More stories

  • in

    Johnny Crawford, a Western Hero’s Son on ‘The Rifleman,’ Dies at 75

    For five TV seasons he was at the side of Chuck Connors’s widowed sharpshooter. He also had some success as a pop singer, film actor and bandleader.Johnny Crawford in 1997 with a photo of himself as a boy and Chuck Connors, who played his father on the TV show “The Rifleman.” As a teenager, Mr. Crawford received piles of fan mail.Steve KaganJohnny Crawford, the soulful young actor who became a child star on the western “The Rifleman” in the late 1950s and had some success as a pop singer, died on April 29 in Los Angeles. He was 75.The death, at an assisted-living home, was announced on the website johnnycrawfordlegacy.com by his wife, Charlotte McKenna-Crawford. It was revealed in 2019 that he had Alzheimer’s disease, and he had been in failing health since his hospitalization last year with Covid-19 and pneumonia.“The Rifleman,” which ran from 1958 to 1963, was a low-key half-hour series on ABC about Luke McCain (Chuck Connors), a widowed Civil War veteran and sharpshooter raising his son on their ranch in the New Mexico territory. The boy, Mark, was always identifiable by his Stetson hat and always had an intense expression — usually one of earnest concern or unabashed hero worship. When he asked his father why people are cruel to others who look or dress differently from them, his father explained simply: It’s fear.John Ernest Crawford was born on March 26, 1946, in Los Angeles, the son of Robert Lawrence Crawford Sr., a film editor, and Betty (Megerlin) Crawford, a concert pianist. His maternal grandfather was Alfred Eugene Megerlin, the Belgian violinist who became concertmaster of the New York Philharmonic and the Los Angeles Philharmonic.On Emmy Awards night in 1959, three contemporary Crawfords were nominees: Johnny, 13, for “The Rifleman”; his older brother, Robert Jr., for a role as a child in wartime Europe on “Playhouse 90”; and their father for editing the comedy series “The Bob Cummings Show.”Decades later, Mr. Crawford liked to tell interviewers that he was “a has-been at 9.”He’d been on television twice — singing on “The Pinky Lee Show” and “The Steve Allen Show” — when he was hired in 1955 as one of the original 24 Mouseketeers on Walt Disney’s “The Mickey Mouse Club.” The Mouseketeers, perky children in matching white mock-turtle short-sleeve shirts, sang, danced, appeared in serials like “Spin and Marty” and opened and closed the show with a paean to M-i-c-k-e-y M-o-u-s-e. But after one season, producers decided to feature only 12 Mouseketeers, and Johnny was cut.“The Rifleman” came along two years later.Johnny was 17 and receiving piles of fan mail when the series ended. He became something of a teenage pop-music idol as well, with four Top 40 hits. The most successful, “Cindy’s Birthday,” reached No. 8 on the Billboard pop singles chart in 1962.Between the 1960s and the ’80s Mr. Crawford made more than a half-dozen feature films, including the western “El Dorado” (1966), starring John Wayne, and appeared in other television westerns. He spent two years in the Army, appeared at rodeos (the “Rifleman” crew had taught him rope tricks) and began doing live theater across the country.“I think I’m most happy when I’m doing a play somewhere and having the opportunity of doing the same play over and over again and getting to really develop the character,” he told TV Collector magazine in 1982, after he had finished a run in “I Love My Wife” in Canada.But he found an even more satisfying career later in life. He had loved early-20th-century popular music since childhood and was reminded of that when his friend Hugh Hefner — who had been an executive producer of “The Naked Ape,” a 1973 film starring Mr. Crawford and Victoria Principal — played a Bing Crosby album for him.In 1992 he formed the Johnny Crawford Dance Orchestra. Sometimes wearing top hat and tails, he conducted the band and sang, period style in a high baritone, hits of the 1920s and ’30s like “After You’re Gone” and “Happy Feet.”Mr. Crawford and Charlotte Samco McKenna, who were high school sweethearts in the 1960s, reconnected years later and married in 1995. In addition to his wife, his survivors include his brother Robert; a sister, Nance Crawford; and two stepdaughters, Brenda Westenhaver and Jamie Pierce.Mr. Crawford’s final screen appearance was in “Bill Tilghman and the Outlaws” (2019), also known as “The Marshal.” But, as he told The Wall Street Journal in 2000, he considered his orchestra “the best acting assignment” he’d ever had.“These songs have wonderful dialogue,” he said. “It’s like getting to do Shakespeare.” More

