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    Joe Rogan Plays Dumb in His Netflix Special

    On his podcast, Rogan indulges his own obsessions and eccentricities. But in “Burn the Boats,” his Netflix comedy special, contempt for the crowd is a theme.On Saturday night, Joe Rogan started glitching.Minutes into his live comedy special “Burn the Boats,” the movements of his mouth did not match what he was saying. Audio went in and out. Certain phrases repeated, Max Headroom-style. Someone as conspiracy-minded as Rogan might wonder: Was this payback for his criticism of vaccines and lockdowns? Is the mainstream media behind this? Aliens?More likely, just boring old technical difficulties. Livestreaming remains a work in progress for Netflix. Following stand-up hours by Chris Rock and Katt Williams, Rogan became the third comic to try this experiment, putting out his first special in six years. You could see the logic of getting him to do it during election season but oddly, he didn’t address the latest developments in the presidential campaign. Rogan made more news last week on his podcast, where he suggested that the assassination attempt on Donald J. Trump has been “memory holed” and that Kamala Harris could win. He also suggested that the reason President Biden sometimes seems more coherent is that he uses a body double.Part of the reason that Rogan has built the most popular podcast in the world is that he promises to explore ideas that he says the mainstream media ignores or downplays. Was the Moon landing faked? Are aliens landing in Roswell the reason we invented fiber optics? Does wearing a mask make you seem like less of a man? Joe is on it.And yet, there is one question you don’t hear investigated on his podcast, one relevant to his success but taboo in certain precincts of the comedy world: Is Joe Rogan good at standup comedy?That can be a dangerous one for some comics to touch on because Rogan has become a powerful gatekeeper, the owner of a club in Austin, Texas, and a host who drives viewers to specials and movies. Rogan tends to be talked about as a political or sports figure, a guru for bros, a symptom of a culture rampant with conspiracy, transphobia and misinformation. But his current notoriety is all built on a decades-long career of standup, which provides a contrast with his other media job.Whereas he performs patient thoughtfulness in his podcasts, his standup is frantic, animated, full of unmodulated yelling. His eyes pop out and his face reddens. Midway through “Burn the Boats,” a jagged line of perspiration forms on his tight yellow shirt, making him look like Charlie Brown on steroids. Even if it seems too hammy for a close-up, there’s a cartoonish aspect to his persona that tells you to not take him seriously.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘House of the Dragon’: All the Dragons and Their Riders So Far

    The dragons are amassing, and just like their humans, they have histories and personalities, too. Here’s a rundown of who’s riding whom.“House of the Dragon” has finally lived up to its name; it’s all about the dragons ahead of the Season 2 finale, airing Sunday on HBO.The Targaryen civil war between the Blacks (supporters of Queen Rhaenyra’s claim to the Iron Throne) and the Greens (those who support her half brother Aegon) has had its share of palace intrigue, betrayals and populist tactics. But ultimately, the side with the greatest number of dragons has the edge.As Daemon Targaryen, Rhaenyra’s errant king consort, once said: “Dreams didn’t make us kings. Dragons did.”Here’s a look at all of the dragons and their riders from the show so far.Team BlackSyraxRhaenyra (Emma D’Arcy) and her dragon, Syrax, who is fearsome but young.Theo Whiteman/HBORider: Rhaenyra Targaryen (played by Emma D’Arcy)Status: AliveThe queen’s dragon with yellow scales is on the younger side and has been a presence in the show since Season 1. She is named after a goddess of Valyria, the doomed city in Essos that was also the ancestral home of House Targaryen.VermaxRider: Jacaerys Velaryon (Harry Collett)Status: AliveRhaenyra’s firstborn son bonded with his dragon, who on the show has olive scales with pale orange wing membranes.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Two New Musicals Poke at the Seamy Underbelly of the American Dream

    Kristin Chenoweth stars in “The Queen of Versailles” in Boston, while a new “Gatsby” musical in Cambridge takes Myrtle seriously.“It may surprise you,” Jackie Siegel says, “but we are not old money.”Surprise us? Probably not, but there were some context clues. Such as that she utters these words while dressed to the pink and sparkly nines, holding a tiny, fluffy dog and perched in the lap of her decades-older husband, David, whose capacious, ornately gilded chair suggests delusions of royalty.So does their home construction project: a 90,000-square-foot house modeled on the Palace of Versailles (because, you know how it is, their current 26,000 square feet are feeling cramped) and built, Jackie tells us, “in the most beautiful place in the entire world — Orlando, Florida.”The audience at the Emerson Colonial Theater in Boston got a good guffaw out of that on Thursday’s opening night of “The Queen of Versailles,” the surprising and frequently excellent new musical starring an utterly disarming Kristin Chenoweth and co-written by her “Wicked” composer-lyricist, Stephen Schwartz.Then again, it may be a sort of genius to stage the world premiere of this show, which has already announced a Broadway run next season, in a city that is fundamentally identified with the origins of this nation and constitutionally disposed to adore old money but turn its nose up at vulgar flash.Because “The Queen of Versailles,” based largely on Lauren Greenfield’s 2012 documentary of the same name, is as much an exploration of the seamy underbelly of the American Dream as is the very different new musical “Gatsby,” wrapping up its own world premiere across the river in Cambridge. (More on that momentarily.) Like F. Scott Fitzgerald’s Jay Gatsby, Jackie Siegel came from not much at all, left her humble roots behind and — with a husband (F. Murray Abraham, in terrific form) whose beginnings were similar — reinvented herself on a scale so over the top that strangers can’t help gawking.Chenoweth’s playfulness and charm endears her character to the audience, and F. Murray Abraham is in terrific form, our critic writes.Matthew MurphyWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    A Former Monk Who Won Powerball Is Giving Millions to Theaters

