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    In Australia, Hollywood Stars Have Found an Escape From the Virus. Who’s Jealous?

    #masthead-section-label, #masthead-bar-one { display: none }At HomeFall in Love: With TenorsConsider: Miniature GroceriesSpend 24 Hours: With Andra DayGet: A Wildlife CameraAdvertisementContinue reading the main storySupported byContinue reading the main storyIn Australia, Hollywood Stars Have Found an Escape From the Virus. Who’s Jealous?Dozens of international film productions have been lured to the country, where cases of the coronavirus are few. In turn, actors have found almost paradise.Chris Hemsworth is filming “Thor: Love and Thunder” in Australia.Credit…Getty Images for The Critics Choice AssociationMarch 10, 2021Updated 4:52 a.m. ETMELBOURNE, Australia — In the photo posted to Instagram, the actors Chris Hemsworth, Idris Elba and Matt Damon, all wearing 1980s-style sweats, embrace. They are maskless. Touching. Happy, even. The caption reads: “A little 80s themed party never did any harm!”Their fans, indignant, peppered the post with comments. What of the pandemic? Social distancing? Masks? We are still, after all, suffering through a pandemic that has all but crippled the travel industry and blocked most people from casually taking off for vacation in paradise.But the Hollywood brigade was in Australia, a country that has effectively stamped out the coronavirus, allowing officials to ease restrictions for most gatherings, including parties (with dancing and finger food). As a result of the near-absence of the virus, plus generous subsidies from the Australian government, the country’s film industry has been humming along at an enviable pace for months compared to other locales.Australia has managed to lure several Hollywood directors and actors to continue film production. In effect, many celebrities, including Natalie Portman, Christian Bale and Melissa McCarthy, have found freedom from the pandemic there.As one person wrote on Mr. Hemsworth’s Instagram post: “Before you comment, remember that not everyone lives in America.”Though the quickened pace of vaccinations in the United States has raised hope of returning to some semblance of normalcy by the summer, the country still leads the world in the number of coronavirus cases and deaths. Movie theaters reopened only last week in New York City. Some fans are cautiously creeping back, while others are still wary of contracting the virus.But thousands of miles away, many stars who appear on the big screens can be seen frolicking, or filming, on location in Australia. (Mr. Hemsworth is himself a permanent fixture — he moved back to Australia in 2017 after several years of living in Los Angeles.) In the United States, where hundreds are still dying every day, some fans have looked on with envy.“These Hollywood stars have been transported to another world where the problems of this world aren’t,” said Robert Thompson, a professor of popular culture at Syracuse University in New York. He added that the temporary exodus from the United States revealed a further crumbling of the myth that Hollywood was the endgame for celebrities.Village Roadshow Studios in Gold Coast, Australia.Credit…Bradley Kanaris/Getty ImagesAustralia has become the “hip place” where “fabulous people want to go,” Professor Thompson said. “When you’re trying to be a star, you’ve got to go out to the West Coast to make your bones.” When you become “a really big star,” you buy property somewhere exotic, like Australia, he added.“It definitely feels like a time machine,” Ms. Portman, calling in from Sydney, told the late-night host Jimmy Kimmel in December. “It’s so different, all the animals are different, all the trees are different, I mean even the birds, like, there’s like multicolored parrots flying around like pigeons,” she added. “It’s wild.”A spokeswoman said the government had helped 22 international productions inject hundreds of millions into the local economy. Paul Fletcher, the federal minister for communications, said, “There’s no doubt it’s a very significant spike on previous levels of activity.”But even as celebrities preen and pose on social media, some Australians grumble that the country’s strategy for stamping out the virus has left tens of thousands of citizens stranded overseas. Several tennis players and 2021 Australian Open staff were allowed into the country for the tournament. And now, they say, Hollywood’s rich and famous are turning up during the pandemic, angering critics who see a clear bending of the rules for those with money and power.