  • in

    Vira Sathidar, Cultural Figure Who Fought India’s Caste System, Dies at 62

    After a career of activism on behalf of the lower castes, Mr. Sathidar was cast in a movie that reflected his life. He died of complications of Covid-19.This obituary is part of a series about people who have died in the coronavirus pandemic. Read about others here.NEW DELHI — Vira Sathidar played the role of a protest singer enmeshed in India’s frustrating legal system in “Court,” a 2014 movie that won accolades in India and around the world. Yet Mr. Sathidar, a lifelong activist against injustice with little screen experience, remained uncomfortable describing himself as an actor.Acting, he said, was just another tool in the toolbox of protest — along with organizing, pamphleteering, editing, writing poetry and singing.“Song and dance was a weapon of our fight,” he once said. “It still is.”Mr. Sathidar died of complications of Covid-19 on April 13 at a hospital in Nagpur, in the state of Maharashtra, his son, Ravan, said. He was 62.Mr. Sathidar agitated against the deeply rooted caste system in India, under which those at the bottom — his fellow Dalits, or untouchables — are systematically abused. A high school dropout, he wrote books and articles, edited magazines and organized street performances. For a brief time, he ran a bookstall. He was the head of the Maharashtra chapter of the Confederation of Human Rights Organizations.“He was a living library,” his friend Nihal Singh Rathod said, “on political science, on social science.”Vira Sathidar was born on June 7, 1958, in the village of Parsodi, near Nagpur, to Rauf and Gangubai Sathidar. His father, a farmer, was a staunch supporter of B.R. Ambedkar, one of India’s most influential thinkers and political figures. Mr. Ambedkar, himself a Dalit, was part of the Indian independence movement and played a central role in drafting the constitution for the future republic. He was also a tireless opponent of the caste system, and Mr. Sathidar often cited his influence in setting him on the road to activism.Mr. Sathidar said his father wanted him to be a scholar. But he was a distracted student, and he left school after 10th grade to work at a cotton thread mill.Mr. Sathidar’s activism began when he was a union organizer at the mill. He found himself working with the radical Maoist movement called the Naxalites in the 1990s.He went underground for a time but became disillusioned, his friend Pradeep Maitra, the Nagpur correspondent for The Hindustan Times, said in an interview: “He got disappointed with the Naxal movement because of their emphasis on classless society and ignoring the Ambedkar notion of casteless society.”Along with his son, Mr. Sathidar, who lived in Nagpur, is survived by his wife, Pushpa Viplav Sathidar, as well as three brothers and a sister.Mr. Sathidar came to broader attention after “Court,” an examination of the injustices India’s labyrinthine legal system perpetuates against the marginalized. The director, Chaitanya Tamhane, was looking for a cast of largely unprofessional actors.Mr. Sathidar in a scene from “Court,” which was directed by Chaitanya Tamhane.Zeitgeist FilmsFor months, his team held casting calls across several states, trying to recruit from theater groups and street performers. He was having trouble casting the lead role, Narayan Kamble, a Dalit protest singer and poet who is accused of performing songs that induce a Mumbai sewer worker to commit suicide..css-1xzcza9{list-style-type:disc;padding-inline-start:1em;}.css-3btd0c{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:1rem;line-height:1.375rem;color:#333;margin-bottom:0.78125rem;}@media (min-width:740px){.css-3btd0c{font-size:1.0625rem;line-height:1.5rem;margin-bottom:0.9375rem;}}.css-3btd0c strong{font-weight:600;}.css-3btd0c em{font-style:italic;}.css-w739ur{margin:0 auto 5px;font-family:nyt-franklin,helvetica,arial,sans-serif;font-weight:700;font-size:1.125rem;line-height:1.3125rem;color:#121212;}#NYT_BELOW_MAIN_CONTENT_REGION .css-w739ur{font-family:nyt-cheltenham,georgia,’times new