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  • 'Moulin Rouge!' Star Aaron Tveit Makes History at 2020 Tony Awards Nominations

    Instagram/Elin Flack

    The main actor of the ‘Moulin Rouge!’ musical becomes the only nominee for Best Leading Actor in a Musical, making him an unofficial winner at the upcoming Broadway prize-giving event.
    Oct 16, 2020
    AceShowbiz – The COVID lockdown has worked wonders for Broadway star Aaron Tveit as he has become the only actor worthy of a Tony Awards Best Actor in a Musical nod.
    Tveit is therefore already an unofficial winner for his work in “Moulin Rouge! The Musical” as no one else sparked the voting panel’s interest before theatres shut down in March (20).
    Furthermore, only 18 productions were eligible for consideration – almost half as many as last year.
    The 2020 Tony Award nominations were announced on Thursday morning (15Oct20) and “Moulin Rouge! The Musical” is also up for Best Musical, alongside “Jagged Little Pill” and “Tina – The Tina Turner Musical” while “Slave Play”, “Sea Wall/A Life”, “Grand Horizons”, “The Inheritance”, and “The Sound Inside” will compete for the Best Play honour.
    The Alanis Morissette musical “Jagged Little Pill” leads all nominations with 15, closely followed by “Moulin Rouge! The Musical” with 14 and” Slave Play” and “Tina – The Tina Turner Musical” with 12.
    A date for the awards has not yet been confirmed, but insiders expect the ceremony to take place in December (20).
    The complete list of nominees is:
    Best Play:
    “Grand Horizons”
    “The Inheritance”
    “Sea Wall/A Life”
    “Slave Play”
    “The Sound Inside”
    Best Musical:

    Best Revival of a Play:
    “Betrayal”
    “Frankie and Johnny in the Clair de Lune”
    “A Soldier’s Play”
    Best Book of a Musical:

    Best Original Score:

    Best Performance by an Actor in a Leading Role in a Play:

    Best Performance by an Actress in a Leading Role in a Play:

    Best Performance by an Actor in a Leading Role in a Musical:

    Best Performance by an Actress in a Leading Role in a Musical:

    Best Performance by an Actor in a Featured Role in a Play:

    Best Performance by an Actress in a Featured Role in a Play:

      See also…

    Jane Alexander – “Grand Horizons”
    Chalia La Tour – “Slave Play”
    Annie McNamara – “Slave Play”
    Lois Smith – “The Inheritance”
    Cora Vander Broek – “Linda Vista”
    Best Performance by an Actor in a Featured Role in a Musical:

    Best Performance by an Actress in a Featured Role in a Musical:

    Best Scenic Design of a Play:

    Best Scenic Design of a Musical:
    Riccardo Hernandez and Lucy Mackinnon – “Jagged Little Pill”
    Derek McLane – “Moulin Rouge! The Musical”
    Mark Thompson and Jeff Sugg – “Tina – The Tina Turner Musical”
    Best Costume Design of a Play:

    Best Costume Design of a Musical:

    Best Lighting Design of a Play:
    Jiyoun Chang – “Slave Play”
    Jon Clark – “The Inheritance”
    Heather Gilbert – “The Sound Inside”
    Allen Lee Hughes – “A Soldier’s Play”
    Hugh Vanstone – “A Christmas Carol”
    Best Lighting Design of a Musical:

    Best Sound Design of a Play:

    Best Sound Design of a Musical:

    Best Direction of a Play:
    David Cromer – “The Sound Inside”
    Stephen Daldry – “The Inheritance”
    Kenny Leon – “A Soldier’s Play”
    Jamie Lloyd – “Betrayal”
    Robert O’Hara – “Slave Play”
    Best Direction of a Musical:

    Best Choreography:

    Best Orchestrations:
    Tom Kitt – “Jagged Little Pill”
    Katie Kresek, Charlie Rosen, Matt Stine, and Justin Levine – “Moulin Rouge! The Musical”
    Ethan Popp – “Tina – The Tina Turner Musical”

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  • Anti-Vaxxer Isabel Lucas Refuses to Take Mandatory Covid-19 Testing While Filming New Movie

