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    Review: A Perfect Storm of Weather and Racism in ‘shadow/land’

    Erika Dickerson-Despenza’s play about Black women struggling to survive Hurricane Katrina gets an ear-tingling podcast production.In its heyday, Shadowland, a New Orleans dance hall, bar and hotel, provided its Black clientele, many of them visiting jazz musicians, with the dignity and amenities (including air conditioning) they were barred from enjoying at whites-only establishments.But on the day that Erika Dickerson-Despenza’s floridly powerful new play “shadow/land” begins — Aug. 29, 2005 — that heyday is long gone, and the place is in bad disrepair. Mostly memories live there now.If the date doesn’t ring a bell, that’s part of the reason Dickerson-Despenza must have felt the need to write “shadow/land” in the first place. It is the opening salvo in a planned 10-play sequence about Hurricane Katrina and its long, too often invisible tendrils of disaster.That the disaster is literally invisible here, in a thrilling Public Theater production that renders the play as a podcast, is all to the good. As directed for the ear by Candis C. Jones and performed by actors with extraordinary voices, “shadow/land,” may be better in your headphones than it would have been onstage.Surely its densely poetic language and cataclysmic events would be too much to take in a realistic context. Even without that, the play demands a lot, bending the familiar genre in which families wrangle over property — a genre that includes Lorraine Hansberry’s “A Raisin in the Sun” and Horton Foote’s “Dividing the Estate” — toward bigger aims and expressionistic ends. Depending on your taste for it, the imperfect joinery of those modes in “shadow/land” is either a problem or a mark of a handmade and intensely personal art. For me it was both.In any case, the story is compelling. Though 80 years old and in middle-stage dementia, Magalee, the primary owner of Shadowland, shows no interest in closing what has been for many decades a proud family business. Her daughter Ruth, tired of the responsibility and cost involved, and knowing that their corner of New Orleans is in the last throes of decline, is eager to sell to a developer who promises a “face lift for the neighborhood.”On the overdetermined day Katrina will hit, she has come to take her mother to higher ground — and to force her to sign the inevitable “papers” she hopes will free them from their straitened, careworn lives.But living carefree is not a freedom equally distributed in a world that, as Dickerson-Despenza reveals it, is steeped in racism, especially the environmental kind. Ten minutes into the play, the storm announces itself with a violent gust of wind, a shattered window and a clock that falls portentously from the wall. Most of the city’s richer and whiter population has already evacuated, but Ruth and Magalee have waited too long; the day before, the roads were already “more congested than a chile with pneumonia,” Ruth says, and soon enough a live oak has “fainted” on top of her car.As the floodwaters rise within Shadowland, the conflict between mother and daughter intensifies: Ruth calling for help to get out, Magalee clinging to what’s left of an identity that has merged with the building’s.These scenes are framed by interjections from a griot, or traditional Black storyteller. This character, whom Dickerson-Despenza added for the audio version, speaks even more lushly than the others, a choice that may seem like linguistic icing or overkill depending on your tolerance for lines like “stars bedazzle a sprained black sky as the City untangles its raw limbs.”Still, as delivered by the New Orleans poet Sunni Patterson, the largeness of the wording comes to seem like the precise correlative for the largeness of the disaster.The balance of naturalism and otherworldliness is more complicated for the other two actors, but just as successfully achieved. As Magalee, Lizan Mitchell is wonderfully salty in her maternal mode and heartbreakingly childlike in her delusions. And as Ruth, Michelle Wilson (a star of “Sweat” at the Public and on Broadway) manages to create a fully rounded human character — with a husband, a lover, and a daughter to think of — while also serving as the play’s eyewitness to the terrible things happening outside the window.If that’s too much for a 70-minute play to wrangle, the problem is a better one for a playwright to take on than too little. In “[hieroglyph],” the second installment in Dickerson-Despenza’s Katrina Cycle — which I saw last month, in a filmed production from the San Francisco Playhouse and the Lorraine Hansberry Theater — the mechanism by which mere events were turned into drama was also noticeably clunky. Its characters, including a 13-year-old girl and her father, survivors of Katrina who wind up in Chicago with secrets to unpack, often seem to be serving the author’s needs instead of their own.There are times when “shadow/land” suffers from the same condition, one sign of which is the tendency of Ruth and Magalee to provide back story by telling each other (and thus us) things they would both already know.But this play is saved — and, more than that, lifted — by its tragic vision. The production also makes an enormous difference. Delfeayo Marsalis’s haunting music, bent and blurred through memory and, thanks to Palmer Heffernan’s immersive sound design, often morphing into the sound of the storm itself, helps us understand that what’s at stake is not just a building but an entire cultural history.That’s a big project, even before you multiply it by 10. Nor are the aftereffects of Katrina the limit of Dickerson-Despenza’s current theatrical interests. Her play “cullud wattah,” set against the backdrop of the Flint water crisis, last week won the Susan Smith Blackburn Prize for playwriting; the Public, which originally planned to produce it last summer, hopes to try again as soon as it is safe to do so.An astonishing start for a 29-year-old writer. Though Dickerson-Despenza says she does not consider herself primarily a theater artist but a “cultural worker” making space for Black women, she may, like her “shadow/land” characters, find that the emergencies of our day have a different fate in mind for her.shadow/landAvailable at publictheater.org and on major podcast platforms. More

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    ‘Transformers’ and a Zombie Comedy: What ‘Invincible’ Is Made Of

