Eliana Willis

More stories

  • 150 Shares169 Views

    in Theater

    Antonio Skármeta, Who Wrote of Chile’s Tears and Turmoil, Dies at 83

    His literary career traced the arc of his country’s modern political journey in stories about ordinary citizens facing repression and arbitrary government.Antonio Skármeta, a Chilean novelist, screenplay writer, playwright and television presenter who captured his country’s affections with warmhearted tales of its suffering and redemption through dictatorship and democracy, died on Oct. 15 at his home in Santiago. He was 83.His death, after a long struggle with cancer and Alzheimer’s disease, was announced by President Gabriel Boric Font of Chile on his X account.Mr. Boric paid tribute to the leading role Mr. Skármeta played in his country’s cultural life. He praised Mr. Skármeta “for the life you lived,” adding: “For the stories, the novels and the theater. For the political commitment. For the book show that expanded the boundaries of literature.”Mr. Skármeta’s literary career traced the arc of Chile’s modern political journey in lightly ironic stories that depicted the strategies of ordinary citizens faced with repression and arbitrary government.He lived that journey himself — as an activist supporting the leftist government of Salvador Allende in 1970; as a political exile in Argentina and in Germany after the 1973 coup d’état that inaugurated Gen. Augusto Pinochet’s brutal 15-year military dictatorship; as host of a popular television program about literature (the “book show” Mr. Boric mentioned) in the 1990s, after democracy returned to Chile; and as his country’s ambassador in Berlin from 2000 to 2003.His best-known work, the 1985 novel “Ardiente Pacienca” (“Burning Patience”) — the story of a postal worker who befriends Chile’s national poet Pablo Neruda and used the friendship to woo a young local woman — illustrated a method Skármeta typically used: weaving real-life figures and disasters with fictional characters who must cope with them, often with bumbling but very human ineptitude.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 150 Shares169 Views

    in Theater

    ‘Back to the Future’ to Close on Broadway, Rerouting DeLorean to Germany

    The musical, which opened in London three years ago, is still going strong there and touring North America, while productions are planned in Japan and on a cruise ship.“Back to the Future,” a nostalgia-rich and spectacle-laden musical adaptation of the much-loved 1985 film, will end its Broadway run on Jan. 5, succumbing to the difficult economics of the commercial theater business.The show had a decent run — the first performance was on June 30, 2023, and for more than a year it grossed over $1 million most weeks — but it was costly to mount and expensive to sustain; its grosses took a dive in late summer and early fall, and although it had rebounded somewhat more recently, sales were still insufficient to justify continuing. Thus far it has been seen by 720,000 people at the Winter Garden Theater.The long-gestating show began its production life in England, and won the 2022 Olivier Award for best new musical in London’s West End, where it has been running for more than three years. It has not been so fortunate on Broadway, where it won no Tony Awards. It cost $23.5 million to capitalize, according to a filing with the Securities and Exchange Commission. Ultimately it did not run long enough, or make enough money each week, to defray its New York costs.But this is not the end of the line for the show. The Broadway set will move to Germany, where “Back to the Future” plans an open-ended run starting next season. The London run is ongoing, there is a North American tour now underway and productions are planned in Japan and on a Royal Caribbean cruise ship.“Back to the Future” is about a teenager who travels back in time, aided by a mad scientist with a souped-up DeLorean, and must figure out how to deal with the unintended consequences of his trip. One of the highlights of the stage production is the soaring car.The musical, directed by John Rando, features a book by Bob Gale, who wrote the movie with Robert Zemeckis; the songs are by Alan Silvestri, who wrote the film’s score, and Glen Ballard. The lead producer is Colin Ingram, a British theater producer.American critics were mostly unimpressed; in The New York Times, the chief theater critic Jesse Green wrote, “Though large, it’s less a full-scale new work than a semi-operable souvenir.”The show is the seventh musical to announce a closing date since early May, following “Lempicka,” “The Heart of Rock and Roll,” “The Who’s Tommy,” “The Notebook,” “Water for Elephants” and “Suffs.” More

  • 163 Shares169 Views

    in Television

    Erin and Sara Foster Discuss ‘Nobody Wants This’ and Their ‘IVF, Baby’ Shirts

    Sara and Erin Foster took a short break to discuss the hit show loosely based on Erin’s life, everyone’s love of Adam Brody and their advocacy for reproductive rights.On Tuesday morning, Sara and Erin Foster, the sisters behind the Netflix series “Nobody Wants This,” joined a video call from their respective homes in Los Angeles. Sara, 43, was wearing an oversize sweatshirt, and Erin, 42, was in a bathrobe.The sisters are known for their laid-back style, but by any standards they’ve had a busy month.“Nobody Wants This” premiered Sept. 26, rising to the top of Netflix’s ratings within a week. The show, which is written by Erin and produced by both sisters, was inspired by Erin’s real-life love story of falling in love with her now-husband, the music executive Simon Tikhman, before converting to Judaism. In the Netflix version of the story, Joanne, a blonde, agnostic relationship podcaster played by Kristen Bell, and Noah, a bearded rabbi played by Adam Brody, navigate the various hurdles of getting into a serious relationship.Last week, with less than a month before Election Day, the Fosters also waded into the debate over reproductive rights and in vitro fertilization. They released a limited edition T-shirt through their fashion brand, Favorite Daughter, with the bold, black words, “IVF, Baby.” (The sisters partnered with CCRM Fertility on the project. All proceeds will be donated to Resolve: the National Infertility Association.)“They just launched like four days ago, so we haven’t had a chance to run into anyone wearing them yet, but we hope we do,” said Erin, who underwent 20 rounds of I.V.F. before welcoming a daughter in May. Sara, who has two daughters with her ex-partner, the former tennis star Tommy Haas, said sales were higher than expected.The sisters chatted about this whirlwind time in their lives.This interview was edited and condensed for clarity.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 88 Shares169 Views

