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    Zosia Mamet’s Week: Log Cabin Living

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyRecently ViewedZosia Mamet’s Week: Log Cabin LivingThe former “Girls” star, who played a mordantly comic lawyer in “The Flight Attendant,” spends her days at the barn and her nights with David Sedaris and Meryl Streep.Zosia Mamet, who stars in “The Flight Attendant,” with her horse, Ten: “She’s the love of my life (don’t tell my husband) so just being with her makes me happy.”Credit…Heather Sten for The New York TimesDec. 22, 2020, 10:40 a.m. ETWhen Zosia Mamet auditioned for “The Flight Attendant,” Kaley Cuoco unexpectedly booped her on the nose. Mamet reacted by swatting her hand away, and a relationship was born.“We had this immediate chemistry,” said Mamet, who is best known as the “Girls” naïf, Shoshanna Shapiro, “and the scene, just like lava, flowed out of us.”In “The Flight Attendant,” the zingy thriller on HBO Max that just finished its first season, Cuoco plays the booze-swilling Cassie Bowden, who picks up a passenger on a flight then wakes up in Bangkok with his dead body in bed beside her — and no memory of the night before. Mamet is her best friend, Annie Mouradian, a stony-faced lawyer who keeps the F.B.I. at bay using skills she cultivated while representing mob wives.At the moment, Mamet is nesting in New York’s Hudson Valley, with her husband, the actor Evan Jonigkeit, and their dog, Moose. But she more or less lives at the horse stables down the road, doling out snuggles and peppermints to her thoroughbred, Ten. In a Zoom interview from her 1920s Sears catalog cabin, with a log wall behind her, Mamet talked about life in and out of the riding ring, and her seasonal affliction. These are edited excerpts from the conversation.Thursday MorningWoke up at 8. I’m a big-time sleeper. My husband says I could sleep through anything. But I wanted to get up early to give Moose a good long walk. First things, first: coffee, made in a French press with a big chunk of oat milk. I used to be quite picky about the brand of coffee, and I’m not anymore. I know this is a controversial point for snobby coffee drinkers, but we love a flavored coffee in our house, like a hazelnut or a vanilla.Mamet is nesting with her husband, the actor Evan Jonigkeit, in the Hudson Valley. Credit…Heather Sten for The New York TimesThursday AfternoonThe barn is about a 25-minute drive from our house so I normally either do NPR, Howard Stern, music or a podcast. I love a good podcast. Today was the new Whitney Cummings with Alison Brie. I didn’t get past the opening but that alone was killing me. They were talking about the frustration with stores putting stickers on things that you can’t get off, and it leaves this horrible residue. The struggle is real.My horse, Ten, sadly has a boo-boo in her front right foot, so she’s currently on what’s called stall rest, which is basically the equivalent of bed rest for a human. I’ve been gone for almost a month, and she’s developed this very sweet silly habit of trying to nibble on every part of me. Yesterday it was my beanie. Today it was the arms of my jacket. But she’s the love of my life (don’t tell my husband) so just being with her makes me happy.Evan is still in Pittsburgh shooting a new Netflix show called “Archive 81,” so we chatted on my drive home. We like to stay as much a unit as possible. I went out there for three weeks, and then I came home a little bit earlier than him because I wanted to be with Ten. The minute I found out she got hurt, he was like, “If you need to go home, I’ll understand.”Thursday EveningMy best friend, Emma, claims that I was an elf in a previous life. I do all the Christmas shopping for both of our families and all of our friends, so I’m currently set up in our living room surrounded by presents, my Christmas 2020 Excel spreadsheet, wrapping paper, scissors, ribbon, tape. All the essentials. I listened to Alabama Shakes. Evan proposed to “I Found You,” and sometimes when I miss him, I put them on.I’m in bed with a hot water bottle because I’m 90 and watching “The Queen’s Gambit.” I’m trying to savor it because I just think it’s so good. No, I have not learned chess. A card game like rummy, that’s my jam. Chess is too much for my brain to handle.I have a book problem, and there is a stack on my bedside probably 10 books high. I’m currently halfway deep into the latest David Sedaris, “The Best of Me,” and loving every second. I adore him. I’ve read almost all of his books and also listened to a lot of them on tape. His writing is so wonderful to begin with, but then when you hear him reading his writing, it just elevates it to the next level.Friday MorningEvan is the one that got me into the routine of putting music on first thing in the morning. It sets the tone for the day. Whitney Cummings mentioned the Lone Bellow the other day on her podcast, and I hadn’t listened to them in forever, so that’s what was on this morning.Spotify very kindly made me a 2020 playlist of the things I’d listened to most, so I put that on my drive to the barn. It was cold but sunny, so it was more of a sing-at-the-top-of-your-lungs-with-the-window-slightly-down than listen-to-a-podcast kind of day. A few faves on the playlist: Red Hearse, Lucy Dacus, Billy Joel, Fleetwood Mac, Phoebe Bridgers. Portugal. The Man is also on there; Nathaniel Rateliff, who came out with a solo album this year that’s super beautiful and lovely. Oh, there’s this great album that I love called “Trio.” It’s Dolly Parton, Linda Ronstadt and Emmylou Harris. Sometimes when I’m cleaning the house, I’ll listen to it on repeat because their harmonies sound like angels.“My husband is like, ‘How do you spend six hours at the barn?’”Credit…Heather Sten for The New York TimesFriday AfternoonI got to the barn and first had to say hi to Tenny because she’s my princess unicorn, so she needs treats and kisses. Then I got to ride a Polly Pocket-size pony named Snickers. I had my lesson with my amazing trainer Vanessa. I got to ride one of our barn’s trusty steeds named Junior, who gave me a run for my money.My husband is like, “How do you spend six hours at the barn?” Well, we have to untack the horse. When we jump them, we wash their legs and spray them with liniment that keeps their legs healthy. Then we clean all of our tack. It’s part of the process that I love just as much as the riding — the care of the horse, the care of my tack.I stopped at Michaels because I needed a wreath hanger for our door. In middle and high school, there are horseback riding teams called [Interscholastic Equestrian Association], and there’s a whole show circuit. Our barn has one, and each year they take old horse shoes and paint them red, blue, green, silver or gold, and they make wreaths and sell them to raise money for the I.E.A. team. So I got one.Friday EveningI spent a little time decorating. I love Christmas more than anything. My maternal grandmother had this way of making Christmas exceptionally magical. There were all of these traditions, and the house was full of smells and sounds and lights. We always decorated the tree together. I’ve been enamored with magic since I was little, and what is more magical than Christmas? I’m the person who will sit on the stairs with all the other lights off at night and just watch the tree.I finally realized I was starving so I went with tacos. I listened to Phoebe Bridgers’s new holiday album, which is heartbreaking and gorgeous and sadly only four songs, so I had it on repeat for a bit. Then I put on “The Prom,” which was delightful, while wrapping presents. Elf duties.Saturday AfternoonI love Marc Maron’s podcast, and a friend recommended his episode with Glenn Close, so I finished that up on the way to the barn. What an epic human. What a crazy life. I had no idea she was in a cult!There are a few podcasts I’m obsessed with. I love “You Must Remember This,” which is all about old Hollywood. On the drive to Pittsburgh, I listened to “Dr. Death.” Oh my God, it’s crazy and fascinating. It’s about this surgeon who keeps botching all of these spine surgeries, but everyone’s too afraid to report him to the medical board. So he just keeps moving from hospital to hospital and paralyzing people. It’s very dark, but it was a six-hour drive, so it kept me entertained.Saturday EveningI’m about to start wrapping more presents while watching “Let Them All Talk.” Then it’s a pit stop for some of my banana bread that is my favorite thing ever. It’s gluten- and dairy-free with like five ingredients and yes, I know — Covid/lockdown/banana bread — but I’ve been making this literally for years. So please, no judgment.Sunday MorningWe were having a barn-decorating contest at the farm today so I decorated Ten’s stall with a unicorn theme. I didn’t win, but it’s just an honor to be nominated or whatever.Sunday AfternoonAfter the judging for the stall-decorating contest, we all gave our secret Santa gifts. Then I took down Ten’s decorations because she almost ingested a 10-foot-long piece of tinsel.Sunday EveningI headed home to wrap more gifts and hang with Moose. I really want to watch “PEN15,” but Evan and I watch that together so I can’t. So perhaps an old movie, possibly “Death Becomes Her.” I just realized that there seems to be a Meryl Streep theme going on here. Listen, I love me some Meryl — I mean, who doesn’t — but I definitely didn’t do that on purpose. Although what says, “It’s the holidays!” more than Meryl Streep? So I guess that’s it: I’m just in a very Meryl Christmas mood.AdvertisementContinue reading the main story More

