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    In ‘High Potential,’ Kaitlin Olson Gets Smart

    Earlier this month, the actress Kaitlin Olson was in her Los Angeles kitchen slicing a lemon.“I was really cutting it hard,” she said. “I put 100 percent of my effort into it.”The knife slipped, nearly severing her pinkie, which explained why, on a morning a few days later in Manhattan, Olson, 49, had accessorized her black silk blouse and black pants with a black finger splint. (She also wore an array of diamonds, one the size of a kumquat.) The look was working. A waiter asked if she was in town for fashion week.There are few things that Olson — tall and emphatically blond, with screwball energy — does lightly. As concerns comedy, physical stunts and also apparently cooking, her approach is full contact. On the set of “It’s Always Sunny in Philadelphia,” the cheeky FX comedy she has co-starred in for nearly 20 years, she has broken her foot, slashed open her calf and suffered at least one possible concussion. “Definitely worth it,” she said of the scene.This wasn’t her first food-prep injury, and she skipped the emergency room. She didn’t have the time. In addition to “Sunny,” she is a guest actor on the HBO show “Hacks” and the star of a new ABC procedural, “High Potential,” in which she plays a cleaning woman with savant-like tendencies who consults for the police. It premieres on Tuesday.In “High Potential,” Olson’s character cleans the police station … and soon helps the officers solve cases.David Bukach/DisneyWhile it is not Olson’s first series lead (that would be the Fox comedy “The Mick”) or her only chance to flaunt her aptitude for drama (see also: “Hacks”), “High Potential” showcases her dizzy, daffy, sardonic gifts. Which Olson appreciates.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘A Face in the Crowd’ Isn’t About Trump. It Just Seems Like It.

    Elvis Costello and Sarah Ruhl’s musical adaptation of the 1957 film, a satire about a hustler turned power-hungry TV personality, hits the London stage.Stop me if you think you have heard this one before: A man gains television fame on the strength of his purported connection to everyday Americans and their resentment of elites, and before long he converts that fame into political influence in a right-wing presidential campaign.That is the rough outline of the 1957 film “A Face in the Crowd,” which featured a pre-sitcom Andy Griffith as Lonesome Rhodes, a wild-eyed, guitar-slinging hustler who is discovered in an Arkansas jail by an ambitious radio producer and becomes a national phenomenon — until a hot mic moment reveals his bottomless contempt for his fans and they abandon him. Written by Budd Schulberg, based on a short story he had written years earlier, and directed maximally by Elia Kazan, “A Face in the Crowd” was an outlandish but eerily plausible speculative satire about the dangerous seductions of mass media.Now it has been adapted as a musical with a book by Sarah Ruhl and songs by Elvis Costello, which is scheduled to open at the Young Vic in London on Sept. 20. Ruhl and Costello, talking amid rehearsals last month, took pains to stress that they don’t see their show as directly addressing the rise of Donald Trump, who turned television fame into political capital. But there is no escaping that, much as Schulberg’s original was partly responding to the hysteria of the McCarthy era, their musical version began gestating during Trump’s 2016 campaign for president, and a large part of it was written during that year.“We’ve been careful not to tie the thing directly to Trump,” said Ruhl, “partly because it’s all there — Budd Schulberg was so prescient. There have been lines I’ve had to take out because they seemed too on the nose. At one point, some of the merch that Lonesome was selling included steak, something that Trump was also pushing.”The story is “about what is within us that we can be persuaded to desire, and the fact that we desire it means it’s within us in the first place,” said Elvis Costello, right, with the show’s director, Kwame Kwei-Armah.Ellie KurtzCostello also brushed aside a narrowly timely interpretation. “I’m resistant to the notion that this is an analogy,” he said. “It’s right in the title: It’s ‘A Face in the Crowd,’ not ‘The Face of Lonesome.’ It’s about what is within us that we can be persuaded to desire, and the fact that we desire it means it’s within us in the first place, like original sin.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Book Review: ‘Connie: A Memoir,’ by Connie Chung