    Roy Cockrum has donated more than $25 million to 39 theaters, helping the Old Globe in San Diego stage the one Shakespeare play it had yet to produce.When Roy Cockrum, a one-time struggling actor and a former monk, won a $259 million Powerball jackpot in 2014, he decided to splurge on something a bit out of the ordinary: supporting nonprofit theater.He set up a foundation that has given away $25 million to 39 American theaters so far, which is why he found himself the other night at the Old Globe in San Diego. He was there to watch the premiere of a production he supported to help the theater reach a milestone: a large-scale staging of the only Shakespeare play it had yet to produce, an adaptation of the somewhat rarely performed three “Henry VI” plays.“The question I put to artistic directors is, ‘Is there a project you’ve always dreamed of doing that you couldn’t afford?’” Cockrum, an apple-cheeked, snowy-haired 68-year-old, said in an interview. “To help artistic directors dream bigger than they would otherwise.”At a time when nonprofit theaters across the country are struggling with rising costs, fewer subscribers, smaller audiences and dwindling corporate philanthropy, Cockrum’s generosity stands out.“He’s an inspiration to other philanthropists at a time when our field is really struggling and where we need innovative ideas about philanthropy to try to move the field forward,” said Barry Edelstein, the Old Globe’s artistic director. “We’re not going to solve the structural financial problems facing the sector through Bernie Sanders-style $27 contributions. It’s going to take really significant infusions at the scale that Roy is doing them.”Cockrum’s support allowed the Old Globe in San Diego to stage “Henry 6,” a large-scale, two-part adaptation of Shakespeare’s three “Henry VI” plays. Ariana Drehsler for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Ashley Park Wants to Laugh (or Cry) With You at the Theater

    TV shows like “Emily in Paris” and “Beef” are raising her profile, but she’s still a fan of “the magic of a live audience.”Ashley Park has heard the criticism of “Emily in Paris.” The costumes can be garish. (Bucket hats? In the office?!) The characters can be cartoonish. The biggest worry for Emily, the protagonist, is often whether to cut trauma bangs or what outré dress to wear next.“Just relax. We want the show to be fun,” Park, who plays Mindy Chen, Emily’s best friend and an aspiring singer, said in a phone call from her home in Los Angeles. “You can fold your laundry to it. It’s a really easy watch.”In Season 4 of the Netflix comedy series, whose first five episodes begin streaming on Aug. 15, the action moves temporarily to Italy, on a Roman holiday. Another change: For the first time, viewers of the show will get to see winter in Paris.“I don’t think anyone enjoyed that — Paris winter is hard — but the fashion is to die for,” said Park, 33, who previously split her time between New York and California.That move reflects the fact that Park, who earned a Tony nomination as Gretchen Wieners in the Broadway musical “Mean Girls,” has increasingly found herself in demand as a television and film actress.“When John Hoffman, the showrunner of ‘Only Murders in the Building,’ calls you and says, ‘Hey, I would love for you to play this part; you do a duet with Meryl Streep,’ there’s literally zero percent, if not negative percent, hesitation,” said Park, who appeared in Season 3 of the series.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    What to See at the Edinburgh Fringe Festival

    Previous editions of the performing arts event launched shows like “Baby Reindeer” and “Fleabag.” Maybe there’s another breakout hit among this year’s more than 3,300 shows.Each summer, artists and audience members from across the globe decamp to Scotland for the Edinburgh Festival Fringe, the world’s largest performing arts event. This year, from Aug. 2 through 26, the city will be repurposed into a labyrinth of makeshift theaters, in dingy rooms above pubs, hotel conference rooms and university lecture theaters.Throughout the Fringe’s 77-year history, its eclectic approach to performance has been integral to its appeal. Unlike the more highbrow Edinburgh International Festival, which runs concurrently. the Fringe is open to all comers — and a buzzy Fringe show can give an artist a very big break.“Fleabag” and “Six,” the musical, were originally Fringe success stories. So too was Richard Gadd’s 2019 one-man show “Baby Reindeer,” which this year became a Netflix series and an unexpected global hit.Very few artists make money at the Fringe, but at this year’s festival, many will be trying to emulate Gadd’s trajectory. And festival goers will equally be looking for the next big thing.With more than 3,300 shows on offer, finding the next “Fleabag” requires some careful studying of the weighty Fringe program. Here is a guide to some of the key themes and the buzziest shows from this year’s lineup.Award-winning comics returnAt the end of each year’s Fringe, a panel of judges hands out the Edinburgh Comedy Awards for best show and best newcomer, two prestigious prizes that have launched many international careers. This year’s Fringe lineup includes two of the most successful recent winners.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘House of the Dragon’ Guide: Key Characters Ahead of Season 2 Finale