roman’,times,serif;font-weight:700;font-size:1.375rem;line-height:1.625rem;}@media (min-width:740px){#NYT_BELOW_MAIN_CONTENT_REGION .css-w739ur{font-size:1.6875rem;line-height:1.875rem;}}@media (min-width:740px){.css-w739ur{font-size:1.25rem;line-height:1.4375rem;}}.css-9s9ecg{margin-bottom:15px;}.css-16ed7iq{width:100%;display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;-webkit-box-pack:center;-webkit-justify-content:center;-ms-flex-pack:center;justify-content:center;padding:10px 0;background-color:white;}.css-pmm6ed{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-align-items:center;-webkit-box-align:center;-ms-flex-align:center;align-items:center;}.css-pmm6ed > :not(:first-child){margin-left:5px;}.css-5gimkt{font-family:nyt-franklin,helvetica,arial,sans-serif;font-size:0.8125rem;font-weight:700;-webkit-letter-spacing:0.03em;-moz-letter-spacing:0.03em;-ms-letter-spacing:0.03em;letter-spacing:0.03em;text-transform:uppercase;color:#333;}.css-5gimkt:after{content:’Collapse’;}.css-rdoyk0{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;-webkit-transform:rotate(180deg);-ms-transform:rotate(180deg);transform:rotate(180deg);}.css-eb027h{max-height:5000px;-webkit-transition:max-height 0.5s ease;transition:max-height 0.5s ease;}.css-6mllg9{-webkit-transition:all 0.5s ease;transition:all 0.5s ease;position:relative;opacity:0;}.css-6mllg9:before{content:”;background-image:linear-gradient(180deg,transparent,#ffffff);background-image:-webkit-linear-gradient(270deg,rgba(255,255,255,0),#ffffff);height:80px;width:100%;position:absolute;bottom:0px;pointer-events:none;}.css-1jiwgt1{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-box-pack:justify;-webkit-justify-content:space-between;-ms-flex-pack:justify;justify-content:space-between;margin-bottom:1.25rem;}.css-8o2i8v{display:-webkit-box;display:-webkit-flex;display:-ms-flexbox;display:flex;-webkit-flex-direction:column;-ms-flex-direction:column;flex-direction:column;-webkit-align-self:flex-end;-ms-flex-item-align:end;align-self:flex-end;}.css-8o2i8v p{margin-bottom:0;}.css-12vbvwq{background-color:white;border:1px solid #e2e2e2;width:calc(100% – 40px);max-width:600px;margin:1.5rem auto 1.9rem;padding:15px;box-sizing:border-box;}@media (min-width:740px){.css-12vbvwq{padding:20px;width:100%;}}.css-12vbvwq:focus{outline:1px solid #e2e2e2;}#NYT_BELOW_MAIN_CONTENT_REGION .css-12vbvwq{border:none;padding:10px 0 0;border-top:2px solid #121212;}.css-12vbvwq[data-truncated] .css-rdoyk0{-webkit-transform:rotate(0deg);-ms-transform:rotate(0deg);transform:rotate(0deg);}.css-12vbvwq[data-truncated] .css-eb027h{max-height:300px;overflow:hidden;-webkit-transition:none;transition:none;}.css-12vbvwq[data-truncated] .css-5gimkt:after{content:’See more’;}.css-12vbvwq[data-truncated] .css-6mllg9{opacity:1;}.css-1rh1sk1{margin:0 auto;overflow:hidden;}.css-1rh1sk1 strong{font-weight:700;}.css-1rh1sk1 em{font-style:italic;}.css-1rh1sk1 a{color:#326891;-webkit-text-decoration:underline;text-decoration:underline;text-underline-offset:1px;-webkit-text-decoration-thickness:1px;text-decoration-thickness:1px;-webkit-text-decoration-color:#ccd9e3;text-decoration-color:#ccd9e3;}.css-1rh1sk1 a:visited{color:#333;-webkit-text-decoration-color:#ccc;text-decoration-color:#ccc;}.css-1rh1sk1 a:hover{-webkit-text-decoration:none;text-decoration:none;}Then Mr. Tamhane discovered Mr. Sathidar through an activist group. He cast him just before shooting started.“I thought they were taking me in the film because they couldn’t find a good actor, or they didn’t have enough budget,” Mr. Sathidar said in a video interview. He said he was struck by how much his character, Narayan, resembled him.“He has worked at a factory, I have worked at a factory,” Mr. Sathidar said. “He writes articles, I also write articles. He is an editor, I am also an editor. He works at a union, I also work at a union. He sings songs, I also sing songs. He goes to jail; I have also been to jail many times. His house is raided, my house is also raided.”“What he is showing is my life,” Mr. Sathidar said. “What surprised me was that he wrote all this without having met me.” More

