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    ‘Six’ Tries to Get Back Onstage. Again, and Again, and Again.

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best MoviesBest TV ShowsBest BooksBest TheaterBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main story‘Six’ Tries to Get Back Onstage. Again, and Again, and Again.For nine months, the hit musical about the wives of Henry VIII has tried to keep the show going. But that’s not easy in a pandemic.A security guard takes ticket holders’ temperatures before a performance of “Six” in London, on Dec. 5.Credit…Photographs by Suzanne Plunkett for The New York TimesPublished More

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    Days After Reopening, London Theaters Must Shut

    #masthead-section-label, #masthead-bar-one { display: none }The Coronavirus OutbreakliveLatest UpdatesMaps and CasesThe Latest Vaccine InformationU.S. Deaths Surpass 300,000F.A.Q.AdvertisementContinue reading the main storySupported byContinue reading the main storyDays After Reopening, London Theaters Must ShutThe musical “Six” and a concert version of “Les Miserables” are among the shows that will close because of rising coronavirus cases in the city.Pedestrians walk past the Lyric Theatre before the performance of the musical “Six” in London on Dec. 5.Credit…Suzanne Plunkett for The New York TimesDec. 14, 2020LONDON — On Dec. 5, “Six” — the hit show about the wives of Henry VIII — staged a triumphant comeback when it became the first musical to be staged in London’s West End since the coronavirus pandemic began in March.Now, just nine days later, that comeback has been brought to a sharp halt.Matt Hancock, Britain’s health secretary, announced on Monday that the government was tightening restrictions in London, as well as other parts of southern England, because of a “very sharp, exponential rise” in coronavirus cases. The new restrictions, which include a ban on theatrical performances and the closure of other indoor cultural institutions, like museums, would take effect Wednesday, he added. Pubs and restaurants would also close, though they could still offer takeout.“For businesses affected, it will be a significant blow, but this action is absolutely essential,” Hancock said, addressing Britain’s Parliament.Many theaters in London have been closed since the beginning of the pandemic, in March, though some smaller shows returned in the summer, with reduced audiences and socially distanced performers.In November, some major productions, including “Six,” were slated to return, but the British government announced a national lockdown that scrapped their plans.That lockdown lifted on Dec. 2 and England moved to a tiered system of restrictions, with differing rules around the country, including for cultural events.The Coronavirus Outbreak More

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    Review: A World of Cardsharps and Zoom Dupes in ‘The Future’