    The writer behind the Amazon Prime superhero show ‘Invincible’ shares the films, comic books and characters he drew on to create the new series.Comics-to-screen adaptations are tricky to pull off — and hard-core comic book fans can be exacting — but Robert Kirkman has now been the writer behind two of them.First, he masterminded the comic book “The Walking Dead,” then helped turn it into one of the most popular TV series of the 21st century. Now Kirkman is executive producer of “Invincible,” an animated Amazon Prime show based on a superhero he created with the illustrator Cory Walker. Loaded with top-shelf voice talent led by Steven Yeun as the title’s teenage superbeing (real name: Mark Grayson) and J.K. Simmons as his father, Omni-Man, the new series is irreverent and dramatic, funny and graphically violent, and never less than gleefully entertaining. The comic book was published from 2003 to 2018 by Skybound, an Image Comics imprint.In a video call from Los Angeles, Kirkman, 42, discussed some of what inspired him in his work on “Invincible.”Marvel ComicsAn interior page from “Amazing Fantasy” #15 (1962), by Stan Lee, writer, and Steve Ditko, artist.MarvelRight, Mark Grayson/Invincible (voiced by Steven Yeun), with his parents, Debbie Grayson (Sandra Oh), and Omni-Man (J.K. Simmons).Amazon Prime VideoNaturally, a superhero story is going to draw from one of the biggest publishers of the genre, but Kirkman zeroed in on a specific side of Marvel Comics. “Their big innovation in the ’60s was to treat the superhero characters as if they were human beings,” he said. “There were stories dealing with trouble at work and having to make rent. So ‘Invincible’ tries to dig deep on the family aspects and portray inhuman characters as deeply human.”“When superpowered characters go on dates they can have lunch in Rome or their favorite bistro in France. They’re not constrained by the same realities of time and distance as we are,” Kirkman said. If Mark is falling short as a boyfriend, he added, “it’s not because he forgot to text before he went out with the boys; it’s because he had to do a quick mission on Mars. We’re able to use the fantasy elements of a superhero world to heighten the everyday relatable drama.”The non-superheroic folks don’t get ignored, either. Invincible’s mother, Debbie (Sandra Oh), for example, has issues of her own. “Her main story line in the first season is a suspicion over her husband doing something that could be potentially very bad,” Kirkman said. “A wife suspicious of her husband is a very real thing that a lot of people deal with — a somewhat grounded conflict in this crazy superhero world.”DC Comics’ Silver AgeFrom “The Girl in Superman’s Past” (An Untold Tale of Superman) written by Bill Finger, penciled by Wayne Boring and inked by Stan Kaye. #129 (May,  1959).DCFrom left, Invincible, voiced by Steven Yeun, with Allen the Alien (Seth Rogen), in “Invincible.” Amazon Prime VideoKirkman is a fan of the lighter aspects of superhero stories, especially as they flourished at DC Comics in the 1950s through 1970s; he singles out Superman’s romance with the mermaid Lori Lemaris, and also mentioned his turning back time by flying around the Earth at super-speed in the Richard Donner film “Superman,” from 1978. “By embracing the sillier aspects of Silver Age comic books, we’re not telling silly stories — I don’t think anyone would ever say that ‘Invincible’ is silly,” Kirkman said. “But holding your breath and speaking telepathically while you fight around the orbit of the planet is goofy, a father and son playing catch by throwing a ball around the curvature of the Earth is ridiculous,” he continued, referring to events in his new show. “Playing those scenes straight shines a spotlight on how unique and how cool the world of superheroes can be.”‘The Transformers: The Movie’ (1986) by Nelson ShinSunbow ProductionsOmni-Man in a scene in Episode 1 in which the Guardians are killed.Amazon Prime VideoVisible behind Kirkman was a poster of this animated feature, which he saw when he was 8. The movie dispatches Optimus Prime, the heroic leader of the Autobots, early on, a storytelling decision that made a big impression on the future writer. “By giving the audience something they would tell you they absolutely don’t want, you can actually give them something that is really fulfilling and better than anything they could have imagined,” he said.“The Walking Dead” is famous for abruptly killing off fan favorites, and the first episode of “Invincible” ends in a startling massacre. “The stories that come after that are richer because of that loss,” Kirkman said.‘Dead Alive’ (1993) by Peter JacksonWingNut FilmsOmni-Man in the gore of the Guardians’ battle, a scene not unlike the shocking gore inspired by the movie “Dead Alive,” above.Amazon Prime VideoWith its crushed skulls and geysers of blood, “Invincible” does not shy from violence. Kirkman, however, claims that he gets queasy easily.“I’m not great at realistic gore, but I do enjoy the shockingness and startling aspect of when unrealistic gore happens,” he explained. Once again, a childhood experience proved formative.He was about 15 when his father came in with a VHS tape, saying, ‘I’m supposed to take this back to the video store, but this movie’s insane, you’ve got to watch it,’” Kirkman said fondly.It was this delirious low-budget zombie-comedy hybrid by the director who would later deliver the “Lord of the Rings” trilogy, and Kirkman was not disappointed. “The climax is, there’s a house full of zombies and a guy ties a lawn mower around his neck and runs around hacking people up,” he said.Rob Liefeld“New Mutants” #100 by the artist Rob Liefeld.MarvelMonster Girl, far left, in a soap-opera moment.Amazon Prime VideoKirkman picked Liefeld not because he was one of the founders of Image Comics (which published both the “Invincible” and “The Walking Dead” comic books) but for his storytelling chops. “If you look at how fast-paced ‘Invincible’ is, that is something Rob very much established in his work,” Kirkman said.He also enjoys Liefeld’s taste for plotting antics, singling out a big reveal in issue 100 of “The New Mutants,” from 1991, in which the villainous Stryfe takes off his helmet, revealing himself to be the gun-toting warrior Cable — or is he?“Seeing that kind of stuff and how it works in comics has led to some of those bigger cliffhangers and wackier soap-opera moments in ‘Invincible,’” Kirkman continued, mentioning Monster Girl, “who is trapped in a youthful body,” as an example. She turns into a big beast, but each time she transforms, she returns looking even younger, which presents complications — it’s hard to date when you’re a 20-something who looks 12.‘Savage Dragon’ by Erik Larsen“Savage Dragon” #103 cover, art by Erik Larsen.Image Comics“Invincible” #113 interior page, art by Ryan Ottley.Image ComicsKirkman praises this comic book as his favorite of all time, and a big reason is that the title character aged over the years — just like the “Invincible” books introduce a 17-year-old Mark Grayson who eventually grows older, marries, becomes a father. “That’s something that’s definitely pulled from Erik Larsen,” Kirkman said.While the series has just started, he and Yeun already have Mark’s future in mind. “In the very earliest recording sessions, Steven pulled me aside and said, “I’m trying to play him as very young and naïve because I know where the character goes and I want to be able to change my voice over time,’ ” Kirkman said. “I don’t know exactly how many seasons the show will run at this point, but the goal is to tell that complete story.” More

