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    With ‘Drag Race France Live,’ France’s Drag Queens Answer Hatred With Glitter

    Answering hatred with glitter is a time-honored drag tradition that France’s answer to “RuPaul’s Drag Race” is keeping alive in a new stage spectacle.The Paris Olympics may be over, but the event is still on the minds of many in the city — and not just sports aficionados. On Tuesday, the audience at “Drag Race France Live,” a stage version of France’s “RuPaul’s Drag Race” equivalent, erupted in cheers at the mere mention of the Games’ opening ceremony.The host of both shows, the drag queen Nicky Doll, made jokes about her own appearance in the outsize display on the Seine river, which was directed by Thomas Jolly. Then she hinted at the international backlash to the tableau she took part in, which some people read as a mockery of the biblical Last Supper — or even a display of Satanism.“If I’m a Satanist, I sold my soul for waterproof products,” Nicky Doll told the crowd, referring to the downpour of rain that marred the show in July.For French drag, the Olympics’ opening ceremony came at a pivotal moment.France was relatively late to embracing American-style drag: While the country has a long cabaret tradition, it used to favor “transformiste” drag performers, who impersonate real-life artists instead of creating a character of their own. “Drag Race France,” the TV show, didn’t premiere until 2022. (“RuPaul’s Drag Race” first aired in 2009.) Yet the French show’s winners, and Nicky Doll, quickly became mainstream figures. The inclusion of drag queens in the opening ceremony pointed to their newfound prominence within French culture.Yet what could have been a moment of cultural consecration soon turned sour. Shortly after the broadcast in July, a number of conservative figures in France and abroad took aim at the scene featuring drag queens. In it, the queens gathered around a table surrounding the DJ and activist Barbara Butch, who wore a halo-like headdress. While Jolly denied that the tableau was inspired by Leonardo da Vinci’s “The Last Supper,” describing it instead as “a grand pagan festival,” he was nonetheless accused of insulting Christianity and received death threats.Nicky Doll performing in Cannes, France, in May. The Olympics opening ceremony, which she took part in, drew ire from right-wing activists and some Christians.Jerome Dominé/Abaca/Sipa USA, via Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Aaron Sorkin Thinks Life Still Imitates ‘The West Wing’

    When it premiered on NBC on Sept. 22, 1999, “The West Wing” contained elements of both what great television had been and what great television would become.It had the strict structure, self-contained episodes and PG-13 language of esteemed network contemporaries like “NYPD Blue” and “ER.” (John Wells was an executive producer of both “ER” and “The West Wing.”)But the show’s sophisticated content, idiosyncratic sensibility and season-long story lines anticipated the prestige-television boom of cable and eventually streaming. It was a ratings hit and won the Emmy for outstanding drama series four times, one of only five programs to do so. (The others: “Hill Street Blues,” “L.A. Law,” “Mad Men” and “Game of Thrones.”)Twenty-five years later, “The West Wing” is a cultural touchstone: dissected by podcasts, parodied for its trademark style, still viewed regularly on Max — more than 212 million viewing hours’ worth since 2020, according to Nielsen. Several cast members were feted at the Emmy Awards last Sunday, and on Friday, the first lady, Jill Biden, will honor the series at the real White House.“It is particularly gratifying that a whole new generation of people, thanks to streaming, are watching the show,” Aaron Sorkin, the show’s creator, said in an interview last week. Sorkin wrote or co-wrote nearly every episode of the first four seasons and then left the series, which continued for three more seasons without him and ended in 2006.Although it took place in an alternative universe, “The West Wing” initially resembled the late Clinton era in Washington (minus the sex scandal). Played by Martin Sheen, President Josiah Bartlet — economist, Nobel laureate and descendant of a delegate sent to the Continental Congress in 1776 — strove to balance progressive principles with the realities of governing, all while combating the small-government conservatism of the Republicans who controlled Congress.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Atri Banerjee, a Nice Young Man, Stages an Angry Old Play

