More stories

  • in

    ‘Georgetown’ Review: It’s Not a Lie if You Believe It

    In Christoph Waltz’s film, a grifter takes Washington.Christoph Waltz is a magnificent actor, and in “Georgetown,” as in everything, he is a pleasure to watch. As Ulrich Mott, a smooth-talking, uxorious grifter and social climber who wheedles his way into Washington society with the aid of his well-connected nonagenarian wife, Waltz flamboyantly charms and flatters, wearing a wolfish smile as he lies through his teeth.Mott is based on Albrecht Muth, the famous liar and cheat who was convicted of the 2011 murder of his wife, and Waltz plays him as an oily, hot-tempered sociopath on a direct path from fibbing to frenzy. He makes you understand how a man who could so easily lie might, in the right circumstances, just as easily kill.Waltz’s most memorable performances have come under the direction of auteurs such as Alexander Payne and Quentin Tarantino. In “Georgetown,” he directs himself, and he is hindered by his limitations as a filmmaker. Although there are flashes of stylistic ambition, including a confident tracking shot near the beginning of the film reminiscent of Brian De Palma, on the whole the action feels stilted and the drama insubstantial. The great Vanessa Redgrave, as Mott’s ill-fated wife, and Annette Bening, as her suspicious daughter, are both excellent — perhaps a testament to the director’s skill with fellow actors. But the cast can only do so much with thin material, and Waltz, duping and swindling grandly, isn’t equipped to make the long con interesting.GeorgetownRated R for strong language and some domestic violence. Running time: 1 hour 39 minutes. In theaters and available to rent or buy on Google Play, FandangoNow and other streaming platforms and pay TV operators. Please consult the guidelines outlined by the Centers for Disease Control and Prevention before watching movies inside theaters. More