  • in

    Tribeca Film Festival Reveals Jason Reitman Interview Among Its Inaugural Podcasts Program

    WENN/Derrick Salters

    Preview of ‘Siegfried and Roy’ audio series as well as a live recording of non-fiction Black Lives Matter show ‘Resistance’ have also been unveiled as part of the Tribeca Podcasts line-up.

    May 5, 2021

    AceShowbiz –
    An interview with filmmaker Jason Reitman and a preview of the new “Siegfried & Roy” audio series are among the highlights of the 2021 Tribeca Festival’s inaugural podcasts program.

    Event officials have unveiled their first ever slate of podcast content, which will feature special discussions and world premieres of fiction and non-fiction stories for fans to listen to online.

    The official selection was curated by audio storytelling manager Leah Sarbib, with contributions from an advisory board including “Serial” co-creator Sarah Koenig, “Radiolab” host Jad Abumrad, “Missing & Murdered” creator Connie Walker and “1619 Project” creator Nikole Hannah-Jones.

    Also listed as part of the Tribeca Podcasts line-up is a chat between the hosts of prison life series “Ear Hustle”, a live recording of non-fiction Black Lives Matter show “Resistance”, and sneak peeks at new podcasts “Hot White Heist” and “Red Frontier”.

      See also…

    Tribeca Festival co-founder Jane Rosenthal says, “The past few years have seen an explosion in the popularity of podcasts, making this the perfect time to introduce our inaugural Tribeca Podcast Program.”

    “We look forward to welcoming the creative forces behind this year’s most anticipated new programs.”

    The news emerges a day after festival chiefs revealed they will be making select films available for U.S. audiences to view digitally through their new platform, Tribeca at Home. Offerings will include Jonah Feingold’s “Dating and New York”, and “Creation Stories”, a biopic about music mogul Alan McGee and his Creation Records empire.

    The 2021 event, formerly known as the Tribeca Film Festival, will take place in New York from June 9 to 20.

    For more information, visit Tribeca Film official site.

    You can share this post!

    Next article

    Matt James Enjoys Casual Stroll With Rachael Kirkconnell After Going Public With Relationship Stance More

  • in

    Billie Lourd Marks 'Star Wars' Day by Dressing Baby Boy in Princess Leia Onesie

    WENN/Nicky Nelson

    Joining the May the 4th celebration, the daughter of late Carrie Fisher puts out two photos of son Kingston rocking the onesie and a brown knitted hat featuring Leia’s signature double bun hairdo.

    May 5, 2021

    AceShowbiz –
    Actress Billie Lourd has dressed her baby boy up as her late mother Carrie Fisher’s iconic Princess Leia character to celebrate “Star Wars” day.

    As fans around the world marked the unofficial franchise holiday on Tuesday, May 4, the “Scream Queens” star shared two Instagram snaps of her son Kingston taking part in the festivities by wearing a onesie featuring a Leia print, and rocking a brown knitted hat styled in the character’s signature double bun hairdo as they watched one of the original “Star Wars” films.

      See also…

    This was not the first time Lourd paid homage to her late mother’s connection to the “Star Wars” franchise. In early February, the 28-year-old actress revealed during an Instagram Q+A session with fans that her son’s nursery features a nod to the sci-fi saga.

    When asked if she will encourage her son to be a “Star Wars geek,” the “Booksmart” actress shared a photo of his room’s light switch that is labeled “Light Side” and “Dark Side” in the iconic “Star Wars” font. Along with the photo, she noted, “Duhhh. This is the light switch in his room.”