“Everyone knows there’s a separate set of rules, it seems, for everyone that’s a celebrity or has money,” said Daniel Tusia, an Australian who was stuck overseas with his family for several months last year. “There are still plenty of people who haven’t been able to get home, who don’t fall into that category, who are still stranded,” he added.In an emailed statement, the Australian Border Force said that travel exemptions for film and television productions were “considered where there is evidence of the economic benefit the production will bring to Australia and support from the relevant state authority.”A year ago, Tom Hanks, Hollywood’s everyman, made all-too-real the threat of the pandemic when he and his wife, Rita Wilson, tested positive for the coronavirus in Queensland, Australia, while he was filming an unnamed Elvis biopic. Their illness made personal a threat whose seriousness was only beginning to become crystallized at the time.The actors Tom Hanks and Rita Wilson at the Academy Awards in Los Angeles last year. They tested positive for the coronavirus in Queensland, Australia, about a month later.Credit…Robyn Beck/Agence France-Presse — Getty ImagesBut by May, Australia appeared to be on track to quashing the first wave of the virus, and the soap opera “Neighbors” became one of the world’s first scripted TV series to resume production. The federal government has committed more than $400 million to international productions, which, together with existing subsidies, provides film and television producers with a rebate of up to 30 percent to shoot in the country.More than 20 international productions, including “Thor: Love and Thunder,” a Marvel film starring Mr. Hemsworth, Mr. Damon, Ms. Portman, Taika Waititi, Tessa Thompson and Mr. Bale; “Three Thousand Years of Longing,” a fantasy romance starring Mr. Elba and Tilda Swinton; and “Joe Exotic,” a spinoff of the podcast made following the popular Netflix series “Tiger King,” starring the “Saturday Night Live” actress Kate McKinnon as the big-cat enthusiast Carole Baskin, are all either in production or set to be filmed in the coming year.Ron Howard is directing “Thirteen Lives,” a dramatization of the 2018 Thai rescue of a soccer team from a cave, in Queensland (the coast of Australia makes a good stand-in for the tropics). And later this year, Julia Roberts and George Clooney are set to arrive in the same state to shoot “Ticket to Paradise,” a romantic comedy.Though a number of American stars have landed in the country for temporary work, some like Ms. McCarthy, originally in Australia to work on “Nine Perfect Strangers,” have decided to stay on to shoot other projects, said those in the industry. “Oh, the birds!” she gushed in a YouTube video. “I love that I’ve seen a spider the size of my head.”Others, like Zac Efron, appear to have settled here permanently.Zac Efron has been spotted all over Australia.Credit…Lucy Nicholson/ReutersHis Instagram is flush with Australiana: Here he is in a hammock, in the red-earth desert, appearing to participate in an Indigenous ceremony or wearing the Australian cowboy hat, an Akubra. Last year, Mr. Efron even got what an Adelaide hairdresser described as a “mullet,” a much-maligned hairstyle popular in Australia.“Home sweet home,” he captioned one image of himself in front of a camper worth more than $100,000.Chances are the stars will keep showing up. They’ve been spotted camping under the stars, heading out to dinner sans masks, and partying (yes, like it’s 1989). Mr. Damon said in January that Australia was definitely a “lucky country.”But locals in Byron Bay — the seaside town that in recent years has been transformed from hippie to glittering — have complained that the influx of stars in the past year has irreparably changed the town.“The actors and the famous people are the tip of the iceberg,” said James McMillan, a local artist and the director of the Byron Bay Surf Festival. He added that the large cohort of production crew member from Melbourne and Sydney was pricing locals out of real estate.“It’s definitely changed more than I’ve ever seen it change in the past 12 months,” Mr. McMillan, who has lived in Byron Bay for two decades, added. “People have got stars in their eyes.”AdvertisementContinue reading the main story More

