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    Cameron Diaz Has No Plan to Return to Acting While Daughter Is Still Young

    WENN

    The ‘Bad Teacher’ actress won’t be taking up acting gig any time soon as she is reluctant to spend long hours away from her little daughter with Benji Madden.

    Feb 20, 2021
    AceShowbiz – Cameron Diaz “couldn’t imagine” returning to her acting career whilst her daughter is still young.
    The actress hasn’t appeared in a feature film since she played the role of Miss Hannigan in 2014’s “Annie”, but has said she isn’t interested in relaunching her Hollywood career any time soon, as she doesn’t want to spend “16 hours of (her) day” away from her 13-month-old daughter, Raddix.
    Asked whether she plans on making an acting comeback during an interview on SiriusXM’s “Quarantined with Bruce”, she replied, “I’m never going to say never about anything in life. I’m just not that person. So will I ever make a movie again? I’m not looking to. But will I? I don’t know. I have no idea.”
    “I couldn’t imagine, being a mom now, where I’m at as a mother with my child at her first year, to have to be on a movie set that takes 14 hours, 16 hours of my day away from my child. I just couldn’t. I wouldn’t have been the mom that I am now had I chosen to do that at any other time in my life.”

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    Aside from being a mother, Cameron – who has Raddix with her husband Benji Madden – is also focusing on her organic wine brand, Avaline, but finds her family life to be “the most fulfilling part” of her life so far.
    “Avaline is the only sort of day-to-day work that I’m doing other than being a wife and a mother, which has been the most … rewarding,” she smiled.
    “It really has been the most fulfilling part of my life so far. It’s just like so important… I probably somehow waited for this, so that I could do all that other stuff. So I didn’t have any distractions, you know what I mean?”
    Cameron and Benji welcomed their daughter in late December 2019, and announced her birth in January last year (20).
    In a statement shared on Instagram at the time, they wrote, “She has instantly captured our hearts and completed our family. While we are overjoyed to share this news, we also feel a strong instinct to protect our little one’s privacy. So we won’t be posting pictures or sharing any more details, other than the fact that she is really really cute!! Some would even say RAD. (sic)”

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    ‘Flora & Ulysses’ Review: A Hero Tale That Lets the Fur Fly

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyCritic’s Pick‘Flora & Ulysses’ Review: A Hero Tale That Lets the Fur FlyA 10-year-old cynic, a bushy-tailed superhero and a cast stacked with beloved comic actors make this lovable Disney film something to see.Matilda Lawler as Flora in “Flora and Ulysses.”Credit…DisneyPublished More

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    ‘Nomadland’ Review: The Unsettled Americans

