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    The Best Movies and TV Shows New to Netflix, Amazon and Stan in Australia in March

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Best Movies and TV Shows New to Netflix, Amazon and Stan in Australia in MarchOur streaming picks for March, including ‘Biggie: I Got a Story to Tell,’ ‘Bill & Ted Face the Music’ and ‘Coming 2 America’‘Biggie: I Got a Story to Tell’Credit…NetflixMarch 2, 2021, 12:05 a.m. ETEvery month, streaming services in Australia add a new batch of movies and TV shows to its library. Here are our picks for March.New to NetflixMARCH 1‘Biggie: I Got a Story to Tell’, Director Emmett Malloy draws on a wealth of rare home videos and in-depth interviews in this revealing documentary, finding some fresh angles on rapper Christopher Wallace (a.k.a. Biggie Smalls and the Notorious B.I.G.). “Biggie: I Got a Story to Tell” devotes a lot of its running time to Wallace’s teenage years in Brooklyn, where he made money as a crack dealer while honing his musical style. Malloy doesn’t focus as much on Wallace’s tragic murder, except to frame his story as a case study in wasted potential.MARCH 3‘Moxie’Unlike the typical Netflix adaptation of a Young Adult novel, the movie “Moxie” isn’t so much about relationships and romance (though there’s plenty of both) as it is about high school girls standing up for themselves. Based on Jennifer Mathieu’s book, “Moxie” stars Amy Poehler (who also directed) as the divorced mother of Vivian (Hadley Robinson), who discovers her mom used to be a feminist punk rocker in the ’90s. Frustrated with her sexist male peers, Vivian channels her mother’s spirit and starts an anonymously authored ‘zine in hopes of starting a revolution.MARCH 5‘City of Ghosts’In this odd and charming children’s show, a band of young Angelenos investigate paranormal activity around the city by interviewing friendly ghosts and the people they haunt. The episodes aren’t exactly plot-driven; they’re more like mini documentaries, teaching kids about the history and residents of L.A.’s neighborhoods. Animation fans should note that the series was created by Elizabeth Ito, who previously worked on “Phineas and Ferb” and “Adventure Time.” Here she’s come up with something visually striking, combining simplified characters with photographed backgrounds.MARCH 12‘The One’ Season 1In our era of advanced genetic testing, DNA can reveal everything from people’s ancestry to their criminal culpability. But can it connect soul mates? That’s the question posed by the John Marrs novel “The One,” now adapted by the writer-producer Howard Overman into a TV series. The show features multiple interwoven story lines, following both the troubles faced by the CEO of a DNA-matched dating service and the problems her customers encounter as they get to know their scientifically determined true loves.MARCH 17‘Operation Varsity Blues: The College Admissions Scandal’The documentary filmmaker Chris Smith should be well-known to Netflix subscribers as the director of “Fyre,” a fascinating expose of what went wrong at an infamous music festival. Smith now turns his attention to another tale of hubris and privilege with “Operation Varsity Blues,” an examination of the 2019 scandal in which several wealthy Americans were caught trying to buy their kids’ way into elite colleges. The documentary details the nuts and bolts of a scheme that involved expensive tutors, cheating on exams and bribing university staff.‘The Irregulars’Credit…NetflixMARCH 26‘The Irregulars’Sir Arthur Conan Doyle’s Sherlock Holmes mythology gets a radical reimagining in this crime series, which focuses on the gang of streetwise youngsters known as “the Baker Street Irregulars.” Created by Tom Bidwell, “The Irregulars” imagines an irreverent version of the Holmes saga in which the detective stays in a constant drugged-out fog while his disreputable assistants do all the actual mystery-solving. Bidwell also adds some supernatural elements to the story.Also arriving: “Murder Among the Mormons” (March 3), “Pacific Rim: The Black” (March 4), “Sentinelle” (March 5), “Bombay Rose” (March 8), “The Houseboat” (March 9), “Dealer” (March 10), “Last Chance U: Basketball” (March 10), “Marriage or Mortgage” (March 10), “Paper Lives” (March 12), “Yes Day” (March 12) “The Lost Pirate Kingdom” (March 15), “Zero Chill” (March 15), “RebellComedy: Straight Outta the Zoo” (March 16), ‘Waffles + Mochi” (March 16), “Under Suspicion: Uncovering the Wesphael Case” (March 17), “Nate Bargatze: The Greatest Average American” (March 18), “Country Comfort” (March 19), “Sky Rojo” (March 19), “Navillera” (March 22), “Who Killed Sara?” (March 24), “Bad Trip” (March 26), “Nailed It!: Double Trouble” (March 26), “A Week Away” (March 26).New to Stan‘Bill & Ted Face the Music’Credit…StanMARCH 2‘My First Summer’Katie Found wrote and directed this film about the bond between two teenage girls, who find each other right when they’re on the precipice of emotional maturity and caught between love and friendship. The accomplished young Australian actresses Markella Kavenagh and Maiah Stewardson play Claudia and Grace, who try to keep their relationship hidden away from anxious adults and their prying questions for as long as possible. With its striking visual style and its rich performances, “My First Summer” captures the beautiful