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    What’s on TV This Week: ‘City Hall’ and ‘The Masked Dancer’

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyWhat’s on TV This Week: ‘City Hall’ and ‘The Masked Dancer’Frederick Wiseman’s latest documentary airs on PBS. And “The Masked Dancer” debuts on Fox.Mayor Martin J. Walsh of Boston, as seen in Frederick Wiseman’s “City Hall.”Credit…Film ForumDec. 21, 2020, 1:00 a.m. ETBetween network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Dec. 21-27. Details and times are subject to change.MondayWONDER WOMAN (2017) 6 p.m. on Cartoon Network. Superpowered sword and shield meet World War I weaponry in this DC Comics blowout, the first stand-alone “Wonder Woman” movie with Gal Gadot. (The second, “Wonder Woman 1984,” comes out this weekend.) Directed by Patty Jenkins, this take on the superhero’s origin story takes place primarily in the early 20th century, introducing Gadot’s character as a mythical Amazon warrior who lives with other Amazons on a Mediterranean island. That island is magically insulated from the rest of the world — until an American fighter pilot (Chris Pine) crash-lands there, tailed by German soldiers. The hodgepodge of mythology (of both the Greek and the comic-book varieties) and history that follows makes for a movie that “cleverly combines genre elements into something reasonably fresh, touching and fun,” A.O. Scott wrote in his review for The New York Times. The film’s “earnest insouciance recalls the ‘Superman’ movies of the ’70s and ’80s more than the mock-Wagnerian spectacles of our own day,” Scott added, “and like those predigital Man of Steel adventures, it gestures knowingly but reverently back to the jaunty, truth-and-justice spirit of an even older Hollywood tradition.”TuesdayCITY HALL (2020) 8 p.m. on PBS (check local listings). The documentarian Frederick Wiseman (“Titicut Follies,” “Ex Libris”) trains his patient, piercing lens on the Boston City government in this, his most recent documentary. Shot around Boston’s administration building and in other areas of the city (including, during one extended sequence, Faneuil Hall), the film follows Boston’s mayor, Martin J. Walsh, and other city employees during moments both mundane (streams of people arriving at City Hall, workers answering calls at a 311 center) and extraordinary (a town-hall meeting about a proposed cannabis dispensary that turns into an impassioned debate). In her review for The Times, Manohla Dargis wrote that the film is both “an exploration of civil society and the common good” and “fundamentally a portrait of a people.” Dargis and Scott each included the film on their lists of the top 10 movies of 2020.WednesdayChris Rock, left, and Bernie Mac in “Head of State.”Credit…Phillip V. Caruso/DreamWorks PicturesHEAD OF STATE (2003) 10 p.m. on Showtime 2. A black-tie donor event derailed by Nelly’s “Hot In Herre.” A presidential debate where candidates quarrel over whether a debate is the same thing as an argument. These are a couple memorable moments from “Head of State,” Chris Rock’s directorial debut and a very early-2000s satire of American electoral politics. Rock stars as Mays Gilliam, an alderman who’s unexpectedly chosen to be the Democratic Party’s presidential nominee. (He eventually enlists his older brother, played by Bernie Mac, to be his running mate.) The tone is set in the very first sequence, when a staid shot of Mount Rushmore tilts down to reveal the singer Nate Dogg performing at the monument’s base.MEET ME IN ST. LOUIS (1944) 8 p.m. on TCM. Hear Judy Garland sing “Have Yourself a Merry Little Christmas” — and other songs that became standards — in this technicolor musical. Directed by Vincente Minnelli, the film follows four sisters coming-of-age over the four seasons leading up to the 1904 World’s Fair in St. Louis. The story it tells through sound and color, Bosley Crowther wrote in his 1944 review for The Times, is “warm and beguiling.”ThursdayA CHRISTMAS CAROL (1951) 7:50 p.m. on FXM. When this British adaptation of Charles Dickens’s “A Christmas Carol” debuted in 1951, it stood in stark contrast to some of the more upbeat versions that had come before. “Where the last ‘Carol,’ produced by Metro, was a ruddy and generally cheerful affair, this one is spooky and somber, for the most part, except toward the end,” Crowther wrote in a review for The Times. It’s fitting, then, that FXM is airing the 1951 version, with the Scottish actor Alastair Sim, alongside a rebroadcast of last year’s FX’S A CHRISTMAS CAROL, another gritty take on the tale. That newer version, with Guy Pearce as Scrooge and Andy Serkis as the Ghost of Christmas Past, airs at 9:40 p.m.FridayFrom left, Cliff Parisi, Daniel Laurie and Annabelle Apsion in “Call the Midwife Holiday Special.”Credit…BBC Worldwide LimitedCALL THE MIDWIFE HOLIDAY SPECIAL 9 p.m. on PBS. This British series based on the memoirs of Jennifer Worth, an English nurse, has developed a fan base by offering a compassionate look at life — and a group of nuns at work — in a poor area of London in the late 1950s and ’60s. In a review for The Times, Jeannette Catsoulis called the show “unfailingly humane.” Those running low on holiday cheer may want to give this special episode a look.Saturday1917 (2019) 8 p.m. on Showtime. This time last year, the director Sam Mendes exploded into the award-season race at the last minute with this meticulous World War I movie. (It ended up winning several Oscars, including one for Roger Deakins’s cinematography, though it fell short of winning best director or best picture honors.) Made to look as though it were shot in a single take, the film follows a pair of British soldiers (played George MacKay and Dean-Charles Chapman) who are sent on a dangerous mission to deliver a message to a battalion on the front lines. It’s the kind of movie most would doubtlessly prefer to watch in a movie theater, as many audiences did last holiday season; the contrast between December 2019 and December 2020 is pretty well encapsulated by the idea of watching “1917” on a small screen, stuck at home.SundayA scene from “The Masked Dancer.”Credit…Michael Becker/FOXTHE MASKED DANCER 8 p.m. on Fox. Fox had a hit with “The Masked Singer,” a bizarre competition show in which celebrities compete in singing contests while their identities are hidden by elaborate costumes. The series, which was itself adapted from a South Korean program, gets a spinoff with “The Masked Dancer.” The new show’s participants will presumably be up against both their fellow contestants and the elasticity of their costumes.AdvertisementContinue reading the main story More

