Eliana Willis

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    How an Anime Master Perfects the Cool Guy Action Hero

    When it comes to creators who have defined contemporary anime, Shinichiro Watanabe is no less than a television auteur. His anime series, which include the renowned “Cowboy Bebop” and “Samurai Champloo,” are known for thrilling fight scenes, propulsive musical scores and fun, unpredictable characters.Watanabe’s signature is his magnetic Joe Cool protagonist. He’s a cowboy, bounty hunter, itinerant with some moral gray areas, but he’s ultimately a good guy who’s loyal to his crew. While loafing around at a bar he may give the vibe of an impassive layabout. But during a mission he is a suave, athletic fighter with a hybrid style of tussling that draws from various martial arts forms and alludes to several of the great movers and fighters from history.“Lazarus” is Watanabe’s latest series, about a scientist whose miracle drug may wipe out humanity and the ragtag team of miscreants who must track him down. Recruited to that team is Axel Gilberto, a fresh yet familiar take on Watanabe’s typical hero. Here’s how the latest version of Watanabe’s always athletic, always stylish leading man fits into his history.‘Cowboy Bebop’ (1998)The OriginalSpike Spiegel, the cool guy prototype, is known for his laidback style.Watanabe’s original cool-guy hero is Spike Spiegel, the centerpiece of his popular space Western “Cowboy Bebop.” Spike’s attitude and style are a mix between two well-worn cinematic tropes: the unflappable Old West gunslinger and the cynical down-on-his-luck film noir detective. His body language conveys a sense of nonchalance, even indifference. When he’s relaxed, his gangly frame is often reclined, and when he’s up and about he saunters around, hands in pockets, arms akimbo, with a smooth, uninterrupted gait.His fight style reflects this same fluidity; Spike is a master at evasive movement, great at narrowly dodging hits. Though he excels at both close range fighting and taking shots at a distance, his legs and footwork are really the stars of his combat style:We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Late Night Weighs In on Trump’s Perfect Physical

    “The doctor said Trump’s BMI is 28,” Jimmy Kimmel said. “Right, and so is his next wife, by the way.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.The Picture of HealthThe results of President Trump’s annual physical exam described a man in “excellent health.”“Of course he is,” Jimmy Kimmel said on Monday. “He eats right, he avoids unhealthy foods, diet soda. He manages stress, he doesn’t hang onto anger, he gets a good night’s sleep, he limits his time on social media, he spends lots of time with loved ones, and gets plenty of exercise getting in and out of that golf cart.”“And he’s got a body like Brad Pitt to show it.” — JIMMY KIMMELHe “gave Trump a clean bill of health, saying, ‘his active lifestyle continues to contribute significantly to his well-being’ including his ‘frequent victories in golf events,’ adding, his well-being is also due to a cruel, indifferent universe where good, hardworking people are routinely diagnosed with terminal illnesses, but an objectively evil monster who only eats cheeseburgers and fried chicken lives forever. The world is chaos, there is no god, proven by his frequent victories in golf events.” — STEPHEN COLBERT“Dr. Barbabella claims that Trump is 6-feet-3, which he is not. He weighs 224 pounds. Just for comparison, Green Bay Packers quarterback Jordan Love is 6-4, 219 pounds. Honestly, it’s difficult to tell them apart.” — JIMMY KIMMEL“I’m going to say no to either of those numbers. I don’t want to be that guy, but he has a front butt.” — JON STEWART“Maybe they just weighed Trump’s head.” — JIMMY KIMMEL“The doctor said Trump’s BMI is 28. Right, and so is his next wife, by the way.” — JIMMY KIMMEL“Barbabella, good man and thorough, wrote: ‘I performed and supervised the comprehensive exam, which included diagnostic and laboratory testing, as well as consultations with 14 specialty consultants.’ ’Cause nothing says good health like your doctor saying, ‘I think you’re fine. I just need to consult with 14 specialty consultants.’” — STEPHEN COLBERTThe Punchiest Punchlines (Taking Space Edition)We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Review: In ‘John Proctor Is the Villain,’ It’s the Girls vs. the Men