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyReview: A World of Cardsharps and Zoom Dupes in ‘The Future’In his latest magic show, Helder Guimarães shuffles an old genre into a new technology with mixed results.Helder Guimarães in “The Future,” his Zoom magic show for the Geffen Playhouse.Credit…Julie RenfroDec. 14, 2020When a used-car salesman says, “I will be honest,” it’s a sure sign he won’t be.Same with a card huckster. For him, “I will be honest” means “Don’t look at my hands.” Other tells may include “You saw for yourself that this deck was legitimately shuffled.” (It wasn’t.) Or “I want this to be as fair as possible.” (Watch your wallet.)All of these are part of Helder Guimarães’s patter in “The Future,” a Zoom magic show from the Geffen Playhouse trying very hard to be more — but only partly succeeding. Oddly, it’s the magic part that most disappoints, at least as theater. The “more” part, a stretch toward greater meaning, is engaging even as you wonder if it too is a deception.That stretch comes between card tricks, as Guimarães offers glimpses of his life’s journey from fanboy to sorcerer’s apprentice to fast hand for hire. The tension between entertainment and crookery that’s built into the business eventually grows into a full-blown dilemma when he meets his childhood idol in Marseille.The idol, a British cardsharp named Kevin who presents himself as a reformed gambler, at first fulfills Guimarães’s teenage fantasies. Kevin seems to be the kind of man who would ply his trade in purple rooms with velour curtains and Venetian landscapes on the wall.The reality, in the form of a rigged high-stakes poker game Kevin invites Guimarães to join, is somewhat seedier. Eventually the younger man has to make a choice between betraying his idol and maintaining what he thought were his values.“I wanted to put some wonder in the world,” he says. Kevin, on the other hand, “wanted to outsmart people for money.”By the time Guimarães finds himself rigging raffles at corporate parties, the bright-line difference between those two worldviews has blurred. We never do learn what choice he made about Kevin, which makes sense theatrically, if not morally or magically. Who creates an illusion but refuses to complete it?To the extent the show’s tricks are meant to illustrate that story, they are effective. Many of the ones Guimarães learned from Kevin or saw him perfect — “second dealing, center dealing, stacking the deck, false shuffling, mucking” — are performed live during “The Future.” Narratively, that’s satisfying.Guimarães displays a hucksterish eagerness, but on Zoom, “pick a card, any card” doesn’t work.Credit…Geffen PlayhouseBut as magic for magic’s sake, the tricks, however brilliant, are baffling, for the very reason they succeed: They’re invisible. That’s especially the case on Zoom, where “pick a card, any card” doesn’t work.It’s less than awe-inspiring, for instance, that Guimarães has to tell us he has completed Kevin’s “cold deck” deception, a holy grail act of prestidigitation in which all 52 cards are secretly switched out for 52 others. On the evidence of our senses, nothing at all has happened except the elaborate setup and the surprising conclusion. I oohed but wasn’t sure what I was oohing at.Guimarães’s hucksterish eagerness, in contrast to his questing thoughtfulness in other contexts, doesn’t help in this one. As a workaround for the Zoom problem, he hammers so hard at the transparency of his deceptions that, like a character in a play, he invites skepticism about them. We know they are tricks; why keep badgering us to say that they aren’t?It’s misdirection, of course, the art of keeping our minds off whatever a magician doesn’t want us to notice. Kevin’s version, during that rigged poker game, was to have a confederate shatter a wineglass; on Zoom, with its lack of real eye contact, the task of distracting the eye is naturally much harder. That’s probably why a ticket to “The Future” includes a collection of props, including a deck of cards, mailed to each audience member in a chic black capsule: misdirection for the pandemic age.So although I admired Guimarães’s skill in “The Future” as much as I had in “The Present,” his previous show for the Geffen, I tired of his more elaborate tricks even faster than I did in the past. And though his storytelling — this time more evocatively realized in Frank Marshall’s direction — was lively, it wasn’t so distracting as to quell my suspicion that it was merely another form of misdirection.This suggests a genre problem. (Or it may just be a me problem; most of the 50 or so participants seemed to have a grand time throughout.) Magic, like ventriloquism, mind-reading, mime and other para-theatrical forms, has long sought greater legitimacy on what used to be called the legitimate stage. Working Vegas like some elephantless variety act is no longer enough for ambitious magicians; they aspire to the condition of drama.I think that’s a mistake. If the choice, as Guimarães expresses it, is between putting some wonder in the world and outsmarting people for money — tickets for “The Future” are $95 — I vote for wonder. I’d rather have some sequins and a rabbit than a three of clubs with a résumé.The FutureThrough March 14; geffenplayhouse.org.AdvertisementContinue reading the main story More

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    What’s on TV This Week: ‘The Art of Political Murder’ and CBS Specials