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    Catie Lazarus, Comedian With a Lot of Questions, Dies at 44

    AdvertisementContinue reading the main storySupported byContinue reading the main storyCatie Lazarus, Comedian With a Lot of Questions, Dies at 44On her live show “Employee of the Month,” she got laughs by interrogating writers, artists, politicians, intellectuals and her fellow comics.The comedian Catie Lazarus in 2015. She began interviewing prominent people about their careers, she said, “because I couldn’t quite figure out how to break in.”Credit…Andrea Mohin/The New York TimesDec. 20, 2020, 2:10 p.m. ETCatie Lazarus, a writer and comedian who probed the minds of celebrities and created her own late-night comedy universe on her longstanding self-produced live New York talk show, “Employee of the Month,” died on Dec. 13 in her apartment in Brooklyn. She was 44. Her father, Simon Lazarus III, said the cause was breast cancer.In 2011, as the nation recovered from the Great Recession, Ms. Lazarus was just another struggling comic trying to make it in New York. She had dropped out of a doctoral program in clinical psychology at Wesleyan University to move to the city, but as she tried establishing herself on the stand-up circuit, she discovered that stable jobs were hard to find. In light of these circumstances, she started hosting “Employee of the Month,” an interview-based talk show about work and labor at the Upright Citizens Brigade Theater.Ms. Lazarus asked notable writers, artists, politicians, intellectuals and comedians how they had achieved their enviable careers. She eventually interrogated subjects like Rachel Maddow, Dick Cavett, Greta Gerwig and David Simon. She inquired about disappointment, too — for example, she asked the journalist Kurt Andersen how he felt about getting pushed out of New York magazine.“I started hosting this show because I couldn’t quite figure out how to break in,” Ms. Lazarus told The New York Times in 2015. “I wanted to hear from people who, for the most part, love what they do and have carved out a niche for themselves. It wasn’t just about how they broke in, but what they continue to find worth struggling for, worth the heartache and the rejection and the economic toil and other types of losses that go along with it.”Her disarmingly intrusive interview style developed a following, and in 2014 Ms. Lazarus started hosting the show monthly at Joe’s Pub at the Public Theater. A live band accompanied her onstage, and nights crackled with the spontaneous energy of late-night television.Ms. Lazarus with her house band at Joe’s Pub at the Public Theater in 2017.Credit…Abel Fermin/ShutterstockMs. Lazarus approached her inquiries from a more philosophical level as well, seemingly trying to answer a bigger question: Why exactly do people do what they do for a living during their relatively brief time on earth? She often steered guests into illuminating revelations and spectacle.Wallace Shawn reminisced about how he had considered becoming a taxi driver. Billy Crudup whispered something to her when she asked him how much he was paid for voicing Mastercard ads (she looked shocked). Gloria Steinem tap-danced onstage. And Ms. Lazarus asked Josh Russ Tupper, a co-owner of Russ & Daughters, to participate in a blind taste test of lox from his competitors Zabar’s and Barney Greengrass.“They said you can tell the difference in the lox,” she challenged him. “Do you feel there’s a difference in how your lox tastes?” (Mr. Tupper largely succeeded in identifying his shop’s salmon.)Lin-Manuel Miranda, who appeared on the show, was also a frequent guest in her audience. “Catie was the ultimate New York comedy connector,” he said in a phone interview. “Once you did the show, you were in the alumni group.” He added: “It’s unbelievable the level of connections that came through there. People before they blew up. After they blew up.”“It was,” Mr. Miranda said, “sort of a crime she didn’t have her own TV show.”Catherine Simone Avnet Lazarus was born on April, 26, 1976, in Washington. Her father was a public policy lawyer who had been associate director of the White House domestic policy staff in the Carter administration. Her mother, Rosalind (Avnet) Lazarus, was a federal government lawyer. A great-great-great-grandfather was Simon Lazarus, founder of the Lazarus & Company department store chain, which later became Macy’s Inc.A nursery report card from the Beauvoir School appeared to portend Ms. Lazarus’s future. “Katie is a great talker and will volunteer to sit in the ‘hot seat’ and speak on any topic whether she knows anything about her subject or not,” it read. “The class expects this now and, in fact, the resulting arguments are more lively due to Katie’s proddings.” (Ms. Lazarus delighted in this document as an adult and quoted from it frequently).She attended the Maret School and Wesleyan University, where she received a B.A. and an M.A. in psychology. She eventually pursued a doctorate in clinical psychology at Wesleyan but dropped out after a semester to try comedy in New York. (Ms. Lazarus said that an encouraging chance encounter with Tina Fey, in which they discussed improv, helped galvanize her decision.)Ms. Lazarus first took the stage at Stand Up NY on the Upper West Side, and she relished the nervous rush of trying to get people to laugh. She began performing on the comedy circuit at clubs like Carolines on Broadway and the Laugh Factory. And she took improv classes at the Upright Citizens Brigade Theater, where she started hosting her show. Early guests included Rachel Dratch, Reggie Watts and the Times journalist David Carr.“I was keenly aware that people went on to achieve these great things,” Ms. Lazarus told The Times. “I just didn’t know the steps that were involved to get there. That is why I started my show, because there is somewhat of a science to success.”In 2015, Ms. Lazarus had a career break herself when Jon Stewart gave her his first interview after leaving “The Daily Show.” She pressed Mr. Stewart about his next projects and who he thought might replace him on the show. While discussing his career, she projected an image of him wearing underwear in a spoof of a Calvin Klein ad from his MTV talk-show days.Around 2017, Ms. Lazarus ended her run at Joe’s Pub and brought her show to other venues, including the Gramercy Theatre in Manhattan and the Bell House in Brooklyn. Slate started airing a podcast of the show in 2018. Ms. Lazarus also took the show on the road, hosting it at Largo in Los Angeles and at the Sundance Film Festival.