    Kimberly Belflower’s play, on Broadway starring Sadie Sink, gives high school students a chance to prosecute a #MeToo case against “The Crucible.”The first word spoken in “John Proctor Is the Villain,” a vital new play in a thrilling production at the Booth Theater on Broadway, is “sex.”Defining the word is part of a six-week sex education unit at a rural Georgia high school that doesn’t want to teach it. Just 10 minutes a day is all it gets, and those minutes consist mostly of reading a textbook aloud, in imperfect unison that makes it sound like mush.The 16- and 17-year-old girls in the class know all about sex anyway. Even in their conservative, one-stoplight community — one’s father is the preacher at the Baptist church most of the others attend — they’ve “done some stuff,” or at any rate have obsessed over Lorde and practiced Talmud on Taylor Swift.It is in this hormonal, repressive environment, in 2018, just a year since #MeToo acquired its hashtag, that the playwright, Kimberly Belflower, sets the action. But the girls who want to start a feminism club, which the school resists as “a tricky situation,” do not need hashtags to understand sexual predation. Some have already lived it. Raelynn, the preacher’s daughter, has a purity ring but also an ex-boyfriend who, trying to win her back, forces her to have what he later calls a “conversation.”“Do you mean like when you threw a desk on the ground and kiss-raped me?” she asks.Others have experienced worse.But even for those who have thought little about the subject, the world is about to change, as their lit teacher, the golden Mr. Smith, embarks on a unit about “The Crucible.” Excitedly he tells them that the Arthur Miller classic, an allegory of McCarthyite witch hunts set in 17th-century Salem, Mass., is “a great play about a great hero.” Once they start reading it, they beg to differ.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Harry Potter’ HBO Series Casts Dumbledore, Hagrid and More Major Roles

    John Lithgow will play the Hogwarts headmaster in the HBO show, with Paapa Essiedu filling the role of Severus Snape.Potterheads are one step closer to seeing a television series about the boy wizard come to life, two years after it was announced.HBO said on Monday that it had cast John Lithgow as Albus Dumbledore, Janet McTeer as Minerva McGonagall, Paapa Essiedu as Severus Snape and Nick Frost as Rubeus Hagrid.Casting for major roles like Harry Potter, Hermione Granger and Ron Weasley has not been announced, and the series — based on the best-selling books by J.K. Rowling — does not have an official title or air date.HBO also said that Luke Thallon and Paul Whitehouse were joining the cast as Quirinus Quirrell and Argus Filch.“We’re delighted to have such extraordinary talent onboard, and we can’t wait to see them bring these beloved characters to new life,” Francesca Gardiner, the showrunner of the series, and Mark Mylod, who will direct several episodes, said in a joint statement. (They are both also executive producers of the show.)Paapa Essiedu will play Severus Snape in the show.Neil Hall/EPA, via ShutterstockLithgow starred in the 1990s television series “3rd Rock From the Sun” and won Emmys for his roles in “Dexter” and “The Crown.” He has also won two Tony Awards and has an extensive movie career; he played one of the cardinals contending for the papacy in last year’s “Conclave.”He told ScreenRant in February that he had signed on to play Dumbledore, a role played in the original “Harry Potter” films by Richard Harris, who died in 2002, and Michael Gambon, who died in 2023. (Jude Law played a younger Dumbledore in “Fantastic Beasts: The Secrets of Dumbledore,” a spinoff film.)“It was not an easy decision because it’s going to define me for the last chapter of my life, I’m afraid,” Lithgow said then. “But I’m very excited. Some wonderful people are turning their attention back to ‘Harry Potter.’ That’s why it’s been such a hard decision. I’ll be about 87 years old at the wrap party, but I’ve said yes.”The new show will air on HBO and stream on Max. HBO said in 2023 that the series would be a “faithful adaptation” of the seven books published between 1997 and 2007. Eight hit films were released between 2001 and 2011. More

