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    Maher Knocks Trump’s Gutting of the Federal Work Force

    “America is in shock that the guy whose catchphrase was ‘You’re fired’ is firing everybody in government,” Bill Maher said of President Trump on “Real Time.”Welcome to Best of Late Night, a rundown of the previous night’s highlights that lets you sleep — and lets us get paid to watch comedy. Here are the 50 best movies on Netflix right now.Hulk SmashPresident Donald Trump’s first month in office has been eventful.On Friday’s episode of “Real Time,” the host Bill Maher referred to the last several days as “week four of Hulk smash,” saying that Trump’s administration “dissects a frog with a hand grenade — this is their method.”“We were so scared that the government was going to turn into ‘The Handmaid’s Tale’ that we didn’t see that the big threat was from the guys on ‘The Big Bang Theory.’” — BILL MAHER“America is in shock that the guy whose catchphrase was ‘You’re fired’ is firing everybody in government.” — BILL MAHER“He wants to suck our blood? That is not what I voted for when I voted for Dracula.” — BILL MAHER“Maybe this is why Gen Z’s approval rating of Trump has dropped 30 points in one month. Hey, kids, a little tip: The time to pay attention is before the election.” — BILL MAHER“Look, I believe government is too bloated, but the way they’re doing it is ridiculous and horrible and now they went — maybe this is the one that’s too far — they went and fired almost everybody in the agency that’s responsible for maintaining our nuclear weapons. Fired — and then, of course, they had to walk that back because somebody said, ‘This is a national security crisis.’ Duh.” — BILL MAHERThe Punchiest Punchlines (Presidents’ Day Edition)”It is Presidents’ Day, so to those who celebrate, why?” — STEPHEN COLBERT“All government offices will be closed, although I think that was the plan anyway.” — BILL MAHER“When I was a kid, it wasn’t Presidents’ Day; we celebrated Washington and Lincoln’s birthdays. Every February, we would hang our stockings and wait for Abraham Lincoln to fill them with wooden teeth.” — STEPHEN COLBERTThe Bits Worth WatchingThe comedian Andy Richter and the lawyer and activist George Conway joined the panelists to dog DOGE on the Season 2 premiere of “Have I Got News For You.”What We’re Excited About on Tuesday NightGeorge Clooney will discuss his Broadway debut in “Good Night, and Good Luck” on Tuesday’s “Late Show.”Also, Check This OutDozens of current and former “Saturday Night Live” cast members, along with dozens of former hosts and musicians, gathered onstage with the show’s creator, Lorne Michaels (front row, second from left), to close out the show.Theo Wargo/NBC, via Getty ImagesThe “Saturday Night Live” 50th anniversary special was sweet, self-satirizing and star-studded. More

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    In ‘The Years,’ an Abortion Scene Is Causing Audience Members to Pass Out

    “The Years,” running in London, dramatizes a woman’s life from teenage thrills to later-life sex. One intense scene is causing audience members to pass out.About 40 minutes into a recent performance of “The Years” in London, Stephanie Schwartz suddenly felt ill and had to put her head between her legs.Onstage at the Harold Pinter Theater, the actress Romola Garai was holding two knitting needles while portraying a young Frenchwoman trying to give herself an abortion. The scene was set in 1964, a time when medical abortions were illegal in France, and Garai’s character wasn’t ready for motherhood.Schwartz, 39, said she had started feeling faint as Garai’s character, Annie, described her attempt to carry out the procedure in stark, if brief, detail. But then, Schwartz recalled, there was a commotion in the balcony above. An audience member had actually passed out.Since opening last summer for a short run at the Almeida Theater, then again last month on the West End, “The Years” has been the talk of London’s theaterland. That has as much to do with audience reactions to the six-minute abortion scene as the near-universal critical acclaim that the production and its five actresses received for their powerful portrayal of one woman’s life.While fainting theatergoers are nothing new — several passed out over the onstage torture in Sarah Kane’s “Cleansed” at the National Theater almost a decade ago — the sheer number keeling over at “The Years” stands out. Sonia Friedman, the show’s producer, said that at least one person has fainted at every performance despite a warning to ticketholders.Romola Garai assumed that British theatergoers were so accustomed to viewing bloody productions of Shakespeare that they were unlikely to have a strong reaction to the play’s abortion scene.Helen MurrayWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Live Performance in New York City: Here’s What to See This Spring