    Fisher died in December 2016 at the age of 60. Little Kingston is Lourd’s first child with her fiance Austen Rydell. The tot was born in September 2020. Months after giving birth, Lourd stressed that Kingston was not a “quarantine baby.”

    Appearing on her stepfather Bruce Bozzi’s SiriusXM show “Quarantined With Bruce” in January, Lourd made it clear, “He’s not technically a quarantine baby. And I want to make that known because a lot of people are having trendy quarantine babies.” She added, “Kingston was conceived before quarantine. He’s technically just a Caribbean baby.”

    You can share this post!

    Next article

    Tribeca Film Festival Reveals Jason Reitman Interview Among Its Inaugural Podcasts Program

    Related Posts More

  • in

    Andrew Garfield Says Rumors About Him Returning to 'Spider-Man: No Way Home' Is 'F**king Hilarious'

    WENN/Lia Toby

    Setting the record straight about whether he will appear in the next ‘Spider-Man’ movie, the former Spidey depicter claims that he ‘did not get a call’ from the producers.

    May 5, 2021

    AceShowbiz –
    Andrew Garfield has made it clear that he won’t appear in “Spider-Man: No Way Home”, at least, not for now. Responding to speculations suggesting him and fellow former Spidey Tobey Maguire might be suiting up alongside Tom Holland in the upcoming movie, the “Under the Silver Lake” actor laughed off the rumors, saying “it’s f**king hilarious.”

    The 37-year-old star set the record straight when speaking to Josh Horowitz on his “Happy Sad Confused” podcast. “It’s f**king hilarious to me,” he stated. “Because I do have this Twitter account, and I see how often Spider-Man is trending. It’s people freaking out about a thing, and I’m just like, guys. Guys. I wish I could just be able to speak to everyone and say, ‘I recommend that you chill.’ ”

    Andrew went on to stress that many people did not believe him. He argued, “I feel like I’m in a game of f**king Werewolf, where I say ‘I’m not the werewolf, I promise you I am not.’ And everyone is like, ‘You’re the f**king werewolf, it’s him!’ ”

      See also…

    “I did not get a call,” the ex-boyfriend of Emma Stone continued. “I would’ve gotten a call by now. That’s what I’ll say. I don’t want to rule anything out. Maybe they want to call me. Maybe they want to call me and say, ‘Hey, people want this.’ ”

    Rumors about Andrew and Tobey’s potential appearances in “Spider-Man: No Way Home” emerged months prior. Tom, meanwhile, already addressed the long-running speculation in February. “Beats me, I don’t know. If they are, they haven’t told me yet…,” he joked in an interview for Variety’s Awards Circuit Podcast. “That would be something that Marvel would do. I watch the film and be like ‘So that’s who that tennis ball was!’ ”

    Andrew originally portrayed Peter Parker or Spidey in 2012’s “The Amazing Spider-Man” and reprised his role in 2014’s “The Amazing Spider-Man 2”. Since then, Tom has taken over the superhero character.

    You can share this post!

    Next article

    Tristan Thompson’s Legal Team Sends Sydney Chase Cease and Desist Twice Despite Her Denial

    Related Posts More

  • in

    Ted Cruz Roasted for His Jason Bourne-Standard in Criticizing CIA's Inclusive Recruitment Ad

    Instagram/Universal Pictures

    The Texas senator becomes the subject of mockery after commenting on the agency’s ad by claiming that CIA agents have ‘come a long way from’ Matt Damon’s fictional character.

    May 4, 2021

    AceShowbiz –
    Ted Cruz has become the butt of the joke after slamming CIA’s recruitment ad. The Texas senator attempted to criticize the agency’s message with the ad by comparing its agents to Jason Bourne, but it has since backfired.

    The ad in question celebrates diversity and inclusivity as it highlights a female cisgender agent of color. In the said ad that Cruz reposted on Twitter, the CIA agent describes herself as saying, “I am a woman of color. I am a cisgender millennial. I have been diagnosed with generalized anxiety disorder. I am intersectional.”

    Unimpressed Cruz then weighed in on it, writing along with the video, “If you’re a Chinese communist, or an Iranian Mullah, or Kim Jong Un…would this scare you?” He added, “We’ve come a long way from Jason Bourne.”