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best MoviesBest TV ShowsBest BooksBest TheaterBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyWhat’s on TV This Week: ‘The Art of Political Murder’ and CBS SpecialsA documentary about the murder of the Guatemalan bishop Juan José Gerardi debuts on HBO. And two celebrity benefit shows air on CBS.A funeral parade for Bishop Juan José Gerardi, as seen in “The Art of Political Murder.”Credit…HBODec. 14, 2020, 1:00 a.m. ETBetween network, cable and streaming, the modern television landscape is a vast one. Here are some of the shows, specials and movies coming to TV this week, Dec. 14-20. Details and times are subject to change.MondayTHE SHOT: RACE FOR THE VACCINE — A SPECIAL EDITION OF 20/20 10 p.m. on ABC. The recent rush of news regarding coronavirus vaccines has given some hope to a weary world. The process of getting here hasn’t been easy, to put it mildly, and there’s still an enormous amount of work to do. This special looks at the efforts by scientists and government officials to get a vaccine created and distributed in record speed. Its interview subjects include Dr. Anthony Fauci, the Food and Drug Administration commissioner Dr. Stephen Hahn and one of the chairs of President-elect Joseph R. Biden Jr.’s Covid-19 task force, the Yale professor Dr. Marcella Nunez-Smith.TuesdayFrom left, Maren Morris, Brandi Carlile, Amanda Shires and Natalie Hemby — the Highwomen — in 2019.Credit…Cody O’Loughlin for The New York TimesPLAY ON: CELEBRATING THE POWER OF MUSIC TO MAKE CHANGE 8 p.m. on CBS. A grab bag of musical acts including the Highwomen, Bruce Springsteen, John Legend and Sheryl Crow are set to perform in this benefit concert, which raises money for the NAACP Legal Defense and Educational Fund and the nonprofit WhyHunger. The variety of acts comes with a variety of venues: performances will be filmed at the Troubadour in Los Angeles, the Apollo Theater in New York and the Bluebird Cafe in Nashville.WednesdayTHE ART OF POLITICAL MURDER (2020) 9 p.m. on HBO. This documentary from the British director Paul Taylor (“We Are Together”) investigates the killing of Juan José Gerardi, a Guatemalan bishop who was murdered in April 1998, days after he released results of an investigation into human rights abuses committed during the country’s decades-long civil war. The film is built around interviews with the investigators who worked on the case; it’s based on the book of the same name by Francisco Goldman.MARNIE (1964) 10:15 p.m. on TCM. A year after Tippi Hedren broke out with her debut screen role in Alfred Hitchcock’s “The Birds,” she acted opposite Sean Connery in this Hitchcock thriller about a bad romance and sexual abuse. (The story was adapted from Winston Graham’s 1961 crime novel of the same name.) Connery was also a rising star: He’d broken out just couple years earlier, in “Dr. No.” Initial reception for “Marnie” was mixed. In his review for The Times, Eugene Archer took issue with most every aspect of it, including Connery and Hedren’s performances (“their inexperience shows”); Hitchcock’s direction (“the timing of key suspense scenes is sadly askew”); the set (“the most glaringly fake cardboard backdrops since Salvador Dalí designed the dream sequences for ‘Spellbound’”); and the script (“reduces this potent material to instant psychiatry — complete with a flashback ‘explanation scene’ harking back to vintage Joan Crawford and enough