‘Where We Belong’ Review: A Performer Wonders, What’s in a Name?
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Songs from “Starmania” are frequently heard and covered in France, but until a new production opened in Paris, few had a chance to see the 1979 rock opera onstage.PARIS — Imagine a musical so beloved that on opening night, its lyricist receives a standing ovation before the show even starts. That’s what happened here Tuesday night. As the songwriter walked to his seat, the audience at La Seine Musicale couldn’t contain their excitement — starting with Brigitte Macron, the wife of President Emmanuel Macron of France.No, this musical wasn’t “Les Misérables.” (In fact, while it was originally created in French, few people in the country are aware of the existence of “Les Miz,” or the wild popularity of its English-language version.) The occasion was the long-awaited return of “Starmania,” a dystopian rock opera that has turned into a singular French phenomenon since it was first heard in the 1970s.Of the numbers co-written by Michel Berger, who died in 1992, and Luc Plamondon, whose appearance triggered the ovation on Tuesday, at least 15 — like “Need For Love” and “The World Is Stone” — are frequently heard and covered in the world of French popular music, with their eloquent lyrics that speak of loneliness, power struggles and rebellion. Yet “Starmania” itself has been elusive onstage.It’s not entirely surprising: Like many examples of the rock opera, a genre born in Britain in the 1960s, “Starmania” started life as a concept album, albeit one with a complex, multicharacter plot set in a futuristic global city, Monopolis. The first theatrical run, in 1979, lasted only a month, and the last full stage production in France — a country where musical theater isn’t especially popular — was back in the 1990s. An English version, “Tycoon,” written by Tim Rice, was released as an album starring Cyndi Lauper, Céline Dion and Tom Jones in 1992, but never took off in theaters.This poses unique challenges for any director looking to tackle “Starmania.” Even as the songs remained cultural touchstones, the narrative’s twists and turns have faded from memory. For instance, few know that “The Businessman’s Blues,” an idealistic number about an entrepreneur who yearns to be an artist, is actually sung by Zéro Janvier, a disingenuous real estate tycoon turned fascist political leader.It was time to rediscover Berger and Plamondon’s socially prescient work. In Monopolis, the capital of the newly unified West, Janvier is running for president on a law-and-order platform, against the environmentalist Gourou Marabout. Around them, would-be Monopolis influencers chase fame on TV, while a gang of punk rebels, the Black Stars, sow violence in the streets.The current, pandemic-delayed revival at La Seine Musicale, an impersonal venue in the Paris suburb of Boulogne, was entrusted to Thomas Jolly. This 40-year-old director is having a banner year: In September, he was announced as the artistic director of the opening and closing ceremonies for the 2024 Paris Olympics and Paralympics, a plum job that will put him in the international spotlight. While Jolly’s flamboyant style has long been divisive with French critics, his fondness for laser lights and over-the-top special effects may serve him well on the Olympic stage, and it is on full display in “Starmania.”Manet-Miriam Baghdassarian as Sadia in “Starmania.”Anthony DorfmannI can’t recall ever seeing so much lighting equipment. The lighting design — or rather, the laser choreography — was created by Thomas Dechandon, and several key numbers are sung without sets, under a canopy of lights flashing furiously to the beat. Right before the climax of “The Businessman’s Blues,” trap doors open onstage, and a small army of additional spotlights rear their mole-like heads.Eye-watering electricity bill aside, it is a staging choice that wows at first, yet offers diminishing returns over the course of the three-hour show. Perhaps because of the demands of touring, since “Starmania” will be performed around France, Belgium and Switzerland over the next year, Emmanuelle Favre’s sets are fairly minimal. A rotating, towerlike structure is the most distinctive element, and effective when representing Naziland, the nightclub where Janvier