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    Eddie Murphy Blames Career Break on His Worst Actor Ever Win at Razzie Award

    WENN/HRC

    In a new podcast interview, the ‘Coming 2 America’ actor reveals that he originally planned to take a one year break after a string of flops, before it turned into a six-year hiatus.

    Mar 10, 2021
    AceShowbiz – Eddie Murphy’s Worst Actor of Decade ‘win’ at the Golden Raspberry Awards in 2010 prompted him to take a break from Hollywood.
    The “Coming 2 America” star’s feelings were hurt when he was named the worst actor after a string of flops, and he tells Marc Maron’s “WTF” podcast the Razzies mention really got to him.
    “I was making s**tty movies. I was like, ‘This s**t ain’t fun. They’re giving me Razzies…,” he says. “Motherf**kers gave me the ‘worst actor ever’ Razzie, [so I thought], ‘Maybe it’s time to take a break’.”
    “I was only gonna take a break for a year, then all of a sudden six years go by, and I’m sitting on the couch, and I could sit on the couch and not get off it, but I don’t want the last bunch of s**t they see me do [to be] bulls**t.”

      See also…

    He adds, “The plan was to go do Dolemite [Is My Name], [host] ‘Saturday Night Live’, ‘Coming 2 America’ and then do stand-up and see how I felt afterwards. At least then they’ll know I’m [still] funny.”
    Murphy is well on his way – his new “Coming to America” sequel is a hit and his turn as filmmaker Rudy Ray Moore in “Dolemite Is My Name” earned Eddie the Redeemer Award at the 2019 Razzies and a Golden Globe nomination.

    Throughout his career, the 59-year-old actor has been nominated multiple times at Razzie Awards. His performances in such movies as “I Spy”, “Norbit”, “Meet Dave” and “A Thousand Words” brought him Worst Actor and Worst Supporting Actor nods.

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    Lady GaGa and Adam Driver Look Posh in First Official Photo of Biopic 'House of Gucci'

    Twitter

    The ‘A Star Is Born’ actress and the ‘Star Wars’ actor play Patrizia Reggiani and her husband Maurizio Gucci, the former head of the Gucci fashion house, respectively, in the Ridley Scott-directed crime film.

    Mar 10, 2021
    AceShowbiz – Lady GaGa and Adam Driver go high-fashion in their first official look from Ridley Scott’s upcoming film “House of Gucci”. The two stars look posh as they portray Patrizia Reggiani and her husband Maurizio Gucci, the former head of the Gucci fashion house, respectively, in the crime film.
    GaGa made use of her social media account on Tuesday, March 9 to share the photo from the biopic. In the image, the “A Star Is Born” actress is dressed in a black turtleneck and black pants while accessorizing with a black belt, gold necklaces, earrings and bracelets as well as a white fur hat.
    The Golden Globe-winning actress stands next to her co-star, Driver, who contrasts her look in a beige turtleneck sweater with white salopettes with the sleeves tied around his waist. He also wears wide-rimmed black glasses as he smiles with his arm around his on-screen leading lady.
    “Signore e Signora Gucci #HouseOfGucci,” so GaGa captioned the image taken with the backdrop of the Italian Alps. It translates into “Mr. and Mrs. Gucci.”

      See also…

    “House of Gucci” tells the real-life account of the tumultuous Gucci family fashion dynasty and the murder of Maurizio, the grandson of founder Guccio Gucci. Patrizia, the ex-wife of Maurizio, was tried and convicted of orchestrating her ex-husband’s assassination on the steps of his office in 1995. She served 18 years before being let out of jail in 2016.
    The movie is scripted by Roberto Bentivegna, based on the Sara Gay Forden book “The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed”. Production on the film began in February, with Scott serving as director. He is also producing the pic with Giannina Scott.
    The movie has additionally enlisted Al Pacino, Jared Leto, Jack Huston, Reeve Carney and Jeremy Irons in the cast, with Camille Cottin being added in January. The movie is scheduled to be released in theaters across the U.S. on November 24.