    in Television

    Late Night Condemns Trump for Stanning Hitler

    On Wednesday, Seth Meyers said he was “starting to think Trump doesn’t watch the ends of documentaries.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.‘Mein Bad’Donald Trump’s longest-serving chief of staff, John Kelly, said the former president had said more than once while in office that Adolf Hitler “did some good things.”On Wednesday, Seth Meyers said he was “starting to think Trump doesn’t watch the ends of documentaries.”“Once you have to explain to someone that Hitler is bad, there’s not much else to talk about. You don’t see many first dates survive that.” — SETH MEYERS“Seriously, Trump, Hitler never did anything good. He even sucked at waving. Like, dude, God gave you elbows — use them.” — MICHAEL KOSTA“I don’t even think you have to know history. You can probably get all the info you need from Mel Brooks movies and Bugs Bunny cartoons.” — SETH MEYERS“This is the first election where reporters have to ask, ‘Who’d you root for when you watched ‘Saving Private Ryan’?” — JIMMY FALLON“Trump made it worse today when he said, ‘Oops, mein bad.’” — JIMMY FALLONThe Punchiest Punchlines (Lose Yourself Edition)“At a campaign event in Detroit, Eminem introduced Barack Obama. Which makes sense, they both made a career out of pretending to be Black.” — GREG GUTFELD“You know, somewhere, Trump is yelling at his aides: [imitating Trump] ‘How could M&Ms betray me? I don’t understand. Is there no loyalty?’” — STEPHEN COLBERT“But it’s nice to see Obama pay homage to Eminem because it means that Black people have finally accepted that Eminem is the greatest rapper of all time. And look — no, stop — I know how it feels. I went through it every time Tiger Woods won a golf tournament, OK?” — MICHAEL KOSTA“Was that song Osama bin Laden? Because Obama killed it.” — STEPHEN COLBERT“I will say, maybe Obama should skip that line about ‘dropping bombs,’ you know? Are you still rapping, or are you doing a drone strike?” — MICHAEL KOSTAThe Bits Worth WatchingMembers of the New York Liberty joined Jimmy Fallon for a team selfie celebrating their WNBA championship on Wednesday’s “Tonight Show.”What We’re Excited About on Thursday NightJulia Louis-Dreyfus will take “The Colbert Questionert” on Thursday’s “Late Show.”Also, Check This OutThe gang’s all here for the sixth and final season of “What We Do in the Shadows.”Russ Martin/FXThe vampire comedy series “What We Do in the Shadows” returned for its sixth and final season on FX and Hulu this week. More

  • 100 Shares99 Views

    in Theater

    Review: Delia Ephron’s ‘Left on Tenth’ Treads Lightly

    Julianna Margulies and Peter Gallagher star in this quasi romantic comedy adapted from Ephron’s memoir, which went deeper into her illness and grief.The website for “Left on Tenth,” Delia Ephron’s new Broadway play, is approximately the last place I would have expected to encounter a content advisory, but there one is. From a marketing standpoint, it’s a sensible move — a tip-off, for anyone expecting pure romantic comedy, that the show also deals with life-threatening illness.What’s strange is that, having warned us, the play doesn’t nearly go for broke. Unlike Ephron’s 2022 memoir, “Left on Tenth: A Second Chance at Life,” which deals affectingly with her widowhood and leukemia as well as her tripping headlong into new love, the stage adaptation gives the impression of being desperate not to bum anyone out.So an anodyne rom-com is for the most part what we get from this play, which opened on Wednesday night at the James Earl Jones Theater. Julianna Margulies stars as Delia, an anxious, bookish denizen of Greenwich Village, still grieving her husband’s death. Peter Gallagher plays the widowed Peter, the calm Californian psychoanalyst for whom Delia falls by email, so suddenly that it feels fated.Shades of “You’ve Got Mail,” the 1998 classic rom-com that Ephron wrote with her older sister, Nora, but what can you do? That’s how their romance sparked in real life.It all started with an essay that Ephron wrote for The New York Times in 2016, the year after her husband Jerry’s death, about the particular circle of phone-tree hell she entered when she asked Verizon to disconnect his landline. In response, she heard from a lot of readers, one of whom was Peter, noting in an email that Nora once set them up when they were college students.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 163 Shares189 Views

