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    New Season of ‘Black Mirror’ on Netflix Satirizes Streaming Services

    The new season, premiering Thursday on Netflix, includes the show’s most blatant satire of streaming services yet.The deal is too good to be true: The setup is free, the monthly fee low. Streaming is unlimited with further benefits still to come. But hidden costs emerge. Intrusive ads pop up. The app’s time in sleep mode becomes longer and longer. Those perks? You’ll have to pay more for them — much, much more.This story arc should be familiar to anyone who has ever downloaded a free app or subscribed to a streaming service, which at this point is pretty much all of us. And it is at the very dark heart of “Common People,” the first episode of Season 7 of “Black Mirror,” the anthology sci-fi series that helped to give Netflix, which has distributed it since its 2011 debut, artistic cred. All of this season’s six episodes arrive on Thursday.Is mocking streaming services biting the hand that keeps renewing you? Charlie Brooker, the creator of “Black Mirror,” was more equivocal. “To be honest, I’m probably more nibbling the hand that feeds us,” he said on a recent video call.In its past seasons, “Black Mirror” has promoted a skeptical view, perhaps an utterly nihilistic one, regarding the ways in which entertainment is created and enjoyed. In the near future, we are all amusing ourselves to death, or worse. But with the exception of last season’s episode “Joan Is Awful,” written by Brooker and directed by Ally Pankiw, in which a Netflix stand-in creates humiliating shows adapted from its subscribers’ lives, Brooker has never come for streamers so baldly.Brooker first conceived of “Common People” while listening to true-crime podcasts. He was struck by the disjunction of hearing a host describe a mutilated corpse in one moment and advertise a meal prep service the next. What, he wondered, would make a human integrate sponsorship into their ordinary speech?At that point, he thought that the show would be, like “Joan Is Awful,” a dark comedy, a funny story. “He kind of tricked me,” Pankiw, who also directed “Common People,” said of Brooker’s pitch. “I was like, OK great. Then I read the script and I was like, Oh, it’s actually incredibly devastating.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Late Night Finds Trump to Be His Own Worst Enemy

    “Yeah, Trump was, like, ‘I just saved the economy from me. You’re welcome,’” Jimmy Fallon said on “The Tonight Show.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Marked Safe From SelfJust hours after instituting new global tariffs on Wednesday, President Donald Trump reversed course and announced a 90-day pause for some countries.Late night hosts were united in believing that Trump needed to act swiftly to safeguard the economy from his own actions.“Yeah, Trump was, like, ‘I just saved the economy from me. You’re welcome,’” Jimmy Fallon said on “The Tonight Show.”“Thank God he is there, to stop him from doing the things he does there.” — STEPHEN COLBERT“Ah, yes, ‘The Art of the Deal’: create a global crisis and then dig yourself halfway out. It’s truly masterful, Donald.” — DESI LYDIC“You don’t get credit for releasing someone you trapped in your basement. That’s not how it works.” — TAYLOR TOMLINSON“It’s been fun watching this lunatic gamble our life savings this week. It’s like — it’s like handing your Social Security check to your dog and sending it to Caesar’s Palace: ‘If the dealer has 16, stay, OK? Stay.’” — JIMMY KIMMEL“President Trump today announced a 90-day pause on tariffs for some countries and increased the duty on Chinese imports to 125 percent. Where did he learn his trade policies, from a kid in an elevator — just pushing random buttons to see what happens?” — SETH MEYERS“Come on, Trump, just admit that you started a game of chicken and you got too scared to finish it.” — DESI LYDIC“With the tariffs paused, the U.S. now has three months to work out all its relationships with all these countries. Basically, our economy now mimics the exact plot of ‘90 Day Fiance.’” — JIMMY FALLONThe Punchiest Punchlines (Yippy and Queasy Edition)“Trump said that he paused tariffs because people were getting ‘yippy’ and ‘queasy.’ Then Trump tried naming the other seven dwarves.” — JIMMY FALLON“Sorry, I tend to get a little yippy when my retirement plan starts to look like the elevator from ‘The Shining.’” — DESI LYDICWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Manhunt’ Is a Case Study in Fragile Masculinity