fragility of adolescent romance.MARCH 4‘Shirley’Elisabeth Moss plays the reclusive author Shirley Jackson in the disturbing and moving period drama “Shirley.” The story is told largely from the perspective of a young faculty wife named Rose (Odessa Young), who becomes an aide and confidant to the acerbic and depressive Jackson, slowly becoming overwhelmed by the writer’s cynicism. The director Josephine Decker and the screenwriter Sarah Gubbins adapt a Susan Scarf Merrell novel, which is mostly fictional yet heavily influenced by Jackson’s life and work — capturing her sour, soulful take on human weakness.MARCH 9‘Bill & Ted Face the Music’The long-awaited third movie in the “Bill & Ted” series re-teams Keanu Reeves and Alex Winter — for the first time since 1991 — as the fun-loving, dimwitted, time-traveling best buds Theodore Logan and William Preston. In “Face the Music,” the boys have grown into middle-aged men, but still believe they’ll one day change the world through rock ’n’ roll. When they hear reality itself will be destroyed if they don’t get their act together immediately, Bill and Ted (and their daughters, Thea and Billie) have another adventure across the timeline, with the help of some of humankind’s greatest musicians.MARCH 10‘She Dies Tomorrow’Written and directed by Amy Seimetz, this arty horror film takes an unusual approach to a post-apocalyptic story, dramatizing the eerie premonitions that herald the end of everything. Kate Lyn Shell plays an ordinary woman who becomes convinced she’s living through her last day on Earth. Her strange behavior proves infectious, passing from friend to friend, leaving them either devastated, agitated or oddly calm. “She Dies Tomorrow” has the quality of a dream, but it’s a disturbingly realistic one.‘The Legend of Baron To’a’Credit…AmazonMARCH 14‘The Legend of Baron To’a’In the energetic action-comedy “The Legend of Baron To’a,” Uli Latukefu plays a Tongan New Zealander named Fritz who found his fortune in Australia but has returned home to defend his family’s legacy. The movie’s title refers to Fritz’s father: a former pro wrestler who also served as his neighborhood’s unofficial protector. When gangsters start bullying the locals, Fritz has to learn the fundamentals of combat in order to finish the job his dad started.MARCH 19‘Save Me Too’In the sequel to the thrilling crime drama “Save Me,” the British actor Lennie James returns to a role he wrote for himself, playing a luckless lad named Nelly who has a habit of being accused of crimes he didn’t commit. “Save Me Too” picks up about a year after the events of the first series and sees Nelly tying up some loose ends from old mysteries, while also trying to prove that he’s innocent of a murder. Part procedural and part character sketch, James digs deep into the soul of a stubborn individualist.MARCH 29‘City on a Hill’ Season 2The first season of this Boston-set crime series told a complete story, about an ambitious attorney (Aldis Hodge) and a corrupt FBI agent (Kevin Bacon), reluctantly working together and navigating the choppy waters of local politics to take down a local gang in the early 1990s. In season two the two lawmen are back to being rivals, but their paths cross again when trouble erupts at a drug-plagued housing project. Though the show takes place nearly 30 years ago, the issues it raises — about policing, race relations and institutional rot — remain timely.Also arriving: “The Affair” Season 5 (March 1),“The Handmaid’s Tale” Season 3 (March 1), “Sick of It” Season 2 (March 2),“Secret Safari: Into the Wild” (March 3), “Bethany Hamilton: Unstoppable” (March 4), “A Murder of Crows” (March 4),“Manhunt: Deadly Games” (March 5), “Bloods” (March 11), “Cryptid” (March 11), “Black Hands” Season 1 (March 17), “Close to the Enemy” Season 1 (March 18), “The Disappearance” (March 18), “Safe House” Seasons 1 & 2 (March 25), “Between Black and Blue” (March 26), “Outback” (March 29).New to Amazon‘Coming 2 America’Credit…AmazonMARCH 5‘Coming 2 America’Eddie Murphy and Arsenio Hall reprise their roles from the hit 1988 comedy “Coming to America” in this sequel, which picks up the story of an African ruler and his trusty aide decades later. Like the original, “Coming 2 America” is filled with comic situations that allow Murphy and Hall to play multiple roles that riff on Black culture from the perspective of insiders and outsiders. The film also features appearances by some very funny comics — like Leslie Jones and Tracy Morgan — who have followed in the footsteps of Murphy and Hall.MARCH 26‘Invincible’The superhero cartoon “Invincible” looks charmingly retro, like something that would’ve aired on TV in the 1990s. But the series has a much more adult vibe than the likes of “X-Men” and “Superman.” Based on a long-running comic book written by Robert Kirkman (who also cocreated “The Walking Dead”), “Invincible” has Steven Yeun voicing a famous superhero’s teenage son, who’s enlisted into a series of fights to save the world almost as soon as he starts developing superpowers of his own. Like the comic, the show is fast-paced, colorful and clever — and also incredibly violent and shockingly bloody.Also arriving: “Honest Thief” (March 12), “Making Their Mark” (March 12), “Words on Bathroom Walls” (March 19), “La Templanza (The Vineyard)” (March 26).AdvertisementContinue reading the main story More