    Atri Banerjee has channeled his own experiences into a new production of John Osborne’s groundbreaking 1956 work “Look Back in Anger.”The night before the theater director Atri Banerjee was due to leave London for Manchester to start rehearsals for a new show, burglars broke into his house. First he was assailed with racist abuse, then physically assaulted.It was May 2019, and the Manchester job, directing an adaptation of “Hobson’s Choice,” at the prestigious Royal Exchange Theater, was a big break for Banerjee, who was stepping up after another director withdrew.“It was a landmark moment for me,” said Banerjee, 30, whose parents are Indian and who grew up in Italy and the Britain. “I had never felt victimized or oppressed because of my brownness,” he said. “Suddenly you realize it’s very easy to be put into a box. It sharpened my political awareness about why theater, so good at celebrating the multiplicity of identity, is important.”Banerjee was speaking in an interview at the Almeida Theater, in London, where he was rehearsing John Osborne’s groundbreaking 1956 play, “Look Back in Anger,” which opens at the playhouse on Friday. Part of a repertory season called “Angry and Young,” it will run in tandem with Arnold Wesker’s 1958 “Roots,” directed by Diyan Zora.“Look Back in Anger,” teeming with fury and frustration at the hidebound British class system, sparked the Angry Young Men movement in literature and theater in the 1950s. (The writers Kingsley Amis, John Wain and Alan Sillitoe were also associated with it.) “A watershed in the history of modern drama,” Martin Esslin wrote in The New York Times on the tenth anniversary of the play’s West End premiere, which was followed the next year by a Broadway run.From left: Morfydd Clark, Ellora Torchia and Billy Howle rehearsing a scene from “Look Back in Anger.”Marc BrennerWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Jimmy Fallon: With Trump in Town, New York Is ‘a Lot More Florida’

    The “Tonight Show” host quipped about the former president’s rally in Long Island on Wednesday.Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Hard to Be HumbleFormer President Donald Trump held a campaign rally on Long Island on Wednesday.“Yeah, tonight the rest of the country found out New York is a lot more Florida than you think,” Jimmy Fallon said.“Organizers said that there were 60,000 online ticket requests. It turns out Rudy Giuliani just passed out with his head on the keyboard.” — JIMMY FALLON“But the rally at Nassau Coliseum was historic. The last time a president appeared at the Coliseum was when President Biden fought the lions in Rome.” — JIMMY FALLON“At a Trump campaign rally last night, Arkansas Governor Sarah Huckabee Sanders said that her kids keep her humble and added, ‘Unfortunately, Kamala Harris doesn’t have anything to keep her humble.’ Though I’m not sure the math checks out there, because doesn’t Trump have, like, five?” — SETH MEYERS“Everyone knows if you don’t have biological kids, you can’t be humble. It’s like that famous Ernest Hemingway story, ‘For Sale: Baby Shoes. Didn’t Need ’Em Cuz I’m a Playa!’” — STEPHEN COLBERTThe Punchiest Punchlines (Poll Position Edition)“According to a new poll, Vice President Kamala Harris has a 6-point lead over former President Trump following last week’s debate. And if you think that’s a big lead, then you just don’t follow New York football.” — SETH MEYERS“That same poll found that 61 percent of likely voters believe Harris won the debate, which seems low to me, but it seemed very high to Trump, who posted last night, ‘Finally everyone is agreeing that I won the debate with Kamala. It was like a delayed reaction, but as one political pundit said, Trump is still the GOAT.’ He thinks his caddy at Mar-a-Lago counts as a political pundit.” — JIMMY KIMMEL“According to a new poll, young people are nervous about the 2024 election. Oh, my God, am I young?” — STEPHEN COLBERTThe Bits Worth WatchingJimmy Kimmel dug out footage of Jon Hamm rapping in his high school production of “Godspell” for the actor’s appearance on Wednesday’s “Jimmy Kimmel Live.”What We’re Excited About on Thursday NightDemi Lovato will discuss her new documentary, “Child Star,” on Thursday’s “Tonight Show.”Also, Check This OutAaron Hernandez has been the subject of multiple books, true crime podcasts and documentaries.Pool photo by Steven Senne“American Sports Story: Aaron Hernandez” delves into the saga of the pro football player who murdered his friend less than a year after playing in the Super Bowl. More