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    Natalie Dessay Stars With Her Daughter in a French ‘Gypsy’

    The soprano Natalie Dessay and her daughter, Neïma Naouri, team up to explore one of theater’s most toxic mother-daughter relationships.That “Gypsy” is finally making its debut in France would be noteworthy enough: It took 66 years for one of the most acclaimed works in the musical-theater canon to get there.But there is an extra twist.The production running Thursday through Saturday at the Philharmonie de Paris stars the soprano Natalie Dessay and her daughter, Neïma Naouri, as Rose, the stage mother to end all stage mothers, and Louise, Rose’s long-suffering older child.“Well, that’s acting,” Dessay, 59, said when asked if there was baggage involved with bringing the show’s psychodrama to life with her daughter. “I can play the evil witch and she can play Snow White — it’s theater.”“Yes,” Naouri, 26, interjected, “but sometimes you lose yourself in the character, and I can’t tell the difference between reality and fiction.”They laughed before Dessay jumped back in. “It’s not any more complicated than anything else,” she said. “But above all it’s more pleasant since we know each other very well and we already have this mother-daughter relationship, so we don’t have to create it. We actually have fun with it.”Their bond was clear in a joint video conversation from France as the pair huddled over a phone — Naouri had helped her mother turn on the camera — keeping an animated banter going the entire time.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Cowboy Bebop’ Creator Discusses His New Anime ‘Lazarus’

    In an interview, Shinichiro Watanabe discusses his latest anime, “Lazarus,” a pharmaceutical mystery set in the near future.Shinichiro Watanabe’s first anime, “Cowboy Bebop,” was quite an opening act. A story of space bounty hunters trying to scrape by, its genre mash-up of westerns, science fiction and noir, with a jazzy soundtrack, was a critical and commercial success in Japan and beyond. Its American debut on Adult Swim, in 2001, is now considered a milestone in the popularization of anime in the United States.Not one to repeat himself, Watanabe followed up “Bebop” with a story about samurai and hip-hop (“Samurai Champloo,” 2004); a coming-of-age story about jazz musicians (“Kids on the Slope,” 2012); a mystery thriller about teenage terrorists (“Terror in Resonance,” 2014); an animated “Blade Runner” sequel (“Blade Runner Black Out 2022,” 2017); and a sci-fi musical show about two girls on Mars (“Carole & Tuesday,” 2019).Now, he has returned to the kind of sci-fi action that made his name with “Lazarus,” streaming on Max and airing on Adult Swim, with new episodes arriving on Sundays. The show is set in 2055, after the disappearance of a doctor who discovered a miracle drug that has no side effects. Three years later, the doctor resurfaces with an announcement: The drug had a three-year half-life, and everyone who took it will die in 30 days unless someone finds him and the cure he developed.Watanabe has never been shy about being a fan of cinema. “Cowboy Bebop,” for instance, makes specific references to films like “Alien” and “2001: A Space Odyssey.” For “Lazarus,” Watanabe went further, teaming with a Hollywood filmmaker, the “John Wick” director Chad Stahelski, to design the thrilling, kinetic action sequences of the anime.In a video interview, Watanabe, speaking through the interpreters (and co-producers on the series) Takenari Maeda and Saechan, discussed the making of “Lazarus,” the timeliness of the show’s story and how watching the original “Blade Runner” inspired his multicultural and inclusive anime casts. These are edited excerpts from the conversation.Unlike your previous sci-fi projects, “Lazarus” takes place not on a distant planet or far into the future, but in our world just 30 years from now. Why was that important?We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘White Lotus’ Star Aimee Lou Wood Criticizes SNL for ‘Mean’ Sketch

