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    Festival d’Automne in Paris Honors Rabih Mroué and Lina Majdalanie

    A retrospective in Paris honors Lina Majdalanie and Rabih Mroué, whose theater works have examined the region’s troubles for decades.The theater-makers Lina Majdalanie and Rabih Mroué have grown accustomed to life in exile. In 2013, the duo, who are creative as well as life partners, left their home country of Lebanon, to settle in Berlin — out of “fatigue,” Majdalanie said recently.The corruption and the frequent crises that rocked the Middle Eastern country had become too draining, she added. “When you see the same problems repeating themselves over and over again, you need distance to find peace,” she said.The move worked — until the Oct. 7 Hamas attack on Israel last year. Israel’s subsequent offensive in Gaza had a devastating knock-on effect on its relations with Lebanon, which is home to hundreds of thousands of Palestinian refugees and their descendants.Majdalanie and Mroué, who have long investigated Middle Eastern conflicts onstage, were critical of Israel’s retaliation. That made life uncomfortable in Germany, where many artists who find fault with Israel have, since Oct. 7, faced an increasingly hostile environment and accusations of antisemitism.“Lebanon was home, then Berlin was home for a decade,” Majdalanie said. “Now, every day, we ask ourselves: Where to go now? Because we don’t know where home is anymore.”For the next three months, they will have a temporary refuge in France. Through December, the Festival d’Automne à Paris, a long-running multidisciplinary event, is hosting a retrospective that showcases Majdalanie and Mroué’s longstanding commitment to grappling with contested political narratives.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Desi Lydic: Donald Trump ‘Really Knows How to Flatter a Lady’

    The “Daily Show” host said the former president had been so unpopular with women that he was now trying to turn on “the old Trump charm.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘The Old Trump Charm’Former President Donald Trump continued to relay his plans to “protect” women at a rally in Pennsylvania on Monday, saying that women are “poorer” and “more stressed and depressed” than they were four years ago.On Tuesday’s “Daily Show,” Desi Lydic said that Trump had been so unpopular with women that he now had to turn on “the old Trump charm.”“Maybe it’s because of his legally adjudicated record of sexual assault; maybe he forgot their birthdays — it’s hard to say.” — DESI LYDIC“Oh, that is the perfect way to appeal to any woman. There’s no better way to start a first date than saying: ‘Diane, I am your protector. I want to be your protector. You will no longer be abandoned, lonely or scared. I will be with you 24 hours a day, seven days a week, looking at you. I’ll never let you out of my sight. Oh, you need to go to the bathroom? OK. I’ll wait. Waitress? I want to protect you.’” — STEPHEN COLBERT“Uh, I’m actually meeting someone here. I have a boyfriend. Thank you so much, though.” — DESI LYDIC“I love how he’s acknowledging that we’re stressed out, as though he’s not the one stressing us out. This is like Boeing being like, ‘Weird how people seem so freaked out about air travel these days.’ “ — DESI LYDIC“You really know how to flatter a lady. Please tell me more about the bags under my eyes.” — DESI LYDIC“Although, it’s not true that all women are poorer. E. Jean Carroll seems to be doing pretty well.” — DESI LYDIC“But Trump is a master marketer. That’s how you sell things to women: You convince them they have a problem, and then you say, ‘Here, buy these vagina gummies.’ And yes, in this analogy, Trump is the vagina gummy.” — DESI LYDICThe Punchiest Punchlines (Biden’s Last Stand Edition)“Earlier today, President Biden attended the General Assembly and delivered his final U.N. address. Biden called on nations to band together amid world conflicts and growing concerns over China’s influence. Then he added, ‘Or do whatever you want. What the hell do I care? I don’t care anymore.’” — JIMMY FALLON“He warned his fellow leaders to ‘never forget some things are more important than staying in power,’ which got a huge laugh from the Russian delegation.” — JIMMY KIMMEL“Biden’s address was a big deal. It’s the most important speech he’s delivered in front of a 1990s kitchen backsplash.” — JIMMY FALLON“Well, New York City officials actually said drivers should expect the slowest traffic of the year. Yeah, you know traffic is slow when even Biden is like, ‘You know, I’m just going to get out and walk.’” — JIMMY FALLONThe Bits Worth WatchingWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Review: What’s Eating Trump? The Singing ‘Ghost of John McCain’