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    Rupert Grint Found 'Harry Potter' Filming 'Quite Suffocating' and 'Heavy'

    Warner Bros. Pictures

    The Ron Weasley depicter says, while filming the ‘Harry Potter’ movie series was a ‘great experience,’ he couldn’t deny that it was ‘quiet suffocating’ and ‘heavy going.’

    Mar 10, 2021
    AceShowbiz – Rupert Grint has admitted filming “Harry Potter] was “quite suffocating.”
    The actor played Ron Weasley in the wizard film franchise from 2001 to 2011 and admitted, while it was “a great experience,” there were times where he wanted more for his life and career.
    Appearing on Dax Shepard’s “Armchair Expert” podcast, he said, “There was a time where it felt quite suffocating, because it was heavy going, because it was every day for 10 years in the end.”
    “It was a great experience. Such a nice kind of family atmosphere. It was always the same crew we kind of grew up with, so it was a great place to be.”
    “But sometimes it definitely felt like, ‘I want to do something else. See what else is out there.’ ”

      See also…

    Rupert compared the shoots to Groundhog Day with the days and weeks blending into one.
    “It just never ended. Every year, we came back. And it was kind of like Groundhog Day because it was the same sets. It was the same people. But it was great. I loved it,” he added.
    And although he’s only seen each movie once – besides recently rewatching the first film “Harry Potter and the Philosopher’s Stone” for a second time – he has no immediate plans to rectify that.
    “It still feels too soon really. I can’t detach myself fully,” he explained. “I can’t face it… (But) I’ve got a very different perspective of it now that a long time has passed. I can appreciate what a feat it was.”
    Rupert noted how he prefers to work on a project and move on while also admitting he is particularly embarrassed about one aspect of his “Potter” stint.
    He said, “My (shoulder-length) hair in film four (The Goblet of Fire) is one of my biggest regrets. I think everyone actually had a phase of having this really long hair. They liked it – it was kind of wizardy. We went through our puberty on camera.”

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    'Judas and the Black Messiah' Named Best Film at 2021 AAFCA Awards

    Warner Bros. Pictures

    The true-story movie about the late Black Panther leader Fred Hampton wins big at the African American Film Critics Association Awards by taking home the top honor.

    Mar 10, 2021
    AceShowbiz – “Judas and the Black Messiah” has been crowned Best Picture at the African American Film Critics Association Awards.
    The historical drama, chronicling the betrayal of Fred Hampton, the Illinois chairman of the Black Panther Party, which ultimately led to his death, picked up a total of four prizes, including Breakout Director for Shaka King.
    Daniel Kaluuya, who portrays the civil rights icon, and Dominique Fishback, who plays his partner, were also winners, securing the Best Supporting Actor and Actress accolades.
    “Serving alongside an all-Black producing team, Judas and the Black Messiah director Shaka King created a project that permanently enshrines pivotal Black Panther leader Fred Hampton as an American hero,” AAFCA President and co-founder Gil Robertson shares in a statement.
    “Released against the backdrop of the present-day Black Lives Matter movement, the film’s message of commitment and sacrifice to social justice is empowering.”
    “Daniel Kaluuya as Hampton is literally on fire and is supported well by Dominique Fishback, who increasingly has become an actress to watch. Our members are thrilled to award the film with our highest honor.”