character exposition to stagger the most dedicated genealogist”). Still, some contemporary critics have been more kind to “Marnie” — including Richard Brody of The New Yorker, who has written that he considers it Hitchcock’s best film.ThursdayDenzel Washington in “The Equalizer 2.”Credit…Glen Wilson/Columbia PicturesTHE EQUALIZER 2 (2018) 5:30 p.m. on FX. The Times’s chief film critics Manohla Dargis and A.O. Scott recently released their list of the 25 greatest actors of the 21st century so far, and they placed Denzel Washington at the very top of the pack. Dargis wrote that Washington makes acting “look like breathing,” adding that he’s “played a lot of characters who embody law or criminality, and some who exist in the space dividing the two.” Washington’s character in “The Equalizer 2” falls into that second category. In the film — the most recent of several high body-count collaborations with the director Antoine Fuqua — Washington plays Robert McCall, a former military officer who gets pulled into vigilantism after a friend and former colleague is killed. In her review for The Times, Dargis wrote that the movie helps solidify Washington’s place in the pantheon of American screen actors like John Wayne, who played violently avenging heroes. “Like so many of the greatest American male stars,” she wrote, “violence becomes him.”THE GENTLEMEN (2020) 8:05 p.m. on Showtime. It takes a very particular kind of director to helm a live-action “Aladdin” for Disney, then follow it up months later with a lavishly brutal crime caper. Guy Ritchie is that kind of director. In “The Gentlemen,” he casts Matthew McConaughey as a pot kingpin whose talk of retirement kicks up a power struggle. McConaughey is surrounded by a slate of other famous performers whose characters are bad actors, in the criminal sense: Hugh Grant, Charlie Hunnam, Jeremy Strong and Colin Farrell.FridaySHREK (2001) 7 p.m. on Syfy. The mostly young voters who participated in the 2002 Nickelodeon Kids’ Choice Awards had a difficult call to make: Was it Mike Myers, Cameron Diaz or Eddie Murphy who delivered the very finest vocal performance in “Shrek”? (All three were nominees for the “favorite voice from an animated movie” award, along with Billy Crystal for his role in “Monsters, Inc.”) The honor ultimately went to Murphy. Tune in Friday night to judge whether the kids made the right choice.SaturdayMaya Angelou in “Maya Angelou: And Still I Rise.”Credit…Wayne Miller/ARC EntertainmentAMERICAN MASTERS: MAYA ANGELOU: AND STILL I RISE (2016) 8 p.m. on PBS (check local listings). The life of the poet, writer and civil rights activist Maya Angelou — also sometimes a performer, and more — is revisited in this documentary, which explores Angelou’s many talents. The film may be too broad for those already deeply familiar with her work, but newcomers diving into her prolific life will find a wide overview here. “This is a documentary interested in breadth rather than depth,” Ken Jaworowski wrote in his review for The Times, “and on those terms it succeeds.”Sunday22ND ANNUAL A HOME FOR THE HOLIDAYS 9:30 p.m. on CBS. CBS’s annual foster care adoption benefit show will include several virtual adoption ceremonies this year. As usual, it will also include performances from many celebrities, including Josh Groban, Miranda Lambert, Meghan Trainor, Leslie Odom, Jr. and Andrea Bocelli. Gayle King will host.AdvertisementContinue reading the main story More