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    Edinburgh Festivals Will Go Ahead, in Person and Online

    The Edinburgh International Festival, canceled last year, said it would proceed in August thanks to three specially built pavilions.Three pavilions will be built to host events for the Edinburgh International Festival this summer.Edinburgh International FestivalLONDON — The Edinburgh International Festival, a showcase of international dance, music and theater, will go ahead in front of audiences this August, the festival’s organizers said on Tuesday.The festival, which normally floods the city with tourists, was canceled last year because of the coronavirus pandemic. But events will be staged Aug. 7-29 in three pavilions across Edinburgh, Fergus Linehan, the festival’s director, said in a telephone interview.The pavilions will be specially built to maximize air flow and allow social distancing, he added.The festival’s program will be released in June, Linehan said; the organizers are still waiting for a decision from the Scottish government about how many people will be allowed to attend. But the ongoing pandemic and the limits it has placed on international travel mean it will have a different flavor from normal.“In terms of the people onstage, we’re not going to be flying in a big dance company from the U.S., or an opera company from Paris,” Linehan said. “But there are individual artists coming.”The festival, which began in 1947 with the aim of uniting people through culture after World War II, is known for large-scale performances, especially of big classical and operatic works. The 2019 festival, for instance, featured the Orchestre de Paris performing epic pieces by Beethoven and Berlioz, as well as several presentations by the Komische Oper Berlin. That will also change this year. “We can’t have that many musicians onstage, and we can’t have those big choral bits,” Linehan said, but he insisted smaller works would be just as exciting and innovative.Many performances will be streamed free for international audiences, he added.Coronavirus cases have fallen rapidly in Scotland this spring thanks to an extended lockdown and a strong vaccination program. On Monday, there were only 199 new cases reported among a population of around 5 million, and no deaths within 28 days of a positive test, according to Scottish Government figures.But many restrictions are still in place, including on cultural life. Museums cannot reopen until Apr. 26. Other cultural activities cannot restart until May 17 at the earliest, and even then, only with small audiences.The Edinburgh International Festival is one of a host of arts events that normally take place in the city each summer. The festival’s organizers insist the others will occur in some form, too.A spokeswoman for the scrappy Edinburgh Festival Fringe, which normally features thousands of small theater and comedy shows, said in an email that organizers were working toward an event to run Aug. 6-30. It was still unclear if the Fringe would be “digital, in person, or both,” she added.The Edinburgh International Book Festival will also proceed from Aug. 14 with in-person events “if circumstances permit,” a spokeswoman said in a telephone interview.The Royal Edinburgh Military Tattoo, a popular series of parades involving bagpipe performances by armed forces from around the world, is also set to go on. It started selling tickets last October but has not provided any updates since. On Tuesday, its organizers did not respond to a request for comment.Linehan said he hoped the International Festival’s announcement would give confidence to other events to press ahead with plans. His festival won’t make any money, he said, but that didn’t matter. “This is a really momentous moment for us,” Linehan said, adding: “It’s really important we get back to live performance.” More

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    How Do You Write an Anthony Bourdain Book Without Anthony Bourdain?