      See also…

    Meanwhile, “One Night in Miami…” snagged a trio of awards – Best Director for Regina King, Best Screenplay for Kemp Powers, and Best Ensemble, and the Best Actor and Actress honours went to the late Chadwick Boseman (“Ma Rainey’s Black Bottom”) and Andra Day (“The United States vs. Billie Holiday”).
    “Soul” claimed Best Animation and Best Foreign Film was awarded to “Night of the Kings”.
    The full list of winners was announced on Tuesday (09Mar21), weeks after Mariah Carey and “Ma Rainey’s Black Bottom” director George C. Wolfe were named the respective recipients of the Innovator and Salute to Excellence accolades.
    Politician and voting rights activist Stacey Abrams’ documentary “All In: The Fight for Democracy” will also be recognised with the Stanley Kramer Award for Social Justice at the organisation’s 12th annual AAFCA Awards, which will take place online on 7 April (21).
    AAFCA members have also named their top 10 films of the year, recognising “Judas and the Black Messiah”, “One Night In Miami…”, “Ma Rainey’s Black Bottom”, “Nomadland”, “Night of the Kings”, and “American Skin”.
    “Da 5 Bloods”, “Minari”, “Miss Juneteenth”, and “The United States vs. Billie Holiday” also make the cut for the 2021 awards.

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    'I Care a Lot': The Inspirations Behind the Movie

