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      Beatles Movies Cast Revealed, Including Paul Mescal and Barry Keoghan

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      The director Sam Mendes announced the stars of his four-film series, each told from the perspective of a different Beatle, set to be released in 2028. There has been no shortage of movies about the Beatles. But the director Sam Mendes is embarking on a project that stands apart for its ambition — four films, each from a different band member’s perspective — and now we know who will be playing the Fab Four.The films will star Paul Mescal as Paul McCartney, Harris Dickinson as John Lennon, Joseph Quinn as George Harrison and Barry Keoghan as Ringo Starr, according to Mr. Mendes’s production company.The four films, which will tell the story of one of the world’s most influential and adored bands, will be released together in April 2028, “creating the first bingeable theatrical experience,” the company wrote. In announcing the films last year, Mr. Mendes, the British director best known for films like “American Beauty” (1999) and “Revolutionary Road” (2008), said he was “honored to be telling the story of the greatest rock band of all time, and excited to challenge the notion of what constitutes a trip to the movies.”He announced the cast at the CinemaCon convention in Las Vegas on Monday, according to The Hollywood Reporter. While the Beatles have been big-screen subjects before — including in Danny Boyle’s “Yesterday” (2019) and Sam Taylor-Johnson’s “Nowhere Boy” (2009) — this is the first time that the members of the band and their estates have granted full life story and music rights for a scripted film, according to Sony Pictures.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Best Movies and Shows Streaming in April: ‘Étoile,’ ‘Hacks,’ ‘The Last of Us’ and More

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      “Étoile,” “Government Cheese” and an Oklahoma City bombing documentary arrive, and “Hacks” and “The Handmaid’s Tale” return.Every month, streaming services add movies and TV shows to their libraries. Here are our picks for some of April’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘The Bondsman’ Season 1Starts streaming: April 3Kevin Bacon plays the hard-boiled Georgia bounty hunter Hub Halloran in this action-comedy, which has a supernatural twist. Hub dies in the opening scene of the first episode, then gets reincarnated thanks to some satanic intervention. He is then given a new job, hunting demons who have escaped from Hell. Created by Grainger David and produced and written by Erik Oleson for the horror-friendly Blumhouse Television, “The Bondsman” features all the gory splatter one might expect from a show about a heavily armed monster-killer. But the series also explores its undead antihero’s complicated personal life, which involves a an ex-wife, Maryanne (Jennifer Nettles), whose budding country music career is being handled by a highly suspicious creep named Lucky (Damon Herriman).‘Étoile’ Season 1Starts streaming: April 24The writer-producer husband-wife team of Amy Sherman-Palladino and Daniel Palladino — best-known for “Gilmore Girls” and “The Marvelous Mrs. Maisel” — are back with a new series, set in the world of dance, just like their short-lived gem “Bunheads.” Luke Kirby plays the leader of a venerable New York ballet company. Charlotte Gainsbourg plays the leader of a venerable Paris ballet company. When their organizations struggle, they decide to generate some public interest by swapping their top stars. “Étoile” generates comedy and drama from the very different theatrical cultures in Europe and America. The supporting cast is filled with professional dancers, so the ballet sequences should be realistic and dynamic — and not just something to fill the space between the creators’ usual fast-paced, witty banter.Also arriving:April 1“America’s Test Kitchen: The Next Generation” Season 2April 8“Spy High”April 10“G20”April 17“#1 Happy Family USA” Season 1“Leverage Redemption” Season 3Jon Hamm in “Your Friends & Neighbors,” Season 1.Jessica Kourkounis/Apple TV+New to Apple TV+‘Your Friends and Neighbors’ Season 1Starts streaming: April 11In this offbeat crime drama, Jon Hamm plays Andrew Cooper, a.k.a. Coop, a swaggering New York money manager who loses everything — including his wife and job — and compensates by becoming a gentleman thief, stealing from his wealthy pals. The show emphasizes the ironic fragility of Coop’s situation, as someone who has lived and socialized with some of the richest people in the United States, yet is suddenly on the verge of going broke. Created by Jonathan Tropper (“Banshee,” “Warrior”), “Your Friends and Neighbors” is about the high-end homes that only some people can access, and about how someone who is trusted enough to be let inside can treat these personal spaces like an A.T.M.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Linda Williams, Who Introduced Pornography to Academia, Dies at 78