    In a frank and entertaining new memoir, the TV newscaster recounts how sexism, and Dan Rather, sidelined her groundbreaking career.CONNIE: A Memoir, by Connie ChungThe day she was named co-anchor of the “ CBS Evening News” alongside Dan Rather, Connie Chung felt that she had reached the pinnacle of broadcast journalism.“Thursday, May 14, 1993, was the best day of my professional life. … I had my dream job,” she writes in an entertaining and revealing memoir that traces the triumphs and disappointments of her prominent career.The anchor appointment meant even more because she was a Chinese American woman, brought up by strict parents; in accordance with tradition, she lived with them until she was nearly 30, even as she was climbing the ladder — often wearing stiletto heels.In “Connie,” Chung writes breezily and with irreverent humor about the scoops, the internal politics and the pure hustle that eventually got her to the top. She worked the Watergate beat for CBS in Washington in the 1970s and moved to Los Angeles to anchor the CBS-owned local station before her big break came — and big, it certainly was.In her era, network newscasts ruled the airwaves, cable news was just beginning its rise and news flooding in via smartphone was more than a decade away. The evening anchors were household names.Rather had been named the immediate successor to the revered Walter Cronkite at what was nicknamed the Tiffany Network, so the promotion of an Asian American woman to work alongside him was quite a breakthrough.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Kimmel Takes Stock of Trump’s Rhetoric After Suspect’s Arrest

    Jimmy Kimmel said the former president, who blamed Democrats for “highly inflammatory language,” was himself “not a calming influence.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Passing BlameA 58-year-old man was arrested on Sunday after he made his way with a rifle to one of Donald Trump’s golf courses in Florida, in what officials said was an apparent assassination attempt on the former president. The suspect faces two federal weapons charges.On Monday, Jimmy Kimmel said the gunman appeared to be a “troubled individual” with political views that were “all over the place.”“He tweeted earlier this year that his dream ticket would be Nikki Haley and Vivek Ramaswamy, which is how you know he’s nuts.” — JIMMY KIMMEL“Trump, of course, is blaming Kamala Harris and President Biden for this. He said, ‘Their rhetoric is causing me to be shot at when I am the one who is going to save the country, and they are the ones that are destroying the country. They use highly inflammatory language. I can use it too, far better than they can, but I don’t.’ Right, you are nothing if not a calming influence.” — JIMMY KIMMEL“This is a man who, for the past week, has been spreading a complete lie that he knows is a lie, saying Haitian immigrants are eating pets in Springfield, Ohio. This is a man who, just last week, joked about Nancy Pelosi’s 84-year-old husband being brutally attacked with a hammer by one of his deranged fans. This is a man who, literally hours before this happened, posted on Truth Social the words ‘I hate Taylor Swift.’” — JIMMY KIMMELThe Punchiest Punchlines (Real Fake News Edition)“During a new interview, JD Vance admitted that he created the false claim about immigrants eating pets to create media attention. Yeah, Trump was like, ‘Everyone knows the first rule of fake news is not admitting to fake news.’” — JIMMY FALLON“Oh, I see. Do you get it yet? The only way to expose the truth is to spread a lie. It’s the power of storytelling.” — JIMMY KIMMEL“Yep, Vance admitted that he made the whole thing up, but besides being overtly racist and making Trump look like a total fool at the debate, no harm done, right?” — JIMMY FALLONThe Bits Worth WatchingGuillermo Rodriguez brought his “Back to Back” segment to the Emmys for Monday’s “Jimmy Kimmel Live.”What We’re Excited About on Tuesday NightThe comedian Ms. Pat will sit down with Seth Meyers on Tuesday’s “Late Night.”Also, Check This OutDave Navarro, left, and Perry Farrell performing with Jane’s Addiction in 2021.Amy Harris/Invision, via Associated PressJane’s Addiction canceled its reunion tour after the band’s singer, Perry Farrell, struck the guitarist Dave Navarro while onstage at a show in Boston. More