    The former senator haunts the former president, or vice versa, in this sophomoric musical satire.Usually, critics wait until a show is running to slam it, but Meghan McCain broke the embargo. By more than five months.“This is trash,” she posted on social media on April 2. “Nothing more than a gross cash grab by mediocre desperate people. I hope it bombs.”Perhaps she can be forgiven her haste for distaste. “Ghost of John McCain,” the show she was pre-emptively attacking, is about her father, who died in 2018. A musical satire that pictures him in purgatory — bedeviled by Donald Trump, Sarah Palin, Hillary Clinton and a pole-dancing Lindsey Graham in a studded pink dog collar — probably seemed unlikely to be reverent.If only irreverence were the problem! But the show that opened on Tuesday at SoHo Playhouse turns out to be, in its muddled way, something of a love letter. It’s just a bad one.Start with the title, which promises a posthumous haunting of America by the former Arizona senator but mostly delivers a familiar and unfunny indictment of Trump. McCain and the other characters are figments of 45’s fevered imagination, imprisoned in his brain (depicted as a three-star hotel) until they admit that he is “the greatest president who’s ever lived.” For McCain that means abandoning what he considers his legacy as a principled politician and maverick Republican.This baroque and entirely internal conflict puts the title character in a dramaturgical purgatory even worse than the theological one. He’s essentially stuck playing Trump’s game, with no agency of his own. It’s Trump who thus scores the few smart zingers in Scott Elmegreen’s unruly book: “You started Trumpism,” he tells McCain. “When you picked Sarah Palin.” Palin, McCain’s running mate in the 2012 presidential election, then shows up shooting an already dead wolf at close range with a shotgun.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Rufus Norris, Creator of Broadway Hits, to Leave the National Theater

    As Rufus Norris prepares to leave the London playhouse he has led since 2015, he reflects on his quest to make the theater represent the audience it serves.When Rufus Norris became the director of the National Theater in 2015, he said he had one main aim: to make the playhouse representative of Britain.Almost a decade later and as Norris prepares to leave the role, he said he had made progress toward that goal, especially by prioritizing new works. Many of the theater’s most acclaimed recent productions have centered people of color, including an adaptation of Andrea Levy’s “Small Island,” directed by Norris, about Caribbean immigrants to Britain.On Tuesday, Norris, 59, unveiled a typically diverse final season, including “Inter Alia,” Suzie Miller’s follow-up to her hit legal play “Prima Facie”; Shaan Sahota’s “The Estate,” about a British Asian politician’s downfall; and a revival of Michael Abbensetts’s “Alterations,” about immigrants struggling to establish a tailoring business in 1970s London.Norris will be hoping some of those shows transfer to Broadway, following National Theater hits like “The Lehman Trilogy” and “War Horse.”From left: Simon Russell Beale, Ben Miles and Adam Godley in “The Lehman Trilogy.” Mark DouetIn a recent interview, Norris said the demands of the job had meant he hadn’t found time to reflect on his leadership. But an hourlong exchange gave Norris the opportunity to discuss his work at the National, the playhouse’s changing relationship with New York and his plans to step away from the theater world — at least for a while. The conversation has been edited for length and clarity.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Ellen DeGeneres Drops New Netflix Special ‘For Your Approval’: Review

    In the most insightful part of “For Your Approval,” she says that she was a poor fit to run a workplace but that women leaders are judged differently.It takes a peculiarly modern chutzpah (or obliviousness) to say — on a Netflix special — that you were kicked out of show business.To be fair, it might feel that way to Ellen DeGeneres, 66, whose hit daytime show, “Ellen,” ended in 2022 not long after reports claimed it had a toxic workplace. This followed years of people online pointing out that she was not as friendly as her television persona suggested. Leaving a successful talk show and ending up on the biggest streaming service in the world is not the worst trade, but these days, everyone receives 15 minutes of fame and an hour of cancel culture notoriety. DeGeneres handles hers with pointed offhandedness and light sarcasm, saying on her new special that she was kicked out of show business because she was mean.“You can’t be mean and be in show business,” she adds flatly. “No mean people in show business.” Then she pauses just long enough for audiences to register the absurdity but not too long to test their patience. “I’m out,” she mutters.Our social media-driven culture incentivizes phony likableness but makes maintaining that facade difficult. DeGeneres, who preached kindness on her talk show, has long been trying to escape this niceness trap. Her previous special, “Relatable,” positioned her as the kind of person who doesn’t want to hold your baby because it would mess up her sweater. This follow-up, “For Your Approval,” premiering Tuesday, mixes observational jokes with a newly confessional style.We learn about her O.C.D. and A.D.H.D. and her arthritis and childhood neglect and how her need for approval damaged her mental health. It’s a messy, revealing self-portrait whose feathery jokes mask a heavier tone. In an old attention-getting gambit, she says this will be her last special, but it’s hard to believe. (Remember when Hannah Gadsby retired?)One of the most gifted low-key comics who ever picked up a microphone, DeGeneres is part of the family tree of patient pausers like Jack Benny and Bob Newhart. She still gets a lot out of a little. Who else receives applause for a modest joke about the parking brake?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The W.N.B.A. Wanted More Attention on TV. It Got Headaches, Too.