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      One of the first to write seriously about a fraught subject, she also played a major role in developing the field of film studies and feminist film theory.Linda Williams, a trailblazing scholar whose research was foundational to the field of film studies and to feminist film theory, and who wrote extensively about pornography, died on March 12 at her home in Lafayette, in Northern California. She was 78.Her husband, Paul Fitzgerald, said the cause was complications of a hemorrhagic stroke she had five years ago.“Linda was there before there was any such thing as feminist film studies,” B. Ruby Rich, the former editor in chief of the journal Film Quarterly, said in an interview. “She played a pivotal role in its development, but she was not orthodox.”Ms. Rich continued: “She did not stay in her lane at a time when people were really guarding boundaries and really policing what others were doing. She was fearless about following her inquiries wherever they would lead. In any branch of academics or scholarship, that is really, really unusual.”A longtime professor of film and media at the University of California, Berkeley, Ms. Williams wrote and edited articles and books on subjects as diverse as surrealism, spectatorship and the television series “The Wire.”She was keenly interested in how various film genres affected the body — for example, the way horror movies could induce shivers — and in her 2002 book, “Playing the Race Card: Melodramas of Black and White From Uncle Tom to O.J. Simpson,” she explored how the tropes of melodrama figured in widening and narrowing America’s racial divide.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How to Live in the Mall

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      Want your living space a stone’s throw from the Aéropostale and Hot Topic? A new documentary, “Secret Mall Apartment,” will show you the way.When the artist Michael Townsend first told the documentarian Jeremy Workman about the time he and his friends lived in a secret apartment tucked inside the Providence Place Mall, Workman thought he was being punked. Then Townsend pulled out a cracked iPad to show Workman some grainy video. “I just was dumbfounded and blown away,” Workman said in a video interview alongside Townsend. “Then I was, like, instantly, ‘I got to figure out how I could convince him to let me make a documentary on this.’”The result is the new film “Secret Mall Apartment,” which recounts how, between 2003 and 2007, eight artists created a homey apartment in an abandoned space in a shopping center. Using footage the residents had filmed on a tiny camera, Workman places the stunt in the context of the rapid gentrification happening at the top of the 21st century while at the same time relying on some heist-movie conventions. So how did they do it? Here are six steps.1. Find an abandoned space.The Providence Place Mall, in Rhode Island, home to an architectural anomaly, an unused space that caught the eye of an artist while construction was going on.Jeremy WorkmanWhen the mall was being built, Townsend noticed what he called a “nowhere space,” an “anomaly in the architecture” that served no purpose. So when Townsend and his friends decided to camp out at the mall after seeing an ad teasing that the place was so well stocked that it had everything a person needed to live, he sought out that corner as a place to sleep. How did Townsend clock it in the first place? He credited that to a fixation with the notion of space that arose as the mall was going up, part of the gentrification of his Providence, R.I., neighborhood that also resulted in the artists’ space where he lived being demolished.“It’s not just losing the home, it’s also losing historical vertebrae of the neighborhood,” Townsend said. As for the mall, “You couldn’t help but internalize that there was a lot of dead space in that structure,” he said. And thus, the notion of an apartment was born.2. Get a couch.“If you can pick one thing you’re going to move into a space, I’d pick a couch over a mattress, any day,” Michael Townsend said of the apartment where, from left, Colin Bliss and Greta Scheing are relaxing.Michael TownsendWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Stream These 17 Movies Before They Leave Netflix in April