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    ‘Saturday Night Live’ Sends Up Fauci and Covid-19 Vaccine Rollout

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main story‘Saturday Night Live’ Sends Up Fauci and Covid-19 Vaccine RolloutThe episode, hosted by Timothée Chalamet, also featured musical performances by Bruce Springsteen and the E Street Band.Kate McKinnon added Dr. Anthony Fauci to her repertoire this weekend on “Saturday Night Live.” (With Heidi Gardner as Dr. Deborah Brix.)Credit…NBCDec. 13, 2020While the pandemic has made Dr. Anthony Fauci, the nation’s top expert on infectious diseases, a highly visible figure in American life, “Saturday Night Live” has been circumspect about satirizing him in comedy sketches. When Fauci first turned up as an “S.N.L.” character this past spring, during one of the show’s remotely produced at-home episodes, he was given a mostly glowing treatment and played by none other than Brad Pitt (after Fauci himself had made the suggestion in a CNN interview).Presumably Brad Pitt had other commitments this weekend — instead, the “S.N.L.” cast member Kate McKinnon added another role to her ever-growing roster of celebrity and political impressions and played Fauci in the show’s opening sketch.McKinnon was joined by Heidi Gardner, playing Dr. Deborah L. Birx, the White House’s coronavirus response coordinator, as they explained to CNN’s Wolf Blitzer (Beck Bennett) how Pfizer’s Covid-19 vaccine, newly approved for emergency use, would be distributed to the American public.Following some applause from the audience, McKinnon said, “Let’s try to keep the woos to a minimum, please. As you all know, woos spread droplets.”McKinnon proudly announced that “the vaccine is approved and I am officially joining the Biden administration to continue the fight against Covid.”With some hesitation, Gardner added, “And I think I’ll be joining as well, right? Remember when Trump said to inject bleach and I did a stanky little face? And I almost whispered, ‘No’? Remember?”McKinnon said that “we’re doing this vaccine World War II-style,” and further explained: “We made England go in first, see what’s what. And then we swoop in at the end and steal the spotlight. Tom Hanks will make 10 movies about it and when it’s all over you can kiss any nurse you want.”Asked by Bennett to evaluate Trump’s performance during the pandemic, McKinnon answered, “I try not to comment, but this president has done about as good a job with this rollout as I did throwing out that first pitch at the Nationals game.” “S.N.L.” played video of Fauci’s pitch from July, which markedly missed home plate. (We’re not saying we could do any better.)McKinnon’s Fauci explained that the ultimate aim was a return to relative anonymity.“If enough Americans get this vaccine, you’ll all forget who I am,” McKinnon said. “That’s my goal, to have zero name recognition with Americans. Because that means I’ll have done my job well.”She added, “You have my promise that no matter who is in charge, I’ll do everything possible to ensure that you are able to see your loved ones safely once again.”Gardner chimed in: “And I’m taller.”Celebrity Bellwether of the WeekSometimes an “S.N.L” sketch offers a helpful snapshot of which famous figures its cast members deem worthy of being impersonated at a particular moment in time. That was the primary role fulfilled by “The Dionne Warwick Talk Show,” which featured Ego Nwodim as that enduring pop singer and newly-minted star of social media.While she didn’t necessarily recognize who most of her guests were, Nwodim played host to Harry Styles (played by Chalamet), Billie Eilish (played by Melissa Villaseñor and introduced as “Ms. William Eyelash”), Machine Gun Kelly (Pete Davidson) and, in a neat bit of meta-commentary, Timothée Chalamet (played by Chloe Fineman as an exuberant goofus).Weekend Update Jokes of the WeekOver at the Weekend Update desk, the anchors Colin Jost and Michael Che riffed on the Supreme Court’s swift rejection of a lawsuit, filed by the Republican attorney general of Texas and supported by numerous G.O.P. officials, that vainly sought to undo the results of November’s presidential election.Jost began:Guys, I’ve got to be honest. I’m beginning to think that Donald Trump didn’t win this election. This week, the Supreme Court dismissed two different Trump lawsuits to overturn the election results. They were the first rulings by the Supreme Court that were just the eyeroll emoji. Don’t worry, Trump isn’t throwing in the towel because he’s been a fighter his whole life. At least that’s what it looks like on his brain scans. I just love how the media keeps telling us, OK, this time, it’s over. Nothing is ever over as long as Donald Trump can make money off it. Even when he dies his tombstone is just going to have his Venmo info. Also, he’s a billionaire and he keeps asking his supporters for five dollars. Isn’t that just sad? It’s like saying, for the price of a cup of coffee a day, you can help a desperate old man pretend he’s still president.Che continued:The Texas lawsuit asked the Supreme Court to invalidate election results in four other states. Which is a plan so crazy, only Texas would try to execute it.Many Black doctors are saying that they are having a hard time convincing their patients to take the Pfizer and Moderna vaccines. Which is weird, because Moderna Vaccine is my favorite Tyler Perry character.Fake Cable Channel of the WeekPivoting off the insurgent success of cable channels like Newsmax, which have supported President Trump’s false claims that he won the election, “S.N.L.” introduced us to a new companion channel, Sportsmax, where failing New York sports teams like the Jets and the Knicks somehow find ways to emerge victorious.As a sports anchor played by Alex Moffat explained, “A lot of mainstream sport networks like ESPN are saying that the Jets have not won a single game this year, that they’re 0 and 12.” A commentator played by Bennett added that this was “is very interesting because the truth is, the Jets have already won 11 games this season.” Revisiting an October matchup that the Jets lost to the Buffalo Bills, Bennett said, “After the first quarter, the Jets were winning the game 3 to 0. But then something very suspicious happened. The Bills start getting all these points out of God knows where. Either the Jets won, 3 to 0, or this whole game’s rigged.”Musical Performance of the WeekIt’s been a long week, a long month and an especially long year. So here, to offer a few minutes’ respite from reality, are Bruce Springsteen and the E Street Band with a rousing rendition of their song “Ghosts.” (They also came back later in the program to deliver an equally stirring performance of their song “I’ll See You in My Dreams.”)AdvertisementContinue reading the main story More

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    Holiday Theater to Stream