    As ratings for women’s basketball soared, the league was confronted with the divisive language of sports debates.When star prospects like Caitlin Clark and Angel Reese were set to become professionals this year, the W.N.B.A. said it was ready.The league beefed up its marketing efforts, and its television partners devoted more time to covering the sport. They all hoped to capitalize on momentum from the collegiate tournament as women’s basketball inched closer to the round-the-clock coverage devoted to other major sports.The W.N.B.A.’s ratings did soar, but the additional attention also magnified intense conversations on television shows, podcasts and social media. Pundits passionately clashed with colleagues, players described racism they had experienced, and the players’ union openly rebuked the league’s commissioner.Here are some of the most memorable moments of media dialogue during this W.N.B.A. season, which entered the playoffs this week.Physical PlayDuring her record-breaking career at the University of Iowa, Clark, who is white, was often heralded as the future face of the W.N.B.A., a league where about 70 percent of players are Black. After the Indiana Fever drafted her first overall, she certainly became the center of attention.In one notable on-court encounter, the Chicago Sky guard Chennedy Carter shoulder-shoved Clark to the floor. Carter, who was later charged with a flagrant foul and declined to answer questions about the encounter after the game, later took a swipe at Clark on social media.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    For Niecy Nash-Betts, the Fear Was Motivating

    Niecy Nash-Betts is serious about finding “stolen moments” in life, she said, as a balance to her busy acting schedule. And she is quick to nudge others to do the same. During a recent lunch at an Italian restaurant in Calabasas, she fired off a few date-night suggestions for a reporter who had lackluster birthday plans — maybe a couples ceramics class?“If you need to put a battery in your back, you’re talking to the right one!” she exclaimed. Indeed her battery always seems charged. Just last month, she wrapped production on a leading role in the FX horror series “Grotesquerie,” premiering Wednesday, her latest collaboration with Ryan Murphy — and then hopped immediately on a flight to the Amalfi Coast, in Italy, where she and her wife, the musician Jessica Betts, celebrated their fourth anniversary.Back home barely a week, she was already gearing up to film with Murphy again this month, this time as comic relief in the Hulu legal drama “All’s Fair.” A year-end Mexico vacation was already in the works, as well.“You got to wring life out like a dirty rag,” she said as she sipped ice water, looking polished in a pink cotton gauze pantsuit, seemingly unfazed by the triple-digit temperatures scorching the San Fernando Valley. “You got to get every inch of it.”As a detective in “Grotesquerie,” Nash-Betts (with Micaela Diamond, left) must investigate a series of grisly, potentially supernatural murders — and reckon with her internal demons.Prashant Gupta/FXIn the past year, Nash-Betts also hosted her third season of the latest revival of “Don’t Forget the Lyrics!,” a weekly game show on Fox, and played a kindhearted confidant in the Ava DuVernay film “Origin,” her third collaboration with DuVernay after a minor part in “Selma” and her Emmy-nominated lead role in the Netflix series “When They See Us,” about the so-called Central Park Five.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Stephen Colbert Is Tickled by Trump’s Vow to Make Women Great Again

    “I‘m not sure if he’s running for president or marketing a new brand of tampon,” Colbert said on Monday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Make Women Great AgainFormer President Donald Trump made several comments about women over the weekend, vowing that under his presidency, he would “protect women at a level never seen before,” saying they would be “healthy, hopeful, safe and secure.”“I‘m not sure if he’s running for president or marketing a new brand of tampon,” Stephen Colbert joked on Monday.“[imitating Trump] Women will be safe, secure — they’ll be safe, secure and unscented. I will install all my judges with a comfort glide applicator. Vote for me, or there will be heavy days. I’m talking about, your friends will be riding bikes and laughing in the pool, and you’re going to be sitting by yourself, dealing with that cup of blue juice.” — STEPHEN COLBERT“During a rally on Saturday in North Carolina, former President Trump spoke about his agenda for women and said, ‘Let’s talk about our great women, all right? Because women have gone through a lot.’ And I assume he’s speaking from experience.” — SETH MEYERS“In a post over the weekend on Truth Social, former President Trump said that if he is elected, ‘Women will be happy, healthy, confident and free.’ So now JD Vance is undecided.” — SETH MEYERS“‘Women are poorer than they were four years ago, are less healthy than they were four years ago, are less safe on the streets than they were four years ago, are more depressed and unhappy than they were four years ago, and are less optimistic and confident in the future than they were four years ago! I will fix all of that, and fast, and at long last this national nightmare will be over.’ This reads like a suicide pact.” — JIMMY KIMMEL“[imitating Trump] Their lives will be happy, beautiful, and great again — and if you don’t believe it, ask my wife Melania, who every night prays I drive my golf cart into a lagoon.” — JIMMY KIMMELThe Punchiest Punchlines (The Oprah Treatment Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More