  • in

    Behind Every Hero or Villain, There Is Tech Support

    Cutting-edge technology is often used in comics by the able assistants who fall under the trope “the guy in the chair.” But they are not always men and are not always helping the hero.This article is part of our new series, Currents, which examines how rapid advances in technology are transforming our lives.Technology has always played a major role in superhero comics. Sometimes the tech makes the hero, like the often upgraded suits of armor worn by Iron Man. Other times it can benefit a team of do-gooders, like the rings used by the Legion of Super-Heroes that give its members, whose adventures are set in the future, the ability to fly.While most technology in comic books is of the fantastical kind, there are some examples that either exist in the real world or are extensions of real-world inventions. The DC hero Mr. Terrific uses dronelike devices he calls T-Spheres that assist him on his adventures with aerial reconnaissance (they can also deploy lasers, holograms and more).Iron Man uses an artificial intelligence system light years ahead of Alexa or Siri. In the Marvel Cinematic Universe he had J.A.R.V.I.S., but he (it?) was replaced by a virtual assistant named F.R.I.D.A.Y., who is also featured in the comics. These days he uses an A.I. named B.O.S.S., which alerts him to threats, monitors his power levels and, in its first comic book appearance, managed his investments while he battled an extraterrestrial threat.But the true heroes-behind-the-hero, one could argue, are those keyboard surfers who type furiously at a terminal and provide critical information to whoever they are assisting in the field. This special kind of tech support falls under the trope known as “the guy in the chair,” but they are not always men nor do they always help the good guys. Below are some examples, both virtuous and villainous.Marvel EntertainmentProfessor XCharles Francis Xavier, or Professor X as he is popularly known, is the founder of the X-Men, Marvel’s mutant heroes who are often feared and distrusted by society. Professor X has often used a wheelchair and has led the X-Men from afar, keeping tabs on the team in the field with his telepathic abilities. He has provided the team with some formidable innovations. The Danger Room, the facility where the heroes train in the use of their powers, started out relatively low-tech: an obstacle course with battering rams and flamethrowers. Later on, thanks to an infusion of alien technology, it was souped-up with holograms that simulated the extreme terrains the X-Men often encountered. Another invention, Cerebro, was like a DNA test combined with Apple’s Find My iPhone app: It can pinpoint the location of mutants and alerts him to the emergence of new ones.Marvel EntertainmentMicrochipDavid Linus Lieberman is the aide-de-camp of the Punisher, Marvel’s antihero. Lieberman, a.k.a. Microchip, provides all manner of illicit services: money laundering, weapons procurement and computer hacking. In his origin story, Lieberman’s initial crime is changing the grades of a fellow college student whose scholarship is in danger. After tangling with a mob-connected bank, he begins a life on the run. From there, he slowly evolves into an underground hacker who also creates computer viruses. He meets an untimely end when he tries to replace the Punisher, who is becoming increasingly violent and unstable.Marvel EntertainmentShuriBlack Panther’s brilliant little sister, Shuri, made a big splash in the 2018 “Black Panther” film with her technological wizardry — Q to her brother’s James Bond. In the comics, Shuri is similarly gifted, but also more ambitious: She has her eye on becoming Black Panther, a ceremonial title of power and leadership in the advanced African nation of Wakanda. Shuri serves as Black Panther when her brother is incapacitated and later sacrifices her life to save him. But worry not: He finds a way to bring her back, and they fight side-by-side today. Shuri is very much a field operative in comics, and she’s responsible for creating an array of gadgets and gear, including a spaceship and nanotech wings (of which she boasts, “My latest success! Emergency flight in a can! I am awesome!”).DCOracleWhen Barbara Gordon becomes paralyzed after being shot by the Joker, her crime-fighting career as Batgirl might come to an end. Instead, Barbara trades in her cape, motorcycle and grappling hooks for a keyboard, multiple monitors and Wi-Fi to become Oracle, a genius-level computer hacker and information broker to the heroes of DC Comics. After undergoing an experimental surgery that implants a microchip into her spine to restore her mobility, she becomes Batgirl again but later decides that she has a wider reach as Oracle. In a recent issue, her father, the former police commissioner Jim Gordon, confirms that he knows about Barbara’s other identities. After a heart-to-heart chat, she outfits him with a special satellite phone in his latest quest to apprehend the Joker. The phone is linked to Batman’s communications system and is set to self-destruct if he does not check in on a daily basis.DCThe CalculatorNoah Kuttler, a DC villain known as the Calculator, was originally a costumed crook with a gimmick: He wore a numerical keypad on his chest and would say things like, “I compute you have less than one minute to live.” Despite his confidence, he never made it to the upper echelon of villains. That changes after Kuttler heard whispers about Oracle. Kuttler ditches his costume and set up a similar operation — this time catering to supervillains at substantial fees: $1,000 per question answered and even more for other services. In addition to supplying information to villains, he also provides a measure of protection: He playfully counters a wiretap setup by the heroes to hear only speeches by Vice President Adlai Stevenson.DCAmanda Waller“The Wall” is an apt nickname for the steel-willed Amanda Waller. She made her mark on the DC Universe as the head of the government program Task Force X, which is also known as the Suicide Squad. Waller enlists supervillains for dangerous missions in exchange for commuted prison sentences — if they survive. One of her favorite pieces of tech is explosive devices, often in metallic collars and sometimes implanted beneath the skin, that encourage the villains to keep within the parameters of the assignment. Waller witnesses a lot of casualties in her line of work but one especially strikes close to home: Flo Crawley, the coordinator of Task Force X’s missions, wants to take part in missions. Waller’s response: “If I let you do that, your mama would shoot me and I’d give her the gun.” But Flo defies orders and takes part in an operation that results in her death.Skybound/Image ComicsCecil StedmanInvincible, the title character in the recent animated Amazon Prime series, is often assisted by Cecil Stedman, the head of the Global Defense Agency, which was vigilant for threats that might require superhero attention. Stedman is a big fan of the gadgetry afforded to him by his government job. Early on, he gets to use a teleportation device, of which he said: “It costs taxpayers $5 million every time we use it, but I just had to try it.” He also outfits Invincible with an earpiece that serves as a direct line to the hero in times of need. Stedman can be a little cocky — he once said, “I’m so high ranked in the U.S. government, I don’t even have a rank” — but his heart is usually in the right place. When Invincible’s family faces a crisis, Stedman leaps into action: His machinations help provide the family with a steady income and he stages a funeral with holograms to help preserve secret identities. More

  • in

    MGM Looks to Amazon as the Hollywood Studio Tries to Find a Buyer

    A deal would add Metro-Goldwyn-Mayer’s 4,000 films to Amazon’s streaming library, including the James Bond, Rocky and “Legally Blonde” franchises.LOS ANGELES — Metro-Goldwyn-Mayer has been in talks to sell itself to Amazon, according to three people briefed on the matter. If completed, a deal would turbocharge Amazon’s streaming ambitions by bringing James Bond, Rocky, RoboCop and other film and television properties into the e-commerce giant’s fold. More

  • in

    An Old-School Media Titan Pushes Aside an Upstart

    LOS ANGELES — It’s the law of the Hollywood jungle. The biggest cats win.It was only last year that Jason Kilar, a digital media executive, was named the chief executive of WarnerMedia, a division of AT&T that includes HBO, Warner Bros. and CNN. In particular, AT&T wanted Mr. Kilar to turn an upstart streaming service, HBO Max, into a Netflix-style powerhouse. More

  • in

    Stream These 5 Action Films Now

    This month’s picks include the animated “New Gods: Nezha Reborn,” the neo-western “Pixie” and the fantastical “Super Me,” the crime thriller “Adverse” and the comic “Get the Goat.”For the action movie fans looking for new thrills to watch at home, there are a lot of car chases, explosions and sword and fist fights to sift through. Let me help you by providing some streaming highlights. This month’s picks include films from around the globe and tonally range from spell-bindingly fantastical to the surprisingly comical. More

  • in

    A Kevin Spacey Accuser Tried to Sue Anonymously. A Judge Said No.