    #masthead-section-label, #masthead-bar-one { display: none }Holidays 2020Tame Your Gift MonsterSaying Goodbye to HanukkahHanukkah Dreidel TreatHoliday Gift GuideAdvertisementContinue reading the main storySupported byContinue reading the main storyCozy Up With Holiday PlaysStream productions of reimagined fairy tales and Christmas standards like ‘A Christmas Carol’ being staged at theaters around the world.Credit…Luci GutierrezDec. 12, 2020Even a year as extravagantly Grinch-like as 2020 can’t quash holiday shows entirely. Rather than succumbing to despair and too much eggnog, theater companies have instead turned to performance capture, audio drama, livestream, green screen, shadow puppets and virtual reality to deliver festal entertainment. So let heaven and nature sing, unbothered by Zoom time delays. Here are a few suggestions to enjoy virtually.Pantomime? Oh yes, it is!The English tradition of pantomime — with its fractured fairy tales, its playful cross-casting, its audience call-and-response — has never really caught on in America. But this year, several companies have made these comedies available internationally. In England, the Belgrade Theater’s Iain Lauchlan has created a version of “Jack and the Beanstalk,” which includes a good fairy from Britain’s National Health Service and a cow that measures at least six feet, so that the two actors inside can appropriately distance (belgrade.co.uk, through Dec. 31).Meanwhile, the Nottingham Playhouse will stage a version of “Cinderella” with the ball open to all (nottinghamplayhouse.co.uk, from Dec. 19). Sleeping Trees have prepared an antic panto mashup, “The Legend of Moby Dick Whittington” (thesleepingtrees.co.uk, through Dec. 31). Scotland’s Pace Theater Company offer free performances of “Lost in Pantoland” (pacetheatre.com, from Dec. 19). The National Theater of Scotland’s “Rapunzel: A Hairy Tale Adventure” draws parallels between a certain tower-trapped princess and the experience of lockdown (nationaltheatrescotland.com, from Dec. 22). Also in Brit, Perth Theater spreads Southern hemisphere joy with “Oh Yes We Are! A Quest for Long Lost Light and Laughter” (horsecross.co.uk, through Dec. 24).Carol After CarolActual caroling is frowned upon this year (singing really sends those viral particles flying) and “A Christmas Carol” is also a dubious in-person proposition in most places. But the actor Jefferson Mays and the director Michael Arden have filmed “A Christmas Carol” — with Mays playing all the roles, even a potato. The Times critic Jesse Green described the show as “an opportunity to make what was already a classic story feel new, while also making it feel as if it should matter forever.” (achristmascarollive.com, on demand through Jan. 3.)If a one-man “Carol” strikes you as mere humbug, try the relative luxury of Jack Thorne’s “A Christmas Carol” at the Old Vic, directed by Matthew Warchus. (A version played on Broadway two winters ago.) In this production, livestreamed from an empty theater, Andrew Lincoln stars as Scrooge. Thirteen other actors assist in his transformation (oldvictheatre.com, through Dec. 24). Or consider the wizardry of Manual Cinema, which tells the tale with hundreds of paper puppets and silhouettes (manuelcinema,com, through Dec. 20). Or close your eyes as the ghosts of Christmas past, present and future appear via audio in “A Christmas Carol on Air” from the American Conservatory Theater, which takes the theater’s beloved holiday production and adapts it for radio (act-sf.org, on demand through Dec. 31).Holiday Tales, RetoldThis season, many companies have retrofitted familiar tales to better reflect the themes of an unfamiliar year, offering comfort or its opposite. Let’s start with what a story like “Twas the Night Before Christmas” leaves out. Do you really think it’s jolly Saint Nick who sorts out how to distribute all the presents? As a gentle corrective, North London’s Little Angel Theater, offers a free online puppet show, “Mother Christmas,” in which Mrs. Claus organizes the package delivery (available on YouTube). Prefer a darker vision of the Christmas story? Try “Krampusnacht,” a live immersive virtual reality experience that promises to reveal horror beneath that red suit (krampusnachtvr.com, through Dec. 27).Elsewhere, the visionary director Mary Zimmerman reinvents Hans Christian Andersen’s “The Steadfast Tin Soldier” for a wordless, enchanting livestream, hosted by the Lookingglass Theatre Company (lookingglasstheatre.org, through Dec. 27). And Kitchen Zoo and Northern Stage rework another Andersen tale, “The Emperor’s New Clothes,” into a cockles-warming holiday story of two fashion-conscious con artists (northernstage.co.uk, through Dec. 31).The Christmas-industrial complex is mighty, but for those looking for some Hanukkah counterprogramming, Untitled Theater Company has reworked its children’s theater show “Playing Dreidel with Judah Maccabee” for remote performance. Via Skype, Zoom or phone, an actor will connect with a young person in your household for a time-traveling, dreidel-playing adventure (untitledtheater.com, through Dec. 20).AdvertisementContinue reading the main story More

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    New Star of ‘The Prom’ Sees a Chance to Make L.G.B.T.Q. Characters Visible

