Eliana Willis

[embedded content]A virus. A lockdown. A city in crisis. A nation inflamed.And against that backdrop, Broadway — one of New York City’s most recognizable industries and powerful economic engines — shuttered indefinitely.How to reflect this unsettling moment, and provide insight and entertainment to readers who have largely been confined to their homes, was the challenge in creating the debut installment of “Offstage,” a New York Times streaming series about the theater world on pause.First, at 7 p.m. Eastern on June 11, the critic-at-large Wesley Morris will hold a conversation with four African-American artists who had shows in the 2019-20 season: the director Kenny Leon (“A Soldier’s Play”); the actress Celia Rose Gooding (“Jagged Little Pill”) and co-stars Adrienne Warren and Daniel J. Watts (“Tina: The Tina Turner Musical”). The topic: What it’s like to be black on Broadway, and how the nation’s biggest stages should change.On those stages this season: a gender-bent revival of Stephen Sondheim’s “Company”; shows set to the songbooks of Bob Dylan and Alanis Morissette; “Moulin Rouge! The Musical”; and the girl-power extravaganza “Six,” which was 90 minutes from opening before Broadway closed down.Dramatically, there was “Slave Play,” perhaps the season’s most provocative production; and “The Sound Inside,” an intense character study that gave Mary-Louise Parker one of her finest roles.[Jenna Wortham and Wesley Morris, hosts of the “Still Processing” podcast, will reunite to unpack the reckonings of the past few weeks. R.S.V.P. to join their live conversation, this Friday, June 12 at 4 P.M. E.T.]Following the conversation are the special performances: join the Times critics Ben Brantley and Jesse Green; the theater reporter Michael Paulson; and the editors Aisha Harris and Nicole Herrington as they present highlights from those shows and more.There will be song, dance and discussion — a chance to meet Sonya Tayeh, who choreographed “Moulin Rouge!,” and Jeremy O. Harris, who authored “Slave Play.” You’ll hear from Sarah Jessica Parker and Matthew Broderick, and learn how artists stay creative in lockdown.R.S.V.P. for this event. [Join the conversation on Twitter using #NYToffstage. |Sign up for The New York Times Events newsletter and Theater Update newsletter. | Subscribe to Times Events on YouTube.] More

More than 300 theater artists — black, Indigenous and people of color — on Monday published a blistering statement addressed to “White American Theater” decrying racial injustice in their industry.“You are all a part of this house of cards built on white fragility and supremacy,” said the statement, which was published on the web. “And this is a house that will not stand.”The signatories include the Pulitzer Prize winners Lynn Nottage, Suzan-Lori Parks, Quiara Alegría Hudes and Lin-Manuel Miranda; the film and television stars Viola Davis and Blair Underwood; and many Tony Award winners, including the actor and director Ruben Santiago-Hudson and the playwright David Henry Hwang, who is the chair of the American Theater Wing.The American narrative is shaped by storytellers,but for too long the White theater community has negated, censored or prevented our stories from being fully told.We must protect,support & amplify the voices of our truth tellers & change seekers #weseeyou https://t.co/Wsbqwtbry5— Lynn Nottage (@Lynnbrooklyn) June 9, 2020
The statement is the artists’ response to the unrest that has roiled the United States since George Floyd, a 46-year-old black man, was killed in police custody in Minneapolis on May 25.In the weeks that followed, as discussion of race relations has intensified, numerous black theater artists have taken to social media to describe experiences of racism.Two playwrights have begun surveying theatermakers of color about their experiences.The Broadway Advocacy Coalition, an organization pressing for social change, this week is holding a three-part forum “for the Broadway community to heal, listen, and hold itself accountable to its history of white supremacy.”In Britain, a group of theater artists has put together its own letter, calling for greater disclosure about diversity statistics by theaters there.There is even a petition circulating to make the Apollo Theater, the historic Harlem venue, a Broadway house.The statement addressing “White American Theater,” outlining the ways in which, it argues, artists of color are unjustly treated in the theater world, declares itself to be “in the legacy of August Wilson’s ‘The Ground on Which I Stand’,” an important 1996 speech by the playwright about race and the American stage.Headlined “We See You, White American Theater,” the statement repeatedly uses the phrase “we see you” to punctuate its observations about the theater world, and adds, “We have always seen you. And now you will see us.”It expresses concerns about programming (“We have watched you program play after play, written, directed, cast, choreographed, designed, acted, dramaturged and produced by your rosters of white theatermakers for white audiences”); labor unions (“we have watched you turn a blind eye as unions refuse to confront their racism and integrate their ranks”); media (“a monolithic and racist critical culture”); and nonprofit organizations (“asking us to politely shuffle at your galas, talkbacks, panels, board meetings, and donor dinners, in rooms full of white faces, without being willing to defend the sanctity of our bodies beyond the stages you make us jump through hoops to be considered for”).The statement comes at a time when most American theaters, including all of those on Broadway, are closed indefinitely because of the coronavirus pandemic and most theater artists are unemployed. As unrest in the country over race relations has intensified, many theaters, as well as many commercial theater productions, have issued statements decrying racism and pledging to support systemic change; some have also opened their doors to protesters.It was not immediately clear who organized the statement, or what the collective’s next steps will be. Several signatories referred press questions to an email address; an inquiry to that address was not answered. The statement was posted as a petition on change.org, where tens of thousands of people signed. More