    WENN

    The actress who’s also against vaccination reveals she ‘opted out’ of Covid-19 testing on the set of her new movie, insisting that she has a very ‘solid’ immune system.
    Oct 16, 2020
    AceShowbiz – Australian actress Isabel Lucas refused mandatory Covid-19 testing on the set of her new movie “Bosch & Rockit”.
    The 35-year-old anti-vaccination activist made the admission on the alternative health podcast, Alfa Vedic, revealing that she “opted out” of the procedures, which were mandatory for the rest of the cast on set in Byron Bay, Australia.
    “I gave my duty of care of what I could offer to respect everyone’s health and maintain my own health, and I shared that, and I opted out of doing the Covid test,” she said, reported the Brisbane Times.
    “Everyone was really respectful and really honouring of, like, how to maintain health while this very tricky time is underway. But I needed to do that. I felt like it was quite an understanding, relaxed group of people”

      See also…

    She added, “My immune system has just become so solid from my way of life, how I live and eat and think. So it was a really beautiful experience all up, even though people were wearing masks most of the time and adhering to those rules.”
    In a statement, producers Tyler Atkins and Cathy Flannery told the Brisbane Times that they were not aware that Isabel hadn’t been tested until the publication contacted them for comment.
    “Every cast and crew member was required to sign an acknowledgement that they would adhere to the Covid-Safe guidelines adopted by the production, which included an acknowledgement that they had been Covid-tested prior to principal photography,” said a statement from the film’s production company, Black Pearl Productions.
    “Isabel’s recent statement that she was not tested is inconsistent with the producers’ understanding that she had complied with the Covid-Safe guidelines adopted by the production.”

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  • 'Beverly Hills, 90210' Director on No Eye Contact Rule: Someone Was Messing With Jessica Alba

    WENN

    Joel Feigenbaum joins original cast regulars, Jennie Garth, Tori Spelling, Brian Austin Green and Jason Priestley, in sharing his thought on the claim made by the ‘L.A.’s Finest’ actress.
    Oct 15, 2020
    AceShowbiz – “Beverly Hills, 90210” director Joel Feigenbaum had no idea Jessica Alba had been told not to make eye contact with the show’s stars during her season eight episodes.
    The actress claimed she was told she’d be thrown off the set if she looked at cast regulars like Jennie Garth or Tori Spelling, prompting the show’s stars to insist they had no idea guests had been told to avert their eyes.
    Garth, Spelling, Brian Austin Green, and Jason Priestley have all responded to Alba’s claims, admitting they feel awful knowing she had to follow such silly rules, and now Feigenbaum, who directed the two episodes, in which Alba played a teen mum, insists her revelation was the first time he had heard about the behind-the-scenes saga.

      See also…

    “It’s very possible someone could have said that to her, either seriously or not,” he said on Monday’s (October 12) episode of the “Beverly Hills, 90210 Show” podcast. “I can’t imagine who it would have been. It certainly wasn’t one of the cast.”
    [embedded content]
    “The only other people it might have been, an AD (assistant director) or maybe somebody in the makeup and hair trailer (sic). I don’t doubt that she heard that somehow, but I certainly was never aware of it and you certainly never saw that on the set anyway…”.
    “Who knows? It could have been maybe even before she ever came to 90210, before she was even cast in the part. For all I know, somebody else was messing with her, but to my knowledge, that certainly wasn’t a rule on the set by any means. All of the regular cast was extremely friendly and really open to the guest stars.”

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    Interview: Ian McFarlane invites us in to the secret world of the Revellers Society

    There is nothing better than sharing a laugh with a room full of people. It feeds the human spirit.