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyCritic’s Pick‘Nomadland’ Review: The Unsettled AmericansFrances McDormand hits the road in Chloé Zhao’s intimate, expansive portrait of itinerant lives.The director Chloé Zhao narrates a scene from her movie featuring Frances McDormand and David Strathairn.CreditCredit…Searchlight PicturesFeb. 18, 2021NomadlandNYT Critic’s PickDirected by Chloé ZhaoDramaR1h 48mFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.“People wish to be settled,” Ralph Waldo Emerson wrote. “Only as far as they are unsettled is there any hope for them.” This tension between stability and uprooting, between the illusory consolations of home and the risky lure of the open road, lies at the heart of “Nomadland,” Chloé Zhao’s expansive and intimate third feature.Based on Jessica Bruder’s lively, thoroughly reported book of the same name, “Nomadland” stars Frances McDormand as Fern, a fictional former resident of a formerly real place. The movie begins with the end of Empire, Nev., a company town that officially went out of existence in late 2010, after the local gypsum mine and the Sheetrock factory shut down. Fern, a widow, takes to the highway in a white van that she christens with the name Vanguard and customizes with a sleeping alcove, a cooking area and a storage space for the few keepsakes from her previous life. Fern and Vanguard join a rolling, dispersed tribe — a subculture and a literal movement of itinerant Americans and their vehicles, an unsettled nation within the boundaries of the U.S.A.Bruder’s book, unfolding in the wake of the Great Recession, emphasizes the economic upheaval and social dislocation that drive people like Fern — middle-aged and older; middle-class, more or less — out onto the road. Reeling from unemployment, broken marriages, lost pensions and collapsing home values, they work long hours in Amazon warehouses during the winter holidays and poorly paid stints at national parks in the summer months. They are footloose but also desperate, squeezed by rising inequality and a frayed safety net.[embedded content]Zhao smooths away some of this social criticism, focusing on the practical particulars of vagabond life and the personal qualities — resilience, solidarity, thrift — of its adherents. Except for McDormand and a few others, nearly all of the people in “Nomadland” are playing versions of themselves, having made the slightly magical transition from nonfiction page to nondocumentary screen. They include Bob Wells, the magnificently bearded mentor to legions of van dwellers, who summons them to an annual conclave — part cultural festival, part self-help seminar — in Quartzsite, Ariz.; Swankie, an intrepid kayaker, problem solver and nature lover; and Linda May, a central figure in Bruder’s book who nearly steals the movie as Fern’s best friend.Friendship and solitude are the poles between which Zhao’s film oscillates. It has a loose, episodic structure, and a mood of understated toughness that matches the ethos it explores. Zhao, who edited “Nomadland” in addition to writing and directing, sometimes lingers over majestic Western landscapes and sometimes cuts quickly from one detail to the next. As in “The Rider,” her 2018 film about a rodeo cowboy in South Dakota, she’s attentive to the interplay between human emotion and geography, to the way space, light and wind reveal character.Frances McDormand in Chloé Zhao’s film “Nomadland,” in which she shares the screen with several nonprofessional actors and real-life van travelers.Credit…Joshua Richards/Searchlight PicturesShe captures the busyness and the tedium of Fern’s days — long hours behind the wheel or at a job; disruptions caused by weather, interpersonal conflict or vehicle trouble — without rushing or dragging. “Nomadland” is patient, compassionate and open, motivated by an impulse to wander and observe rather than to judge or explain.Fern, we eventually discover, has a sister (Melissa Smith), who helps her out of a jam and praises her as “the bravest and most honest” member of their family. We believe those words because they also apply to McDormand, whose grit, empathy and discipline have never been so powerfully evident. I don’t mean to suggest that this is an awards-soliciting display of acting technique, a movie star’s bravura impersonation of an ordinary person. Quite the opposite. A lot of what McDormand does is listen, giving moral and emotional support to the nonprofessional actors as they tell their stories. Her skill and sensitivity help persuade you that what you are seeing isn’t just realistic, but true.Which brings me, somewhat reluctantly, to David Strathairn, who plays a fellow wanderer named Dave. He’s a soft-spoken, silver-haired fellow who catches Fern’s eye and gently tries to win her affection. His attempts to be helpful are clumsy and not always well judged — he offers her a bag of licorice sticks when what she wants is a pack of cigarettes — and although Fern likes him pretty well, her feelings are decidedly mixed.Mine too. Straitharn is a wonderful actor and an intriguing, nontoxic masculine presence, but the fact that you know that as soon as you see him is a bit of a problem. Our first glimpse of Dave, coming into focus behind a box of can openers at an impromptu swap meet, is close to a spoiler. The vast horizon of Fern’s story suddenly threatens to contract into a plot. He promises — or threatens — that a familiar narrative will overtake both Fern and the movie.Zhao wrote, directed and edited the film, sometimes lingering over majestic landscapes and sometimes employing quick cuts.Credit…Searchlight PicturesTo some degree, “Nomadland” wishes to be settled — wants not necessarily to domesticate its heroine, but at least to bend her journey into a more-or-less predictable arc. At the same time, and in a fine Emersonian spirit, the movie rebels against its own conventional impulses, gravitating toward an idea of experience that is more complicated, more open-ended, more contradictory than what most American movies are willing to permit.Zhao’s vision of the West includes breathtaking rock formations, ancient forests and wide desert vistas — and also iced-over parking lots, litter-strewn campsites and cavernous, soulless workplaces. Against the backdrop of the Badlands or an Amazon fulfillment center, an individual can shrink down to almost nothing. The nomad existence is at once an acknowledgment of human impermanence and a protest against it.Fern and her friends are united as much by the experience of loss as by the spirit of adventure. So many of the stories they share are tinged with grief. It’s hard to describe the mixture of sadness, wonder and gratitude that you feel in their company — in Fern’s company, and through her eyes and ears. It’s like discovering a new country, one you may want to visit more than once.NomadlandRated R. Living rough, and talking that way too. Running time: 1 hour 48 minutes. In theaters and on Hulu. Please consult the guidelines outlined by the Centers for Disease Control and Prevention before watching movies inside theaters.AdvertisementContinue reading the main story More

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    ‘Nomadland’ | Anatomy of a Scene

    Film directors walk viewers through one scene of their movies, showing the magic, motives and the mistakes from behind the camera.Film directors walk viewers through one scene of their movies, showing the magic, motives and the mistakes from behind the camera. More

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    'One Night in Miami…' Dominates 2021 Black Reel Awards With 15 Nominations

    Amazon Studios

    The directorial debut film of Regina King will be competing against ‘Judas and the Black Messiah’, which scores 12 nods, for the Outstanding Picture and Outstanding Director categories.

