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    Sarah Paulson Wins Her First Tony for Best Actress in a Play

    Sarah Paulson won the Tony Award for best actress in a play for her performance in the family drama “Appropriate.” This is Paulson’s first Tony.An Emmy winner who made her name in television, Paulson, in her first stage role in a decade, appears in the Branden Jacobs-Jenkins play as a sharp-tongued elder sister who is reunited with her siblings to deal with their deceased father’s estate.“Appropriate,” which won best revival of a play on Sunday, became one of the buzziest shows of the year, partly because of Paulson’s star power.The role takes endurance. Set at the family’s home in Arkansas, the play is largely propelled by the reactionary anger of Paulson’s character, Toni Lafayette, who is seeking to protect her father’s legacy from mounting evidence that he harbored racist convictions. Her approach involves searing insults aimed at her siblings, played by Michael Esper and Corey Stoll.Thanking Jacobs-Jenkins in her acceptance speech, Paulson said: “I will never be able to convey my gratitude to you for trusting me, for letting me hold the hand of Toni Lafayette, a woman you have written who makes no apology, who isn’t begging to be liked or approved of but does hope to be seen.”Though Paulson has found fame in television series like “American Horror Story” and “The People v. O.J. Simpson: American Crime Story” — winning an Emmy for her performance as the prosecutor Marcia Clark — her career has roots in theater. And she was exposed to Broadway early on. After she moved to New York City as a child, her mother worked as a waitress at Sardi’s, a Broadway haunt that just so happens to be next door to the theater where “Appropriate” opened in December.Paulson’s first job out of high school was as an understudy on Broadway for Amy Ryan in “The Sisters Rosensweig.” (Ryan, who starred in the play “Doubt,” was also nominated in the leading actress category this year.)The nominees also included two movie stars: Jessica Lange for “Mother Play” and Rachel McAdams for “Mary Jane.” Betsy Aidem was nominated for “Prayer for the French Republic.”Paulson’s win carried echoes of the Tony Awards in 2005, when her girlfriend at the time, the actress Cherry Jones, won the award for her performance in the original production of “Doubt.” Paulson, who was seated beside her, kissed Jones ahead of her acceptance speech, coming out publicly for the first time as being in a relationship with a woman.On Sunday, when she won the award, Paulson kissed her longtime partner, the actress Holland Taylor. More

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    ‘Stereophonic’ Wins the Tony Award for Best New Play

    “Stereophonic,” which eavesdrops on a folk-rock quintet whose members make up and break up as they lay down tracks for what will become a smash LP, won the Tony Award for best new play on Sunday. Its 13 Tony nominations are the most a play has ever received.It was the fifth award of the night for “Stereophonic.” Daniel Aukin won for best direction of a play; Will Brill, who plays the band’s bassist, for best featured actor in a play; David Zinn, for best scenic design of a play; and Ryan Rumery for best sound design of a play.A meditation on the joy and torture of creative collaboration, “Stereophonic” — written by David Adjmi and directed by Daniel Aukin, with songs by Will Butler — is a transporting work of naturalistic drama and a star-making break for its cast. Set over the course of a year, first in a recording studio in Sausalito, Calif., and later in Los Angeles, it embraces the technical aspects of recording.“I took that as a challenge,” Adjmi told The New York Times. “So much of it, the banality of the process, is part of what’s so beautiful about it, the granularity of it.”“Stereophonic,” which opened in April at the Golden Theater, is a critical hit. “The play is a staggering achievement and already feels like a must-see American classic,” Naveen Kumar wrote in a review for The Times.Remarkably, many of the cast members had barely played an instrument before rehearsals began. And none of them had played professionally. But after an unusually rigorous rehearsal period, they became a band, supporting one another even through bum notes and fitful tempo.“We all hit wrong notes all the time,” Sarah Pidgeon, a star of the show, said. “But it still works because it’s real.”The other nominees for best new play were “Jaja’s African Hair Braiding,” “Mary Jane,” “Mother Play” and “Prayer for the French Republic.” More

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    ‘Merrily We Roll Along’ Was a Flop in 1981. Now It’s a Tony Winner.