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    Emmy Viewership Rises to 6.9 Million Viewers

    The uptick puts the Emmys among the award shows, such as the Oscars, that have had audience gains in the past few years.For the first time in three years, viewership for the Emmy Awards has gone in an upward direction.The Emmys drew an audience of 6.9 million on ABC on Sunday night, according to Nielsen, a healthy increase following a strike-delayed ceremony in January that drew a low of just over 4 million viewers.The ratings increase finally follows a trend of other award shows, such as the Oscars and Grammys, which have had viewership gains over the past few years. And it also stops the bleeding for an event that was dangerously approaching the low ratings of the Tony Awards.Even with the increase, the Emmys has lost a substantial amount of its audience in recent years. As recently as 2018, the event regularly drew more than 10 million people.Sunday’s telecast had some advantages over the last show. The January ceremony ran head-to-head against an N.F.L. playoff game, and was on the tail end of a frenetic stretch of award shows that included the Golden Globes and the Critics Choice Awards. Sunday’s show was back in the Emmys’ traditional mid-September slot that viewers have come to expect.The Emmys has long had the unfortunate — but accurate — reputation of being numbingly predictable. Indeed, in recent years, voters have tended to shower the same show (“Schitt’s Creek,” “The White Lotus,” “Ted Lasso,” “Succession”) with award after award. But on Sunday, there was an unusual turn of events: There were numerous upsets.“The Bear” won four Emmys on Sunday but, in a big surprise, “Hacks” won best comedy. Voters gave “Shogun” best drama honors, but also delivered unexpected wins to shows like “Slow Horses” and “The Morning Show.” “Baby Reindeer” took best limited series, but “True Detective,” “Fargo” and “Ripley” also had wins on Sunday.Reviews for the telecast, which was hosted by the father-and-son duo of Eugene and Dan Levy, were decidedly mixed. The Los Angeles Times described the telecast as “casually interesting” while Variety called it “humdrum” and Rolling Stone said it was “blah.” More

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    ‘Shogun’: Here’s What to Know About the Record-Breaking Emmy Hit

    The FX epic ruled TV’s top honors, racking up 18 Emmys for its first season. Here is a brief guide to this saga of samurai warriors and star-crossed lovers.The Emmys have crowned a new overlord.“Shogun” ruled TV’s top honors, racking up a record 18 Emmy Awards for its first season — the most ever for a show in a single year — including wins on Sunday for best drama and for best actor and actress in a drama (Hiroyuki Sanada and Anna Sawai). This makes “Shogun,” created for FX by Rachel Kondo and Justin Marks, the most acclaimed TV show of 2024. But amid all the streaming platforms and shows out there, you can be forgiven if it flew under your radar.“Shogun” is streaming on Hulu. Wondering what all the award-winning fuss is about? Here is a brief guide to this historical epic of samurai warriors and star-crossed lovers. Soon you’ll be ready to stage an all-out assault on your next binge-watch.Where have I heard of ‘Shogun’ before?The FX series is an adaptation of the 1975 novel of the same title by James Clavell. Based on a true story and set in feudal Japan at the beginning of the 17th century, this best-selling work of historical fiction has been adapted into live-action formats twice before: first as a widely watched 1980 NBC television mini-series, then as a short-lived 1990 Broadway musical. Residents of the New York tristate area may remember this commercial for the musical; as for the book, nearly everyone has likely seen it on a family member’s bookshelf.What is ‘Shogun’ about?The first season of “Shogun” — more are in the works — centers on three characters whose relationships will determine the fate of Japan. The first is John Blackthorne (Cosmo Jarvis), a shipwrecked English Protestant and ship’s pilot, or “anjin” in Japanese. He reveals the existence of a global schism in Christianity to the island’s rulers, who have been deliberately kept in the dark by their avaricious Portuguese Catholic trading partners.Richard Chamberlain and Yoko Shimada in the 1980 version of “Shogun,” a ratings hit that was centered on Chamberlain’s character.NBCIn order to survive and to alter the balance of power in Europe, Blackthorne must make his case to Lord Yoshii Toranaga (Hiroyuki Sanada), the man in command of the region. A member of a five-man council that has governed Japan in the name of its child ruler, Toranaga is at odds with its most powerful member, Lord Ishido (Takehiro Hira, who was a nominee for best supporting actor in a drama). The anjin and the weapons aboard his ship may provide Toranaga with the edge he needs to survive his power struggle.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    In ‘Agatha All Along,’ Joe Locke Works Like a Charm