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    Tony Awards Voting Starts Now. And It’s Going to Be Weird.

    #masthead-section-label, #masthead-bar-one { display: none }At HomeFall in Love: With TenorsConsider: Miniature GroceriesSpend 24 Hours: With Andra DayGet: A Wildlife CameraAdvertisementContinue reading the main storySupported byContinue reading the main storyTony Awards Voting Starts Now. And It’s Going to Be Weird.No shows are playing, and no one knows when they will come back. Here are answers to six questions about a process even more idiosyncratic than usual.Adrienne Warren as the title character in “Tina — The Tina Turner Musical,” one of three shows eligible for the best musical Tony Award.Credit…Sara Krulwich/The New York TimesMarch 1, 2021The last Broadway season ended, unexpectedly, nearly a year ago. The next one will begin who-knows-when.But deep in this winter of our theaterlessness, a dormant tradition is starting to stir: the Tony Awards.Hundreds of voters, this week and next, are casting ballots for the best shows, and the best performances, of a theater season abruptly cut short by the coronavirus pandemic.The jukebox shows “Jagged Little Pill,” “Moulin Rouge! The Musical” and “Tina — The Tina Turner Musical’ are competing for best musical, and hope to resume performances whenever Broadway reopens. All five of the best play contenders have closed. They are “Grand Horizons,” by Bess Wohl; “The Inheritance,” by Matthew López; “Sea Wall/A Life,” by Simon Stephens and Nick Payne; “Slave Play,” by Jeremy O. Harris; and “The Sound Inside,” by Adam Rapp.In this strangest-of-all Tony competitions, the voting is disconnected from both the period being assessed, which ran from April 26, 2019, to Feb. 19, 2020, and the ceremony for handing out awards, which has not yet been scheduled.In other words, we won’t know the results until — well, for a long time.But here’s what we do know:Who’s going to vote?Not a lot of people.There are 778 Tony voters, but they can only cast ballots in categories in which they’ve seen all the nominees. Because the pandemic prevented any spring theatergoing, there are fewer qualified voters than usual.There are 25 prize categories; the Tonys won’t say how many people will actually be able to vote in each category, but producers believe slightly fewer than 400 people will qualify to cast ballots for best musical, and fewer than that for best play.What’s missing?Parties.The usual Tonys season is all-encompassing. Shows that opened in the fall (and that would have included all three of last season’s nominated musicals) invite voters back to see them again. Monday nights are jammed with nonprofit galas at which nominees mingle with voters, and those who can sing, do. There are press junkets and mixers; display ads in The New York Times and caricatures at Sardi’s; plus, of course, a raft of spring openings to catch up with.So much hugging. So much schmoozing. So many four-hour dinners. Everyone complains. And now they long for it.“I can’t believe I miss buffets,” said Eva Price, a lead producer of “Jagged Little Pill.” “So much that we took for granted, and sometimes grimaced at, we would give our left arms for right now.”Lauren Patten, center, in “Jagged Little Pill,” a show that re-aired a cast reunion concert as a way to remind voters and fans that it plans to return to Broadway.Credit…Sara Krulwich/The New York TimesIs it appropriate to campaign?Yes, but very gingerly.We’re still in the middle of a devastating pandemic and a huge number of people who work in theater are currently unemployed. Also: money is tight because there are no ticket sales.“The 2020 shows can’t run a campaign in the usual way, and even if we could it would feel icky to try,” said Carmen Pavlovic, the lead producer of “Moulin Rouge!”