    After the author and TV personality’s death, his longtime assistant was left to finish his last book, a world travel guide.In March 2017, Anthony Bourdain had an idea for a book, but no time to write it. Since he started traveling and eating on camera with the Food Network’s “A Cook’s Tour” in 2000, the chef, frequent dropper of f-bombs and insatiable eater of delicious things had spent the majority of his time in the field, most recently for his CNN show “Parts Unknown.” Mr. Bourdain and his team decided he would carve out some time to write in the summer of 2018, when he would have a few rare continuous weeks at home during a break in filming. That, of course, never happened, as Mr. Bourdain died by suicide in June 2018.Nevertheless, next week, almost three years after his death, and after a pandemic that almost completely shut down international travel, Ecco will publish “World Travel: An Irreverent Guide” by Mr. Bourdain and his longtime assistant (or “lieutenant” as he often referred to her), Laurie Woolever.“To me, there was no question that the book would go on,” Ms. Woolever said in a recent video call from her home in Queens. “As long as I had the blessing of his estate, which I did, I wanted to finish it as a way to serve his legacy.”“World Travel” is built out of a somewhat amorphous vision, an “atlas of the world as seen through his eyes,” as Ms. Woolever writes in the book’s introduction. It is the second book, after 2016’s “Appetites,” that includes Ms. Woolever’s name on the cover just under Mr. Bourdain’s, albeit smaller. It speaks to the power of Mr. Bourdain’s legacy and the singularity of his point of view that his name still sits so boldly on the book’s cover despite the fact that he contributed not a single new written word to its 469 pages.Laurie Woolever outside Gray’s Papaya on Manhattan’s Upper West Side, which makes an appearance in “World Travel.”Karsten Moran for The New York TimesThe book is built to read like a travel guide, even if it would be a stretch to use it as one. It covers 43 countries, with Mr. Bourdain’s recommendations for restaurants, hotels and other attractions in each one drawn mostly from his various TV shows. In between, Ms. Woolever, who was archivist, fact checker and editor on the book, as well as its co-author, has inserted context and, for each destination, a section on airports, public transportation and taxi costs. Occasionally she adds in her own recommendations based on her travels and knowledge of Mr. Bourdain’s favorite off-camera spots: one particularly charming section includes a delivery request that Mr. Bourdain emailed to Ms. Woolever, for Pastrami Queen, a kosher deli on New York’s Upper East Side.The book comes at a pivotal moment in travel, just after the Centers for Disease Control and Prevention has said that Americans who are vaccinated can travel internationally, and as closed borders between countries are slowly and fitfully reopening. The timing is fortuitous, though not intentional: The book was originally scheduled to publish in the fall of 2020 and Ms. Woolever said the publication was delayed because of production issues, not the coronavirus.Edward Ash-Milby, the lifestyle book buyer at Barnes & Noble, said in an email that the bookstore chain has put in an order similar in size to that for past best sellers by Mr. Bourdain: “We’ve ordered it for all 600-plus stores and we are all very excited about it.”After the travel book market took a major hit over the past year, Mr. Ash-Milby said in his email that he has started to see it coming back in the United States, especially when it comes to domestic travel. “World Travel,” he said, was perfectly positioned to take advantage of American readers’ pent-up wanderlust for places further afield. “I love the publication date of Anthony Bourdain’s ‘World Travel,’” he wrote. “It feels perfectly timed to meet the imagination of today’s travelers who are primed to explore.”Mr. Bourdain never professed to being a fan of travel guides and, before this book, he had never really expressed much interest in writing one. In an interview during South by Southwest in 2016, he admitted that he rarely read them: “I like atmospherics,” he said. “I don’t want a list of the best hotels or restaurants; I want to read fiction set in the place where you get a real sense of what that place is like.”Despite this, Ms. Woolever said there was also an understanding between the two of them that a guide could be exactly what his fans wanted. “I would like to think that even if someone has seen every episode, even if they’ve read every book, there is the possibility of fresh discovery with this book,” she said.The choice of what to include — which Singaporean hawker stalls, Spanish tapas restaurants or American dive bars made the list — mostly came out of one hourlong, recorded conversation in the spring of 2018 between Ms. Woolever and Mr. Bourdain held at Mr. Bourdain’s Manhattan high-rise apartment, which he had, according to Ms. Woolever, decorated to mimic one of his favorite hotels, Los Angeles’s Chateau Marmont.“I prepared ahead of time for this meeting with Tony by making a list of every place he had been,” Ms. Woolever said. Then, as Mr. Bourdain chain-smoked and free-associated, she took notes. “He would just, off the top of his head, say ‘We’ve got to include this market stall, and this place with the chicken,’” she recalled. “He had a pretty astonishing level of recall for somebody who had done so much.”“World Travel” contains essays by Mr. Bourdain’s friends, colleagues and family, but no new contributions from him.EccoIn that quiet summer of 2018, Mr. Bourdain was planning to go through the curated list of countries and cities and write new, original essays about them. From his work on television it isn’t hard to imagine what they could have been: an effusive, profanity-laced ode to the decadent and delicate noodle soups of Vietnam perhaps, or an examination of why he loved old colonial hotels in the tropics so much despite their often problematic histories.The conversation, meant to be the first of many brainstorming sessions, became Ms. Woolever’s only blueprint. Facing all of the unwritten essays, she reached out to Mr. Bourdain’s friends, family members and former colleagues to fill that space: His younger brother, Christopher Bourdain, writes about traveling to the Jersey Shore and Uruguay for episodes of “Parts Unknown” and “No Reservations”; the record producer Steve Albini provides a lengthy list of his favorite where-would-Bourdain-eat spots in Chicago; the Toronto restaurateur Jen Agg recounts how the stunt that made her restaurant famous (a “bone luge” shot, in which bourbon is poured down a hollowed out veal bone) was concocted for an episode of “The Layover,” the relatively short-lived Travel Channel show that was, before this book, the closest Mr. Bourdain ever came to making a “how to” guide.