    The Revellers Society, an immersive theatrical experience, is heading to the OSO Arts Centre in Barnes from 5-8 November. It’s a show that promises as much alcohol to rub on your hands as there is to quench your thirst, an offer that in these strange days seems too good to refuse. So we decided to find out more from show creator Ian McFarlane.
    [embedded content]
    Right, let’s get the obvious question out of the way first, what is The Revellers Society?
    The Revellers Society is an exclusive members club for actors and eccentrics. For the first time in nearly a hundred years they are opening their doors to the public and inviting people to peek inside! Once there you’ll meet various Society members, across three rooms, who present different acts. There is a radio play (three people dashing around trying to play twenty different characters, all at the whim of a megalomaniac star), an explorer who has been cursed by an ancient artefact and is now connected to the spirit world (there are some wonderfully funny moments of psychic trickery in this room) and then there is the former Prince of the Kindgom of Slavaskia and the saucy songstress he abdicated for; they’ve been invited to perform at Buckingham Palace but need the audience’s help in censoring their song…
    It looks like a very elaborate show, should we dress up in our Sunday best when we come along?
    It’s by no means a requirement but as you are being welcomed into an immersive, albeit socially distanced, world then looking fabulous will no doubt enhance the experience! 
    The show’s been designed with the current social distancing restrictions in mind; can you tell us a little more what that means for anyone coming along to it?
    We’ve really tried to look at the restrictions as creative opportunities. I’m aware how ‘la-di-da’ and ‘theatre directory’ that sounds but it’s the honest answer. The really important thing for me was to make everything feel like it’s buried in the world of the show. The audience are seated at cabaret tables, in bubbles of up to six people (fifteen per room) – so you say to yourself ‘OK then, whatever environment we create the show must feel decadent and exclusive’, hence why the rooms are at a lower capacity. So how do we make that part of the story? From this was born the idea that it’s a members club. Then you look at the promenade aspect of the show: obviously the audience must be distanced whilst swapping from room to room, so we worked out a pattern which makes that possible. From there you add our cast directing you in character and our ushers (also in character) sanitising the surfaces. There is no use in pretending the latter isn’t happening; you can’t cover it up and being aware of the area being cleaned also adds to our audience feeling confident. Then you say ‘OK, well perhaps the staff at the Revellers Society are of the slightly over-zealous variety’ – you get a metre away from your table and they’ve descended like locusts to scrub everything whilst trilling a bizarre working song or something. It all starts to add into the comedy experience. Also there is table service and who doesn’t love that!?
    You’re putting the show on at OSO; was the venue selected to fit the show or have you worked the performance around what you can do with the venue’s layout?
    This feels like a theatrical anecdote that has been fabricated for press release purposes but the truth is thus: I had just moved to the area and was exploring when I came across the theatre. I went inside to introduce myself and see if there was anything I could do to help. They were looking for someone to put together a show, and I said I could do it (or at least I have a hazy memory that six months earlier that was what I did for a living) so I looked at the space and came up with an idea and about six days later I was directing a photoshoot for the poster. I was putting costumes on people for characters that I hadn’t named at that stage. It was a slightly surreal day but filled with joy as everyone was just so happy to be making theatre again.
    How difficult has it been to rehearse and put together a show in the current conditions?
    Theatre is all about reacting and adapting. Adapting to a space or responding to a situation and making stories about it is what we do, so it’s been less hard to rehearse than you would imagine. Actors are brilliant people and they just embrace every new working challenge as it comes. It’s also very helpful that the cast are split into different rooms, so we can rehearse a lot of things separately. 
    The biggest challenge has been staffing. Social distancing means a smaller audience and we have to work within those financial constraints. I want as much money to go on the stage as possible and I want the actors to be well paid and taken care of – which means I’m doing seven or eight different jobs to keep our budget in check. It’s exhilarating for sure but I’m not sure I could live like this forever as I couldn’t survive with this amount of sleep long term! I’m very proud of the show aesthetic; it’s really beautiful. Our audiences are in for a treat! 
    You’re playing for four nights at OSO, where next for the show after this run?
    In December we are heading to the South Mill Arts Centre in Bishop’s Stortford. I’m really delighted we are able to do that as I was supposed to have been producing and directing panto for them. It’s great we are able to bring something to their stage for the festive season. What’s going to be fun in December is that the show will not be presented in a promenade style but will be on a stage, in a more traditional format – the audience will still be at cabaret seating but we will be going back into rehearsal to reshape the show. 
    Finally, why should we be heading to the OSO to see you next month?
    Because it’s going to be a joyous evening (or afternoon) out. You are going to belly laugh and you are going to leave with a smile plastered across your face. There is nothing better than sharing a laugh with a room full of people. It feeds the human spirit.
    Our thanks to Ian for finding the time inbetween all his various tasks to talk to us.
    The Revellers Society will be opening their doors to us at OSO Arts Centre for four nights between 5-8 November, with shows at 7.00pm and 8.30pm, plus matinee performances on the Saturday and Sunday at 2.00pm and 3.45pm. Tickets are from £20, available via the below link. More