    “Merrily We Roll Along,” long considered one of the most storied flops in Broadway history, found redemption on Sunday when it won the Tony Award for best musical revival, belatedly establishing it in the pantheon of Stephen Sondheim masterpieces.The award, although widely expected, nonetheless represents a miraculous rehabilitation for a troubled title. The original production, in 1981, closed just 12 days after opening, dogged by terrible reviews and reports of audience walkouts. The current production — which features a major movie star, Daniel Radcliffe, alongside two popular Broadway performers, Jonathan Groff and Lindsay Mendez — has been a profitable hit met with near-universal acclaim, sold-out houses and high average ticket prices.“Merrily,” about the implosion of a three-way friendship over a 20-year period, features music and lyrics by Sondheim and a book by George Furth. It is based on a 1934 play by George S. Kaufman and Moss Hart, and the original production was directed by Hal Prince. The debacle was notorious enough that it became the subject of a 2016 documentary, “Best Worst Thing That Ever Could Have Happened.”But the show lived on and has been repeatedly reworked in the decades since because, despite its difficult birth, a cadre of passionate fans has long found it profound and, with a widely admired score, worthy of reconsideration.Much has changed, in addition to rewrites, to transform the show from failure to success. The show unfolds in reverse chronological order, a device that was less familiar to audiences in the early 1980s than it is now. To portray characters who start the show in their 40s and end it in their 20s, the original cast was made up of adolescents and young adults. Later productions have gone the other way, generally relying on actors who are older, which has proved more emotionally effective for theatergoers.The current production’s starry, appealing cast, who also performed in a 2022 Off Broadway run at New York Theater Workshop, helped make the show a must-see even before audiences discovered that they liked the story and the songs and found the show both affecting and artful.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘House of the Dragon’ Season 2 Premiere Recap: Killing in the Name Of

    The second season of HBO’s “Game of Thrones” prequel opens with an illicit affair and a misguided act of revenge.Season 2, Episode 1: ‘A Son for a Son’King Viserys is dead. Princess Rhaenyra (Emma D’Arcy) is deposed. Aegon Targaryen (Tom Glynn-Carney), the Second of His Name, sits the Iron Throne. Well, not so much sits as slouches — drunkenly, at that.With his frat-bro buddies lounging around him, equally in their cups, the newly crowned King of Westeros brags about his baby brother’s loyalty and complains about the flowery nickname bestowed upon him by the heralds, Aegon the Magnanimous. “No one knows what ‘magnanimous’ means,” he complains. A buddy suggests “Aegon the Generous” as an alternative, to general acclaim.But all around the wastrel king and his inebriated mates, the still-sharp swords of the sprawling Iron Throne bristle with danger. And the men are too busy making merry to notice the pair of child killers skulking across the throne room at that very moment, hiding in plain sight.This blend of comedy and cruelty, human foibles and inhuman violence, sums up the “House of the Dragon” project pretty neatly.This season, the very popular prequel to HBO’s world-bestriding fantasy colossus “Game of Thrones” — both shows are based on books set within the imagined world of Westeros by the author and co-creator George R.R. Martin — is shepherded by the sole showrunner, Ryan Condal, who also writes the premiere. (Condal’s former co-showrunner, the director Miguel Sapochnik, departed the show after its first season; Alan Taylor, who like Sapochnik is a “Thrones” alumnus, is behind the camera for this episode.)The improvements begin right away, with new opening titles that whisk us through the history of the ruling House Targaryen via the sewing of a grand tapestry. This replaces last season’s frankly impenetrable attempt to evoke “Thrones”’s clockwork credits with a stone-and-metal sluice of blood that not even I, a person with a quote from Martin’s novels tattooed on his right forearm, could follow.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Chita Rivera’s Life and Career Are Honored at the Tonys