    A lot has happened since we published a who’s who list before Season 2 began. Heading into the finale, here’s at look at where the characters stand now.This roundup has been updated to reflect events through Episode 7 of Season 2 of HBO’s “House of the Dragon.”Before Season 2 of “House of the Dragon” began in mid-June, HBO hadn’t released a new episode for about two years; so with the premiere days away, we published a guide to the show’s sprawling cast.Seven episodes later, much has changed. Westeros is divided by a civil war between the Blacks, who support Rhaenyra Targaryen’s claim to the throne, and the Greens, who support her half brother Aegon’s. Characters have died, been maimed or disappeared. Meanwhile, the common people — known in the show’s parlance as smallfolk — have played an increasingly large role, adding several new faces to the show. It seemed like time for an update.Whether you’ve picked sides or simply want to catch up in time for the Sunday season finale, here is a look at the major players now.Team BlackQueen Rhaenyra Targaryen (Emma D’Arcy)STATUS: Stacked with dragons. Long the only child of the late King Viserys Targaryen, Rhaenyra was proclaimed heir by the king in defiance of centuries of tradition that held that only males could rule. But traditions die hard, and her younger half brother Aegon was crowned king by his supporters in Rhaenyra’s absence from the capital of King’s Landing.Throughout the season, Rhaenyra has worked to keep violence to a minimum, even though her son Lucerys was one of the war’s first casualties. At the encouragement of her common-born adviser — and romantic interest — Mysaria, Rhaenyra has repeatedly relied on Westeros’s everyday people. By turning the public against Aegon through deft propaganda, and by recruiting descendants of House Targaryen born out of wedlock to become dragon riders, she hopes to tip the balance of power in her favor. Heading into the finale, she is looking pretty stacked on the dragon front again, having lost three from her team (Arrax and Meleys are dead; Caraxes is AWOL) but then effectively gained three back (Seasmoke, Silverwing and Vermithor all have Team Black riders now). She herself rides a bright yellow dragon called Syrax.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Punkie Johnson Announces She Is Leaving ‘Saturday Night Live’

    Johnson told a stand-up audience she was leaving “Saturday Night Live” before confirming her departure in an Instagram video the next day.Punkie Johnson, a performer on the NBC sketch comedy series “Saturday Night Live” since 2020, announced on Thursday that she will not return this fall for the show’s 50th season.Johnson, who played characters on “S.N.L.” including Vice President Kamala Harris and the women’s basketball star Angel Reese, first said she was leaving during a stand-up comedy set on Wednesday at Union Hall in Brooklyn.She posted a video on her Instagram account the next day, confirming her decision to leave the show. She said that she was not leaving on bad terms, however, as some audience members had understood some of her onstage comments to imply.Johnson had told the Union Hall audience that “S.N.L.” staff wanted her to change her hair and to stop working out so much and looking “buff.” She had also mentioned a heated argument with a talent producer, adding that being on the show had been stressing her out and that she was happier since having decided to leave.An NBC employee confirmed that Johnson was leaving the show but did not respond to questions about Johnson’s onstage comments about the circumstances of her departure.In her Instagram video, Johnson said she had woken up to text messages and phone calls about the comments.“I’m like, it was a comedy show!” she said. “I was just having fun! It’s no bad blood; it’s no bridges burnt; it’s no hard feelings.”Born and raised in New Orleans, Johnson, 39, moved to Los Angeles to start her comedy career and worked as a server at the Comedy Store before she was made a paid regular onstage. Johnson joined “S.N.L.” for the show’s 46th season as a featured player and was promoted to the regular cast in 2022.Johnson was also the first openly lesbian Black cast member of “S.N.L.” (An earlier Black lesbian cast member, Danitra Vance, was not publicly out while on the show in the 1980s.)Johnson’s other screen roles have included the HBO series “Love Life” and “A Black Lady Sketch Show,” the Netflix series “Space Force” and the fight-club buddy comedy movie “Bottoms.”She is so far the only “S.N.L” cast member who has announced a departure ahead of the new season, which begins on Sept. 28.Genevieve Ko More