“It’s a hard and lonely thing to co-author a book about the wonders of world travel when your writing partner, that very traveler, is no longer traveling that world,” Ms. Woolever admits in the book’s introduction.Ms. Woolever first worked with Mr. Bourdain in 2002, when her former employer, the chef Mario Batali, recommended her as a recipe tester and editor for “Anthony Bourdain’s Les Halles Cookbook.” She became his assistant in 2009 after working as, among other things, an editor and a private chef. As Ms. Woolever recounts it, Mr. Bourdain happened to be looking for an assistant at the precise time that she had a child and was looking to do something new. “It was such a lucky coincidence of timing for both of us,” she said.Ms. Woolever knew Mr. Bourdain well after so many years, and it was that closeness that helped her get through some of the hard decisions in putting together the book, she said.Much of that decision-making process involved talking to others: members of his close circle of confidantes, his production team and past fixers who offered updated information on old spots Mr. Bourdain might have visited. “I never want to speak for Tony, but if I had to speculate — and I think we all agreed — I think he would want these things that had been set in motion to go on,” she said. She ran decade-old “No Reservations” picks by past collaborators to make sure they were still good. She pored over transcripts of past shows and spent days contacting chefs in the French countryside or along the Mozambique coast to make sure they were still operating.Anthony Bourdain filming “Parts Unknown” in Butte, Mont., in 2015. CNNThat fact-checking process took on a new level of intensity, of course, with the onset of the coronavirus pandemic, as restaurants globally were hit hard. “I did check to see that all the listed venues were still open just before the window closed to any new edits,” she told me. She knows of just one establishment — Cold Tea bar in Toronto — that has closed since, but doesn’t regret its inclusion in the book. “I am happy to have its listing remain in the text, because Tony loved it, and I hope that the business owners may be able to resurrect it in the future,” she said.Over the course of the book, Ms. Woolever never makes the claim that the guide is comprehensive — and the end result does feel incomplete and unbalanced. The countries of Ghana, Ireland and Lebanon get three pages apiece; the United States gets nearly 100. There is a chapter on Macau, but nothing on Indonesia or Thailand. These are somewhat predictable shortcomings, dependent as the book is on voice-over transcripts spanning decades and the impossible task of stringing them together across time.Some of the inclusions feel at odds with Mr. Bourdain’s avoid-the-tourists approach to travel, as well. In the Tokyo section, recommendations include the Park Hyatt hotel (made famous by “Lost in Translation,”); Sukiyabashi Jiro, the restaurant at the center of the documentary “Jiro Dreams of Sushi”; the bizarre kitsch-fest that is the Robot Restaurant; and a bar in the tourist-clogged Golden Gai neighborhood. These may be all appealing attractions to a first-timer in Tokyo, but there is nothing in that selection that you wouldn’t find at the top of an algorithm-generated TripAdvisor list.When I asked Ms. Woolever about these recommendations, she agreed they were perhaps obvious choices, but said Mr. Bourdain wanted to include them because of how much they meant to him, after so many visits to the city. “He wasn’t always (or, arguably, ever) about cool for cool’s sake, or obscurity as its own reward,” she said in an email.If it’s a guide they are after though, travelers may be left wanting. In Cambodia, you get recommendations for three hotels, two markets for dining and a suggestion to check out the temples of Angkor Wat, the country’s most famous attraction by a long shot. It isn’t exactly the list of hole-in-the-wall spots with no addresses that fans of Mr. Bourdain may be hoping for. What those fans will find though is Mr. Bourdain’s word-for-word rant against American military involvement in Cambodia (“Once you’ve been to Cambodia, you’ll never stop wanting to beat Henry Kissinger to death with your bare hands.”) Having those passages — the no-holds-barred monologues that were a hallmark of his television shows — in one place might be the book’s greatest strength.Over the decades that Mr. Bourdain spent traveling the world, there was a lot of talk of the “Bourdain Effect”: how a culinary gem, previously only frequented by those in the know, could be “ruined” by being included in his show. When I asked Ms. Woolever whether she thought this book could amplify that effect, she emphasized that most business owners knew what they were in for when approached by producers. “People call it the ‘Bourdain Effect,’ but Tony didn’t invent it,” she said. “It’s something that business owners have to weigh out for themselves.”As I read the book, I was thinking of a different Bourdain Effect, one that feels more vital than ever right now, as travel begins to take its first baby steps back after a year of lockdowns. Seeing so much of Anthony Bourdain’s work in one place and being able to compare his impressions country-by-country in a tightly packed medium, makes it easier to see what he stood for. A traveling philosophy emerges: his utter disdain for stereotypes, his undying commitment to challenging his own preconceptions, his humility in the face of generosity.Because of tragic circumstances following its inception, “World Travel” may feel more like an anthology of greatest hits than a new, original guidebook. But read cover to cover, country by country, it is an enduring embodiment of Anthony Bourdain’s love for the whole world and a reminder of how to stack our priorities the next time we’re able to follow in his footsteps.Follow New York Times Travel on Instagram, Twitter and Facebook. And sign up for our weekly Travel Dispatch newsletter to receive expert tips on traveling smarter and inspiration for your next vacation. Dreaming up a future getaway or just armchair traveling? Check out our 52 Places list for 2021. More