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      A few popular franchises are leaving this month for U.S. subscribers, including the first three “Karate Kid” movies. Catch these before they leave.Several noteworthy franchises — including family classics, sports favorites and buddy comedies — are leaving Netflix in the United States this month, alongside some thoughtful sci-fi, rowdy female-fronted comedies, a hit horror reboot and more. (Dates reflect the first day titles are unavailable and are subject to change.)‘Elysium’ (April 1)Stream it here.After the surprise success (and Academy Award nominations) of his brainy 2009 science fiction-action hybrid “District 9,” the writer and director Neill Blomkamp leveled up — bigger budget, bigger studio, bigger stars (including Matt Damon and Jodie Foster) — for this dystopian future tale. Damon stars as Max, an Everyman doing his best in a bombed-out Los Angeles circa 2154, trying to save his own life when he is exposed to a lethal dose of radiation. Blomkamp can’t quite recapture the explosive propulsion of his debut feature, but Damon is a sturdy hero, and the director creates a convincingly junky future.‘Happy Feet’ / ‘Happy Feet Two’ (April 1)Stream “Happy Feet” here and “Happy Feet Two” here.George Miller boasts one of the most strikingly split personalities of his filmmaking generation, veering between blistering action epics like the “Mad Max” series and warm family efforts like the “Babe” films and these charming animated tales of a tap-dancing penguin named Mumble. He is voiced with charisma and sensitivity by Elijah Wood, who makes the character a stand-in for every outcast kid who harbored a special talent. Robin Williams provides his signature wild wit in support, while Hugh Jackman and Nicole Kidman delight as Mumble’s not-always-supportive parents.‘Interstellar’ (April 1)Stream it here.When Christopher Nolan directs a space epic, you can be certain it won’t be just a space epic. His 2014 blockbuster isn’t merely science fiction; it is a thought-provoking and often heartbreaking rumination on mortality, family and the sacrifices we don’t regret until it’s too late. Matthew McConaughey turns in one of his most sensitive performances to date as an astronaut sent on a complex mission of alien communication, while Anne Hathaway turns what could have been a drab sidekick role into a wrenching portrait of regret.‘The Karate Kid I, II and III’ (April 1)Stream “The Karate Kid” here, “The Karate Kid Part II” here and “The Karate Kid Part III” here.The popularity of the spinoff series “Cobra Kai” has made the “Karate Kid” movies a fairly dependable presence on Netflix; one hopes their disappearance will be short-lived. The 1984 original remains one of cinema’s great underdog movies, as Daniel LaRusso (Ralph Macchio) moves to sunny Southern California from New Jersey, falls hard for a rich girl (Elisabeth Shue) and gets on the wrong side of a school bully (William Zabka), ultimately seeking out the unconventional martial arts training of the mysterious Mr. Miyagi (Pat Morita). The 1987 sequel and 1989 three-quel offer diminishing returns, but even at its weakest, the series is carried by the charisma and camaraderie of Macchio and Morita.‘Miss Congeniality’ (April 1)Stream it here.Sandra Bullock crafts one of her most physically inventive performances — all thrown elbows and twisted ankles — as Gracie Hart, a messy and clumsy yet brilliant F.B.I. Special Agent who must go undercover as a beauty pageant contestant to foil a terrorist plot. Bullock gives the goofy premise her all, almost convincing us that she is an ugly duckling before the inevitable glam reveal; Michael Caine and William Shatner gleefully steal scenes as her makeover master and the pageant’s memorable emcee.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      10 Wild Clips to Help You Understand Andy Kaufman’s Greatness

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      The standup, who’s the subject of a new documentary, expanded the ambition of comedy. These videos show how far ahead of his time he was.Andy Kaufman became one of the most influential comedians ever in a brief amount of time — really only a decade, from his first national television appearance to his death from lung cancer in 1984 at 35. In between, his comic stunts blurred the lines of reality and fiction and found a variety of ways to provoke audiences and upend expectations, while doing more than any club performer to expand the conceptual ambition of comedy, turning stand-up into performance art. What makes this even more remarkable is that he did almost none of it via regular roles in movies or high-profile television, with the exception of the sitcom “Taxi.”And yet, Kaufman and his many characters were a constant presence in popular culture, clubs and wrestling matches and on talk and variety shows, many of which are long forgotten. These bits have lived on the internet, divorced from the context in which they appeared. Now on YouTube, the Andy Kaufman rabbit hole is deep and packed with pleasures. A new documentary on his life, “Thank You Very Much,” was made by artists who clearly spent a long time exploring it. Here are 10 of the best examples that show how Kaufman broke from the past and anticipated the future.Foreign ManThe first Kaufman character to break out was the tentative, thick-accented immigrant from the Caspian Sea known as Foreign Man, an antecedent to Borat but sweeter, more sensitive and deluded. He mangled Borscht Belt jokes that fizzle like this one-liner: “My wife’s cooking is so bad, it’s terrible.” Before he turned into Latka Gravas on “Taxi,” Foreign Man showed up in short sets on shows like “Van Dyke and Company.” In one of the first, Foreign Man loses a Fonzie look-alike contest, becoming upset at Dick Van Dyke, who, unlike some television hosts who interacted with him (see Dinah Shore), clearly delights in Kaufman. To make things right, the host offers him the opportunity to tell some jokes. Playing an overly enthusiastic innocent with a shaky grasp on English and an even looser grasp on American humor, Kaufman fumbles through some bits and a terrible Ed McMahon impression. Somehow his errors endear him to the audience. Kaufman’s large, anime-like eyes do a lot of the work.Celebrity InterviewerSilence. Kaufman uses it as well as any comedian, building suspense, tension and most of all, awkwardness. On his ABC special taped in 1977 but broadcast two years later, he used that technique magnificently in a spoof of a disastrous talk-show interview that anticipated everything from “The Eric Andre Show” to “Between Two Ferns.” As the host, looking down on his guest, the “Laverne & Shirley” star Cindy Williams, from a desk towering high above her, (a disparity he would take to more extreme heights later in his career), he stops talking entirely, and the banter ends. Then the camera moves from him to her and back again, unease building. It’s almost a minute of dead air but seems much longer. Then he asks: “You have hobbies? You have any diseases?”Bongo PlayerWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      With ‘The Life List,’ Sofia Carson Is a Go-To Netflix Star