    in Television

    Ron Ely, Who Played an Updated Tarzan in the 1960s, Dies at 86

    He later built a career as a reliable TV guest star. His life turned tragic in 2019 when his son killed Mr. Ely’s wife and was then shot to death by the police.Ron Ely, a veteran television actor best known for his role as an educated, urbane vine-swinger on the 1960s show “Tarzan,” died on Sept. 29 at the home of one of his daughters near Santa Barbara, Calif. He was 86.That daughter, Kirsten Ely, announced the death on Wednesday on social media. It had not been previously reported.A tall, muscled Texas native, Mr. Ely (pronounced “EE-lee”) had made his name by the early 1960s as a reliable supporting actor on popular TV shows like the sitcoms “Father Knows Best,” “How to Marry a Millionaire” and “The Many Loves of Dobie Gillis” before landing the lead role on “Tarzan” in 1966.The show, which ran on NBC for 57 episodes across two seasons, featured a Tarzan updated for a modern audience. Gone were the semi-verbal grunts of previous iterations; in this version, Tarzan had left the jungle and learned the ways of modern civilization before deciding to return to the creature comforts of his former home.Gone, too, was Jane, Tarzan’s traditional love interest, though Cheetah, his chimpanzee sidekick, remained.Mr. Ely performed almost all his own stunts, which left him with two broken shoulders, a torn back muscle and two lion bites.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 100 Shares189 Views

    in Television

    Danny Amendola’s ‘DWTS’ Lift Inspires TikTok Dance Trend

    Danny Amendola’s smooth lift on “Dancing With the Stars” spawned numerous imitators (with varying results). TikTok cautions users that it can be dangerous.Katie Fraser and her fiancé, Amandeep Sandhu, woke up the other day feeling sore and experiencing mild pain. They hadn’t fallen out of bed or exercised vigorously, though it felt that way. Rather, they had tried to recreate a move done by Danny Amendola on the ABC show “Dancing With the Stars.”On an episode that aired on Oct. 15, Mr. Amendola, 38, a former N.F.L. player, and his partner, Witney Carson, a dancer and choreographer, performed a sexy routine set to the song “Unsteady” by X Ambassadors. At around the 45-second mark, Mr. Amendola lifted Ms. Carson, who was laying on the ground, by pulling her up by her ankle.The pair, who performed the move seamlessly, drew immediate cheers from the studio audience. They also unwittingly created a trend on TikTok as others have tried to recreate the move, which apparently is so difficult that TikTok added a disclaimer to some of the videos. “Participating in this activity could result in you or others getting hurt,” it reads.“I had seen their dance posted online and I thought it was absolutely beautiful,” Ms. Fraser, 28, wrote in an email. “Then I saw the TikTok trend going around of other couples trying and begged my fiancé to try it with me.”Like Johnny’s iconic lift of Baby in the movie “Dirty Dancing,” Mr. Amendola’s lift of Ms. Carson has proved appealing for many, but is considerably harder than it looks.

    @mollythemom @Dancing with the Stars #DWTS HERE WE COME! Dance by @Witney Carson ♬ original sound – Walmart Amy Adams

    @madismellie Why is this all I want to do now😂💃🙈 @Dancing with the Stars #DWTS @Witney Carson #leglift #husband #witneycarson #dannyamendola #mykindofdatenight ♬ Unsteady – X Ambassadors We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • 125 Shares149 Views

    in Television

    ‘What We Do in the Shadows’ Returns One Last Time

    One of TV’s few great funny ha-ha comedies begins its sixth and final season this week on FX and Hulu.One of my absolute favorite shows, FX’s “What We Do in the Shadows,” is back for its sixth and final season, with three new episodes now streaming on Hulu. The show, set within a household of vampires on Staten Island, remains goofy and grotesque, full of warped zingers and silly asides.Only the first three episodes of the season were made available to critics, and they introduce a few new facets, including a long-dormant additional roommate, Jerry the Vampire (Mike O’Brien). His fellow vampires were supposed to wake him in 1996, and he’s peeved to discover that not only did they let him oversleep for so long, but they also haven’t achieved any of the world-conquering goals they’d all set. Elsewhere, Guillermo, the lovable familiar, has re-entered the regular human work force — first at Panera and then at a financial firm (where they keep odd hours … hmm…).In the wake of Jerry’s disapproval, Laszlo (Matt Berry) feels motivated to get back to the lab and take another crack at one of his hideous experiments. Colin (Mark Proksch) tags along, and lo, he too has a knack for freaky discoveries. “Another young scientist inspired,” Laszlo crows. “First Mr. Oppenheimer, and now Colin Robinson.”“Shadows” faces the most vexing question for both vampires and sitcoms: Does anything change? It’s the curse and comfort of immortality and comedy alike, that everything tends to — has to? — reset and reset and reset to the norm. Even when “Shadows” stretches itself with format, as in Season 4’s brilliant HGTV episode, or in season-long surprise arcs, as with Colin’s gleefully bizarre death and rebirth, everything finds its way back to how it always was.My fondest hope is that “Shadows” has a few final tricks up its sleeve, but even its waning fifth season brought me plenty of joy last year. At a time when funny ha-ha comedies are rare, losing one of our jokiest shows stings extra hard. More