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    A ‘Blue Bloods’ Regular on the Importance of ‘Yes’

    For the actor Vanessa Ray, what makes a one-bedroom near Lincoln Center home are a few essentials: Bill Nye, blankets and one three-letter word.Vanessa Ray has lived in New York City on and off for the past decade, renting or subletting in the theater district, on the far reaches of Upper West Side, in Brooklyn and, more than once, in Lincoln Square.“I had always watched the Macy’s Thanksgiving Day Parade on television, and when I was starting to pursue being an actor, I was like, ‘I’m going to shoot my shot in New York,’” said Ms. Ray, 39, who plays feisty policewoman Eddie Janko, now a regular around the Reagan dinner table, on the long-running CBS police procedural “Blue Bloods.” (The Season 11 finale airs May 14.)It was the beginning of a great love affair.“This is where my heart is,” said Ms. Ray, who was raised in Portland, Ore., and subsequently moved to Los Angeles where, thanks to roles on “Pretty Little Liars,” “Suits” and “Blue Bloods,” she owns a house in the hills. “I love California. When I have three months off, I go and soak up the sun and swim in the pool, and then I come back here to real living.”Ms. Ray is very big on the affirmation of “yes” signs. She is equally big on photos of family and friends. Haley BondVanessa Ray, 39Occupation: ActorLip service: “When I was first on ‘Blue Bloods,’ I was subletting a place in the theater district. You walk around there and you run into just about every actor you know. I was dating different people, and one guy went to kiss me on Ninth Avenue, and I was like, ‘You can’t kiss me on Ninth Avenue. That’s saying something. Let’s take it to 10th Avenue when it’s a new relationship.’”Not long after her 2015 marriage to Landon Beard, a Los Angeles-based musician who comes to New York as frequently as possible, Ms. Ray took it into her head to try Brooklyn on for size. It didn’t fit, even if the two-bedroom she rented in Williamsburg, near McCarren Park, was an easy walk to the “Blue Bloods” set in Greenpoint.“I was going through a tough time emotionally, and because of that I knew I needed to return to Manhattan,” Ms. Ray said. Fortunately, one of her best friends, Jessica Waxman, is a real estate agent. Ms. Waxman presented three or four options, all near Lincoln Center and all near her own apartment, so the two women could easily meet for morning coffee and walks in Central Park.The light tan sectional, bought several years ago at Crate & Barrel, was Ms. Ray’s first big furniture purchase.Vanessa Ray“Jess was like, ‘OK, Vanessa, you need a kitchen that’s big enough to cook all the things you like to cook and big enough for me to watch you while you’re doing it,’” Ms. Ray said. “She also knew I needed outdoor space and a view of some kind.“I like to wake up and look outside and think, ‘I’ve got to get in it. I’ve got to get out there,’” she said. “That’s the driving force of any success I’ve had in New York.”A year and a half ago, Ms. Ray moved into what she describes as “a nice, healing space”: a one-bedroom apartment with a balcony in a full-service postwar building, where she can see the Hudson River from the windows in the living room and bedroom.In the entryway, there is a photo of Ms. Ray and Mr. Beard walking on the beach in Santa Monica in the early days of their courtship, and another of them on their wedding day in Pala, Calif. Make no mistake. They look very happy.But (and you’re reading it here first): She has a thing for another guy, a science guy. His portrait — and it’s a big one — also hangs in the entryway.“I love Bill Nye,” said Ms. Ray, who bought the likeness at a vintage shop in Portland. “I was home-schooled as a kid. Bill Nye did a segment on ‘The Mickey Mouse Club,’ and he was always doing stuff and blowing things up. It got my brother and me excited about science, and we’ve really leaned into it over the years. If I could meet Bill Nye, I would be speechless.”When it comes to blankets, she can’t possibly say no.Vanessa RayUntil then, she’ll take what she can get. Some years ago, when her “Blue Bloods” co-star Will Estes met Mr. Nye at an industry event, he scored an autographed coaster for Ms. Ray. It’s tucked into a corner of the picture frame.When Ms. Ray became a series regular in 2013, she latched onto a very substantial tan sectional from Crate & Barrel. “This couch is huge. It’s practically a twin bed,” she said. “It was the most expensive thing I had ever bought in my life.”Perhaps in the interest of getting her money’s worth, Ms. Ray has brought it along to every apartment she has rented in the intervening years. “I will say, I don’t need a lot,” she said. “If I have a couch and a blanket, I’m pretty thrilled.”Those who know Ms. Ray will laugh at the above declaration about “a blanket.” She has, at last count, about a dozen blankets in the apartment, all stashed in baskets — among them, Mexican blankets, Pendleton blankets, camp blankets and a white polyester number from Restoration Hardware of surpassing softness and coziness.“My husband is like, ‘Enough blankets, babe,’ but I like to switch things up,” she said.She feels the same way about kitchen towels. She has them for every holiday: Valentine’s Day, Thanksgiving, Christmas, Easter, Halloween. “I’ve got them all,” Ms. Ray said. “I think I was a school receptionist in another life.”Her collection of essential kitchen utensils is, by contrast, positively austere. The most frequently used are a citrus squeezer (she squirts lemon on pretty much everything) and a couple of pairs of tongs: “You can stir with them. You can sauté with them. You can toss a salad. You can flip a steak. You can use them to get something out of the oven real quick.”Those tools are stored in the drawer of a butcher-block-topped kitchen cart that also holds a Nespresso machine and an Aicook juicer, a recent acquisition. “This is the key spot,” Ms. Ray said of the cart. “It was the perfect size. The story of my life is that I’m always one inch off, but this really nailed it.”Ms. Ray doesn’t require many kitchen tools, but she’d be utterly lost without tongs and a citrus squeezer. Vanessa RayWatching over her in the kitchen are photos of her grandfather, a master of the barbecue, and her uncle, Scott Smith, who taught her the joys of spices and sushi.If the kitchen is the apartment’s center of activity, the living room is a place for reflection. There, Ms. Ray sits on a pouf near the TV cabinet, writes in her journal and reads. If affirmation is what she’s after at the end of a tough day, she need look only as far as the table next to the sectional, where “yes” is spelled in wood blocks.“I have ‘yes’ signs everywhere,” she said. “When I first moved to Los Angeles, I had a friend who did that growing up, and I was like, ‘I want to do that, too, so I can remember to stay positive.’”There’s another ‘yes,’ in brass letters, in the bedroom. Ms. Ray and Mr. Beard are currently in talks about getting a neon ‘yes’ sign. “But,” she said with a sigh, “we haven’t said yes to it yet.”For weekly email updates on residential real estate news, sign up here. Follow us on Twitter: @nytrealestate. More