    A new play by Robert Icke about a real-life police chase takes the form of an imagined trial.One of the largest manhunts in British police history took place in northeastern England in summer 2010. The fugitive was Raoul Moat, a 37-year-old bodybuilder and former nightclub bouncer with a history of violence. He had just been released from prison when he shot Samantha Stobbart, his former girlfriend, and her new boyfriend, Chris Brown, in a jealous rage. Stobbart survived, Brown didn’t.The next day, Moat fired a sawed-off shotgun at a police officer, David Rathband, at point-blank range, blinding him. While he was on the run, Moat reportedly vowed to “keep killing police until I am dead.”The story was a rolling news sensation at the time. Moat was a clear and present danger, and the situation was fluid. But sheer scale of the police operation to track him down — involving more than 100 armed officers and a military aircraft — was unusual by British standards. The manhunt ended when, after a six-hour standoff with the police, Moat turned his gun on himself.In the weeks after his death, Moat was celebrated as a folk hero in some corners of the internet, and was lauded for what was seen as uncompromising machismo. A Facebook page in his honor amassed 35,000 members.The cast of “Manhunt.” Alongside Edward-Cook, center, a small ensemble plays multiple parts.Manuel HarlanA bracing new play, “Manhunt,” at Royal Court Theater in London presents Moat’s story as a case study in fragile masculinity. Written and directed by Robert Icke — whose recent West End “Oedipus” is heading to Broadway — it takes the form of an imagined trial in which Moat, speaking from beyond the grave, both re-enacts and reflects on the terrible events of the last week of his life.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Stephen Sondheim’s ‘Old Friends’ Review: A Broadway Party With 41 Songs

    Bernadette Peters and Lea Salonga lead the festivities in a new Broadway revue of the great musical dramatist’s work.Fast approaching the number of musicals Stephen Sondheim wrote is the number of revues written about him. The first, to my knowledge, was a 1973 fund-raiser held on the set of the original production of “A Little Night Music.” It featured so many stars, speeches and songs that even truncated, even then, its recording filled two LPs.I snapped that album up and wore it out. The cover alone was fascinating, with the titles of nine of his shows spelled out in intersecting Scrabble tiles. (Something like nine more shows were to come before his death in 2021 — and one after.) Threaded through those tiles like a secret theme was Sondheim’s name itself.I was younger then, a teenager, but that secret theme became part of my life’s music.How then to hear a new Sondheim revue with fresh ears and fresh heart? As the latest, “Old Friends,” says right in its name, we are already well acquainted.Whether onstage, online, in cabarets or, like “Old Friends,” on Broadway, all such compendiums play their own game of Sondheim Scrabble. Though there are many hundreds of songs in the catalog, compilers must pick from the same limited subset of favorites, arranging them in various concatenations and outcroppings. Occasionally a 10-point rarity turns up, but most of the choices are deeply familiar to those who have followed the man’s work.Peters and Jacob Dickey in the “Hello, Little Girl” number from “Into the Woods.”Sara Krulwich/The New York Times“Old Friends,” which opened on Tuesday at Manhattan Theater Club’s Samuel J. Friedman Theater, is in that sense a lot like its predecessors. The 41 numbers it features come from the main pool, with an emphasis on songs from “Sweeney Todd,” “Merrily We Roll Along,” “Company,” “Follies” and “Into the Woods.” Most of them were brilliant in their original context; many remain so outside it. Some are sung spectacularly by a bigger-than-usual cast of 17, led by Bernadette Peters and Lea Salonga. Others are middling, a few are misfires.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Best Classical Music Performances of March 2025