    Onstage, Denzel Washington is Othello, and Paul Mescal is Stanley Kowalski as stars illuminate the theater marquees. Plus: FKA twigs takes “Eusexua” on tour. Bang on a Can, Twyla Tharp, and much more.BroadwayOPERATION MINCEMEAT A sneaky compassion lies at the heart of this caper of a show, a deliciously eccentric London import that won the 2024 Olivier Award for best new musical. Starring the original West End cast, it’s a riff on a bizarre true story from World War II, when British Intelligence, keen to misdirect the Germans, dressed up a dead man as a Royal Marines major, planted a fake invasion plan on him and dropped him in the sea for the enemy to find. Through June 15 at the Golden Theater. (All theater listings by LAURA COLLINS-HUGHES)Mel Semé and Natalie Venetia Belcon in the musical “Buena Vista Social Club.”Sara Krulwich/The New York TimesBUENA VISTA SOCIAL CLUB This jukebox musical about the Cuban artists who made the Grammy Award-winning 1997 album of the title isn’t straight biography. Developed and directed by Saheem Ali (“Fat Ham”), it uses real people and events as a jumping-off point for its storytelling. Rooted in the recording sessions, and choreographed by Patricia Delgado and the Tony winner Justin Peck (“Illinoise”), it was an Off Broadway hit last season for Atlantic Theater Company. Performances begin Feb. 21 at the Gerald Schoenfeld Theater.OTHELLO Denzel Washington made a Broadway box-office hit out of “Julius Caesar” two decades ago. On the big screen, he has played Macbeth. Now he takes on Shakespeare’s Othello — the honorable general and smitten newlywed. Jake Gyllenhaal is his foil as the perfidious Iago, who goads Othello into unreasoning jealousy with lies about his beloved Desdemona (Molly Osborne). Directed by Kenny Leon, a Tony winner for his revival of “A Raisin in the Sun,” which also starred Washington. Feb. 24-June 8 at the Barrymore Theater.PURPOSE Fresh off his Tony win for “Appropriate,” the playwright Branden Jacobs-Jenkins returns with a new drama about the members of a famous, albeit fictional, Black political dynasty in Chicago, reckoning with history, morality and legacy as they gather for a celebration. Phylicia Rashad directs this Steppenwolf Theater production, whose ensemble cast includes Alana Arenas, Glenn Davis, Jon Michael Hill, LaTanya Richardson Jackson, Harry Lennix and another 2024 Tony winner, Kara Young. Feb. 25-July 6 at the Helen Hayes Theater.GLENGARRY GLEN ROSS David Mamet’s luxuriantly crude, bare-knuckled real estate drama, which won the 1984 Pulitzer Prize, gets its third Broadway revival. Kieran Culkin, last on Broadway a decade ago in “This Is Our Youth,” stars as Richard Roma — the Al Pacino role in the movie adaptation — opposite Bob Odenkirk, Bill Burr, Michael McKean, Donald Webber Jr., Howard W. Overshown and John Pirruccello. Patrick Marber, a 2023 Tony winner for his production of “Leopoldstadt,” directs. How’s that for a lead? March 10-May 31 at the Palace Theater.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘S.N.L.’ Celebrates 50 Years With Star-Studded Prime-Time Special

    Stage and audience alike at Studio 8H were packed with cast, alumni and other celebrities in a night that was in turns sweet and self-satirizing.After a half-century of comedy and music (and what at times felt like an equal amount of buildup and hype), how do you at last kick off a prime-time 50th anniversary special for “Saturday Night Live”? Calmly and serenely, it turns out.The long-awaited “SNL50: The Anniversary Special” opened on Sunday with the musicians Paul Simon (an “S.N.L.” stalwart through the decades) and Sabrina Carpenter (who was its musical guest in May 2024) sharing the stage at the show’s familiar home base at Studio 8H at 30 Rockefeller Plaza.They exchanged a simple joke, setting a theme that would recur for the rest of the night: Time passes, whether you like it or not. Simon said they were about to play a song that he had performed on the show with George Harrison in 1976. “I was not born then,” Carpenter said, “and neither were my parents.”“I’m glad they’ll get the chance to hear it tonight,” Simon replied. And together he and Carpenter performed Simon & Garfunkel’s “Homeward Bound,” the first musical number in a night that also included performances by Paul McCartney, Miley Cyrus with Brittany Howard and Lil Wayne with the Roots.And who else could perform the opening monologue on this occasion but Steve Martin, a 16-time host whose own rising star in the 1970s imparted some needed credibility and momentum to “S.N.L.” when it was just starting out.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘Suits L.A.,’ Plus 7 Things to Watch on TV This Week