    As sexual assault cases proliferate, judges must weigh accusers’ requests for anonymity against the tradition of open courts and fairness toward defendants.The man said he was 14 years old when he was sexually assaulted by the actor Kevin Spacey in the early 1980s. Last year he filed a lawsuit against Mr. Spacey in which he sought to maintain anonymity, identifying himself in court papers only as “C.D.”Earlier this year the judge in the case, which is being heard in the Southern District in New York, ordered the man’s lawyers to identify him privately to Mr. Spacey’s lawyers. And this month the judge, Lewis A. Kaplan, went further: he ruled that C.D. would have to identify himself publicly if he wanted to continue on to trial.The man’s lawyers responded Thursday that he would not, writing that the “sudden unwanted attention that revelation of his identity will cause is simply too much for him to bear.” They said in a letter to the court that they expect him to be removed from the case — which involves another plaintiff, who is using his real name — but suggested that they plan to pursue an appeal.In the #MeToo era, as more people have been turning to civil courts with accounts of sexual assault, judges are increasingly being asked to weigh the strong desire of many accusers to maintain their anonymity against the presumption of openness in the court system and the ability of the accused to defend themselves.“It’s the idea of balancing an open court system with the idea of protecting someone’s right to seek relief,” said Jayne S. Ressler, an associate professor of law at Brooklyn Law School.While anonymity has long been allowed under certain limited circumstances if it protects an accuser from harassment or other harm, courts tend to weigh it against the general principle that complaints must name both the defendant and accuser.The issue tends to come down to whether the benefits of anonymity, and of allowing a victim to come forward freely, outweigh the public’s interest in being able to scrutinize what is happening in the courts and the defendant’s ability to mount an effective defense.People who work to combat sexual violence warn that requiring people to use their own names could discourage some victims from seeking justice.“The risk of being publicly identified is a huge deterrent to coming forward for many survivors of sexual violence,” said Erinn Robinson, a spokeswoman for RAINN, the Rape, Abuse and Incest National Network. “Decisions in these cases should always be made with a trauma-informed and victim-centered understanding of the impact this can have on survivors’ healing.”Harvey Weinstein arrives at State Supreme Court in Manhattan in February 2020.Desiree Rios for The New York TimesBut lawyers for the accused said that it is difficult to mount a defense against people who file cases anonymously, or using pseudonyms. “An increasing amount of lawsuits will attempt to be filed under a pseudonym, and that’s concerning because the justice system in our country has as its fabric an open court system and a level playing field,” said Imran H. Ansari, a lawyer who represents Harvey Weinstein.It is not uncommon these days for accusers to bring sexual assault cases anonymously and then, if they fail to negotiate settlements out of court, to be ordered by judges to come forward in their own name before taking their claims to trial, legal experts said.Last month, state court judges in Texas said that most of the 22 women who had sued Deshaun Watson, the Houston Texans star quarterback, had to identify themselves, even after they said they feared intimidation efforts.A judge in New York federal court last September denied a woman’s request to sue Mr. Weinstein anonymously. (The case has since been voluntarily withdrawn.)Professor Ressler said that though the principle of the open court still dominated many decisions, she had detected an uptick in sympathy from courts toward sexual assault plaintiffs suing anonymously.“It appears that some courts are less reluctant to allow anonymity, let’s put it like that,” she said. “Most judges do tend to rule against anonymity, but not all.”She pointed to a 2018 case in New York Supreme Court where a trial judge allowed a number of plaintiffs to proceed anonymously against a doctor, and a Massachusetts Superior Court case in 2019 when a court imposed anonymity on a plaintiff, who was a student.One of Mr. Spacey’s other accusers, a massage therapist who had accused Mr. Spacey of groping and trying to kiss him before offering him oral sex during a massage, was permitted by a federal judge in California to file a lawsuit under a pseudonym, although that case was dismissed after the plaintiff died unexpectedly ahead of the trial.Experts say that in the #MeToo era, some courts are becoming more understanding of the high costs sexual assault victims pay personally when they come forward publicly.There is also more acknowledgment that in the modern hyper-connected society, when information spreads widely and quickly online and remains easily searchable for years, there is less chance of privacy once a name becomes public.