    Chita Rivera, who dazzled Broadway audiences for nearly seven decades, died in January at the age of 91. She “was a Broadway star as long as anyone — and maybe longer,” our chief theater critic, Jesse Green, wrote in an appraisal. Rivera, whose father was born in Puerto Rico, was best known for starring as Anita in “West Side Story” and Velma Kelly in “Chicago,” but had a long list of credits to her name. (She detailed her life in career in “Chita: A Memoir,” written with Patrick Pacheco, in 2023.)The New York Times has extensively covered Rivera’s life and career. Here is a look at some of our recent work remembering her. More

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    Daniel Radcliffe Wins His First Tony for ‘Merrily We Roll Along’

    Daniel Radcliffe is one of the world’s most famous actors. But he’s never won a major award. Until now.Radcliffe won the Tony Award for best performance by an actor in a featured role in a musical, for his work in the smash hit revival of “Merrily We Roll Along.” The show is Radcliffe’s fifth on Broadway, but the first for which he was even nominated for a Tony, despite mostly admiring reviews all along the way.Radcliffe, 34, will forever be known as the actor who played the title wizard in all eight “Harry Potter” films. But even before shooting of those films concluded, he had begun making the adventurous choices — onstage and onscreen — that have helped him accomplish the rare transition from child star to respected adult actor.In “Merrily,” Radcliffe plays Charley Kringas, a lyricist-turned-playwright whose long friendship and collaboration with a talented composer (a character named Franklin Shepard, played by Jonathan Groff) has imploded.Radcliffe’s enormous star power is a significant factor in the success of this production, which promises to forever alter how “Merrily” is viewed because the show’s original production, in 1981, was a storied flop.Radcliffe has been with the production since 2022, when he played the same role, with the same co-stars, during an Off Broadway run at the nonprofit New York Theater Workshop. The Broadway production opened last October, and is scheduled to conclude on July 7.He has repeatedly shown a willingness to try new things. Radcliffe first arrived on Broadway in 2008, starring in a revival of “Equus” that required him to appear nude; his next role, in a 2011 revival of the musical “How to Succeed in Business Without Really Trying,” required him to sing.He has since returned to Broadway to star in two more plays, “The Cripple of Inishmaan” in 2014 and “The Lifespan of a Fact” in 2018, and he also starred in an Off Broadway play, “Privacy,” in 2016 at the Public Theater.He has continued to make movies, many of them indie-ish projects including “Kill Your Darlings,” “Swiss Army Man” and “Weird: The Al Yankovic Story.”In an interview last month, two days after being nominated for the Tony Award, Radcliffe said that he keeps returning to the stage “because I love it.”“There’s something thrilling about doing something that scares you, live, a bit, every night,” he said. “And just the connection with the audience — being in a room full of people and feeling them react to the story. We’re very lucky it’s such an emotional show: There’s a lot laughs, and there’s a lot of comedy, but you can also hear people being emotionally affected by it towards the end, and that’s a very rewarding thing to be a part of.” More

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    Live Updates: Tony Awards Honors Best of Broadway

    June 16, 2024, 8:12 p.m. ETJeremy Strong as Dr. Thomas Stockmann in “An Enemy of the People.”Sara Krulwich/The New York TimesJeremy Strong, who shot to stardom playing the scheming Kendall Roy in the HBO phenomenon “Succession,” won his first Tony Award for playing Dr. Thomas Stockmann in Amy Herzog’s adaptation of the Ibsen drama “An Enemy of the People.”The character, a medical officer who discovers that his town’s beloved spa is dangerously polluted, finds himself in a thankless position: When he speaks the truth, the townspeople turn on him.It’s a role that has been physically demanding for Strong, 45, a famous method actor — buckets of ice cubes are dumped on his body each night, and at one point, he becomes so incensed that he tears his shirt off, buttons flying every which way. (In an interview with The New York Times in April, he likened playing the role to “walking the plank,” “summiting Everest” and “walking a beautiful tightrope over an abyss.”)The Times’s chief theater critic, Jesse Green, wrote that Strong, who won an Emmy award for his work on “Succession,” delivers a “spectacularly accurate yet non-showy” performance that appears to have been modeled on Dr. Anthony S. Fauci, the infectious disease expert. That encompasses, Green wrote, “not just his messianic faith in science but also his barely mastered disdain, social weirdness and haircut.”Though Strong established mainstream success on the screen, he spent his early career in the theater. His first Broadway role was playing an ambitious moral chameleon opposite Frank Langella in “A Man for All Seasons” in 2008. “Enemy” is the first time he has returned to the stage in more than a decade.“It felt necessary,” he told The Times in April. “The play felt like a summons.” More