“This is not a moment for cocktail parties and gossip,” she added. “It’s just a moment for lifting up artists from darkness, and hoping that lifts everybody else along the way.”So swag is minimal. “Moulin Rouge!” and “Jagged Little Pill” sent voters coffee table books about their shows, but that’s about it. The main form of campaigning this year is in the form of “For Your Consideration” emails.The nominated show that is furthest in the rearview mirror — a revival of “Frankie and Johnny in the Clair de Lune,” which closed in July 2019 — sent voters a video montage of interviews including its playwright, Terrence McNally, who died eight months later from complications of the coronavirus.Nominees are sitting for profiles with theater trade publications. And last week, “Tina,” “Jagged Little Pill,” “The Inheritance,” “Slave Play” and “Betrayal” bought daily sponsorships of Broadway Briefing, an emailed industry newsletter whose subscribers include many Tony voters.And there are other, newfangled ways to refresh voters’ memories. “Betrayal” on Sunday held a cast reunion on Instagram Live; “The Sound Inside” sent voters videotaped selections from the production; “Jagged Little Pill” released a video reflecting on the year and is re-airing a concert version of its show. “Moulin Rouge!” and “The Inheritance” built voter web pages with performance clips, interviews, scripts and more.The message needs to be focused, producers say. “We have to be very mindful and respectful of what people’s experiences are right now,” said Tali Pelman, the lead producer of “Tina.” At the same time, she said, “Honoring our talent and their contribution is important. More than ever, we have to shout out about their exceptional value in society.”What happens when the votes are tallied?An accounting firm sits on the results.The voting period runs through March 15, with votes cast electronically via a password-protected website, and tabulated by Deloitte & Touche LLP. Even in pre-pandemic years, results are not shared with the leaders of the organizations that present the awards — the Broadway League and the American Theater Wing — or anyone else before they are announced.This year they will just be kept secret for longer than usual.Aaron Tveit (with Karen Olivo, in “Moulin Rouge!”) is the only actor eligible for best actor in a musical.Credit…Sara Krulwich/The New York TimesCan you lose if you’re the only nominee?Theoretically, yes.Aaron Tveit of “Moulin Rouge!” is the only person nominated as best actor in a musical. This is an unusual circumstance, for which the Tonys have imposed an unusual rule: to win, Tveit must get a positive vote from 60 percent of those who cast ballots. But, to be clear, he’s likely to pick up his first statuette this year.There are a couple of other nomination quirks, too. There will be no prize for best musical revival, because the only one that managed to open, “West Side Story,” did so after the retroactively imposed eligibility date. And the contenders for best score were all from plays.So when will we know the winners?Stay tuned.It seems clear that the ceremony will only take place after live performance is allowed to resume in New York and tickets to Broadway shows have gone on sale.That’s because the industry’s priority will be to use the ceremony to remind potential audiences that Broadway is back. The goal, said Heather A. Hitchens, the Wing’s president and chief executive, “is to be most helpful to the industry.”Several producers and publicists say they are now thinking the most likely time frame is after Labor Day, a full year and a half after Broadway shut down.The organizers have shared a few other details. This year’s ceremony, like those before the pandemic, will be overseen by Glenn Weiss and Ricky Kirshner. There will be some noncompetitive awards (those are honors like lifetime achievement). But there has been no announcement about whether the ceremony will be in-person or virtual, televised or streamed, live or taped; only that it will take place “in coordination with the reopening of Broadway.”“We hope to have news very soon,” said the League’s president, Charlotte St. Martin.AdvertisementContinue reading the main story More