  • 50 Cents Teams Up With Eli Roth for Three-Movie Deal

    WENN/Avalon

    When making public about his future collaboration with the ‘Candy Shop’ rapper, the ‘Hostel’ director promises to ‘bring that same fun and danger to this new fantastic slate of elevated scary films.’
    Oct 15, 2020
    AceShowbiz – 50 Cent has partnered with actor and filmmaker Eli Roth for a new three-movie deal with bosses at entertainment studio 3BlackDot.
    Little is known about the details, but Roth has made a name for himself by directing horror movies like “Cabin Fever” and “Hostel”.
    “I am so excited about collaborating with 50 Cent, James Frey and the whole team at G-Unit, 3BlackDot, and the incredible producorial team at Arts District of Roger Birnbaum and Michael Besman,” said Roth, whose credits “Cabin Fever”, “Hostel” and “Hemlock Grove”. “Both 50 and James have never shied away from controversial, boundary-pushing material and have made massive global cultural impacts from their raw creative energy. We want to bring that same fun and danger to this new fantastic slate of elevated scary films. We want to make the movies others are too afraid to make.

      See also…

    50’s production partner, James Frey, adds: “50 and Eli are both great friends of mine, great collaborators, and both real visionaries. I can’t wait for all the fun we’re going to have together.”
    The collaboration will see the three entities collaborating on each film while utilizing 3Blackdot’s in-house resources in gaming, publishing, and merchandise to build out entertainment properties. “The newly formed film partnership is predicated on producing diverse and innovative world-building genre films that feel like ground-breaking events with global reach for horror enthusiasts,” read an announcement.”
    50 and Anil Kurian for G-Unit Film & Television, Roth, Birnbaum and Besman for Arts District, and Frey, Reginald Cash, Mitchell Smith, and Zennen Clifton for 3Blackdot will produce while Mat Laibowitz, 3BD’s Head of Content Innovation, spearhead the ancillary.

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  • Taryn Manning Declines 'Dancing With the Stars' Offers for 'Has Been' Fears

    WENN

    Insisting that she is a good dancer, the ‘Orange Is the New Black’ actress reveals that she has been approached many times to participate on the competition show.
    Oct 15, 2020
    AceShowbiz – “Orange Is the New Black” star Taryn Manning turned down the chance to appear on U.S. competition show “Dancing with the Stars” multiple times over fears she will be viewed as a “has been” if she waltzes onto the TV ballroom.
    The actress, who also appeared in Eminem’s “8 Mile” and Britney Spears’ film “Crossroads”, admits she’s a pretty competent dancer and feels she would do well on the show, but she has avoided a call-up.

      See also…

    “I’ve been asked to be on many times,” Manning tells Page Six “I have this weird phobia that (competing on the show) means you’re a has-been, and I never want to believe that’s the case. Maybe it’s my own stuff, but, yeah, I’m definitely a good dancer.”
    “Dancing with the Stars” is currently airing its season 29 with Tyra Banks serving as the new host, replacing OG host Tom Bergeron and co-host Erin Andrews. Among the celebrities who are still up for the coveted MirrorBall trophy in the current season are “Cheer coach Monica Aldama, the former “The Bachelorette” star Kaitlyn Bristowe, Super Bowl champion Vernon Davis, “Jessie” actress Skai Jackson, “Jane the Virgin” actress Justina Machado, Backstreet Boys” member AJ McLean, rapper Nelly, “The Real” co-host Jeannie Mai, “Catfish” host Nev Schulman, “Selling Sunset” star Chrishell Stause and Olympic figure skater Johnny Weir.
    Meanwhile, NBA star Charles Oakley, actress Anne Heche, “Tiger King: Murder, Mayhem and Madness” star Carole Baskin and former “Desperate Housewives” star Jesse Metcalfe were eliminated in previous episodes.