    Feb 19, 2021
    AceShowbiz – Regina King’s directorial debut “One Night in Miami…” will lead the pack at the 2021 Black Reel Awards after landing 15 nominations.
    The film will compete for categories including Outstanding Picture, Outstanding Director for King, Outstanding Actor for Kingsley Ben-Adir, Outstanding Supporting Actor for both Leslie Odom Jr. and Aldis Hodge, and Outstanding Screenplay for Kemp Powers.
    “Judas and the Black Messiah” is another frontrunner with 12 nods, reports Deadline.
    It is also in the running for Outstanding Picture, Director for Shaka King, and Screenplay for King and Will Berson, while Keith Stanfield, Daniel Kaluuya and Dominique Fishback are shortlisted for Outstanding Actor, Supporting Actor and Supporting Actress, respectively.

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    “Ma Rainey’s Black Bottom”, which is nominated for 10 awards, earned Chadwick Boseman a posthumous Outstanding Actor mention, while Viola Davis landed an Outstanding Actress nod, and the film will also be among the challengers for the Outstanding Picture honor.
    Other nominees include “Da 5 Bloods” (Outstanding Picture, Outstanding Director for Spike Lee, and Outstanding Supporting Actor for Boseman), Zendaya Coleman (Outstanding Actress for “Malcolm & Marie”), “The High Note” (Outstanding Supporting Actress for Tracee Ellis Ross), and “All In: The Fight for Democracy” (Outstanding Documentary Feature).
    Overall, Netflix leads with 36 nominations, followed by Amazon (23) and Warner Bros. (14). “Last year was a historic year in film, if for no other reason that there were more films released than ever before by Black filmmakers, featuring a tremendous amount of quality performances by a group of tireless creatives, who overcame unique challenges to create a group of memorable and indelible images,” said Black Reel Awards founder Tim Gordon. “We look forward to creatives continuing to tell our stories and we congratulate all of this year’s talented nominees.”
    The Black Reel Awards, which celebrate the excellence of African-Americans in the film industry, will take place virtually on April 11.

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    Rosamund Pike Is Delighted to Appall You