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    Golden Globes: The Projectionist’s Takeaways

    Golden Globes: The Projectionist’s TakeawaysSacha Baron Cohen with his wife, Isla Fisher.Christopher Polk/Agence France-Presse — Getty ImagesWant a catch-up on last night’s Golden Globes? It was a weird one — and considering how weird a typical Globes ceremony is, that’s saying something.Watch the standout moments → More

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    Golden Globes 2021: Where to Stream the Winners

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedBest and Worst MomentsWinners ListStream the WinnersRed Carpet ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyGolden Globes 2021: Where to Stream the WinnersNearly all of the big winners from the evening are available to stream. Here’s a look at where to find them and what The Times first had to say about them.Sacha Baron Cohen in “Borat Subsequent Moviefilm,” which won the award for best musical or comedy at the Golden Globes.Credit…Amazon StudiosMarch 1, 2021, 11:31 a.m. ETDuring a normal year, when many of the awards-contending movies are released late in the season, home viewers often have to wait for a month or two to catch the winners on various streaming services. But the one benefit to an awards show during a pandemic year is that all the winners are immediately available — or so we might have assumed.To the surprise of many Golden Globes prognosticators — and to the actress herself — Jodie Foster won best supporting actress for “The Mauritanian,” a 9/11-themed legal drama that’s currently in theaters, but will arrive on VOD on Tuesday, March 2nd. (Our critic, Jeannette Catsoulis, would advise you to proceed with caution.) Otherwise, the night’s big winners on the film side are scattered among the streaming giants, with “Nomadland” and “The United States vs. Billie Holiday” on Hulu, “Borat Subsequent Moviefilm” on Amazon Prime and “The Trial of the Chicago 7,” “Ma Rainey’s Black Bottom” and “I Care a Lot” on Netflix.The awards were not distributed quite so democratically for the TV slate, where the fourth season of Netflix’s “The Crown” took best drama as well as prizes for three of the four acting categories. Netflix also has The Queen’s Gambit,” which won for best limited series or TV movie and for Anya Taylor-Joy’s performance as an American chess grandmaster of humble origins. And the service is streaming all six seasons of the best musical or comedy winner “Schitt’s Creek.”Here’s a guide to the major-category winners that are currently a click away, along with excerpts from their New York Times reviews or features.Movies‘Nomadland’Won for: Best picture, drama; best director“In a fine Emersonian spirit, the movie rebels against its own conventional impulses, gravitating toward an idea of experience that is more complicated, more open-ended, more contradictory than what most American movies are willing to permit.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Hulu.‘Borat Subsequent Moviefilm’Won for: Best musical or comedy; best actor, musical or comedy“Would I call this the best movie of 2020, from the standpoint of cinematic art? Look, I don’t know. It’s been a weird year. But I would insist that this sequel to a cringey, pranky, 14-year-old classic is undeniably the most 2020 movie of all time.” (Read the full Times article on the Best Movies of 2020, in which A.O. Scott put Sacha Baron Cohen’s satire at #1.)Where to watch: Stream it on Amazon Prime.‘The Trial of the Chicago 7’Won for: Best screenplay“‘The Trial of the Chicago 7’ is a mixed bag. While [Aaron] Sorkin draws some of his dialogue from court transcripts, he also exercises the historical dramatist’s prerogative to embellish, streamline and invent. Some of the liberties he takes help to produce a leaner, clearer story, while others serve no useful purpose.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Netflix.‘Ma Rainey’s Black Bottom’Won for: Best actor, drama“Of course it’s hard to watch Levee — to marvel at [Chadwick] Boseman’s lean and hungry dynamism — without feeling renewed shock and grief at Boseman’s death earlier this year. And though ‘Ma Rainey’s Black Bottom’ has been around for a long while and will endure in the archive, the algorithm and the collective memory, there is something especially poignant about encountering it now.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Netflix.‘The United States vs. Billie Holiday’Won for: Best actress, drama“Andra Day, who plays Holiday, is a canny and charismatic performer, and the film’s hectic narrative is punctuated with nightclub and concert-hall scenes that capture some of the singer’s magnetism. Rather than lip-sync the numbers, Day sings them in a voice that has some of Holiday’s signature breathy rasp and delicate lilt, and suggests her ability to move from whimsy to anguish and back in the space of a phrase.” (Read the full Times review by A.O. Scott.)Where to watch: Stream it on Hulu.‘I Care a Lot’Won for: Best actress, musical or comedy“An unexpectedly gripping thriller that seesaws between comedy and horror, “I Care a Lot” is cleverly written (by the director, J Blakeson) and wonderfully cast. Marla is an almost cartoonish sociopath, and [Rosamund] Pike leans into her villainy with unwavering bravado.” (Read the full Times review by Jeannette Catsoulis here.)Where to watch: Stream it on Netflix.‘Judas and the Black Messiah’Won for: Best supporting actor“‘Judas and the Black Messiah’ represents a disciplined, impassioned effort to bring clarity to a volatile moment, to dispense with the sentimentality and revisionism that too often cloud movies about the ’60s and about the politics of race.” (Read the full Times review by A.O. Scott.)Awards Season More