    A star of the Netflix hit “Heartstopper,” this actor is now joining the Marvel universe.Joe Locke nailed his first audition. He was 6 and up for a part in an amateur production of “The Wizard of Oz,” and he easily secured a callback. But when he was told he would have to return for another audition, the thought of trying out again reduced him to tears. He declined the callback. The role went to a different child. “It did traumatize me a bit,” Locke said.“And,” he added, ducking his chin toward the neck of his cream-colored hoodie, “I was always a crier.”Locke got older. He got bolder. He threw himself into school plays, Christmas pantomimes, community theater in his home on the Isle of Man. “I come from a very small place where individuality is less embraced,” he said. Onstage, playing pretend, he could express more.He planned to apply to drama school. Then a family friend alerted him to an open call for a new TV show, “Heartstopper,” a drama about queer English teens adapted from Alice Oseman’s emotion-heavy comics.At 17, after multiple callbacks, he beat out thousands of other young men to play 14-year-old Charlie Spring, the only openly gay student at an English preparatory school. “Heartstopper,” which became one of Netflix’s most watched shows when it debuted in 2022, was a showcase for Locke’s boyish, beetle-browed charm and uncanny ability to wear his heart on the sleeve of his rugby shirts.Locke and Kit Connor in “Heartstopper,” which became one of Netflix’s most watched shows when it debuted.NetflixWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A ‘Buena Vista Social Club’ Musical Will Open on Broadway Next Year

    The show, which had a previous run at Atlantic Theater Company, is scheduled to begin previews in February at the Gerald Schoenfeld Theater.Twenty-seven years ago, “Buena Vista Social Club,” an album of prerevolutionary Cuban music that became an unexpected best seller, was released, spawning tours and documentary films and a burst of interest in the Afro-Cuban sound.Now a stage musical inspired by the making of the album is heading for Broadway.“Buena Vista Social Club” is scheduled to begin previews Feb. 21 and to open March 19 at the Gerald Schoenfeld Theater.Set primarily in Havana, the show depicts a group of aging and often overlooked musicians gathering in a recording studio, and recalling the tumultuous era decades earlier when they were young and the Cuban Revolution was gaining steam. The narrative loosely tracks with the history of the album, but contains songs that were released separately and elements that are fictionalized.The show had an Off Broadway run, at Atlantic Theater Company, that opened in late 2023; Jesse Green, the chief theater critic for The New York Times, described it as “full-of-riches,” praising the song and dance elements but expressing concerns about some of the storytelling. The Broadway cast will include many of the same performers and musicians as the Off Broadway production.The songs are all attributed to the Buena Vista Social Club, and the show has a book by Marco Ramirez (“The Royale”). The director is Saheem Ali (“Fat Ham”) and the choreographers are the married couple Patricia Delgado and Justin Peck.The musical is being capitalized for $17 million, according to a filing with the Securities and Exchange Commission. The lead producers are Orin Wolf, John Styles and Barbara Broccoli, who previously worked together on “The Band’s Visit.” Among the co-producers are the comedian-actor John Leguizamo; Luis Miranda, a founder of the Hispanic Federation and the father of Lin-Manuel Miranda; and LaChanze, the Tony-winning actress. More