awaits the election results.Berger and Plamondon created an improbably rich world, and there was room to imagine just how Monopolis — a city of skyscrapers and underground tunnels — might feel. Yet even the Underground Café, whose waitress Marie-Jeanne acts as the story’s narrator, is a quasi-blank space.The real star of “Starmania,” though, is the music. Not only does each of the eight lead roles have at least one vocally acrobatic solo turn, but most audience members still have the exact texture and phrasing of past performers in mind. In a nod to the 1970s cast, the well-known French singer France Gall appears in a hologram in one scene.Gall’s silhouette drew applause, as did many of the songs — not when they ended, but as soon as the first words were heard. At least a dozen times over the course of the first night, the six-strong band and singers would start a number, only to be drowned out by cries of joy. Rather than a new production, “Starmania” often felt like a collective trip down memory lane, tapping into layers of emotion that have accumulated over decades.The weight of expectations must be daunting, but the large cast of singers from France and Canada were brilliantly fearless. (Unforgivably, their names weren’t listed anywhere in the theater or on the production’s website.) David Latulippe avoided egregious villain mannerisms as Janvier, and had a superb match in Magali Goblet (known as Maag), who brings weary depth to the role of Stella Spotlight, a broken actress Janvier seeks out as his consort.Stella gets some of the most virtuosic, heartbreaking numbers, starting with “The Farewell of a Sex Symbol,” which lays bare the mental health toll of being objectified as a young actress. The cult of celebrity, and its darker side, are the overarching theme of the plot. In the musical, “Starmania” is the name of a TV show that promises instant fame to a lucky few. Ziggy (Adrien Fruit), a record dealer, falls into that trap, abandoning his friend Marie-Jeanne to chase success with Janvier.As Marie-Jeanne, Jolly and his team cast a nonbinary performer who uses male pronouns, Alex Montembault. He is the heart and soul of the show, with an understated simplicity that contrasts with showier personalities, like Manet-Miriam Baghdassarian, who brings darkly intimidating energy to the gender-fluid character of Sadia, a Black star described as a transvestite.The word may be dated, but here again, “Starmania” makes space for questions around gender that are far more common today than they were in the 1970s. And it does so with a songbook so saturated with memories for many who have grown up in France that there is joy — and occasionally melancholy — in simply mouthing along to the lyrics.Jolly has crafted a production that may not be subtle, but it is generic and spectacular enough to make space for newcomers as well as audience members who grew up with “Starmania.” After over two decades without an opportunity to see it onstage, that’s enough of a gift.Starmania. Directed by Thomas Jolly. La Seine Musicale, through Jan. 29. More
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The former president was said to be livid that candidates he endorsed lost on Tuesday, including Dr. Oz.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.A Losing CombinationLate night hosts commented on the midterm results on Wednesday night, including how poorly the night went for former President Donald Trump, who was said to be “livid” about Dr. Mehmet Oz’s loss in Pennsylvania.“They say the last time Trump was this disappointed was when Eric was born,” Jimmy Kimmel said.“In fact, it’s being reported that he is blaming Melania for pushing him to endorse Dr. Oz in the first place, saying it was ‘not her best decision.’ Yeah, and I’m sure in response, Melania was, like, ‘Yes, it’s true, I am very bad at picking men.’” — TREVOR NOAH“It might even be her second-worst decision.” — JIMMY KIMMEL“Trump is so angry at Melania, they’re no longer sleeping in separate beds.” — JIMMY KIMMEL“Trump was so mad he ran upstairs and slammed the door of his tanning bed.” — JIMMY FALLON“On the bright side, Dr. Oz now can go back to doing what he does best, which is analyzing the shape and color of our stool.” — JIMMY KIMMEL“Oprah right now is sitting at home cackling like a ‘Game of Thrones’ villain: ‘Tell Mehmet I want him to know it was me.’” — JIMMY KIMMEL“Oz says he’s just happy he doesn’t have to pretend to root for the Philadelphia Steelers anymore.” — SETH MEYERSThe Punchiest Punchlines (Not Seeing Red Edition)“Whatever happens, it was less a red wave and more of a purple nurple.” — JIMMY KIMMEL“It’s like what happens when you accidentally wash your Klan robes with your MAGA hat. Just a little pink — a pink wash.” — STEPHEN COLBERT“I would say it was less like a red wave and more like a red wedding. The Republicans were the Starks, and Donald Trump was a dragon who burned his whole [expletive] party to a crisp.” — SETH MEYERS“For both parties it wasn’t great, but also not terrible. It was the political version of eating at TGI Fridays.” — JIMMY FALLONThe Bits Worth WatchingBono took the Colbert Questionnaire while on Wednesday’s “Late Show.”What We’re Excited About on Thursday NightWill Ferrell will inevitably get into some high jinks during his Thursday appearance on “The Tonight Show.”Also, Check This OutPhoto Illustration by The New York Times. Photo by Harry Langdon/Getty ImagesThis week’s “Still Processing” digs into the resurgence of disco and Donna Summer. More
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Stephen Colbert said that the midterms looked less like a red wave of Republican victories and more like “a pink trickle.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘A Pink Trickle’Stephen Colbert and Jimmy Kimmel took their shows live on election night, sharing midterm results as they came in during their monologues.“Though the G.O.P. is picking up seats in the House, so far it does not look like a red wave,” Colbert reported. “Perhaps — perhaps too early to tell. Perhaps a pink trickle. They should really have that checked out.”“Not only are we live, our audience tonight — this is exciting — our studio audience is made up entirely of Herschel Walker’s children.” — JIMMY KIMMEL“In the Florida governor’s race, Democrat Charlie Crist has been defeated by MAGA wannabe and 2024 hopeful Ron DeSantis. And now, in accordance with Florida law, Charlie Crist will be forced on a plane and flown to Martha’s Vineyard.” — STEPHEN COLBERT“You know, Matt Gaetz easily won his seat in Florida. He was re-elected. Florida’s a state in which being an alleged sex offender makes you an experienced public servant. It’s not necessarily frowned on. Matt is going to wait to celebrate until prom night, which is sweet.” — JIMMY KIMMEL“New York, we’re just getting word that Democratic incumbent Kathy Hochul has defeated MAGA candidate Lee Zeldin to remain governor of New York. This marks the historic first time New York has ever had a female governor on purpose.” — STEPHEN COLBERT“Now, one of the biggest races that everyone has been watching is in Georgia, between Raphael Warnock and Herschel Walker, and right now they are neck and almost entirely neck.” — STEPHEN COLBERT“It is so tight, this race could be decided by a margin of error of plus or minus Herschel Walker’s secret children.” — STEPHEN COLBERTThe Punchiest Punchlines (High Voter Turnout Edition)“The Colorado governor’s race goes to incumbent Jared Polis, who earlier this year — earlier this year, signed an exclusive order protecting marijuana users’ rights. So his victory was secured due to high voter turnout.” — STEPHEN COLBERT“And then down in North Carolina — this was expected — in the North Carolina Senate race, we got word Republican Ted Budd has beaten Cheri Beasley, which is too bad for a couple of reasons. One was I was really looking forward to the headline, ‘Cheri Beasley Smokes Budd.’” — STEPHEN COLBERTThe Bits Worth WatchingRoy Wood Jr. explored the history of Black governors on Tuesday’s regular “Daily Show” segment, “CP Time.”What We’re Excited About on Wednesday NightFlorence Pugh will pop by Wednesday’s “Late Night with Seth Meyers.”Also, Check This Out“She must make sure that everyone around her knows she is stable, and not talk about her feelings,” Imelda Staunton said of playing Queen Elizabeth II, adding, “But that doesn’t mean she doesn’t have feelings.” Netflix“The Crown” creator Peter Morgan chose Imelda Staunton to play Queen Elizabeth II for the final two seasons of the series because of her “vulnerability and strength.” More
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