    Watch and listen to recent highlights, including Nicole Scherzinger on Broadway, a pair of Janacek operas and Cécile McLorin Salvant.The New York Times’s classical music and opera critics see and hear much more than they review. Here is what has hooked them recently. Leave your own favorites in the comments.Nicole ScherzingerAn excerpt from the song “With One Look.”I would not have expected the former lead singer of the Pussycat Dolls, Nicole Scherzinger, to convincingly portray a Hollywood has-been in Andrew Lloyd Webber’s almost irredeemably cheesy musical “Sunset Boulevard.” And yet she is giving a spectacular and audacious performance as Norma Desmond in Jamie Lloyd’s dark, stripped-down revival on Broadway.Where Norma typically recedes, a reclusive grande dame floating about the stage in a fog of self-regard, Scherzinger explodes with kinetic energy. Her singing, sculpted and emotive, soars. She stares down the challenge of a rangy song like “With One Look” with a clean, secure belt and still accesses an undeniably pretty, flutelike head voice. Her Norma’s eager desire to entertain and be adored, in stark contrast to the modern-noir staging, becomes a clear sign of her derangement.But there’s pathos, too. When Scherzinger’s Norma shows up to the Paramount lot, her fantastical confidence cracks a bit in front of Cecil B. DeMille, the director on whom she has pinned her hopes of a career resurgence. In her insecure hesitation, she seems to acknowledge, on an almost subconscious level, that Norma knows she’s kidding herself.Like a nuclear reaction, though, that fissure in Norma’s self-perception generates a colossal amount of emotional energy, which Scherizinger pours into a coruscating performance of “As If We Never Said Goodbye.” Norma may be a joke to the outside world, but Scherzinger’s performance creates a world of its own, one where a silent-film star has a magnificent inner life that truly sings. OUSSAMA ZAHRWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Farmer Wants a Wife’ Has Its Title Backward

    This dating show isn’t about farmers looking for women. It’s about the agrarian fantasy that has women dreaming of farms. Almost 80 years ago, Universal Pictures released a film called “The Egg and I.” It starred Fred MacMurray as Bob MacDonald, a newly decommissioned soldier back in his civilian duds. He tells his new bride, Betty, played by Claudette Colbert, that he engaged in some self-reflection down in his foxhole. War made him think about what’s really important: “the basic things” like “love and food and babies and things growing out of the ground.” So he has decided to quit his job and buy a chicken farm.When “The Egg and I” came out, in 1947, a carton of eggs cost 55 cents, which is about $8 in today’s money. In the intervening decades, the agrarian dream has held steady, both as a premise for comedies and a very real thread in the American psyche. As of 2025, you can indulge that dream simply by opening your phone: Social media is packed with down-home fantasies featuring agricultural influencers, rural “tradwives” or the swineherds on TikTok. As you sit scrolling in a grimy D.M.V. waiting room, what could make you swoon like an expansive wheat field and miles of open sky?And on television, you need only tune into Fox’s “Farmer Wants a Wife,” which recently began its third season, to get a fantastically rosy picture of what Bob and Betty MacDonald’s life might look like today. The series follows the contours of a standard reality-TV dating show, but it clearly aims to offer some folksy respite from the California-scented mating rituals that normally populate the genre. It imagines a dreamy alternative to the headaches of urban dating: No apps, no open relationships, no semiprofessional D.J.s. Just a farmer and his spouse. The simple life.American agriculture is, by all accounts, really hard.And the premise is simple: Over the course of some three months, four eligible yeoman hunks select potential life partners from among a group of women. The women hail from across the United States, though the major metropolitan areas of Texas seem especially well represented. They are identified by their professions too: This season brings a bounty of nurses and nannies, but also a “chief of staff” (for whom? of what?) and one woman whose job is listed only as “pharmaceuticals.” These contestants move into the men’s homes, on or near one of four farms. There are dates, many of which bear an unusual-for-TV resemblance to normal American courtship. Instead of the helicopter rides and therapy circles of the “Bachelor” franchise, the farmers and their could-be wives picnic in pickup trucks, take in college football games and spend afternoons fishing. They drink beer!But there is a catch for these women: They have to prove themselves at chorin’. “Farmer Wants a Wife” delights in the spectacle of women with fresh blowouts being goaded into shoveling dung, trying and failing to compete with Eva Gabor’s elegant detachment in old episodes of “Green Acres.” Layered atop the near-constant pop-country music is a secondary soundtrack of squeals and screams as contestants touch a grub for the first time or struggle to mount a horse. According to recaps, when the show first ran, briefly, in the early 2000s, one woman learned of her elimination after a task that involved reaching inside a cow’s rectum.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Stranger Things: The First Shadow’: What to Know About the Broadway Show