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      Sofia Carson had just come back to earth.On a recent March morning, the actress-singer awoke at 3 to take a sunrise hot-air balloon ride over the rolling hills of Temecula, Calif. The adventure had been arranged by Netflix as a promotional stunt for the streamer’s new film, “The Life List,” in which Carson stars as a languishing teacher who must complete her childhood bucket list before she can receive the inheritance left to her by her mother (played by Connie Britton).Now back at her hotel, Carson delicately adjusted her black turtleneck as she settled in front of her laptop for our video interview.“It was really special,” she said of the skyward voyage. “I wasn’t scared at all.”In fact, Carson seems to belong in another realm entirely.“I’m 10 years into my career,” Carson said, “yet, it still feels, and I say this with my heart, that it’s just the beginning.”Kobe Wagstaff for The New York TimesUnlike many millennial stars, the 31-year-old doesn’t share much about her private life in interviews or get too candid with her nearly 20 million Instagram followers. Her red carpet looks are a parade of opulent gowns and elbow-length gloves. She cites Audrey Hepburn as her “end-all be-all inspiration.” Even her given name, Sofia Lauren — like the actress Sophia Loren — is partly a tribute to Old Hollywood royalty.It’s an elegant persona for an actress who not long ago was known primarily for her role as Evie, the blue-haired teenage daughter of the Evil Queen in Disney Channel’s “Descendants” TV movies. That wildly popular musical franchise spawned lunchboxes, dolls, throw pillows and endless merchandise featuring Carson’s likeness.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Secret Mall Apartment’ and the Case for Art in Unexpected Places

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      Jeremy Workman’s documentary looks back at a project that may sound like a joke but had serious underpinnings.What is art? Everyone has a different definition, not just at this moment in history but across eras. Art is a pretty picture. Art is what’s in a museum. Art is what makes us human. Art is something to sell, or buy, or make, or make fun of. Art is everything, or nothing at all.Defining art isn’t the stated aim of “Secret Mall Apartment” (in theaters), Jeremy Workman’s new documentary about artists who in 2003 managed to create and live undetected for four years in an apartment nestled in a shopping mall in Providence, R.I. That sounds bizarre because it is.Inspired by a commercial for the mall, Providence Place, in which a mother claims she wishes she could live there because it would make shopping so convenient, the artists found an empty, secluded space away from the retail corridors and planned a kind of performance art happening: They’d live there for a week, documenting it, subtly poking fun at developers’ obsessions with so-called underutilized spaces.It seems like a practical joke, but the context was deadly serious, as Workman shows by structuring the film akin to a spiderweb. At the center is the mall apartment itself and the reasons the artists ended up staying several years. This story is built out with interviews with the participants — many of whom had never revealed their involvement — and with footage they shot on the tiny digital cameras we used to tote around back in the mid-aughts, small enough to fit in an Altoids tin.Sprawling from this central story — full of funny anecdotes about almost getting caught and their solutions to problems like an undetectable wall — is a sober set of concerns. Chief among them is the way that city officials and developers were addressing urban decay in Providence, and how the centerpiece of their solution was meant to be the mall. Workman makes ample use of news video to demonstrate how locals talked about the project at the time, including working-class residents who noted that the planned shops and the positioning of the mall entrance away from the less affluent part of the city signaled that it wasn’t meant for them at all. He also enlists a crew to construct a full-scale model of the apartment so that the original dwellers can experience it again.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More