“There is a sense that your name can live on in perpetuity connected with something terrible, so you have to have a chance without your name being associated with it,” said Andrew Miltenberg, a lawyer who has represented men accused of sexual assault.Even so, Mr. Miltenberg said, eventually, “A judge tends to say, ‘Yes, you can proceed like that but know that if we end up in front of a jury, think very hard, because I am going to open the court.’”Mr. Spacey, 61, has faced a series of sexual misconduct allegations in recent years.In 2018, he was charged with sexual assault in Nantucket, Mass., after an 18-year-old man accused him of fondling him in a restaurant two years earlier. But prosecutors there dropped the case after the accuser invoked the Fifth Amendment and refused to continue testifying after Mr. Spacey’s lawyer warned that he could be charged with a felony if he had deleted evidence from his cellphone.In the most recent case, the plaintiff, identified as “C.D.,” claimed that he met Mr. Spacey as a teenager in an acting class in Westchester County in the early 1980s.According to the lawsuit, Mr. Spacey invited the student to his apartment when they met again a few years later and he was still a minor, and “engaged in sexual acts” with him on multiple different occasions. In their final encounter, Mr. Spacey assaulted the teenager despite his resisting and saying “no,” the lawsuit said.In an interview with BuzzFeed News in 2017, the actor Anthony Rapp accused Mr. Spacey of making an inappropriate sexual advance toward Mr. Rapp when he was 14.Evan Agostini/Invision, via Associated PressC.D. filed the lawsuit with another accuser, Anthony Rapp, who first made accusations against Mr. Spacey in 2017. Mr. Spacey has denied C.D.’s and Mr. Rapp’s sexual misconduct accusations.In court papers, lawyers for C.D. argued that he would suffer psychological trauma if his name became public.“The thought of my name being circulated in the media and on the internet and of people contacting me as a victim of Kevin Spacey terrifies me,” C.D. wrote in court papers.But the case raised questions about the difficulty of defending a sexual assault case when the accuser insists on remaining anonymous.Even after the court had ruled that Mr. Spacey’s lawyers should privately be told C.D.’s real name, they argued that their ability to conduct discovery and investigate C.D.’s claims would be hampered if he could maintain his anonymity toward the public. They would be unable to disclose his name to witnesses, they noted, while potential witnesses who could have relevant information might not come forward if his real name was not publicized.Mr. Spacey’s “ability to investigate and conduct discovery of CD’s claims and prepare for trial would be severely inhibited,” his lawyers wrote in legal documents.Judge Kaplan agreed.He conceded that privacy was diminished by the internet and that the case involved sensitive and personal issues, both points arguing for anonymity.However, in ruling for shedding anonymity, the judge emphasized that C.D. himself had spoken to people about Mr. Spacey as far back at the 1990s, and had given an anonymous interview about Mr. Spacey to Vulture in 2017. He also noted that C.D. is no longer a child.“Though CD brings allegations relating to alleged sexual abuse as a minor, he now is an adult in his 50s who has chosen to level serious charges against a defendant in the public eye,” Judge Kaplan wrote. “Fairness requires that he be prepared to stand behind his charges publicly.”Both a lawyer for C.D., Peter J. Saghir, and for Spacey, Chase A. Scolnick, declined to comment.Experts said criminal cases offer greater anonymity protection to sexual assault victims than civil cases. In civil claims, the two parties often try to negotiate a settlement, and in practice few cases in fact proceed to trial. A judge’s ruling to lift anonymity sometimes acts as a catalyst to force a settlement, legal experts said.Lawyers for plaintiffs say they urge their clients to be realistic when it comes to seeking anonymity.“When you represent these survivors you have to tell them, there is no guarantee you are going to be able to proceed anonymously,” said John C. Clune, a lawyer who represented a plaintiff who had to refile a case against Kobe Bryant under her real name in a 2004 civil case. “They know they have a fighting chance, but they are also prepared mentally in case they lose.” More

  • in

    What to Know About ‘Spiral’ and the ‘Saw’ Franchise

    Not sure if the new horror movie “Spiral: From the Book of Saw” is for you? Our primer will help you decide.You don’t have to know a thing about the horror movie “Saw” or its spawn before watching the latest movie in the franchise, “Spiral: From the Book of Saw,” opening in theaters on Friday. More

  • in

    ‘The Woman in the Window’ Review: Don’t You Be My Neighbor

    Amy Adams plays a reclusive psychologist who witnesses a crime in a glossy new Netflix thriller.“The Woman in the Window” evokes two emotional states widely associated with the Covid-19 pandemic: real estate envy and the condition of melancholy drift that some psychologists call languishing. The resonance is purely accidental, since this adaptation of a 2018 novel by J.A. Finn, directed by Joe Wright (“Atonement”), was originally slated for theatrical release in 2019. To make a long story short, it fell through the cracks of the Fox-Disney merger and landed at Netflix, where it feels curiously at home. More