“All these people over the years, they wanted to be interviewed by her,” her father said. “And she shot for the moon. She really thought she could get anybody. She thought she could get Barack Obama. She didn’t get him, but she wasn’t shy about trying.”In addition to her father, Ms. Lazarus is survived by two brothers, Ned and Benjamin; her mother; and her stepmother, Bonnie Walter.In 2019, Ms. Lazarus took a break from her talk show. She had learned she had breast cancer in 2014 and underwent chemotherapy for years. She also wanted to finish a book of personal essays she was working on. As the pandemic took hold of life in New York, Ms. Lazarus spent her time at her apartment in Prospect Heights, writing in the company of her cocker spaniel, Lady.Ms. Lazarus at Joe’s Pub in 2016. “It was sort of a crime she didn’t have her own TV show,” Lin-Manuel Miranda said.Credit…Abel Fermin/ShutterstockMs. Lazarus always hoped her show might get picked up by a network or streaming service, and she was vocal about the gender disparity among late-night television hosts.“Showbiz has notoriously rewarded those who fail upwards,” she told Out magazine in 2018. “If and when Hollywood is ready for a talk-show host with chops, chutzpah, humor, no cavities and a genuine moral compass, will you tell them where to find me?”In her Times interview, Ms. Lazarus was asked what her own dream job was. She answered definitively.“What I do right now,” she said. “Hosting a talk show. I found mine, but it wasn’t intentional.”AdvertisementContinue reading the main story More

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    Sesame Street Creates New Muppets for Rohingya Refugees

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main story‘R’ is for Rohingya: Sesame Street Creates New Muppets for RefugeesNoor and Aziz are Rohingya Muppets who will feature in educational programming that will be shown in refugee camps.A child in a Rohingya refugee camp in Cox’s Bazar in Bangladesh and Grover the Muppet in 2018.Credit…Ryan Donnell/Sesame WorkshopDec. 19, 2020, 2:03 a.m. ETBANGKOK — Six-year-old twins Noor and Aziz live in the largest refugee camp in the world. They are Rohingya Muslims who escaped ethnic cleansing in their native Myanmar for refuge in neighboring Bangladesh. They are also Muppets.On Thursday, the Sesame Workshop, the nonprofit that runs the early education TV show “Sesame Street” and operates in more than 150 countries, unveiled Aziz and Noor as the latest Muppets in their cast of characters.The twins will appear with Elmo and other famous Muppets in educational programming about math, science, health and other topics that will be shown in the camps.They will speak Rohingya, the language of a group of people that the Myanmar authorities have refused to recognize as a legitimate ethnicity. Elements of Sesame Workshop’s curriculum will be dubbed into Rohingya.“They are among the most marginalized children on earth,” said Sherrie Weston, the president of social impact for the Sesame Workshop, who traveled to the Rohingya refugee camps several times to help formulate the Muppet twins’ characters and story lines. “For most Rohingya children, this will be the very first time that characters in media have looked like them, have sounded like them, and really reflect their rich culture.”More than half the residents of the Rohingya refugee settlements in Bangladesh are children. Many suffered trauma after security forces in Myanmar forced them out of their villages, murdering some of their fathers and raping their mothers.A survey by Doctors Without Borders, released in the wake of a brutal campaign in 2017 that compelled more than 750,000 Rohingya to flee the country in the span of a few months, found that at least 730 children below the age of five were killed from late August to late September of that year.The legacy of violence lingers in Bangladesh and has been incorporated into the Muppets’ histories. Noor, one of the Muppet twins, is scared of loud noises, just as many Rohingya children are today, as gunfire resounds in their memories.The Sesame Workshop has long sought to champion diversity and social justice. Muppets and their young playmates on Sesame Street have had autism, H.I.V. and Down syndrome. They have been homeless and struggled with the stigma of having an incarcerated parent. An Afghan Muppet exemplified the importance of educating girls.The muppets Noor and Aziz are Rohingya Muslim and new characters in the Sesame Street cast. Credit…Sesame WorkshopNoor and Aziz, as conceptualized by Sesame Workshop, are playful and get along well. Aziz, a boy, helps the family with household chores and is steeped in the Rohingya tradition of storytelling. Noor, a girl, is confident and loves learning. The programming chose to depict them specifically as twins so that they would able to play together as a girl and a boy in a way other siblings in this traditional Muslim community might not be able to as easily.“By modeling girls and boys being equal, by having characters that love to learn, it is important that we’re not only inspiring young girls, giving them a sense of possibility that they may not have had, but that we’re showing little boys that girls can have equal roles and responsibilities,” Ms. Weston said.The programming depicts the Rohingya Muppets as living in a vast warren of tent shelters where more than a million mostly stateless people have been crammed with little hope of returning to Myanmar. United Nations officials have suggested that their exodus bears the hallmarks of genocide.Life in the Rohingya refugee camps can be far harsher than what Noor and Aziz’s back stories suggest. Girls, who are often kept from school, tend to get married before they reach adulthood to ease the financial burden on their families. This year, hundreds of Rohingya girls spent months at sea in overloaded fishing vessels trying to get to Malaysia, where they had been promised as child brides to Rohingya men laboring as undocumented workers. Dozens died during the journey.On Friday, in Kutupalong, the biggest of the Rohingya refugee camps in Bangladesh, Ajmat Ara, 8, shook her head when asked whether she knew of a furry collection of characters called the Muppets. Unlike many girls, she is lucky and goes to a school run by an educational charity.“We’re learning English and Burmese in school,” she said, before running off to play.AdvertisementContinue reading the main story More