    The new play, set 24 years before the start of the Netflix series, combines lavish spectacle with a cast of familiar characters.After a critically acclaimed premiere in London’s West End in 2023 — where it is still running — “Stranger Things: The First Shadow,” a play that serves as a prequel to the popular Netflix series, is set to open on April 22 at the Marquis Theater on Broadway.Of course, fans of the show, which is set to release its fifth season later this year, are excited (though it’s small consolation for having to wait more than three years between seasons). But what if you can’t tell a Demobat from a Demogorgon? Can you plunge right in?Here’s what you need to know about the TV series, how it informs the show and more.Winona Ryder stars as Joyce Byers in the Netflix series. In the play, her character’s younger self, Joyce Maldonado, is just as spunky. NetflixWhat is the TV series about?Set in the 1980s in the fictional town of Hawkins, Ind., the Netflix series follows a group of friends as they try to get to the root of supernatural forces and secret government experiments in their town. They discover an alternate dimension — the Upside Down — filled with monstrous creatures, who are not content to sit back and leave them well alone.Over the course of four seasons, a cast anchored by Winona Ryder (Joyce Byers), David Harbour (Chief Jim Hopper), Finn Wolfhard (Mike Wheeler), Millie Bobby Brown (Eleven, a young girl with mysterious powers) and Gaten Matarazzo (Dustin Henderson) save one another from the jaws of death while navigating the complexities of their relationships. (And, in Eleven’s case, eating lots of Eggo waffles.)Where does the play fall in the timeline of the TV series?It’s a prequel set in 1959 — 24 years before the start of the Netflix series — and centers on a character introduced in Season 4: Henry Creel, a troubled teenager with telepathic powers who will later become Vecna, the show’s primary antagonist.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Late Night Frantically Tries to Keep Up With Trump’s Tariffs

    “I’d say he’s like a bull in a china shop, but at 104 percent, I can’t afford to say that,” Desi Lydic said of President Trump on “The Daily Show.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Doing the MathPresident Trump’s latest tariffs — which, among other things, raised import taxes on Chinese goods to 104 percent — went into effect at midnight on Wednesday.Desi Lydic described Trump as “out of control right now” during Tuesday’s “Daily Show.”“I’d say he’s like a bull in a china shop, but at 104 percent, I can’t afford to say that.” — DESI LYDIC“OK, this is getting really serious. We’ll know exactly how serious once we ask China to do the math for us.” — DESI LYDIC“China said the tariffs are ‘a mistake on top of a mistake,’ which is also what Trump said when Eric was born.” — JIMMY KIMMEL“How is he coming up with these numbers, I don’t know. ‘What do you think about a tariff of 100 percent on China?’ ‘Not enough, make it 104.’” — JIMMY KIMMEL“Trump isn’t messing around with China. Now he’s threatened to not invite them to his birthday party.” — JIMMY FALLON“As a result of the tariffs, Americans are now racing to buy iPhones before prices increase. Yep, iPhones and toilet paper, our two most essential bathroom items.” — JIMMY FALLONThe Punchiest Punchlines (Dodgers Edition)“At a White House event yesterday celebrating the Los Angeles Dodgers’ World Series championship, President Trump said that the team ‘showed America that it’s not about individual glory,’ adding, ‘but I decided to invite you anyway.’” — SETH MEYERS“President Trump praised star player Shohei Ohtani and added, ‘He’s got a good future, I’m telling you.’ Not exactly a bold prediction. ‘[imitating Trump] I think that guy who won three M.V.P. awards could turn out to be a pretty good ballplayer!’ Any other predictions you want to make, Nostradamus? ‘[imitating Trump] I think that Taylor Swift is going to sell some concert tickets someday!’” — SETH MEYERS“[imitating umpire] His brain is outta here!” — STEPHEN COLBERT“Donald Trump met with the world-champion Los Angeles Dodgers at the White House, where Trump used the opportunity to deport Shohei Ohtani.” — GREG GUTFELDThe Bits Worth WatchingJimmy Fallon and Ed Sheeran surprised fans by busking in a New York City subway station on “The Tonight Show.”What We’re Excited About on Wednesday NightThe actor and comedian Bill Hader will appear on “Everybody’s Live with John Mulaney.”Also, Check This OutYoko Ono and John Lennon’s famed “Bed-In” for peace in 1969.Charlie Ley/Mirrorpix, viq Getty ImagesA new film and a biography offer more opportunities to assess Yoko Ono’s contributions to culture. More