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyRosamund Pike Is Delighted to Appall YouBest known for her titular role in “Gone Girl,” the British actress stars as another seductively dangerous character in the new Netflix film “I Care a Lot.”In “I Care a Lot,” Rosamund Pike plays a legal guardian who uses the court system to separate elderly people from their money.Credit…Seacia Pavao/NetflixFeb. 19, 2021, 5:00 a.m. ET“There are two types of people in this world,” says the coolly assured voice of Rosamund Pike, playing Marla Grayson, in the opening voice-over of “I Care a Lot” as the camera slowly pans over the dazed-looking inhabitants of a nursing home. “The people who take, and those getting took.”From the first shot of the back of Marla’s razor-sharp blond bob, it’s clear which category she belongs to. A ruthlessly amoral and icily self-assured con woman, she plays the role of a conscientious, court-mandated guardian perfectly, all while deftly separating the elderly wards under her care from their families and bank accounts.Pike, the British actress best known for her Oscar-nominated performance in “Gone Girl,” is the blazing star of “I Care a Lot,” written and directed by J. Blakeson, arriving on Friday on Netflix. Pike has already earned a Golden Globe nomination for the role, in which she is both chillingly villainous and seductively fearless, a true antihero doing very bad things with relish.“Marla is like a scrappy street fighter in designer clothing,” Pike said in a recent video interview from Prague. “It was a deep dive into finding a place where I could own the hunger for money, the hunger to win, the conviction that your own goal is more important than anything else.”All are traits “that aren’t often portrayed by women in film,” she added.Pike, 42, is disarmingly beautiful with flawless peaches-and-cream skin and smooth blond hair. Articulate and thoughtful during the interview, she considered questions carefully, occasionally going off-piste: “I wish I could ask you some questions,” she said at one point.Pike, who found early limelight at 21 as a Bond girl in “Die Another Day,” has had a successful acting career for more than two decades, but she has never acquired — or apparently aspired to — the mega-fame of some of her peers.In “Pride and Prejudice,” Pike, second from the left, played the sweet Jane Bennet.Credit…Focus Features, via Everett CollectionWhile in “An Education” she was Helen, a ditsy socialite.Credit…Sony Pictures Classics, via Everett CollectionPerhaps that’s because although she might have successfully specialized playing the English rose (see her turn as Jane Bennett in Joe Wright’s 2005 “Pride and Prejudice”), Pike has never allowed herself to be pigeonholed by prettiness. She has spoofed the British spy film in “Johnny English Reborn,” acted opposite Tom Cruise in the action thriller “Jack Reacher,” and played a hilariously clueless socialite in “An Education,” the hard-bitten reporter Marie Colvin in “A Private War” and the enigmatic Amy of “Gone Girl.”“I think she sometimes gets a bit bypassed because she rarely goes showy in her roles,” Blakeson said. “It confounds me that she didn’t win the Oscar for ‘Gone Girl.’”Blakeson added that he had long wanted to work with Pike. “She is different in every part; you never know what you are going to get,” he said. “In ‘I Care a Lot,’ playing a character that couldn’t be more unlike her as a person, you are reminded of just how good she is.”Pike grew up in London, the only child of two opera singers who spent a lot of time on the road as they traveled from job to job. She said she knew that she was going to be an actor from about the age of 4. “You grow up in a creative household and you assimilate that,” she said. “Adults to me were people who could play and tell stories in compelling ways. I would sit for hours in rehearsals for operas and work out why I believed things, or why I didn’t. I found a kind of magic in the theater; it felt like a good place where I belonged.”She did not do much about it, she said, until she was 16, when she saw a flyer at her school for the National Youth Theater, a British institution that has built a reputation for producing actors like Daniel Craig, Colin Firth and Helen Mirren. Pike auditioned, was accepted and spent the next two years performing with the group, eventually playing the heroine in “Romeo and Juliet.”Her performance as Juliet won Pike an agent (who she is still with), a fact she kept quiet when she went to Oxford University. “I would secretly go to London to audition for things I mostly wouldn’t get, and wonder, ‘Is he going to give up on me?’” she said. Pike also acted at university — “a hotbed of opportunities to fail,” she said dryly.Pike’s first film role was as Miranda Frost in the 2002 James Bond film “Die Another Day.”Credit…Keith Hamshere/MGMShe traveled for a bit after graduation, returning in time to audition for the Bond movie. “I was all shaggy haired, in a cardigan and old jeans,” she said. “I couldn’t have been less appropriate, but luckily they could see beyond that.” But although she was praised for her part in the movie — her first film role — Pike said it opened few doors.She returned to stage work, performing in Terry Johnson’s “Hitchcock Blonde” at the Royal Court, which she described as a career highlight. Since then, however, she has mostly worked in film, and has been drawn to characters based on real-life figures, including Ruth Williams, the wife of Seretse Khama, the first president of Botswana, in “A United Kingdom,” Marie Colvin in “A Private War” and Marie Curie in “Radioactive.”“She could have easily kept playing a beautiful blonde, the object of desire,” said Marjane Satrapi, the director of “Radioactive.” “That would have been easy for her, but instead she has taken on roles that are each more challenging than the other. She is an actress who is not scared of getting old, who thinks this is interesting.”Pike with David Oyelowo in “A United Kingdom.”Credit… Stanislav Honzik/Fox Searchlight PicturesAnd as Marie Curie in “Radioactive.”Credit…Amazon StudiosPike said that studios rarely saw her as a comedian, but she showed she can be one in the recent BBC series “State of the Union,” for which she won an Emmy. “Perhaps people will notice now,” she said.“Things are funny because they are true, and someone like Rosamund who plays so truthfully can be very funny,” said David Tennant, who co-starred with Pike in the British dramedy “What We Did on our Holiday.” For comedy, he added, “you need a lightness of touch, a deftness, you need to come to work with a bit of joy — all qualities that Rosamund has.”It was 2014’s “Gone Girl,” though, that proved to be Pike’s breakthrough role. “It gave me the chance to learn more about screen acting than I ever had before,” she said. “I was allowed to show every part of being a woman — to be extreme, dangerous, sweet, compliant, vulnerable. It was the first I could achieve a freedom onscreen that I had only previously felt onstage.”The character of Marla Grayson in “I Care a Lot” shares certain traits with Amy — notably the deployment of femininity as both a weapon and a performance — but Pike was slightly indignant at the suggestion that the characters were similar.“I saw them as totally different,” she said. “I would never want to do a sub-‘Gone Girl.’ To me, Marla was more a shoot from the hip, think on your feet person.”“It was important to us that this was fun for audiences and that the darkly comedic side was rooted in truth” she added. “What are the values in America? What earns you respect? Money.”She thought for a bit, then smiled: “Being able to relish and watch in appalled horror and glee — people like that.”“There are two types of people in this world,” says Marla Grayson (Pike) in the opening scene of “I Care a Lot.” “The people who take and those getting took.”Credit…NetflixAdvertisementContinue reading the main story More

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    Quavo Calls Acting Debut Opposite Robert De Niro An 'Unbelievable' Experience

    WENN/Avalon/Mario Mitsis

    Having completed filming his part as heartless drug lord Coyote in ‘Wash Me in the River’, the one-third of Migos gushes in a released statement that he is ‘so proud’ of what they did.