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    Comfort Viewing: 3 Reasons I Love ‘Dallas’

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyComfort Viewing: 3 Reasons I Love ‘Dallas’Before prestige cable series ruled television, a wily Texas oil baron kicked up drama on network TV with classic cliffhangers and family feuds.The Ewing clan spent 14 seasons clashing over love, money and oil. Clockwise from top left: Patrick Duffy, Victoria Principal, Barbara Bel Geddes, Larry Hagman, Linda Gray, Jim Davis and Charlene Tilton.Credit…CBS Photo Archive/Getty ImagesDec. 18, 2020When April rolled around and the reality of many, many more weeks of quarantine set in, I started looking for anything other than reality on television.Usually a marathon of “The Real Housewives of New York City,” “Vanderpump Rules” or “Teen Mom” is a digital cure for whatever ails me, but this weird and intense year posed a challenge to even the most reliable go-to stress salves.The search was on for something I could lose myself in, and I found the answer on the free streaming service IMDB TV: “Dallas,” the seminal prime-time soap opera that aired on CBS from 1978 to 1991.I started with a rewatch of the Season 3 finale, “A House Divided,” which made “Who shot J.R.?” the signature obsession of the summer of 1980.Naturally I had to immediately watch Season 4’s “Who Done It?,” which drew 83.6 million viewers when it aired, the second-largest non-Super Bowl broadcast audience of all time. By the end of the week — OK, the end of the next day — I’d skipped around to more than a dozen episodes, and committed to a full-blown 14-season binge.The number of seasons doesn’t tell the full “Dallas” story. Even in a broadcast era when most series aired at least 22 episodes a season — compared to the 10 to 13 that is standard for modern cable and streaming shows — “Dallas” took the “everything is bigger in Texas” sentiment to heart. Several seasons included 30 episodes and Season 9 had 31, equal to half the entire run of “Breaking Bad.”Here are reasons this throwback held my attention throughout a 357-episode rewatch.J.R. EwingLarry Hagman became the defining “Dallas” star as the power-grabbing, blackmailing, philandering J.R., the eldest son of Jock (Jim Davis) and Ellie (Barbara Bel Geddes).It isn’t just that J.R. engages in those activities so relentlessly, but that he does so with unabashed glee that makes him so fun to watch. Every episode of “Dallas” ends with a trademark freeze frame, and many of those are close-ups of a grinning J.R., just after he’s double-crossed a business associate or driven his long-suffering alcoholic wife Sue Ellen (Linda Gray) to another sanitarium stay.J.R. does have some redeeming qualities. The charm Hagman wrings out of uttering one “Darlin’” is worth both of those Emmys he was nominated for. And he genuinely loves his daddy, his mama, his brother Bobby (Patrick Duffy) and his son John Ross (Omri Katz), even though they often take a back seat to his obsession with Ewing Oil. During my rewatch of the Bobby funeral episode, which ends with a freeze frame of a heartbroken J.R. looking up at the sky, I realized that the slick but soulful oilman was my gateway antihero. A New Jersey mobster, an Albuquerque meth kingpin and a couple of suburban Russian spies later won my heart on cable, but it all started with a Stetson-wearing conniver on CBS each Friday night.Duffy left “Dallas” but Hagman eventually convinced him to return, leading to the infamous “Dream Season.”Credit…CBS Photo Archive/Getty ImagesThe Cliffhangers“Who shot J.R.?” is TV’s most earth-shattering cliffhanger, one that had fans all around the world donning “Who shot J.R.?” T-shirts and buttons and drinking J.R. beer to commemorate the whodunit.But “Dallas” writers liked to leave viewers hanging at the end of every season, from the paternity of Sue Ellen’s baby (is J.R. or his enemy Cliff Barnes the father?) to the series finale, a two-part “It’s a Wonderful Life”-style examination of all J.R. has wrought that ends with a gunshot that leaves the audience wondering if the guilt-ridden oilman had killed himself. (The answer came in a later TV movie, “Dallas: J.R. Returns.”)And then there’s the Season 9 finale, when Pam Ewing (Victoria Principal) wakes up to a surprise: her dead ex-husband Bobby showering in her bathroom. Duffy had quit the show at the end of Season 8 but when ratings started to slip, Hagman asked his best friend to return. Duffy agreed, sparking “The Dream Season,” TV’s most famous do-over. Season 10 opens with confirmation that Bobby is alive and squeaky clean, and that everything that happened in Season 9 had all been Pam’s dream.Family AffairsWhen the Ewings aren’t fighting with each other for control of Ewing Oil, they’re loving and fighting, fighting and loving like it’s a sport. It’s no small feat to keep the middle of a 31-episode season moving, so sometimes those dizzyingly frequent Bobby-Pam and J.R.-Sue Ellen breakup-makeup cycles happen across just a few episodes.In one infamous instance, a family affair proves to be too literal. Jock and Ellie’s rebellious teen granddaughter Lucy (Charlene Tilton) has regular romps with a ranch hand, Ray (Steve Kanaly), during Season 1, only for Ray to later find out he’s Jock’s illegitimate son. Yep, Lucy is his biological niece. (Couldn’t we have gotten a do-over here?) From then on, Lucy and Ray’s early history is ignored and he becomes an avuncular presence in her life.A less disturbing soap opera plotline comes via the series-spanning Barnes-Ewing feud, introduced in the pilot when Bobby marries Pam, the daughter of Jock’s enemy, Digger Barnes. The next generation fuels the fight, with J.R. and Pam’s brother, Cliff (Ken Kercheval), swearing to destroy each other on a near-weekly basis.J.R. is far more successful on this front, of course, and Cliff’s haplessness provides regular moments of levity in the form of his unearned bravado and obsession with takeout Chinese food. This comic counterbalance to all those cliffhanging traumatic moments, all the lives brought to ruination by J.R.’s machinations, is part of an underlying cheekiness that runs throughout the series. Again: “Dallas” erased an entire season with one seven-second shower. But as we near the end of a challenging year full of almost as much drama, who doesn’t wish we all had the chance to call a mulligan on this season of our lives?AdvertisementContinue reading the main story More

