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      2025 Oscars Red Carpet Photos: Halle Berry, Miley Cyrus, Selena Gomez

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      The carpet outside the Dolby Theater in Los Angeles was classic red. The stars who appeared at the 97th Academy Awards wore colors from all across the spectrum.The Oscars campaign season has been a long but fashionable slog for Timothée Chalamet, Colman Domingo, Cynthia Erivo, Ariane Grande, Mikey Madison and other luminaries. By the time they arrived for the annual ceremony on Sunday afternoon, they had settled into their sartorial best.Here’s how the nominees, presenters and performers looked when they made their biggest entrances of the year.Timothée Chalamet in a Givenchy suit.Nina Westervelt for The New York TimesSwipe for more →Colman DomingoJutharat Pinyodoonyachet for The New York TimesJutharat Pinyodoonyachet for The New York TimesMike Coppola/Getty ImagesMike Coppola/Getty ImagesMike Coppola/Getty ImagesMikey Madison in a Dior gown.Nina Westervelt for The New York TimesZoe Saldana wore a gown by Yves Saint Laurent.Jutharat Pinyodoonyachet for The New York TimesSelena Gomez wore Ralph Lauren.Jutharat Pinyodoonyachet for The New York TimesSwipe for more →Cynthia ErivoJutharat Pinyodoonyachet for The New York TimesJae C. Hong/Invision, via Associated PressMike Coppola/Getty ImagesMario Anzuoni/ReutersMike Coppola/Getty ImagesMargaret Qualley wore Chanel.Jutharat Pinyodoonyachet for The New York TimesEmma Stone wore Louis Vuitton.Jutharat Pinyodoonyachet for The New York TimesJeremy Strong in Loro Piana.Nina Westervelt for The New York TimesMonica Barbaro wore Dior.Jutharat Pinyodoonyachet for The New York TimesMiley Cyrus wore Alexander McQueen.Jutharat Pinyodoonyachet for The New York TimesHalle BerryJutharat Pinyodoonyachet for The New York TimesMichelle YeohJutharat Pinyodoonyachet for The New York TimesSwipe for more →Ariana Grande, who was nominated for best supporting actress for “Wicked,” arrived in a dress by Schiaparelli Couture.Nina Westervelt for The New York TimesRichard Shotwell/Invision, via Associated PressNina Westervelt for The New York TimesNina Westervelt for The New York TimesNina Westervelt for The New York TimesElliot Brody, Sylvia Plachy, Adrien Brody and Georgina Chapman.Jutharat Pinyodoonyachet for The New York TimesPenélope CruzNina Westervelt for The New York TimesJazz Charton, left, with Kieran Culkin, who wore a suit by Zegna.Nina Westervelt for The New York TimesDoja Cat wore Balmain.Jutharat Pinyodoonyachet for The New York TimesLupita Nyong’o in a Chanel gown.Jutharat Pinyodoonyachet for The New York TimesSebastian StanJutharat Pinyodoonyachet for The New York TimesScarlett JohanssonJutharat Pinyodoonyachet for The New York TimesBrandi Carlile and Catherine ShepherdJutharat Pinyodoonyachet for The New York TimesFelicity Jones wore a Giorgio Armani Privé gown.Jutharat Pinyodoonyachet for The New York TimesJon M. Chu in a tux by NB44.Jutharat Pinyodoonyachet for The New York TimesElle Fanning, a presenter, arrived in Givenchy Haute Couture.Nina Westervelt for The New York TimesMark Eydelshteyn wore Balenciaga.Jutharat Pinyodoonyachet for The New York TimesRobert Downey Jr., Susan DowneyNina Westervelt for The New York TimesJeff Goldblum, never a wallflower, wore Prada.Nina Westervelt for The New York TimesSwipe for more →The tennis champ Coco Gauff wore neon yellow at the Australian Open in January and a paler shade to the Oscars.Nina Westervelt for The New York TimesRobyn Beck/Agence France-Presse — Getty ImagesRobyn Beck/Agence France-Presse — Getty ImagesRobyn Beck/Agence France-Presse — Getty ImagesEdward Norton arrived in Dior Men.Jutharat Pinyodoonyachet for The New York TimesWhoopi Goldberg wore a dress by Christian Siriano.Nina Westervelt for The New York TimesYura Borisov and Anna BorisovaJutharat Pinyodoonyachet for The New York TimesMr. Yang was dressed up in a Custom Etro black leather jacket for his duties as a presenter.Nina Westervelt for The New York TimesConan O’Brien and Liza Powel O’BrienJutharat Pinyodoonyachet for The New York TimesMindy Kaling wore an Oscar de la Renta gown.Nina Westervelt for The New York TimesIsabella RosselliniJutharat Pinyodoonyachet for The New York TimesAndrew GarfieldJutharat Pinyodoonyachet for The New York TimesLaura Dern wore Gucci.Jutharat Pinyodoonyachet for The New York TimesJesse Eisenberg in a Dior Men suit.Nina Westervelt for The New York TimesGoldie Hawn and Kurt RussellJutharat Pinyodoonyachet for The New York TimesThe actress Storm Reid of “Euphoria” and “The Last of Us” in a dress by Alexandre Vauthier.Nina Westervelt for The New York TimesAna de Armas in a Louis Vuitton gown.Jutharat Pinyodoonyachet for The New York TimesRyan Michelle Bathe and Sterling K. BrownJutharat Pinyodoonyachet for The New York TimesJeremy PopeJutharat Pinyodoonyachet for The New York TimesFernanda Torres, a best actress nominee for her starring role in “I’m Still