    Feb 19, 2021
    AceShowbiz – Rapper Quavo has scored the opportunity to make his feature film acting debut opposite Robert de Niro and John Malkovich.
    The Migos star will appear as heartless drug lord Coyote in the upcoming revenge thriller “Wash Me in the River”, which will be directed by “The Irishman” producer Randall Emmett.
    Production on the movie, which also features Jack Huston, has already been underway in Puerto Rico, where Quavo recently completed filming his role.
    “I honestly think this movie is going to be one of the greatest to come of this time,” Quavo shares in a statement to Variety.

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    “The experience was unbelievable for me, with Robert DeNiro and Jack Huston being so down to earth and making me feel like family.”
    “Gonna see me doing some stunts and a lot of what you hear from me in my raps!” he adds. “This is one of my biggest debuts I’ve ever had, and [I’m] so proud of what we did and to get to work with Randall who’s such an amazing guy – I can’t wait to do more films with him.”
    Quavo has previously put his acting skills to the test with small roles in TV shows like “Narcos: Mexico”, “Black-ish”, “Star”, and “Atlanta”, and Emmett is convinced he has what it takes to make it in Hollywood.
    “Quavo is a superstar and a real actor,” the filmmaker says. “Getting to see him bring the Coyote character to life is very exciting, and I think he is going to have a film career equally as big as his music.”
    He isn’t the only Migos member making the transition into acting – bandmate Offset is also heading to the big screen to star in drama “American Sole”, alongside actors Pete Davidson and O’Shea Jackson Jr..

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    First Red-Band Trailer of 'Mortal Kombat' Previews Bloody and Brutal Fights

    HBO Max

    The age-restricted sneak peek also introduces the fighters in the mighty martial competition, Sonya Blade, Jax, Kano, Liu Kang and Kung Lao in addition to the lead character, Cole Young.

    Feb 19, 2021
    AceShowbiz – The first official trailer for “Mortal Kombat” is here for fans’ viewing pleasure. Making its way out online, the age-restricted sneak peek is basked in bloody glory as it offers a glimpse at the brutal fights between the protagonists and the baddies.
    The video features familiar characters, including Sonya Blade (Jessica McNamee), Kano (Josh Lawson), Jackson “Jax” Briggs (Mehcad Brooks), Liu Kang (Ludi Lin) and Kung Lao (Max Huang), in addition to introducing the new lead, Cole Young, who is portrayed by Lewis Tan. The video hints that Cole is unaware of his heritage or why Outworld’s Emperor Shang Tsung has sent his best warrior, Sub-Zero, an otherworldly Cryomancer, to hunt Cole down.
    “Fearing for his family’s safety,” the washed-up mixed martial arts fighter “goes in search of Sonya Blade at the direction of Jax, a Special Forces Major who bears the same strange dragon marking Cole was born with,” the official synopsis reads. “Soon, he finds himself at the temple of Lord Raiden, an Elder God and the protector of Earthrealm, who grants sanctuary to those who bear the mark.”
    The synopsis goes on describing, “Here, Cole trains with experienced warriors Liu Kang, Kung Lao, and rogue mercenary Kano, as he prepares to stand with Earth’s greatest champions against the enemies of Outworld in a high stakes battle for the universe. But will Cole be pushed hard enough to unlock his arcana — the immense power from within his soul — in time to save not only his family, but to stop Outworld once and for all?”

      See also…

    [embedded content]
    Joe Taslim (“Star Trek Beyond”) is cast as Bi-Han and Sub-Zero, with Chin Han (“Skyscraper”) as Shang Tsung. Also supporting the cast are Tadanobu Asano as Lord Raiden, Hiroyuki Sanada as Hanzo Hasashi and Scorpion, Sisi Stringer as Mileena, Matilda Kimber as Emily Young, and Laura Brent as Allison Young.
    “Mortal Kombat” is a live-action adaptation of the popular video game franchise of the same name. The upcoming movie is the third film being developed in the franchise, after the second film, “Mortal Kombat: Annihilation” (1997), ended up as a critical and commercial failure.
    Simon McQuoid serves behind the lens for the upcoming movie, with James Wan among the producers alongside Todd Garner, McQuoid and E. Bennett Walsh. Greg Russo and Dave Callaham penned the script. The movie is set to be released in theaters and on the HBO Max streaming service on April 16.

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