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    Mariah! Dolly! Carrie! 2020 Can’t Quarantine This Cheer

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storycritic’s notebookMariah! Dolly! Carrie! 2020 Can’t Quarantine This CheerPop stars try to pull off a Christmas spectacular in tough times, with three sparkly but heartfelt specials now on streaming services.Pop divas in holiday sparkle: from left, Carrie Underwood, Mariah Carey and Dolly Parton.Credit…From left: Anne Marie Fox/HBO Max, Apple TV Plus, CBSDec. 18, 2020, 9:00 a.m. ETWith the C.D.C. advising against faithful friends who are dear to us gathering anywhere near to us, it’s understandable that we all might need some extra assistance getting into the holiday spirit this year. One of the few bright spots of the season, though, is the abundance of new Christmastime musical specials, helmed by some of our most beloved and benevolent divas. Thank the streaming wars, in part: HBO Max, Apple TV+ and CBS All Access have all jockeyed to get a different A-list angel atop their trees, perhaps in hopes that they’ll persuade you to subscribe to one of their services before your long winter hibernation (or at least forget to cancel before your free trial is over.) Whether gaudy, glorious excess or down-home simplicity, each offers a different take on a perplexing question: How do you stage a Christmas spectacular in decidedly unspectacular times?First up is Carrie Underwood, whose “My Gift: A Christmas Special From Carrie Underwood” is streaming on HBO Max. A companion piece to her recent first holiday album, the stately and reverent “My Gift,” Underwood’s special finds her fronting an orchestra led by the former “Tonight Show” bandleader Rickey Minor. Featuring duets with John Legend and, adorably, her 5-year-old son Isaiah (whose pa-rum-pa-pum-pums are impressively on point), “My Gift” is relatively light on pizazz — save for the eight (!) increasingly dramatic costume changes. As Underwood’s stylists told “People” magazine in an article devoted entirely to all of her different “My Gift” outfits, the fact that the country powerhouse wouldn’t be moving around the stage much gave them an opportunity to “break out these giant confections of tulle and sequins that would never really be appropriate for any other event.” The most memorable is a crimson-tinged Diana Couture dress-and-cape number that suggests a cross between a bridal cake-topper and Jude Law on “The Young Pope.”A scene from “Mariah Carey’s Magical Christmas Special,” which features guests like Jennifer Hudson and Ariana Grande.Credit…Apple TV PlusThe splendor and stirring purity of Underwood’s voice is powerful enough that even a plunging ball gown adorned with literal angel wings cannot overshadow it. Underwood’s most sublime belting, though, doesn’t come until the penultimate set of songs, when she absolutely blows the roof off “O Come All Ye Faithful” and “O Holy Night.” It’s enough to make the relative restraint of the rest of the show pale in comparison. “We really wanted this special and my album to be something that people would return to year after year and not feel dated,” she told “People” and, accordingly, there’s nary a nod to 2020 in sight. It’s a safe choice in a production so full of them that, despite its ample cheer, ends up feeling a little hermetic and snoozy.An offering not as worried about time-stamping itself is “Mariah Carey’s Magical Christmas Special,” a star-studded entry from Apple TV+ in the Yuletide streaming wars. It’s certainly the most plot-heavy of the bunch (a neurotic elf played by Billy Eichner must restore Christmas cheer to a world low on tidings by booking an impromptu Mariah concert, or something), and the one with a wardrobe that most frequently luxuriates in the lack of F.C.C. oversight of streaming content. Perhaps when she wrote “All I Want For Christmas Is You” she was singing to double-sided tape.Though a tad convoluted, Carey’s special is full of one-liners and knowing winks; when the elf has trouble tracking her down, she informs him, “It’s called elusive, darling.” Woodstock makes a brief, animated cameo (perhaps to remind us that Apple owns the streaming rights to the “Peanuts” specials, too), which provides a segue into Carey’s gorgeous, sultry rendition of “Christmastime Is Here.” A lot happens throughout these overstuffed 43 minutes, and the special could have done without some of the bells and whistles. The whistle notes, however, are another story.The most diva-licious moment of the whole affair comes when Carey is joined by two very special guests, Jennifer Hudson and Ariana Grande — who she stages behind her, so that they end up looking like the Supremes to her Diana Ross. Classic elusive chanteuse. By the song’s finale, though, she’s invited them both to stand beside her and riff. It provides the opportunity for something the world has been waiting for ever since a young Grande earned the nickname “Baby Mariah”: They look at each other respectfully, inhale deeply, and harmonize their whistle notes. This must be the exact sound heard when the Covid-19 vaccine enters one’s bloodstream.In “A Holly Dolly Christmas,” Dolly Parton offers the crackling warmth of a hearth.Credit…CBSA woman who might know is Dolly Parton, generous Moderna vaccine trial donor and star of the heartwarming CBS special “A Holly Dolly Christmas.” An hourlong show originally made for Sunday-night broadcast on CBS (and now streaming on CBS All Access), hers is the most traditional of the bunch, and hardly the flashiest: “It’s not a big Hollywood production show, as I’m sure you’ve noticed,” Parton says, gesturing around a set meant to look like a homey church. But she also specifies, “We have managed to do this show safely …. testing, wearing masks and social distancing.”Parton is such a charismatic presence that she doesn’t need guest stars, plot twists, or costume changes to keep this a transfixing show. Whether she’s hamming it up during “I Saw Mommy Kissing Santa Claus” or filling the spiritual “Mary, Did You Know?” with empathic emotion, her special offers the crackling warmth of a hearth. Before singing her classic “Coat of Many Colors,” she tells a moving story about her late mother’s selflessness, her painted eyes brimming full of tears the entire time. Just try not to cry along with her.Earlier in the fall, Stephen Colbert showed just how tall an order that is, when he was reduced to tears after Parton burst into a ballad a cappella during their televised interview. “Like a lot of Americans,” he explained, “I’m under a lot of stress right now, Dolly!” It’s nothing to be ashamed of, though: Plenty believe there’s something deeply cathartic about Parton’s voice and her overall demeanor. As Lydia R. Hamessley writes in her recent book “Unlikely Angel: The Songs of Dolly Parton,” “For many listeners, the restorative effect of Dolly’s music seems to flow to them directly from Dolly herself, so they often experience her as a healer.” Which sounds like something we could all use right about now. As Parton spins yarns about her humble beginnings and sings songs of enduring faith in the face of despair, “A Holly Dolly Christmas” might, actually, be an effective cure for the 2020 holiday blues.AdvertisementContinue reading the main story More