    A reboot of the popular law series airs on NBC. And the second season of the “Yellowstone” prequel “1923” returns to Paramount+.Between streaming and cable, there is a seemingly endless variety of things to watch. Here is a selection of TV shows and specials that air or stream this week, Feb. 17-23. Details and times are subject to change.A reboot six years later.From the original iteration of “Suits” came a princess, a Netflix phenomenon and endless YouTube edits of relationships on the show — so what will the reboot, “Suits L.A.,” bring? Whereas the original was set at a corporate law firm in New York City, the new version takes place in Los Angeles with attorneys dealing with entertainment law. But of course, there is still cockiness, borderline inappropriate flirting and the glitz and glam that comes with being a rich lawyer. Sunday at 9 p.m. on NBC.Award season continues.Dave Chappelle will be honored at the N.A.A.C.P. Image Awards.Kenny Holston/The New York TimesAs we head further into winter, though also an inch closer to spring, award season is still in effect. First, there is the 56th N.A.A.C.P. Image Awards, which celebrates the achievements of people of color across entertainment. The comedian Dave Chappelle is set to receive the N.A.A.C.P. President’s Award. Kendrick Lamar, who has had a big month after taking home five Grammys and performing at the Super Bowl halftime show, is nominated for entertainer of the year, alongside Cynthia Erivo, Keke Palmer, Kevin Hart and Shannon Sharpe. Saturday at 8 p.m. on BET.The next night, Kristen Bell is hosting the 31st Annual Screen Actors Guild Awards, which could give us a good idea of which movies might win at the Oscars. The difference between this award show and others is that it honors exclusively actors, which this year includes the nominees Kieran Culkin, Mikey Madison and Jonathan Bailey, to name a few. Sunday at 8 p.m. on Netflix.There’s never a lack of true crime stories.A memorial for Gabby Petito.Brittainy Newman/Associated PressWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    ‘The White Lotus’ Season 3 Premiere Recap: Thai Up

    The premiere of the new season of the HBO anthology drama, set in Thailand, suggests that Mike White’s formula retains plenty of pop.Season 3, Episode 1: ‘Same Spirits, New Forms’Take a moment. Focus on your breathing. Calm your mind. Let the sounds of the external world fade away. Did you just hear gunshots? Ignore them. Embrace the now. Find in your minds what is timeless. Pay no attention to the corpse floating by you.If you watched either of the previous two seasons of the HBO hit “The White Lotus,” you probably were not surprised to see Season 3 kick off with a dead body. This show is effectively an anthology drama, with each new edition following a different set of rich tourists and well-meaning service industry employees at high-end international resorts. The writer-director Mike White has developed a sturdy blueprint for this series, combining beautiful locations, talented actors, dark social satire, gentle humanism and just a little bit of mystery. Think “Fantasy Island,” but with a TV-MA twist.Because White takes his time establishing characters and telling their stories, he hooks the audience in the opening minutes of each season with a tease of where the plot is headed. Someone — as yet unidentified — is going to die. Please stay tuned.In the Season 3 premiere at least, this formula retains plenty of pop. We begin in a sun-dappled Thailand jungle, where one of the White Lotus chain’s wellness-centered seaside getaways is nestled among thick groves of trees filled with monkeys and wild birds. There, a stress-management session is interrupted by some loud pops and a cadaver. And away we go, rewinding to the start of the story, one week earlier.Once again, White has assembled a stellar cast, easily sorted into four different groups who will all, no doubt, interact before the season’s over.The largest is the Ratliff family, North Carolina blue bloods led by Timothy (Jason Isaacs), a business bigwig with no interest in any of the resort’s spiritual healing exercises. Parker Posey plays Tim’s wife, Victoria, a brassy belle who thinks everything her children do is a hoot. Patrick Schwarzenegger plays the eldest son, Saxon, a beefy finance bro who works for Tim and is on a constant hunt for sexual partners. Sarah Catherine Hook is Piper, the daughter, a University of North Carolina student working on a thesis project about eastern religions (and who is the reason the other Ratliffs are, semi-reluctantly, in Thailand). And Sam Nivola is the youngest son, Lochlan, a high school senior who just got into Duke but isn’t sure he wants to follow in his father’s and brother’s heavy footsteps.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    How to Watch the ‘S.N.L.’ 50th Anniversary Special