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    The Best and Worst of the Golden Globes

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedMoments and AnalysisGlobes WinnersGolden Globes ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyThe Best and Worst of the Golden GlobesAmid deeply moving moments (like the speech by Chadwick Boseman’s widow), there were technical difficulties and the strange sight of long-distance hosts pretending to be on the same stage.March 1, 2021, 4:57 a.m. ET More

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    What’s on TV This Week: ‘Soul of a Nation’ and ‘Ghostbusters’

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyWhat’s on TV This Week: ‘Soul of a Nation’ and ‘Ghostbusters’A newsmagazine featuring a look at Black life in America premieres on ABC. And the “Back to the Future” trilogy airs on AMC.March 1, 2021, 1:00 a.m. ET More

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    Golden Globes Winners 2021: The Complete List

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedMoments and AnalysisGlobes WinnersGolden Globes ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyGolden Globes Winners 2021: The Complete ListHere are the winning films, TV shows, actors and production teams at the 2021 Golden Globe Awards.Frances McDormand as Fern in “Nomadland,” which won the award for best motion picture, drama.Credit…Searchlight Pictures/HuluPublished More

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    Ad With Realistic Take on Breastfeeding Airing at Golden Globes

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonliveWhat to ExpectliveLatest UpdatesHow to Watch the GlobesOur Movie PredictionsGolden Globe NomineesAdvertisementContinue reading the main storySupported byContinue reading the main storyOn TV, a Rare Realistic Look at BreastfeedingA commercial from the parent products company Frida, to be broadcast during the Golden Globes, is part of a wider effort to show the struggles of the “fourth trimester.”CreditCredit…Frida MomFeb. 28, 2021Updated 5:10 p.m. ET More