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyMood Board‘Jackie Brown’ and Tangerine Dream: What ‘I Care a Lot’ Is Made OfThe writer-director J Blakeson behind the blade-sharp Netflix thriller shares the films, images and sounds that guided him in crafting the movie.Credit…Seacia Pavao/Netflix, via Associated PressMarch 9, 2021Updated 7:03 p.m. ETRosamund Pike recently earned a Golden Globe for her portrayal of the cunning, utterly amoral Marla Grayson in the Netflix thriller “I Care a Lot.” Marla shrewdly, confidently games the system to con elderly folks out of their savings — until her latest victim’s son (Peter Dinklage) starts paying close attention. It is a dagger of a performance that is of a piece with the writer-director J Blakeson’s film, a “slick, savage caper” dominated by bold visual and sonic choices, and humor as black as Marla’s outfits are bright.In a video call from his home in London, Blakeson discussed some of the photos, songs and movies that inspired him when he was working on “I Care a Lot.”‘Jackie Brown’ (1997) by Quentin TarantinoCredit…MiramaxCredit…Seacia Pavao/Netflix, via Associated PressLike Pike’s Marla, Pam Grier’s title character is a smart master of the double cross and steers this vastly entertaining crime movie. “This is a film that I talked a lot about with both my cinematographer [Doug Emmett] and my production designer [Michael Grasley],” Blakeson said. “It felt like a good touchstone, tonally, for where we might end up.”As a flight attendant, Jackie Brown spends quite a bit of the film in her uniform. “She has that blue suit that she wears and now and again you’ll see that just against this bright green wall,” Blakeson said. “The joy I get from that is similar to the joy I get from seeing some of those Godard films where you have people in bright yellow or bright red or bright blue against a neutral background, and they really pop out in this sort of Technicolor/Kodachrome palette. In ‘Jackie Brown,’ she has a job where she’s always kind of wearing the same clothes, but you get this iconic look that she carries through the whole movie. And I really wanted Marla to feel iconic and memorable as a character — a very cinematic character rather than a realist character.”Harry GruyaertCredit…Harry Gruyaert/Magnum PhotosCredit…NetflixA major influence on the visual language of “I Care a Lot” is this acclaimed Belgian photographer. “It’s street photography, more or less, but the real world is really colorful and really interestingly framed,” the director said. “There’s a photograph where the yellow lines are really bright and somebody’s walking down the street wearing a brightly colored coat. It looks orchestrated, but it’s not. Our world is colorful, we just don’t see it because we don’t stop and look at it very much.”Marla herself benefits from people not looking, which feeds her confidence. “She has big windows in her office and you can just see in; she knocks on the door of a blue house in a yellow suit,” Blakeson said. “She’s not hiding away in a dark corner — she’s doing it out in the open.”‘Rid of Me’ by PJ HarveyCredit…NetflixBlakeson was listening to music at the gym when the title track of PJ Harvey’s second album (1993) really hit him. “The beginning of the song is very quiet, so you’re turning it up to try to hear, and suddenly it gets to the chorus and it blows your head off,” he said. “I started thinking about somebody trying to kill Marla, and she’s not going to die. The section where she escapes from a car underwater was written in my head while I was listening to ‘Rid of Me.’ Just a basic idea of, ‘I’m not going to go away, I’m not going to be beaten.’ When she gets out of the water, she screams — it’s like singing along to ‘Rid of Me.’”Pike asked the music-loving director to put together a list of songs Marla would have listened to as a teenager, and he included a lot of 1990s rock titles from bands like Ministry. “She sent me a text saying, ‘I think I just got caught speeding because I was listening to your playlist,’” Blakeson said.‘Ace in the Hole’ by Billy WilderCredit…Paramount PicturesCredit…NetflixA longtime admirer of the director of “Double Indemnity” and “The Apartment,” Blakeson singled out his 1951 pitch-black film about a corrupt journalist, Chuck Tatum (Kirk Douglas), who exploits an accident in which a man is trapped in a cave-in, even prolonging the ordeal. “He was so mercenary, would do such disgustingly manipulative things for his own gain,” Blakeson said of Tatum. “His ambition is driving and he’s just a passenger.”This, of course, is very much like Marla, whose ruthlessness and fearlessness fully emerge in a confrontation with Dinklage’s character. “Usually in the movies that’s where the woman is weeping and begging for her life, but Marla sees it as an opportunity to give her elevator pitch to a wealthy person,” Blakeson said. “There’s a bit in ‘Ace in the Hole’ where he’s trying to reassure the guy underground, and he’s lying because he could actually just get him out really quickly. That sort of manipulation of people is really interesting to me.”Alex PragerCredit…Courtesy Alex Prager Studio and Lehmann Maupin, New York, Hong Kong, Seoul and London.Credit…NetflixAnother photographic influence was this American artist’s meticulously staged pictures. “There is a sense of the surreal, but it is dramatic and melodramatic,” Blakeson said. “There’s a forced absurdity about it that we wanted to bring to this [film] a little bit. Like when Jennifer [Dianne Wiest] goes into the care home with those muted colors — all these nurses offering their chocolates and smiling at her, that sort of seems odd and surreal and disconcerting. Also certain moments in the scene with Peter and Rosamund facing off in the quarry. The lighting is kind of blue and red and like giallo [films] or something. We really wanted to push it.”‘Love on a Real Train’ by Tangerine DreamCredit…Warner Bros.Credit…NetflixThis German electronic band started off as an underground purveyor of so-called cosmic rock before bursting into the mainstream with its dreamy, repetitive contributions to such 1980s movies as “Risky Business” — where this track appears.“‘Love on a Real Train’ makes me think of the future and the past at the same time,” Blakeson said. “You feel like there’s ambition in there: The world is going to be a better place somehow if we join the American dream.”That feeling is echoed, often with menacing undertones, in Marc Canham’s pulsating electronic score for “I Care a Lot.” When working on the film, Canham, the composer, and Blakeson brought up the minimalist composers Philip Glass and Steve Reich, early-1980s tracks like Laurie Anderson’s “O Superman,” and more recent abstract electronic work by Aphex Twin and Orbital, but Tangerine Dream was a constant. “There’s a very dreamlike quality, which is sort of nostalgic and yearning but also kind of cold and calculating, and that’s a film about capitalism and business,” Blakeson said of “Risky Business.”“Obviously, it’s a very different version of business than in ‘I Care a Lot,’” he added, laughing.AdvertisementContinue reading the main story More

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    Chloe Zhao, David Fincher, Regina King Among Movie Nominees at 2021 DGA Awards

    WENN

    The upcoming Directors Guild Awards will see the filmmakers of ‘Nomadland’ and ‘Mank’ battle it out for Best Director while the ‘One Night in Miami…’ helmer is up for the best first-timer title.