    The venerable sketch show is throwing itself a big star-studded party on Sunday night. Here’s everything you need to know about it.“Saturday Night Live” is celebrating its golden anniversary this weekend with a star-studded special in its Studio 8H at 30 Rock. You have questions? We have answers.When is the big ‘Saturday Night Live’ anniversary special?“SNL50: The Anniversary Special,” a three-hour event celebrating a half-century of comedy sketches, celebrity hosts, musical guests, standup monologues, fake commercials, performers losing it on national television, driving cats that get into car accidents and whatever the heck “Tiny Horse” is about, will be shown Sunday at 8 p.m. Eastern on NBC and Peacock. And yes, it is airing live.When did ‘S.N.L.’ broadcast its first episode?Back when it was simply called “Saturday Night” — because, at the time, ABC had a variety series called “Saturday Night Live” — the NBC show made its debut on Oct. 11, 1975.So ‘Saturday Night Live’ is celebrating its 50th anniversary on a Sunday months before its actual 50th anniversary?Well, it is currently the 50th season of “S.N.L.” Running the special on a Sunday night in February mirrors a strategy from 2015, when “S.N.L.” held its 40th anniversary show, and gives “SNL50” its own lane on a Presidents’ Day weekend following the hoopla of the Grammys and the Super Bowl, and ahead of the Oscars (March 2). Airing in prime time allows the special to reach a wider viewership and to wrap up in time for Tom Hanks to get his beauty rest.Who are some of the other celebrities scheduled to appear?You can expect venerated “S.N.L.” alums, veteran hosts and friends of the show including Adam Sandler, Eddie Murphy, Tina Fey, Will Ferrell, Chevy Chase, Amy Poehler, Steve Martin, Chris Rock, Maya Rudolph, Martin Short and Robert De Niro, according to NBC.Who were some of the guests who appeared in the 40th anniversary special?The 2015 celebration included sketches and tribute segments featuring Robert De Niro, Martin Short, Maya Rudolph, Chris Rock, Steve Martin, Amy Poehler, Chevy Chase, Will Ferrell, Tina Fey, Eddie Murphy and Adam Sandler.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Lea Salonga Is Never Getting Tired of Sondheim

    Nobody doubted that Lea Salonga could sing.She had won a Tony Award at the age of 20 for her breakout role as the besotted Vietnamese teen Kim in “Miss Saigon,” and sung her heart out as Éponine, and later Fantine, in Broadway productions of “Les Misérables.” She provided the crystalline vocals of not one but two Disney princesses: the warrior heroine of 1998’s “Mulan” and the magic carpet-riding Princess Jasmine in 1992’s “Aladdin.”But could the singer handle Sondheim — a composer heralded for creating some of the most challenging, idiosyncratic work seen on the American stage — on Broadway? Could she inhabit a character like Momma Rose, the monstrous, pathologically ambitious stage mother from “Gypsy”? Or Mrs. Lovett from “Sweeney Todd,” the butcher/baker who breaks down the marketing challenges of hawking pies filled with human meat, in a Cockney accent, no less?“Some of it’s hard,” Salonga admitted.But she is doing all that and more in “Stephen Sondheim’s Old Friends,” currently playing at the Ahmanson Theater here in Los Angeles after a 16-week run in London’s West End. Scheduled to begin previews on Broadway at the Samuel J. Friedman Theater next month, the show features more than three dozen songs from some of Sondheim’s biggest musicals, including “West Side Story,” “Gypsy,” “A Little Night Music” and “Into the Woods.” The tribute revue also stars Bernadette Peters, who, no stranger to Sondheim, put her own indelible stamp on the character of Momma Rose in 2003.Salonga, center, stars in “Stephen Sondheim’s Old Friends” with, from left, Jasmine Forsberg, Beth Leavel, Bernadette Peters, Kate Jennings Grant, Bonnie Langford, Maria Wirries and Joanna Riding.Matthew MurphySalonga, Peters said, “has one of the great Broadway voices, and she just brings down the house.”For Salonga, “I’m getting the chance to sing some of the most incredible lyrics ever written. I’m getting to dip, not just a toe, but my entire body, into this incredible work.”“Nobody was surprised how terrific she was as a performer,” said the show’s producer Cameron Mackintosh, who also cast Salonga in “Miss Saigon” and “Les Misérables.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More