Golden Dome Edition)“President Trump has unveiled plans for a ‘Golden Dome’ missile defense shield that could cost tens of billions. Here is a schematic of what the golden dome would look like. The best part about the defense shield? He says the Klingons will pay for it.” — GREG GUTFELD“We’re fine. Gold doesn’t melt. It’s the strongest metal on earth.” — GRACE KUHLENSCHMIDT of “The Daily Show”“Yes, gold. Because when I think impenetrable, I think of stuff that pirates can bend with their teeth.” — STEPHEN COLBERTWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More