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    Late Night Compares Trump Health Adviser, Paul Alexander, to a Comic Book Villain

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyBest of Late NightLate Night Compares Trump Health Adviser, Paul Alexander, to a Comic Book VillainThe former Health and Human Services adviser’s leaked emails encouraged herd immunity to deal with the pandemic, writing of Americans, “We want them infected.”Stephen Colbert said on Thursday night that the Department of Health and Human Services should be changed to “the Department of Hell and Human Sacrifice.”Credit…CBSDec. 18, 2020, 1:48 a.m. ETWelcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. We’re all stuck at home at the moment, so here are the 50 best movies on Netflix right now.‘Department of Hell and Human Sacrifice’Stephen Colbert left his remote studio to interview President-elect Joe Biden and his wife, Dr. Jill Biden, together in Wilmington, Del., on Thursday night. But before their conversation, he weighed in on former Health and Human Services science adviser Paul Alexander’s leaked emails urging health officials to adopt a “herd immunity” approach to Covid-19.“If your plan to save humanity involves killing millions of people, you’re not a health adviser; you’re a Marvel villain.” — STEPHEN COLBERT[embedded content]Seth Meyers agreed with Colbert’s villainous assessment, taking issue with Alexander’s writing of Americans, “We want them infected.”“‘We want them infected.’ That is some real super villain [expletive] right there. I mean, Bane might say that, but even he wouldn’t put it down in an email.” — SETH MEYERS“Just think about how monstrous and sociopathic that is — they wanted people to get sick. I know in the Trump era, every news story lasts five minutes and our brains have all been turned to mush by the constant crush of insanity, but this story should never be forgotten. Anyone who enabled this should be held accountable for it. You can’t just let something like this go. You go through your spouse’s things and find a bunch of love letters to an ex saying, ‘I want my husband to die,’ you don’t just toss it in the trash and say, ‘Oh, well. Water under the bridge.’” — SETH MEYERSThe Punchiest Punchlines (Pushing Trump’s Buttons Edition)“In January, Atlantic City is blowing up a former Trump casino, and the highest bidder in a live auction will be the one to press the button. I say we hold Biden’s inauguration in Atlantic City, and then let him push the button.” — JIMMY FALLON“We should chip in and get this for Hillary Clinton, right?” — JIMMY KIMMEL“You know two seconds before they do it, Eric Trump is going to wander out of the front door like, ‘Is the event not inside?’” — JIMMY FALLON“Of course, the easiest way to make a Trump casino implode is to just put Trump back in charge of running it again.” — JIMMY KIMMELThe Bits Worth WatchingDua Lipa and Jimmy Fallon performed “Christmas Is All Around,” better known as the song from the movie “Love Actually,” on Thursday’s “Tonight Show.”Also, Check This OutSome of television’s best moments of 2020 came in, clockwise from left, “Sherman’s Showcase,” “What We Do in the Shadows,” “Saturday Night Live” and “The Midnight Gospel.”Credit…Clockwise from top left, Michael Moriatis/IFC; Russ Martin/FX; Will Heath/NBC; NetflixThe best television episodes of 2020 include a dream dinner party on “Bojack Horseman,” election week’s celebratory “Saturday Night Live” and the beginning of the docuseries “The History of the Seattle Mariners, a Dorktown Special,” on SB Nation.AdvertisementContinue reading the main story More

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    ‘The Stand’: Tracing the Stephen King Epic Through Its Many Mutations