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    Late Night Gets Serious About Police Brutality

    Trevor Noah and Stephen Colbert criticized officers’ use of force against Black men, citing two cases in which traffic stops turned violent.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. We’re all stuck at home at the moment, so here are the 50 best movies on Netflix right now.A Lethal ErrorTrevor Noah and Stephen Colbert addressed police brutality against Black men on Monday night, with a focus on two recent high-profile cases. The first was the death of Daunte Wright, who was fatally shot during a traffic stop near Minneapolis on Sunday. The second was that of Caron Nazario, an Army lieutenant who was in uniform in December when two Virginia police officers ordered him to stop his car, pointed their weapons at him and doused him with pepper spray.“But if you’re surprised that a member of the military is having his rights abused, then you need to understand the police don’t give a [expletive],” Noah said. “They don’t care if you’re a member of the military; they don’t care if you’re a beloved member of the community; they don’t care if you’re recording them; [expletive], they don’t even care if they’re recording themselves. And the reason they don’t care is because they know they’re going to get away with it. And until that changes, they’re just going to keep not caring.”“What a strange way to say ‘Thank you for your service.’” — STEPHEN COLBERT“And how crazy is it that this driver — think about it — he knew to get to a gas station so that he would have decent lighting for the encounter. Imagine. Just think about that for a moment: Police brutality has forced everyday Black Americans to become lighting experts.” — TREVOR NOAH“I mean, at this point Black people should just start singing ‘The Star-Spangled Banner’ when they get pulled over. Then maybe, just maybe, the cops will be like, ‘Well, I don’t want to pepper spray the anthem — what do I do?’” — TREVOR NOAHColbert and Noah expressed frustration with a police statement saying that the officer who shot and killed Wright had mistakenly confused her gun for her Taser.“It’s dangerous when a policeman can’t tell if you’re holding a gun. It’s insane when they can’t tell if they’re holding a gun.” — STEPHEN COLBERT“A man was killed at a traffic stop because the police officer mixed up their gun and their Taser? Is that even supposed to be a legitimate excuse? Like, we’re supposed to watch that and go, ‘Ah, OK. One time I used sugar instead of salt, so I can relate.’” — TREVOR NOAH“And by the way, don’t you find it amazing cops think everything is a gun except their own gun?” — TREVOR NOAH“And even if it was just a mistake, that’s not a mistake that you just forgive and walk away, especially since you know the people jumping to her defense for using a gun instead of a Taser — those are the same people they want their waiter fired for bringing them a regular Coke instead of Diet.” — TREVOR NOAHThe Punchiest Punchlines (Venmo Tuition Edition)“Congress returned after a two-week recess. ‘Not much, just hung out,’ said Matt Gaetz before anyone could talk.” — SETH MEYERS“Matt Gaetz, Florida congressman and fraternity brother who wants to show you something in his room, has been under fire since news broke of him being under investigation over possible sex trafficking. But like a Karen in a Bath & Body Works, he refuses to back down.” — TREVOR NOAH“According to a new report, Florida congressman Matt Gaetz used the cash transfer app Venmo to send an accused sex trafficker $900, who then paid three young women for, quote, ‘tuition and school,’ which is a pretty weak attempt to cover your tracks. That’s like leaving your wallet at a crime scene but wiping your fingerprints off it.” — SETH MEYERS“Let he who has never Venmo’d a prostitute cast the first stone.” — JIMMY KIMMEL“I mean, you think you know a guy, and then it turns out — yeah, you’re totally right. You do know him. You know him pretty well.” — TREVOR NOAH“The House Ethics Committee announced Friday it will launch an investigation into Republican congressman Matt Gaetz over allegations that he, quote, ‘may have engaged in sexual misconduct, and/or illicit drug use, shared inappropriate images or videos on the House floor, misused state identification records, converted campaign funds to personal use and/or accepted a bribe, improper gratuity or impermissible gift’ — or as Republicans call it, ‘running for re-election.’” — SETH MEYERSThe Bits Worth WatchingJohn Boehner, the former speaker of the House, played a speed-round of quick reactions to politicians like Mike Pence and Barack Obama on Monday’s “Late Show.”What We’re Excited About on Tuesday NightPhoebe Robinson will talk about her new Comedy Central series, “Doing the Most,” on Tuesday’s “Tonight Show.”Also, Check This OutTobias Menzies portrayed Prince Philip in the Netflix series “The Crown.”Des Willie/Netflix, via Associated PressThere have been numerous onscreen portrayals of the late Prince Philip, some more accurate than others. His biographer assesses the best-known attempts. More

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    Jeremy O. Harris's Grad School Reunion

    Standing, from left: SOHINA SIDHU, actress, 29; JULIAN SANCHEZ, actor, 25; JONATHAN HIGGINBOTHAM, actor, 33; MAIA MIHANOVICH, actress, 24; AMAUTA M. FIRMINO, screenwriter, 29; HUDSON OZ, actor, 30; JEREMY O. HARRIS, playwright, writer, producer and performer, 31; and SYDNEY LEMMON, actress, 30. Seated, from left: PATRICK FOLEY, actor and playwright, 30; EDMUND DONOVAN, actor, 30; […] More

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    What’s on TV This Week: ‘Our Towns’ and ‘Beethoven in Beijing’