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  • Rose McGowan Clarifies to Sarah Jeffery About Her Real Issue With 'Charmed' Reboot

    Instagram

    After her comment about the series’ revival was deemed ‘pathetic’ by the Maggie Vera depicter, the original star of the supernatural show insists that her criticism was actually directed to the creators.
    Oct 15, 2020
    AceShowbiz – Rose McGowan has insisted her issues with the “Charmed” reboot are with its creators, not its stars, after her response to the revival was deemed “pathetic” by actress Sarah Jeffery.
    Sarah hit headlines when she fired back at Rose and former co-star Holly Marie Combs following a recent TikTok event, during which Rose commented that the revival “sucks” and Holly failed to hold back her laughter.
    “You know, I saw this earlier and I refrained from saying anything. I thought, better to just let them shout into the abyss. But I do want to say, I find it sad and quite frankly pathetic to see grown women behaving this way,” Sarah tweeted.
    “I truly hope they find happiness elsewhere, and not in the form of putting down other WOC (women of colour). I would be embarrassed to behave this way. Peace and love to y’all.”

    Sarah Jeffery slammed Rose McGowan and Holly Marie Combs for their response to ‘Charmed’ reboot.
    Holly called Sarah’s claims “bulls**t” on her Twitter page and Rose weighed in on the controversy in a lengthy statement on her Instagram Stories on Wednesday night (October 14), writing: “Dear Sarah Jeffery, I honestly had no idea who you were til you tweeted. I have been too busy fighting monsters & fighting for a massive Cultural Reset to notice who’s in the reboot. Absolutely nothing to do with race, that’s quite a stretch you took. I’m beyond glad any WOC has a well paying job. Hell yes to that. I’m sure you are a great actress.”

      See also…

    Rose, who played Paige Matthews in the original TV series about three witch sisters, continued: “My quibble (google it) is about execs & producers & @wb network trading on years of my work & name in such a cynical and obvious way – a money grab to cash in on the Charmed name. I do not care that they remade it, I have far bigger things I’m dealing with. I do not nor will I watch a show I disagree with on principle.”
    “This is not my ego trashing the reboot, this is a criticism of creators (those are the ones who should be embarrassed) with little to no imagination making bank off of years of us busting our a*s to create a legacy that you are actually profiting off of as well.”

    Rose McGowan hit back at Sarah Jeffery when offering clarification to her ‘Charmed’ comment.
    Concluding her post, Rose wrote that she wishes Hollywood would “stop making remakes that don’t need to be remade”.
    “It’s a formula that’s gone on for too long. Mediocrity rules there, not just sociopaths. There’s no soul or heart in something made purely for profit whilst refusing to elevate and innovate. Reboots will always be the shadow, the originals will always be the sun. I wish you well,” she finished.
    Sarah has yet to respond to Rose’s Instagram post.

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  • Jimmy Saville's Life and Sex Scandal Adapted for New TV Show

    WENN

    A new mini-series called ‘The Reckoning’ is expected to revolve around the disgraced TV star’s life including his predatory sexual abuse through his career until his death in 2011.
    Oct 15, 2020
    AceShowbiz – Jimmy Savile’s use of his status as one of Britain’s biggest TV stars to cover up decades of predatory sexual abuse is to be explored in a new BBC drama.
    The mini-series, “The Reckoning”, chronicles Savile’s life from his working-class origins, through his years as a DJ in dancehalls and at the BBC, all the way through his TV career to his final years when rumours of a dark side swirled around him.
    A year after his death in 2011, an ITV documentary exposed him as one of Britain’s most prolific sex offenders, with hundreds of victims making allegations of child sexual abuse spanning more than six decades.
    According to the team behind the new drama, producers and writers have worked with many of his victims to tell their story, and how Savile was never held to account during his lifetime.

      See also…

    Executive producer, Jeff Pope, says, “I think this is a story that has to be told. We must understand why a man like Jimmy Savile seemed to remain immune for so long to proper scrutiny and criminal investigation.”
    Piers Wenger Controller, BBC Drama, adds, “The story of Jimmy Savile is one of the most emotive and troubling of our times. We do not intend to sensationalise these crimes but to give voice to his victims.”
    “We will work with survivors to ensure their stories are told with sensitivity and respect and to examine the institutions which Jimmy Savile was associated with and the circumstances in which these crimes took place.”
    Casting details will be announced in due course.

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