Here,” wore a gown by Chanel.Nina Westervelt for The New York TimesSwipe for more →Adriana PazNina Westervelt for The New York TimesRobyn Beck/Agence France-Presse — Getty ImagesNina Westervelt for The New York TimesNina Westervelt for The New York TimesRichard Shotwell/Invision, via Associated PressJoe AlwynJutharat Pinyodoonyachet for The New York TimesGal Gadot wore a Prada gown.Jutharat Pinyodoonyachet for The New York TimesCoralie Fargeat wore an Atelier Versace gown and jewelry by Maison Boucheron.Jutharat Pinyodoonyachet for The New York TimesQueen LatifahJutharat Pinyodoonyachet for The New York TimesRalph FiennesNina Westervelt for The New York TimesDa’Vine Joy RandolphJutharat Pinyodoonyachet for The New York TimesRachel ZeglerJutharat Pinyodoonyachet for The New York TimesPaul TazewellJutharat Pinyodoonyachet for The New York TimesLily-Rose DeppJutharat Pinyodoonyachet for The New York TimesLena WaitheJutharat Pinyodoonyachet for The New York TimesGiancarlo EspositoNina Westervelt for The New York TimesThe French actress Stacy Martin in Louis Vuitton.Jutharat Pinyodoonyachet for The New York TimesWillem DafoeJutharat Pinyodoonyachet for The New York TimesH.E.R.Jutharat Pinyodoonyachet for The New York TimesDennis Quaid and Laura SavoieJutharat Pinyodoonyachet for The New York TimesSamuel L. JacksonNina Westervelt for The New York TimesRita WilsonNina Westervelt for The New York TimesAmy PoehlerNina Westervelt for The New York TimesBen StillerNina Westervelt for The New York TimesKelly Ripa, left, and Mark ConsuelosJutharat Pinyodoonyachet for The New York TimesGuy PearceJutharat Pinyodoonyachet for The New York TimesConnie NielsenJutharat Pinyodoonyachet for The New York TimesPaz VegaNina Westervelt for The New York TimesMiles Teller, left, and Keleigh SperryJutharat Pinyodoonyachet for The New York TimesThe actor Ethan Slater in a Giorgio Armani tux.Nina Westervelt for The New York TimesMary Yeager and John LithgowNina Westervelt for The New York TimesThe Oscar winner Marlee Matlin.Jutharat Pinyodoonyachet for The New York TimesDiane WarrenNina Westervelt for The New York TimesYasmin FinneyNina Westervelt for The New York TimesJune SquibbJutharat Pinyodoonyachet for The New York TimesMarissa BodeJutharat Pinyodoonyachet for The New York TimesPauline ChalametNina Westervelt for The New York TimesEmily Kassie, a nominee in the best documentary feature category for “Sugarcane,” in a red gown.Jutharat Pinyodoonyachet for The New York TimesMeg RyanJutharat Pinyodoonyachet for The New York TimesGayle KingNina Westervelt for The New York TimesLaura BlountJutharat Pinyodoonyachet for The New York TimesAva DuVernayNina Westervelt for The New York TimesAmelia Dimoldenberg, the host of the YouTube series “Chicken Shop Date,” wore Versace.Jutharat Pinyodoonyachet for The New York TimesRayeNina Westervelt for The New York TimesThe model and social media star Calum Harper.Nina Westervelt for The New York TimesDave BautistaJutharat Pinyodoonyachet for The New York TimesLisa ManobalJutharat Pinyodoonyachet for The New York TimesThe actor and host Mario Lopez went with a classic look.Jutharat Pinyodoonyachet for The New York TimesCharlotte Lawrence and Andrew WattJutharat Pinyodoonyachet for The New York TimesNick OffermanJutharat Pinyodoonyachet for The New York TimesEdvin Ryding, known for his work on “The Young Royals,” wore a sash.Nina Westervelt for The New York TimesJanet Yang, a producer and a former president of the Academy of Motion Picture Arts and Sciences, in a gown from Max Studio.Jutharat Pinyodoonyachet for The New York TimesVolker Bertelmann, an Oscar-winning composer who was nominated for the score of “Conclave,” in white tie.Jutharat Pinyodoonyachet for The New York TimesBruna MarquezineNina Westervelt for The New York TimesEmily Mortimer and Alessandro NivolaJutharat Pinyodoonyachet for The New York TimesThe actress Alba Rohrwacher.Jutharat Pinyodoonyachet for The New York TimesThe singer, songwriter and actor Omar Apollo wore a Valentino suit.Nina Westervelt for The New York TimesEmmanuel Janvier, a nominee in the makeup and hairstyling category for “Emilia Pérez.”Jutharat Pinyodoonyachet for The New York TimesSwipe for more →Coco JonesNina Westervelt for The New York TimesRichard Shotwell/Invision, via Associated PressNina Westervelt for The New York TimesRobyn Beck/Agence France-Presse — Getty ImagesRaffey CassidyJutharat Pinyodoonyachet for The New York TimesThe singer and actress Kayo Shekoni, left, and Johan Grimonprez, who is nominated in the documentary feature category for “Soundtrack to a Coup D’Etat.”Jutharat Pinyodoonyachet for The New York TimesJulia Floch Carbonel, who was nominated in the makeup and hairstyling category for “Emilia Pérez.”Jutharat Pinyodoonyachet for The New York TimesThe actor Joe Locke.Jutharat Pinyodoonyachet for The New York TimesJessica Steele-Sanders and Chris SandersJutharat Pinyodoonyachet for The New York TimesBretman RockNina Westervelt for The New York Times More

