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    Love Letter: Life After ‘Love Is Blind’

    [Sign up here to receive Love Letter, a weekly newsletter about relationship highs, lows and woes, in your inbox every Friday.]Netflix’s reality romance show “Love Is Blind” is one of the very few examples of reality TV actually getting it right. We all rooted for Lauren Speed and Cameron Hamilton as we watched them find love, sight unseen, over the course of a 10-day social experiment. The couple, who married in November 2018, broke down the walls for us in an interview. They spoke about why their love is the real deal, surprises after the show, and why Lauren says she might install cameras in their shared bathroom.For some, the end of a relationship, especially a marriage, can feel like a personal failure. In this week’s Modern Love essay, Dave Valdes reflects on the end of his 21-year marriage. As he and his husband embarked on the journey of untangling their tethered relationship, they began to bond over a shared commitment to splitting amicably.With the effects of the global pandemic that is the coronavirus still unknown, now is the time to be extra cautious about your personal hygiene habits, especially around others. But what do you do when the biggest offender is actually your spouse (who can’t seem to keep his fingers out of his mouth or off his face)? We can help.Oh, and don’t forget to wash your hands. Need a tune to help you wash for a full 20 seconds? How about a little help from Whitney?We want to hear from you.We want to deliver content that truly matters to you and your feedback is helpful. Email your thoughts to loveletter@nytimes.com.Also, here’s how to submit a Modern Love essay or how to be featured in an Unhitched column. Don’t feel like writing more than a tweet, an Instagram caption or a Facebook post? Consider submitting to Tiny Love Stories, which are no more than 100 words. Getting married? Here’s how to submit a wedding announcement. More

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    What Are the Stephen Sondheim Songs Close to Your Heart?

    To celebrate Stephen Sondheim’s 90th birthday, we’re pulling out all the stops in the March 15 issue of Arts & Leisure. Jesse Green, one of our co-chief theater critics, makes the case for him as “an artist to place in the line of America’s foundational 20th-century playwrights.” Ben Brantley, our other co-chief theater critic, wrote, “when it comes to emotions, Sondheim — more than any other composer from the Broadway songbook — is the one I trust to tell me the truth.” We want to know: What’s your favorite Stephen Sondheim song and why? In interviews with his more famous admirers, Audra McDonald picked “Move On” from “Sunday in the Park With George,” Julie Andrews chose “Getting Married Today” from “Company,” and Michael Chabon went with “Chrysanthemum Tea” from “Pacific Overtures.”Share your favorite Sondheim song via the form below, and include contact information so The Times can follow up with you. We may publish a selection of the responses.We Want to Hear From YouWhat is your favorite Stephen Sondheim song and why? More

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    Behind the ‘Love Is Blind’ Wall