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best MoviesBest TV ShowsBest BooksBest TheaterBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyNew Star of ‘The Prom’ Sees a Chance to Make L.G.B.T.Q. Characters VisibleLike her character, Jo Ellen Pellman identifies as queer, and she is making her film debut in the Netflix musical alongside A-listers like Meryl Streep and Nicole Kidman.“It’s the best feeling in the world knowing I can bring my authentic self to the role,” Jo Ellen Pellman said of “The Prom.”Credit…Da’Shaunae Marisa for The New York TimesPublished More

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    ‘Le Jeu de la dame’ encourage les femmes à se mettre aux échecs

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best MoviesBest TV ShowsBest BooksBest TheaterBest AlbumsThe actress Beth Behrs has been obsessed with chess since watching ‘The Queen’s Gambit’ on Netflix.Credit…Jessica Lehrman for The New York TimesSkip to contentSkip to site index ‘Le Jeu de la dame’ encourage les femmes à se mettre aux échecs La série-phare de Netflix montre que “les femmes peuvent être des rock stars” aux échecs; elle suscite de nouvelles vocations auprès de ses fans, dont des adolescentes et l’actrice Beth Behrs. The actress Beth Behrs has been obsessed with chess since watching ‘The Queen’s Gambit’ on Netflix.Credit…Jessica Lehrman for The New York TimesSupported byContinue reading the main storyDec. 11, 2020Read in EnglishLa comédienne Beth Behrs a une nouvelle obsession — les échecs — et c’est la faute de la série “Le Jeu de la dame”, sur Netflix. Elle lui a même attiré des ennuis sur le plateau de la série CBS “The Neighborhood” dans laquelle elle joue le rôle de Gemma Johnson.“Ils m’ont crié dessus hier au boulot parce que je cachais mon téléphone sous mon scénario”, raconte-t-elle. “Au lieu de faire mon métier d’actrice, je jouais à Chess.com.”Behrs est loin d’être la seule à s’être découvert cette nouvelle passion. “Le Jeu de la dame”, ou “The Queen’s Gambit”, raconte l’histoire de Beth Harmon, une prodige aux échecs, qui se fraie un chemin dans le monde des tournois, dominé par les hommes. La série est un succès pour Netflix — 62 millions de foyers ont regardé au moins une partie de la série, selon la plateforme de streaming — et le phénomène a réveillé l’intérêt pour ce jeu, notamment auprès de femmes et de jeunes filles.Chess.com, le site sur lequel jouait Beth Behrs, a enregistré plus de 2,35 millions de joueurs supplémentaires depuis la sortie de la série fin octobre, selon Nick Barton, son directeur du développement commercial. Les inscriptions de femmes sont en hausse de 15% depuis la diffusion du “Jeu de la dame”, précise-t-il.La demande de cours d’échecs monte en flèche. Evan Rabin, le fondateur de Premier Chess, précise que les inscriptions à des leçons virtuelles cet automne ont crû de 50%, en grande partie par des femmes. Chez Maxim Dlugy, un grand maître qui dirige la Chess Max Academy à Manhattan, la demande de cours particuliers a doublé, et lui aussi constate qu’il y a davantage de joueuses.Parmi ces nouvelles adeptes, il y a Leyli Zohrenejad, membre du conseil d’administration de plusieurs organisations à but non lucratif, dont Pioneer Works à Red Hook, un quartier de Brooklyn. Elle a appris à déplacer les pièces lorsqu’elle était jeune, mais ne s’est mise proprement à jouer qu’avec la diffusion du “Jeu de la dame”.