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    ‘Agatha All Along’ Review: Toil and Trouble

    Marvel’s “WandaVision” spinoff has more witchcraft but less magic.This review contains spoilers for the first episode of “Agatha All Along.”Jac Schaeffer, who created the first of the Disney+ Marvel series, “WandaVision,” and has now created the 11th, its spinoff “Agatha All Along,” is not one to let an idea go to waste.In Schaeffer’s first series, a grieving superheroine used her magical powers to create a world for herself based on classic American sitcoms. It was entertaining to watch how the show reimagined those familiar comedies within a dark fantasy-science fiction framework. (At least until “WandaVision” went off the rails toward convoluted Marvel business as usual in its last few episodes.)Now she starts “Agatha All Along,” which premiered Wednesday night on Disney+, with another detailed sendup. This time she puts her new main character — Agatha Harkness, a dangerous witch with a half-century history in Marvel comic books — inside a parody of the grim HBO crime drama “Mare of Easttown.” Still stuck where she was at the end of “WandaVision,” under a spell that strips her powers and any memory of who she really is, the fallen sorceress is now a cynical, violence-prone small-town police officer.You may ask yourself how, in the three years that have elapsed between the two shows, Agatha has undergone a complete personality shift, from chirpy neighborhood noodge to hardened cop. You should be more concerned, though, with why the cop-show pastiche is so disappointing — so dull and aimless that talented comic actresses like Kathryn Hahn (who stars as Agatha) and Aubrey Plaza seem at a loss.It is a relief when that show-within-a-show ends during the first episode, apparently a quick diversion rather than an integral element like the sitcom burlesques in “WandaVision.” (Four of the nine episodes of “Agatha All Along” were available for review.)It has set a bad precedent, though. Even when the series shifts into its actual format — a jokey, jaggedly comic fantasy quest in which a group of unfulfilled women hit the road in search of their powers — the results are mostly perfunctory. Spells are cast, but not on the audience.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Valarie D’Elia, Travel Reporter on TV and Radio, Dies at 64

    She steered vacationers and business travelers to choice destinations, talked about the best deals, and offered up savvy tips on how to avoid vexation.Valarie D’Elia, a travel reporter who visited 102 countries on all seven continents to advise her viewers and listeners on where to go, how to get there, what the best bargains were and what to pack, died on Sept. 10 in Manhattan. She was 64.The death, in a hospital, was caused by amyotrophic lateral sclerosis, the degenerative neurological disease also known as Lou Gehrig’s disease, her husband, Ron Cucos, said.From 1998 to 2017, Ms. D’Elia appeared regularly in a segment called “Travel With Val” on the local cable TV station now known as Spectrum News NY1. She also hosted a syndicated radio program, “The Travel Show,” and wrote a blog, which included the trademark feature “D’Elia’s Deals.” (Her personal mantra was “Travel with VALue.”)Her viewers, listeners and readers might learn that ski resorts in the Canadian Rockies were opening in early November that year because of snow storms; that a hotel near London was offering complimentary honeymoon accommodations to couples who got married there; or that rare winter discounts were available at a resort in the Florida Keys timed to school vacations the first week of January in several Southern states.Her advice was coveted. (Her favorite was “Pack light, forget the blow-dryer — who wants to worry about all that stuff?”) Her wanderlust was celebrated. Her documentary “The Making of a Maestro: From Castelfranco to Carnegie Hall,” the story of the conductor Sir Antonio Pappano, won first place in the North American Travel Journalists Association’s competition for travel videos in 2018.From 1998 to 2017, Ms. D’Elia appeared regularly in a segment called “Travel With Val” on the cable channel now known as Spectrum News NY1.NY1We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘You’re Basically on a Broadway Stage, With New Friends’