    Ted Cruz criticized CIA’s recruitment ad.

      See also…

    It didn’t take long for other Twitter users to mock the Republican politician over his comment on the ad, pointing out that Jason Bourne is a fictional character. “Jason Bourne is a fictional character, Ted. He doesn’t scare the boogeymen, and neither did you,” one person reacted to Cruz’s post.

    Another asked the senator, “You know jason bourne wasn’t real right?” A third one similarly remarked, “You know Jason Bourne is fictional, right? The CIA has to recruit real people. Resign.” Someone else reminded him, “Senator, Jason Bourne is a fictional character. The CIA has real people in it who do real work on behalf of our nation. Celebrate the reality of those who serve.”

    “If a secret agent scares the people they are trying to spy on, isn’t that counterproductive, Senator?” one person argued, before adding, “(Jason Bourne is fiction, btw.)” Another added, “Jason Bourne ? We’ve had enough fiction from the Republican Party.”

    This isn’t the first time Cruz makes a Jason Bourne reference when criticizing law enforcement agency. Back in 2019, he blasted the FBI’s and the Department of Justice’s handling of the Trump-Russia investigation by comparing it to Matt Damon’s character in the “Bourne” movie series. “What was going on here — this wasn’t Jason Bourne, this was Beavis and Butt-Head,” he said during a Senate Judiciary Committee hearing.

    You can share this post!

    Related Posts More

  • in

    See Mark Wahlberg's Shocking Transformation After Gaining 20 Lbs. in 3 Weeks for 'Father Stu' Role

    Instagram

    The ‘Transformers: The Last Knight’ actor shares a before and after picture to compare his previously ripped physique to his now fuller figure after vowing to indulge in his favorite food.

    May 4, 2021

    AceShowbiz –
    Mark Wahlberg, who is known for his strict diet, has lost the result of all his gym sessions. The actor has just uncovered his shocking transformation after intentionally gaining weight for his next movie role in “Father Stu”.

    Taking to his Instagram page on Monday, May 3, the 49-year-old shared a before and after picture to compare his previously ripped physique to his now fuller figure after gaining 20 lbs. in just three weeks, all in the name of acting. In the left snap, he grinned as he showed off his chiseled abs and chest, while on the right side, he was laying in bed with a rounder belly.

    “From left photo 3 weeks ago to this, now,” he captioned the post, which also included a full shot of him flexing his muscles in the old photo. Spilling the secret to his dramatic weight gain, the “Pain and Gain” star credited his private chef Lawrence Duran. “Thanks to @chef_lawrence_d cooking,” he added in the caption.

    In “Father Stu”, Wahlberg will be playing a boxer-turned-priest, Father Stuart Long. Back in April, he told Jimmy Kimmel that the role required him to get shredded first for the boxing scenes and then gain weight. “After we do the boxing scenes, I get to put on as much weight as possible over the course of the film, so I’m challenging myself to put on 30 pounds in the next six weeks,” he said on “Jimmy Kimmel Live!”.

      See also…

    “The Fighter” actor went on to reveal his plans to gain weight, saying that he would be eating “lots of burgers and lots of buns” to pile on the pounds. While movie bosses have recruited a “very smart” nutritional expert to help him make the transformation as healthily as possible, Wahlberg wanted to have a little fun with the mission.

    “They want me to do it as healthy as possible and I’m like, ‘Dude, I’ve been on such a regimen for so long, I just want to eat everything in sight,’ ” he shared. “I want to go to bakeries, I want to go to Denny’s (diner), I want to get pancakes, I want to get everything I can possibly get my hands on!”

    “(I’ll hopefully start) with a 20-piece chicken nugget and 20-piece hot wings from Kentucky Fried Chicken with a six-pack of beer,” he added, quipping, “Why not start with a bang? I might need a porta-potty too, but you know what, I’m ready to go.”

    Wahlberg’s weight gain journey is far from being over as he revealed on May 1 that he was “up about 20” pounds and was planning on “going up another 20.”

    You can share this post!

    Next article

    Chloe Zhao Joins Kamala Harris and Riz Ahmed as One of 100 Most Impactful Asians of the Year

    Related Posts More