    It’s hard to win over fans on a romantic reality show. But Lauren Speed and Cameron Hamilton did.Ms. Speed, 34, a content creator, and Mr. Hamilton, 29, an A.I. consultant, met on “Love is Blind.” The premise of the Netflix show is to allow singles to, well, mingle while they sit in pods, talking through walls. The idea is to put up some barriers in an effort to break down the barriers we all face in dating, the foremost being appearances.It doesn’t sound like something that should work. It did. Two couples got married, including Ms. Speed and Mr. Hamilton, who tied the knot in November 2018.But even if love is blind, a reality show is pretty opaque. I called up the couple to hear more about their experience.What were you doing before the show?Lauren: I was pretty much throwing myself into my business. I have a media business — do production work, videography, as well as photography, I’m a content creator. My dating life was pretty sucky if we’re being honest. I was almost ready to give up on being in a relationship or married. I’m in my 30s, my business was going well. But when the opportunity came along for the show, I was intrigued. The concept was so different because it wasn’t based purely on aesthetics. Lo and behold, I lucked out.Did either of you try dating apps? How did you end up on the show?Lauren: I tried the dating app thing one or two times and it freaked me out. I was afraid to find someone and meet up with them and them be a serial killer or something.Cameron: I didn’t have any fear of serial killers. I was going out on a lot of dates but I was cutting them off after the first or second date because I wasn’t finding people who were a good match for me. I was liking the pictures but then I was basically ignoring everything else and so I was basically being shallow in how I was conducting my dating life and was feeling quite lonely as a consequence of that. I was reached out to by a casting agent. I didn’t apply.Lauren: A casting agent slid into my DMs. It’s kind of crazy because I don’t know how she found me on Instagram. I don’t know, I must’ve hashtagged #lonelydating or something. I went through the whole application process, had to do Skype interviews, multiple Skype interviews. Also, they had to do a psych evaluation.That kind of made me feel a little bit more ease about the situation, like at least they’re testing people.What was it like when you first got there?Lauren: It was pretty much like a group mingling, with the women on one side of the wall and the men on the other. We got to know each other, talked about the things that we were looking for. When it was time to go on our dates in the pods, each date was probably about seven minutes long.Cameron: As time went on, the dates got progressively longer. We went on progressively fewer dates overall because you were just kind of focusing in on who you were most interested in. Really from the start, we were dating probably 16 hours a day, multiple dates a day.Did either of you have feelings for other people?Lauren: We did make connections with other people, however it was more from a friendship vibe. Up until close to the end, I went on dates continuously with Mark, Damian, and Carlton but after a certain point, after you connect with someone like Cameron and I connected kind of early on, you just kind of talk about the friendships with these people. Cameron: Up until the end, I was going on dates with Diamond, I think Jess, and Kelly and Giannina. But like Lauren said, it was all very platonic. We would talk about the other person who they were interested in and I talked a lot about Lauren with Jess. She would talk about Barnett and Mark with me. That was just kind of how the dates went. It was all platonic basically but we formed good friendships, so it’s not a waste of time.So let’s get to the point where you said “I love you.” Wasn’t that the first episode?Lauren: I wanted to share that with him. Really, I wanted to see how he would react. You can tell when I said it, I was like, “Ooh, what is he going to say?”But I just threw it out there just to see what would happen and he reciprocated it and I pretty much melted after that. I mean, it was over. It was over.[Sign up for Love Letter and always get the latest in Modern Love, weddings, and relationships in the news by email.]A lot of times, the conversations that we see on reality shows are about the relationship and not really about the specifics of who the people are. What did you guys talk about in the pods?Lauren: We really bonded certainly on our love for our family. We’re both super family-oriented, very close with our parents, with siblings as well as just basically we’re really into the arts, very career focused and goal oriented. We’re both entrepreneurs. We both want to have children in the future.Cameron: Both kind of extroverted introverts. Also, we kind of balance each other out where Lauren’s very upbeat and has this really contagious charisma, I’m more calm, cool, collected type. We balance each other out in that respect and kind of boost each other respectively.Did you know what you would say when you got to the altar and were you able to communicate that with each other beforehand? Or was that a part of the show?Lauren: I was pretty much kind of nervous all the way up until I got to the altar. In the back of my mind, I know that I really wanted to marry Cameron but I was scared. It’s a big deal. Of course I knew that I wanted to continue this relationship with this man. I don’t know if I told him that or not.Cameron: I mean it was hard because I was ready to go and I think she thought maybe it would’ve been nice to have a bit more time. Thankfully, we’ve been married for a year and a half now.Lauren: Yeah, I took the leap just because I didn’t want to stop my own happiness. I would’ve never probably have forgiven myself and thank God that I didn’t.It seemed like some of the other cast members were blindsided. Were you directed to not reveal what your decision was?Lauren: We had the power to do whatever we wanted to. We were free to talk to each other up until the wedding because we had a little break in between the bachelor and bachelorette parties and the wedding.Cameron: Yeah, absolutely no one was forced to do anything at all. We all knew what we signed up for, people could walk away if they wanted to. We could tell each other, “Hey, I’m going to say yes tomorrow,” if we wanted to. There was no restrictions like that or producer involvement.Lauren: The couples could’ve definitely talked to each other and shared what they wanted to do.Cameron: I think a lot of people felt conflicted up until they got up there.Were you surprised that some of the other couples waited until the wedding day to tell their partner that they weren’t going through with it?Lauren: Throughout the process, I kind of had an inkling of who was doing well and who was having serious struggles.You would think that the couples would communicate their plans to each other, that you wouldn’t kind of surprise your partner with that.Race was discussed quite a bit in the show about your journey. What kinds of issues have come up, if any, since you got together?Lauren: If anything, it’s just been a learning curve for the both of us. I was teaching Cameron about our hair and twist outs and braids and all that stuff. But he’s dated black women before so he’s kind of been there. Me, on the other hand, things are kind of more new for me than for him.We haven’t really experienced anything strange in public besides a few stank looks here and there. We live in the South, so a lot of old ideals still resonate with some of the people down there, especially the older people.Lauren, you spoke about things that are specific about black culture. Has anything surprised you about living with a white person?Lauren: Actually, girl, I went to Maine and it was one of the most Caucasian places I’ve ever visited. I don’t know if this is a Caucasian thing or a Maine thing but, what’s it called, babe? Mincemeat pies. OK, Cameron says it’s a Maine thing but I’d never heard of it.I guess it’s like a fruity pie, I don’t know. But as for white culture, not really anything shocking but, I wasn’t shocked by anything because I’ve been around white people, you know?Lauren, has Cameron ever used your toothbrush?Lauren: Not that I know of, girl, but I’m thinking about setting up cameras in the bathroom. After a couple of these press interviews, I’m kind of questioning if he’s sneaking in there or not.Cameron: Only in an emergency.Lauren: Oh god babe, no.I saw that you guys just started your YouTube channel together. Are you trying to monetize this?Lauren: Shoot, I mean, we’ve got a dog to feed.Cameron: Right. Sparks needs food.Continue following our fashion and lifestyle coverage on Facebook (Styles and Modern Love), Twitter (Styles, Fashion and Weddings) and Instagram. More