    Mar 10, 2021
    AceShowbiz – Two women and two people of colour will compete for the top prize at this year’s Directors Guild Awards.
    “Minari” ‘s Lee Isaac Chung, “Promising Young Woman” ‘s Emerald Fennell, “Mank” ‘s David Fincher, “The Trial of the Chicago 7” ‘s Aaron Sorkin, and “Nomadland” ‘s Chloe Zhao are in the running for the Outstanding Directorial Achievement in Feature Film honour.
    Announcing the nominees on Tuesday (09Mar21), DGA president Thomas Schlamme said, “Throughout these challenging and isolating times, the universal power of film has served such a meaningful role in our culture, helping fulfill our needs for human connection, expanding our worldviews, and keeping us inspired through stunning storytelling and artistry.”
    “I congratulate our five nominees whose diverse and extraordinary films embodied that universal power in a year that will never be forgotten.”

      See also…

    Meanwhile, the filmmakers behind “The Forty-Year-Old Version”, “I’m No Longer Here”, “One Night in Miami…”, “Sound of Metal”, and “The Father” will compete for the Outstanding Directorial Achievement of a First-Time Feature Film Director honour.
    Outstanding Directorial Achievement in Theatrical Feature Film:

    Outstanding Directorial Achievement of a First-Time Feature Film Director:

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    'Nomadland' and 'Rocks' Top Nominations at 2021 BAFTA Film Awards

    Hulu/Netflix

    The Chloe Zhao-directed movie and the Sarah Gavron-helmed feature dominate the nominations at this year’s BAFTA film awards by collecting seven mentions each.

    Mar 10, 2021
    AceShowbiz – Chloe Zhao’s “Nomadland” and Sarah Gavron helmed “Rocks” are leading the field for top honours at the 2021 BAFTA film awards which announced nominations for four movies directed by women on Tuesday (9Mar21).
    “Nomadland” and “Rocks” lead the nominations for the 2021 ceremony, with seven nominations apiece in a highly diverse nominations list, with 16 of the 24 acting nominees this year coming from ethnic minority groups.
    Zhao, who won best director at the Golden Globes, and Lee Isaac Chung – whose “Minari” took best foreign language film at the same event – will face Shannon Murphy for “Babyteeth”, Jasmila Zbanic for “Quo Vadis Aida?”, Thomas Vinterberg for “Another Round”, and Gavron for “Rocks” for best director.
    And by contrast to last year’s (20) controversial nominations, when not one actor of colour was nominated in the acting categories Daniel Kaluuya, the late Chadwick Boseman, Riz Ahmed, Dominique Fishback, Tahar Rahim, and Bukky Bakray are among the 16 nominees from ethnic minority backgrounds in the acting categories.
    The nominations were presented by BAFTA chair Krishnendu Majumdar and presented virtually by actors Aisling Bea and Susan Wokoma.
    The winners will be announced at a ceremony without a live audience on 11 April.
    Complete list of nominations:
    Best Film:

    Best Leading Actress:

    Best Leading Actor:

    Best Supporting Actress:

    Best Supporting Actor:

    Outstanding British Film:

    Outstanding Debut by a British Writer, Director or Producer:

    Best Film Not in the English Language:

    Best Documentary:

    Best Animated Film:

    Best Director:

      See also…

    Best Original Screenplay:

    Best Adapted Screenplay:

    Best Original Score:

    Best Casting:

    Best Cinematography:

    Best Editing:

    Best Production Design:

    Best Costume Design:

    Best Make-Up and Hair Design:

    Best Sound:

    Best Special Visual Effects:

    Best British Short Animation:
    “The Fire Next Time”
    “The Owl and the Pussycat”
    “The Song of a Lost Boy”

    Best British Short Film:
    “Eyelash”
    “Lizard”
    “Lucky Break”
    “Miss Curvy”
    “The Present”

    EE Rising Star Award (voted for by the public):
    Bukky Bakray
    Conrad Khan
    Kingsley Ben-Adir
    Morfydd Clark
    Sope Dirisu

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