    A documentary on HBO looks at small towns across America. And PBS’s “Great Performances” revisits a pivotal 1973 classical music tour.Between network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, April 12-18. Details and times are subject to change.MondayINDEPENDENT LENS: DOWN A DARK STAIRWELL (2021) 10 p.m. on PBS (check local listings). On Nov. 20, 2014, a New York City police officer, Peter Liang, shot and killed Akai Gurley, 28, who was unarmed. (Liang was convicted of manslaughter in 2016.) Gurley was Black; Liang is Chinese-American. The killing prompted a particularly complex debate over police accountability, which the filmmaker Ursula Liang (who is not related to Peter Liang) explores in this new documentary.STAR WARS: EPISODE III — REVENGE OF THE SITH (2005) 8:05 p.m. and 11:20 on TNT. The streaming series “Obi-Wan Kenobi,” one of the highest-profile new “Star Wars” projects, is supposed to start filming this month, but it’ll be a little while before it gets to Disney+. (There’s no light speed when multimillion-dollar TV shoots are involved.) The new series will reunite Ewan McGregor and Hayden Christensen, who starred together in this “Star Wars” prequel, which charts the final chapter of young Anakin Skywalker’s transformation into Darth Vader. In his review for The New York Times, A.O. Scott called it “by far the best film in the more recent trilogy.” How significant that praise is, though, is a matter of debate.TuesdayOUR TOWNS 9 p.m. on HBO. The journalists (and married couple) Deborah Fallows and James Fallows spent several years puttering through American skies in their small, single-engine Cirrus SR-22 plane, visiting small towns across the country. The resulting book, “Our Towns: A 100,000-Mile Journey Into the Heart of America,” released in 2018, looks at the beauty of and the challenges faced by American towns. This documentary from the filmmakers Steven Ascher and Jeanne Jordan is based on the Fallows’s book; it looks at how small-town life is changing around the country.WednesdayCloris Leachman and Timothy Bottoms in “The Last Picture Show.”Columbia PicturesTHE LAST PICTURE SHOW (1971) 11:45 p.m. on TCM. Peter Bogdanovich’s big-screen adaptation of the 1966 Larry McMurtry novel “The Last Picture Show” is set in a small Texas town. The story follows a pair of high school seniors (Timothy Bottoms and Jeff Bridges) as they prepare for their post-graduation lives and navigate two very different romances (Cybill Shepherd plays a high-school girlfriend; Cloris Leachman plays the wife of the school’s basketball coach, who is having an affair with one of the boys). This year is the film’s 50th anniversary — but in many ways, it feels considerably older, as Bogdanovich produced it to feel like a product of Hollywood’s Golden Age. As Vincent Canby wrote in his review for The Times, the film is “a tribute to the kind of straightforward narrative filmmaking that flourished in the Hollywood of the 1930 and 1940s, when occasionally classic movies were made on the assembly lines, but it’s a tribute by a director who started out not in the cutting room, but at the Museum of Modern Art.”ThursdayFrances McDormand in “Fargo.”Michael Tackett/Gramercy PicturesFARGO (1996) 7:30 p.m. on Showtime. Frances McDormand did her best to avoid publicity for years after receiving her first Academy Award, which she won for her role as a pregnant police chief hunting down a pair of killers in this Coen brothers staple. That decision “gave me a mystery back to who I was,” she explained in a recent interview with The Times, “and then in the roles I performed, I could take an audience to a place where someone who sold watches or perfume and magazines couldn’t.” With McDormand up this year for her third best actress Academy Award (for her role in Chloé Zhao’s “Nomadland”), this is a natural time to revisit “Fargo.”A QUIET PLACE (2018) 5:50 p.m. on FXM. After repeated delays in response to the pandemic, “A Quiet Place Part II” seems like it may actually be released next month. (The film had its world premiere event on March 8, 2020, and was slated to open shortly afterward — you know what happens next.) The original movie follows a couple (John Krasinski and Emily Blunt) who have to keep themselves and their children alive in a post-apocalyptic world that has been overtaken by monsters who can’t see, and who hunt using their ears. It’s a conveniently cinematic premise that Krasinski, who also directed, takes advantage of. “The full-on action sequences, staged with stalking tension in settings as diverse as a grain silo and a bathtub, are nervily potent,” Jeannette Catsoulis wrote in her review for The Times, even if the film as a whole is “neither intellectually deep nor even logically sound.”FridayA scene from “Great Performances: Beethoven in Beijing.”History Making ProductionsGREAT PERFORMANCES: BEETHOVEN IN BEIJING 9 p.m. on PBS (check local listings). When the Philadelphia Orchestra took the stage in Beijing in 1973, it became the first American symphony orchestra to perform in China since the founding of the People’s Republic in 1949. That tour is the subject of this documentary, which revisits the performances and looks at how they laid the groundwork for the eventual return of Western art to China. The film includes interviews with the composer Tan Dun, the pianist Lang Lang, and the conductor and pianist Yannick Nézet-Séguin.SaturdayCREED (2015) 5 p.m. on VH1. The director Ryan Coogler breathed new life into the “Rocky” franchise with this sort-of sequel, sort-of spinoff. The film stars Michael B. Jordan as Adonis Creed. Adonis is a child of Apollo Creed, the fictional onetime rival of Rocky Balboa (Sylvester Stallone), who takes Adonis under his extraordinarily toned wing.SundayTHE 56TH ANNUAL ACADEMY OF COUNTRY MUSIC AWARDS 8 p.m. on CBS. This year’s Academy of Country Music Awards ceremony will be broadcast from three venues around Nashville: the Ryman Auditorium, the Grand Ole Opry House and the Bluebird Cafe. Keith Urban and Mickey Guyton will host, with a lineup of performers that includes Miranda Lambert, Maren Morris and Carrie Underwood. More