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    Broadway, Other New York Arts Events, Canceled Because of Virus

    Updated March 13Broadway and several other major cultural institutions in New York said Thursday that they would close temporarily in an effort to curtail the spread of the coronavirus.The announcement came as Gov. Andrew Cuomo ordered restrictions on public gatherings of more than 500 people. The Metropolitan Museum of Art, the Metropolitan Opera, Carnegie Hall and the New York Philharmonic all said they would shutter in an effort to help prevent exposure. The New York Public Library is closed through at least March 31, but the Queens and Brooklyn libraries remain open, though public programming and events are suspended.Here is a brief list of closures, cancellations and postponements in New York City.MuseumsThe Metropolitan Museum of Art, as well as the Met Breuer and the Met Cloisters, are closed starting Friday. The Met will also undergo a thorough cleaning.The Museum of Modern Art and MoMA PS1 are closed through March 30.The Whitney Museum of American Art will close temporarily and cancel all events beginning on Friday at 5 p.m.The Guggenheim is closed until further notice. All events have been canceled.The American Museum of Natural History will be temporarily closed starting Friday.The Brooklyn Museum announced it would close temporarily beginning Friday and undergo a deep cleaning. All programs will be postponed or canceled until further notice.The Jewish Museum said it would close on Friday for two weeks. All public programs and events are canceled and refunds will be issued.The Neue Galerie said late Thursday it was closed until further notice.Brooklyn Historical Society is closed starting Friday until March 31. All events are suspended as well.The New-York Historical Society will close at 6 p.m. Friday as a preventive measure, a spokesman said. All programs and events will be closed through the end of April.The Rubin Museum of Art is closed starting Friday at 5 p.m.The 9/11 Museum and Memorial is closed temporarily beginning Friday.The Intrepid Sea, Air & Space Museum will be closed through March 27.The Drawing Center is closed until further notice. All public programs postponed through April 12.American Folk Art Museum is closed and all public programs and events are postponed through March 31.The New Museum has temporarily closed its galleries and offices. A reopen date has not been scheduled.Museum at Eldridge Street will be closed beginning March 15.FilmThe Tribeca Film Festival, which was set to begin April 15, has been delayed until further notice.Film at Lincoln Center, which includes the Walter Reade Theater and Eleanor Bunin Munroe Theater, closed Thursday.Screenings for the final weekend of the 2020 New York International Children’s Film Festival have been canceled.The New Directors/New Films festival, set to open March 25, and the Chaplin Award Gala, honoring Spike Lee, originally scheduled for April 27, will be rescheduled for the fall.Anthology Film Archives in the East Village has suspended programming for the rest of the month.Nitehawk Cinemas in Brooklyn has canceled showings at its two locations.Theaters and Performance SpacesThe Metropolitan Opera has canceled all performances through March 31.Carnegie Hall canceled all events starting Friday through March 31.The New York Philharmonic canceled all performances through March 31.The Shed is suspending exhibitions and performances through March 30.BAM is suspending all live programming through March 29. BAM Rose Cinemas will continue operating at 50 percent capacity.The 92nd Street Y has suspended talks and performances until March 22.National Sawdust is suspending all programming as of Friday through the end of April.Ars Nova suspended all programming for 30 days as of Thursday.59E59 Theaters announced it was suspending public programming and plans to resume performances on April 1.The Sheen Center will be closed starting Friday through March 30.Danspace Project performances are canceled through March 28, which includes the remaining Platform 2020 events, and Megan Williams Dance Projects.Symphony Space said it has suspended all programs through April 1.Rattlestick is suspending performances after the final showing of “The Siblings Play” on March 14.New Victory Theater has canceled its season through June 14. More

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    7 Plays and Musicals to Go to in N.Y.C. This Weekend