    At the touring dance party Broadway Rave, the playlist is all show tunes. But don’t worry, no house remixes of “I Dreamed a Dream” here.Julia Cochrane drove for four hours, to New York from Boston, so she could spend last Saturday night immersed in all things Broadway. But not in Manhattan.Instead, she headed to Huntington, Long Island. There, over 100 people packed into Spotlight at the Paramount, a small bar attached to a concert hall, for a touring dance party called Broadway Rave, at which theater kids turned theater adults dance and sing onstage in between shots of tequila.“People who love this, they just want to come together,” said Cochrane, 22, who attended with her friend Hannah Opisso, 23, a Long Island resident who learned about the dance party via Instagram. “It’s like you’re basically on a Broadway stage, with new friends.”“You see these folks get onstage and have the courage to be up there,” said Ethan Maccoby, whose company presents Broadway Rave.Ye Fan for The New York TimesCochrane and Opisso met as students at the State University of New York, Plattsburgh, where Broadway cast albums were their pregame music of choice. Last weekend, Broadway musicals brought them together again, and at one point they took the stage to sing “Meet the Plastics” from the “Mean Girls” musical.Attendees don’t have microphones — this isn’t karaoke — but they are encouraged to rush the stage to sing and dance when their favorite songs come on. And the term “rave” is a misnomer: The playlist is mostly uncut cast album material — though last weekend those theater fans may have caught the remix flair at the beginning of “Jellicle Songs for Jellicle Cats.” Other songs that night included “Out Tonight” (“Rent”), “Popular” (“Wicked”), “Sincerely Me” (“Dear Evan Hansen”) and a few tracks from “Hamilton,” including “The Schuyler Sisters” and “Wait for It.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Is the Comedy-Club Booking Process Broken?

    The owners of a new spot say hiring comics based on referrals from other stand-ups is no guarantee the acts will be funny. Others say it’s all more nuanced.After three years doing standup roughly every night, the comic Jad Sleiman concluded that the system for finding and promoting new talent was broken.“Whether or not you get onstage at most clubs in the city has very little to do, at this point, with how funny you are,” he wrote me recently. Sleiman went on to say that the best way to get stage time is not to work at your craft, but to network, make connections and increase your online follower count. Most major clubs use a referral system, to varying degrees: That means to get onstage, you need other comics to vouch for you, he said.Performers, he added, naturally pick their friends, and there’s even a motivation to promote mediocrity. “Honestly,” he told me. “You don’t want to follow someone who buries you.”In comparison to the theater, live comedy has recovered from the pandemic in great commercial shape, with the help of podcasting and social media exposure. But with success comes the danger of insularity, and while more new artists are entering the field than ever, the gulf in influence between celebrity comics and gifted young unknowns grows. Sleiman’s polemical critique of the current club establishment gives voice to a real and justifiable anxiety that it’s becoming harder for comics with more talent than connections to break through.Young, hustling comedians have always bemoaned the choices of gatekeepers, but Sleiman is actually dedicating money and time to doing something about it. Along with fellow comics Brooks Tawil and Kyle Gillis, who share his frustration with the status quo, he recently started the Bushwick Comedy Club. One week before opening, sitting next to Tawil inside a former bodega that now houses a small stage, 50 seats and a sink held up by Goya cans, Sleiman described his plans for a more meritocratic comedy club.“Our main difference is going to sound stupid,” he explained, “but simply put, we’re going to actually watch submission tapes.” Referrals will not matter. Nor will social media followers. Only how funny you are on tape. On Instagram, Bushwick Comedy Club promotes itself as the “only club in New York who books its lineups purely off video submissions.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More