    The actress in HBO’s “The White Lotus,” said she had received thousands of messages of support after “Saturday Night Live” mocked her smile.Aimee Lou Wood, a star of HBO’s “The White Lotus,” has criticized “Saturday Night Live” for a sketch that mocked her smile, calling it “mean and unfunny.”Ms. Wood, a British actress, posted on Instagram on Sunday objecting to the sketch, in which the S.N.L. cast member Sarah Sherman impersonates Ms. Wood’s character while wearing large prosthetic teeth.“I am not thin skinned,” Ms. Wood, 31, wrote in one of a series of posts on her Instagram stories, adding that she loves being joked about when “it’s clever and in good spirits.” But “the joke was about fluoride. I have big gap teeth not bad teeth,” she wrote.In a subsequent post, Ms. Wood said she had received “apologies” from S.N.L. but did not elaborate. Representatives for Ms. Wood and NBC, which broadcasts S.N.L., did not immediately respond to requests for comment.The sketch, titled “The White POTUS,” imagined the show’s characters replaced by President Trump and members of his cabinet. Ms. Wood, who is from Manchester, England, also criticized Ms. Sherman’s impersonation of her Mancunian accent.After her initial posts, Ms. Wood said that she had since received thousands of messages of support. She shared what appeared to be one such message, which said: “It was a sharp and funny skit until it suddenly took a screeching turn into 1970’s misogyny.”The third season of “The White Lotus,” which concluded this month and was the series’s most popular yet, follows wealthy guests and staff members at a wellness resort in Thailand. Among the guests is Chelsea, played by Ms. Wood, a young romantic British woman who is dating an enigmatic older American.Ms. Wood has been celebrated for her natural smile, especially at a time when many celebrities are opting for veneers to achieve “perfect” teeth. But in a recent interview with GQ magazine, she said that the news media’s focus on her appearance in coverage of the most recent season of “The White Lotus” had made her feel uncomfortable, even if the attention was intended to be positive.“It makes me really happy that it’s symbolizing rebellion and freedom, but there’s a limit,” she told the magazine. “The whole conversation is just about my teeth, and it makes me a bit sad because I’m not getting to talk about my work.”“I don’t know if it was a man would we be talking about it this much?” she added. More

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    Isabela Merced Is Ready to Slay (and Not Just Zombies)

    On a cool morning in late March, the actress and singer Isabela Merced was walking BonBon, her Chihuahua, on Melrose Avenue in West Hollywood. “He likes to be behind you,” she warned after we became tangled. Her dog Pluto, whom she adopted in Australia while shooting “Dora and the Lost City of Gold,” had stayed home that morning. Pluto was rescued with three legs.“He tried to jump over a fence that wasn’t completely done,” she explained.In Season 2 of the hit HBO series “The Last of Us,” which began on Sunday, Merced plays the new character Dina, a wry, flirty, tough-talking orphan who loves killing clickers, the most afflicted of the show’s fungus-infected zombies. “That’s her hobby!” Merced said.Dina also has a thing for Ellie (Bella Ramsey), her killing partner. In the season’s first episode, their relationship heats up with a kiss during a dance at a holiday party, as Dina’s on-again-off-again boyfriend Jesse (Young Mazino) — and much of the rest of the town — watches from the sidelines. Dina seems positively gleeful to play the provocatrice.“I’d like to imagine that’s how I would be in the Apocalypse,” Merced said of her character.Isabela Merced, left, and Bella Ramsey in a scene from the Season 2 premiere of “The Last of Us.”Liane Hentscher/HBOWill Ellie and Dina’s love last? “I would love to tell you everything!” she said. Because of some major plot twists, however, HBO has kept a tight rein on what it shares with journalists about the new season — and on what its stars can talk about.“I love talking,” she said, “So yeah, it’s been very hard for me.”After a run of critically applauded but less-visible roles, Merced, 23, may be at a turning point with “The Last of Us,” a hugely popular and award-winning series in which she plays a starring role. (Its first season became HBO’s most watched debut season and garnered 24 Emmy nominations, winning eight). Dina is central to the second season’s vengeance-driven plot, her humor and sarcasm a coping mechanism in a postapocalyptic world overrun by hordes of mushroom-headed zombies.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More