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main story‘The Stand’: Tracing the Stephen King Epic Through Its Many MutationsKing’s post-apocalyptic novel about the aftermath of a deadly pandemic has been adapted into a new mini-series for CBS All Access. But the story has a complex history of its own.Jovan Adepo and Heather Graham star in the new CBS All Access adaptation of “The Stand,” the second time the Stephen King novel has been made into a TV mini-series.Credit…CBSDec. 17, 2020Take a pandemic. Add the paranormal. Make it a uniquely American story of survival horror. The result: “The Stand,” Stephen King’s epic post-apocalyptic novel from 1978, a new mini-series adaptation of which debuted Thursday on CBS All Access.Conceived in the pre-Covid era, the show has taken on new resonance since, telling the story of a weaponized virus that wipes out 99 percent of the population. But that’s only the beginning. The real battle happens afterward as supernatural forces of darkness and light — embodied by the demonic dictator Randall Flagg (Alexander Skarsgard) and the holy woman Mother Abagail (Whoopi Goldberg) — duel for the souls of the plague’s survivors.Since the original novel’s original release, King’s saga has entered the pop-culture consciousness in many different incarnations, including an expanded edition of the book and an earlier mini-series adaptation. In anticipation of the show’s arrival, we’re tracing the story from its point of origin to its latest mutation.The AllegoryThe opening act of King’s novel is an eerily plausible account of the complete collapse of human society after the “Captain Trips” superflu is unleashed upon the world. That aspect has found relevance across the decades since the novel’s publication, in the Cold War nuclear arms race, through the peak of the AIDS epidemic in the United States, to the events of 2020.But that’s only the first part. Flagg is presented as an even worse plague upon the living — a grinning dictator who builds a new society based on human drivers like greed, pride, lust and wrath and who exploits the virus for the sake of his own power. Are there lessons to be applied in the real world? Successive generations have thought so.Alexander Skarsgard as the villain Randall Flagg, who was originally inspired in part by the Symbionese Liberation Army leader Donald DeFreeze.  Credit…Robert Falconer/CBSThe InspirationKing has written extensively about the inspiration behind “The Stand” and its evolution over time, namely in his 1981 nonfiction book on horror writing, “Danse Macabre”; in the preface to the expanded 1990 edition of “The Stand”; and in a post about the novel on his website.“The Stand,” as he has explained it, arose from two disappointments. The first was an unfinished novel about the kidnapping and brainwashing of the heiress Patty Hearst by the Symbionese Liberation Army and its leader Donald DeFreeze. The second was a longstanding desire to write an American answer to “The Lord of the Rings” — a desire he had never found a way to fulfill. “The Stand” is, in part, a synthesis of these divergent ideas.Two news stories jump-started the book for King, one a “60 Minutes” segment on chemical and biological warfare and the other a report he recalled about a chemical spill in Utah that had killed a flock of sheep. Had the wind blown the other way, King has written, “the good people of Salt Lake City might have gotten a very nasty surprise.”Thinking about what the earth might be like after humanity, King, who was living in Boulder, Colo. (where much of the novel is set), pulled inspiration from George R. Stewart’s post-apocalyptic novel “Earth Abides” and from the fire-and-brimstone intonations of a preacher on a local radio station, who spoke ominously of plagues. King became fascinated, meanwhile, with a ghostly F.B.I. photo of DeFreeze taken in the middle of a bank robbery, in which the ringleader’s face was blurred. He wrote down the lines that would serve as the foundation of the novel: “A season of rest,” “A dark man with no face” and, quoting the preacher, “Once in every generation a plague will fall among them.”“And that was that,” King recalls in “Danse Macabre.” “I spent the next two years writing an apparently endless book called ‘The Stand.’”The EvolutionThe roots of “The Stand” run even deeper than the novel’s two-year writing time would suggest. His 1969 story “Night Surf” (a revised version of which was published in early 1978 as part of the short story collection “Night Shift”) had introduced the concept of the flulike virus nicknamed Captain Trips, in dubious homage to the Grateful Dead frontman Jerry Garcia. King’s 1969 poem “The Dark Man” has been seen as an anticipatory exploration of the character traits that would be poured into Flagg, himself nicknamed “The Dark Man,” in the novel.King spent two years writing “The Stand,” published in 1978, but its earliest seeds can be traced back to a story from 1969. Credit…DoubledayWhen “The Stand” finally arrived in October 1978, it was 400 pages shy of the version King originally turned in to his publisher. The edits were a consequence of publishing logistics rather than of quality control, King writes in the preface to the 1990 version of the novel: Based on his sales history, his publisher arrived at a price for the book that necessitated heavy edits to reduce the page count and make the book financially feasible. King made the cuts himself.By the ’90s, however, King was, well, the king of horror. In response to popular demand, a new expanded edition hit the stands, restoring much of what King had previously taken out and updating the material for the new decade. This is the most widely read version, and it’s the version upon which the new television adaptation is based.The AdaptationsMatt Frewer played the Trashcan Man in the 1994 TV mini-series on ABC, adapted by King himself and regarded by many fans as one of the better King adaptations. Credit…CBS, via Getty ImagesThis isn’t the first time “The Stand” has been adapted for another medium. In 1994, ABC aired a four-part mini-series based on the 1990 edition of the book, written by King and directed by his frequent collaborator Mick Garris. With a strong cast led by Gary Sinise as the Texas everyman Stu Redman and Jamey Sheridan as the denim-clad demon Flagg, it stands out as one of the better King adaptations — not at the level of “The Shining” (which King famously hated), “Carrie” and “The Dead Zone,” but well worth a weekend binge. (Unlike the 1994 version, which showed the apocalypse unfolding, the new version will begin after the superflu has already struck, with flashbacks to the pre-plague lives of its characters.)And from 2008 to 2012, Marvel Comics serialized a 31-issue comic-book adaptation, written by the future “Riverdale” showrunner Roberto Aguirre-Sacasa and illustrated by Mike Perkins. The comics have been collected in a series of hardcovers and a huge, now out-of-print omnibus edition.King has also adapted some of the characters and concepts from “The Stand” into other novels. Most notably, the arch-villain Flagg appears, in various guises and interdimensional iterations, as the heavy in other King works, from the fantasy novel “The Eyes of the Dragon” to the epic “Dark Tower” series, which ties much of King’s oeuvre into a single expanded universe. It’s this latter incarnation that Matthew McConaughey portrayed (though the character is named Walter Padick) in the 2017 feature film “The Dark Tower.”Matthew McConaughey (left, with Idris Elba) in “The Dark Tower” as the character Walter Padick, a later incarnation of the arch-villain Randall Flagg. Credit…Columbia PicturesAdvertisementContinue reading the main story More