    Our guide to plays and musicals coming to New York stages and a few last-chance picks of shows that are about to close. Our reviews of open shows are at nytimes.com/reviews/theater.Note: Because of the coronavirus outbreak and the state’s ban on gatherings of more than 500 people, many events have been canceled. As of press time, these were still scheduled to take place. Before heading out, visit the website of the performance space or organization for the latest updates.Previews & Openings‘THE FRE’ at the Flea Theater (in previews; opens on March 15). Having brought a dancing-penis kickline to Broadway, Taylor Mac has now sunk low. In this new work, set in and around a mud pit, a young aesthete tries to persuade his grubby hedonists to de-ooze. In this show, directed by Niegel Smith, “audiences will literally and figuratively jump into the mud,” the theater warns. 212-226-0051, theflea.org‘GNIT’ at the Polonsky Shakespeare Center (in previews; opens on March 19). Henrik Ibsen’s fairy tale of man’s search for self — plus trolls — arrives in a new, modern-day adaptation from the existentially oriented playwright Will Eno. In this Theater for a New Audience production, Jordan Bellow, Joe Curnutte, Crystal Dickinson, Deborah Hedwall, Matthew Maher and Erin Wilhelmi star. Oliver Butler directs. 866-811-4111, tfana.org[embedded content]‘LUNCH BUNCH’ at 122CC (previews start on March 18; opens on March 29). Sarah Einspanier’s compassionate comedy, about public defenders, their midday meals and what we owe to ourselves and one another, comes back for seconds. The Play Company revives this Summerworks show, directed by Tara Ahmadinejad with a cast that includes the original players Ugo Chukwu, Keilly McQuail and Julia Sirna-Frest. 866-811-4111, playco.org‘NOLLYWOOD DREAMS’ at the Robert W. Wilson MCC Theater (previews start on March 19; opens on April 13). Jocelyn Bioh, an actress and playwright who has a wicked way with comedy, premieres a new play. In Lagos, Nigeria, in the 1990s, Ayamma (Sandra Okuboyejo), a travel agent, fantasizes about becoming a leading lady in that country’s burgeoning film industry. Then she gets the chance. Saheem Ali directs for MCC. 646-506-9393, mcctheater.org[Read about the events that our other critics have chosen for the week ahead.]Last Chance‘ANATOMY OF A SUICIDE’ at the Atlantic Theater Company at the Linda Gross Theater (closes on March 15). Alice Birch’s play, dazzling in its form and devastating in its effect, ends its Off Broadway run. With dizzying simultaneity, the play follows three generations of women (Carla Gugino, Celeste Arias, Gabby Beans) in the throes of suicidal depression. Lileana Blain-Cruz directs. 866-811-4111, atlantictheater.org‘EMOJILAND: THE MUSICAL’ at the Duke on 42nd Street (closes on March 19). Get your sad faces ready as this symbolist musical by Keith Harrison and Laura Schein shuts down. A romantic comedy set inside a smartphone and starring Lesli Margherita and Lucas Steele, it was described by Laura Collins-Hughes as “the kind of sheer fun that sends you back into the world feeling a little more upbeat.” 646-223-3010, emojiland.com‘SHE PERSISTED’ at the Atlantic Theater Company at the Linda Gross Theater (closes on March 22). This Atlantic for Kids musical about women who changed history sings its final anthems. Adapted by Adam Tobin and Deborah Wicks La Puma from Chelsea Clinton’s best-selling children’s book, the show, Laura Collins-Hughes wrote, “cleverly conveys positive values.” She added, “This is bouncy fun with a serious streak.” 866-811-4111, atlantictheater.org More

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    New York’s Major Cultural Institutions Close in Response to Coronavirus

    Several of New York’s largest and most prestigious cultural institutions — including the Metropolitan Museum of Art, the Museum of Modern Art, the Whitney Museum of American Art, the Guggenheim, the Metropolitan Opera, Carnegie Hall and the New York Philharmonic — announced Thursday that they would temporarily shut down in an effort to contain the spread of the coronavirus.The closures — which came after cities in Europe, as well as San Francisco and Seattle, had called off performances — underscored the extent to which major institutions of all kinds are trying to prevent large gatherings of people in the hopes of slowing the spread of the disease. Shortly after the closures were announced, Gov. Andrew M. Cuomo of New York announced that he was moving to ban gatherings of more than 500 people in the state, effectively closing all large performances and shutting down Broadway theaters as well.“It would be irresponsible to continue having performances when clearly what is being called for is social distancing,” said Peter Gelb, the general manager of the Metropolitan Opera, which, along with the Philharmonic and Carnegie Hall, is canceling performances through the end of the month in an effort to protect audiences and performers alike.The closures represented a turning point: After days of taking a wait-and-see-approach, even as Europe adopted far more stringent restrictions, American presenters and officials decided it was time for a more aggressive strategy. More