“Ça m’a en quelque sorte décidé à passer de ces jeux distrayants sur smartphone à quelque chose de vraiment plus significatif”, explique Zohrenejad.Elle prend jusqu’à quatre leçons par semaine et débute certaines de ses journées en réfléchissant à des problèmes d’échecs, sa tasse de café à la main.Beth Behrs chez elle. Elle et son mari, l’acteur Michael Gladis, se réservent une soirée à deux par semaine pour jouer aux échecs.Credit…Jessica Lehrman for The New York Times“Ça me réveille le cerveau le matin”, dit-elle. “Il n’y pas grand chose que je puisse faire le matin qui me mettrait dans une disposition d’esprit similaire”. Svetlana Timofejeva, qui vit à Athènes, en Grèce, a débuté des cours d’échecs il y a quelques semaines avec Anastasiya Karlovich, une femme grand maître, après avoir vu sur Facebook une publicité avec la photo de Beth, l’héroïne de la série. Les échecs lui rappellent son père, raconte-t-elle, qui lui avait appris à jouer quand elle était jeune et qu’elle vivait en Lettonie. Il s’y adonnait avec des amis dans un jardin public, tout comme dans les scènes du dernier épisode de la série.Bianca Mitchell, qui a 15 ans et qui vit à Albuquerque, s’est mise à jouer au CP mais a arrêté en classe de cinquième, quand elle est partie un an à Rochester, dans l’État de New York.“J’étais la seule fille à jouer et ça me mettait vraiment mal à l’aise”, admet-elle.À son retour au Nouveau-Mexique, elle n’avait pas envie de reprendre. Mais son état d’esprit a changé en voyant “Le Jeu de la dame”. Apprentie cinéaste, elle est enthousiasmée par la cinématographie et par le personnage de Beth. La série montre les échecs sous un jour “très glamour et luxueux, que les femmes peuvent être des rock stars”, dit-elle. À présent, elle aussi veut devenir grand maître.Lila Field, à gauche, et sa soeur  Rowan Field en 2019; elles ont toutes deux pris part à des tournois internationaux d’échecs.Credit…Carmen FieldLa série a même inspiré des joueuses d’échecs établies. Rowan Field, 12 ans, et sa sœur, Lila, 11 ans, qui vivent à New York (et ont toutes deux auditionné pour le rôle de Beth enfant), sont des juniors bien classées qui ont pris part à des tournois internationaux au Brésil, en Chine, en Espagne et au Chili.Si elles disent ne pas s’identifier à Beth, parce qu’elle est orpheline et souffre d’addictions, elles trouvent que ce personnage “montre qu’il peut y avoir des joueuses d’échecs extrêmement talentueuses”, se félicite Rowan, sa sœur acquiesçant d’un hochement de tête lors d’un appel Zoom. On voir rarement ça dans les séries télévisées ou les films, note Rowan.Pour Marisa Maisano, 13 ans, qui vit à Philadelphie et qui a commencé à jouer aux échecs au CP, Beth est un modèle d’excellence. “Suivre ses progrès au fil du temps et constater à quel point ils sont stupéfiants, et comment elle a réussi, ça a vraiment été une source d’inspiration pour moi”, confie-t-elle. Deux de ses amies qui ne savaient pas jouer aux échecs lui ont demandé de leur apprendre le jeu.Beth Behrs, comédienne et passionnée d’échecs.Credit…Jessica Lehrman for The New York TimesOn n’avait pas vu un engouement pareil pour les échecs depuis 1972, l’année où l’Américain Bobby Fischer est devenu champion du monde en l’emportant sur le Russe Boris Spassky. Une génération de passionnés s’en est suivie mais la vogue est retombée — en grande partie parce que Fischer s’est progressivement enfermé dans la solitude et l’instabilité, tenant des propos antisémites puis renonçant à son titre. Il est trop tôt pour savoir si l’enthousiasme actuel pour ce jeu perdurera et s’il est susceptible d’engendrer de nouvelles Beth Harmon. Mais beaucoup lui ont déjà fait une place dans leurs vies.Pour la comédienne Beth Behrs, savoir jouer aux échecs est une priorité depuis longtemps car son mari Michael Gladis — l’acteur de la série “Mad Men” — est un passionné. Il arrive à ce dernier de jouer plusieurs parties par jour sur Internet. Quand ils se sont mis en couple il y a 10 ans, Behrs a tenté de s’y adonner mais se sentait intimidée.“J’ai mis ça de côté et je ne m’y suis jamais mise”, reconnaît-elle.“Le Jeu de la dame” a tout changé. La série lui a donné confiance et elle trouve le jeu créatif et stimulant.Désormais, Behrs et Gladis se réservent une soirée à deux par semaine pour les échecs. Ils mettent un disque, allument un feu dans la cheminée et commencent la partie.AdvertisementContinue reading the main story More