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    Tony Award Winners 2024: Updating List

    The Tony Awards begin on Sunday at 8 p.m. E.T., live from Lincoln Center’s David H. Koch Theater.Follow the latest live updates and photos from the Tony Awards.After a very crowded spring in which 18 Broadway shows opened in two months, theatergoers and actors alike can finally exhale — and celebrate.On Sunday night, the Tony Awards will hand out its annual honors at Lincoln Center during a ceremony hosted, for the third year, by the Oscar-winning actress Ariana DeBose. A handful of awards were presented during a preshow on Pluto TV before the main ceremony at 8 p.m. on CBS and Paramount+.This Broadway season — comprising plays and musicals that opened during the eligibility period between April 28, 2023, and April 25, 2024 — featured scores of screen actors who took to the stage. Daniel Radcliffe picked up his first Tony nomination for a revival of “Merrily We Roll Along” (his fifth Broadway show); Jeremy Strong is nominated for his role in “An Enemy of the People”; Rachel McAdams for “Mary Jane”; and Sarah Paulson for “Appropriate.”In a season packed with star-studded revivals and productions, 28 of the 36 eligible shows picked up at least one nomination, with “Hell’s Kitchen” and “Stereophonic” tied for the most at 13 each. Viewers can expect lively performances and musical numbers from “Cabaret,” “Water for Elephants” and “Illinoise,” among other acts from Tony-nominated shows.An updating list of winners is below.Best Book of a MusicalShaina Taub, “Suffs” (Read our feature.)Best Leading Actor in a PlayJeremy Strong, “An Enemy of the People” (Read our feature.)Best Featured Actor in a PlayWill Brill, “Stereophonic” (Read our review.)Best Scenic Design of a PlayDavid Zinn, “Stereophonic” (Read our feature.)Best Scenic Design of a MusicalTom Scutt, “Cabaret”Best Costume Design of a PlayDede Ayite, “Jaja’s African Hair Braiding” (Read our Behind the Scenes.)Best Costume Design of a MusicalLinda Cho, “The Great Gatsby”Best Lighting Design of a PlayJane Cox, “Appropriate”Best Lighting Design of a MusicalBrian MacDevitt and Hana S. Kim, “The Outsiders”Best Sound Design of a PlayRyan Rumery, “Stereophonic”Best Sound Design of a MusicalCody Spencer, “The Outsiders”Best ChoreographyJustin Peck, “Illinoise” (Read our feature.)Justin Peck won the Tony Award for best choreography for “Illinoise” during a preshow ceremony on Sunday night.Sara Krulwich/The New York TimesBest OrchestrationsJonathan Tunick, “Merrily We Roll Along” (Read our feature.)Special Tony Award for Lifetime AchievementJack O’BrienGeorge C. Wolfe2024 Special Tony AwardAlex EdelmanAbe Jacob (Read our feature.)Nikiya Mathis (Read our feature.)Isabelle Stevenson AwardBilly PorterRegional Theater Tony AwardThe Wilma TheaterTony Award for Excellence in Theater EducationCJay Philip, Dance & BmoreTony Honors for Excellence in the TheaterWendall K. HarringtonDramatists Guild FoundationThe Samuel J. Friedman Health Center for the Performing ArtsColleen Jennings-RoggensackJudith O. RubinThe Wilma Theater More