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      Ariana Grande and Cynthia Erivo Continue ‘Wicked’ Theme at Oscars Red Carpet

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      In the words of Glinda, pink goes good with green.After months of method dressing, “Wicked” stars Ariana Grande and Cynthia Erivo both arrived on the Oscars red carpet in their Ozian characters’ signature colors.For Ms. Grande, nominated for best supporting actress, that meant an icy pink satin and tulle bustier gown from Schiaparelli decked out in more than 190,000 crystal sequins, rhinestones and beads. The wiggly waistline was inspired by an lamp designed by the artist Alberto Giacometti.Ariana Grande’s Schiaparelli gown was decorated with more than 190,000 crystal sequins, rhinestones and beads.Nina Westervelt for The New York TimesErivo’s signature fingernails were decorated with elaborate, hand-sculpted gilded art, including a tiny watch and clock.Jutharat Pinyodoonyachet for The New York TimesMs. Erivo, who is nominated for best actress, opted for a shade of deep forest green, so dark it almost appeared black at first glance. But make no mistake, the subtle homage was intentional. Speaking with E! on the red carpet, she said the velvet Louis Vuitton gown — with an almost vampiric architectural collar — was a “nod to Oz, a nod to the green, and a nod to old Hollywood.” Her signature fingernails by the nail artist Mycah Dior were decorated with elaborate, hand-sculpted gilded art, including a tiny watch and clock.Over the course of the “Wicked” press tour, both stars regularly stepped out in styles that referenced their characters. At the premiere in Los Angeles, Ms. Grande wore a pink Thom Browne gingham dress, while Ms. Erivo donned a green vinyl Louis Vuitton number.Even at events not officially related to the film, the pair remained committed to the bit, like during an appearance at the Olympics in Paris where they each wore … well, you know.The second installment of “Wicked” comes out later this year. We’ll have to wait and see if the duo will still be holding space for pink and green come November. More

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      What to Watch For at the Oscars: ‘Emilia Pérez,’ Cynthia Erivo and More

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      From the most competitive races to the lasting controversies, here’s a guide to becoming an instant expert.The Best Picture Race Looks Wide OpenRalph Fiennes in “Conclave,” which is a top contender for the best picture Oscar. Its biggest competition: “Anora.”Focus FeaturesWhen the Ralph Fiennes-led papal thriller “Conclave” secured the highest honor at the 31st Screen Actors Guild Awards last weekend, it seemed like a strong indicator that it would prevail in the best picture category at the Academy Awards on Sunday night. After all, the last three winners of SAG’s top prize — “Oppenheimer,” “Everything Everywhere All at Once” and “CODA” — all won the best picture statuette at the Oscars.But it isn’t exactly that clear cut.Those past three films had essentially swept their awards season, and aside from the SAG Awards, “Conclave” has won only one other best picture title, at the BAFTAs in February.“Anora,” the comedy-drama about a stripper (played by Mikey Madison) whose modern fairy-tale romance implodes, had several of the other early big wins this season, including two major industry prizes — from the Directors Guild of America and the Producers Guild of America — that almost always signal a best-picture Oscar up ahead.Also, Edward Berger, the director of “Conclave,” was not nominated for a best directing Oscar. Only six films in the history of the Oscars have won best picture without a best directing nomination, most recently “CODA” in 2022.Scandals Plague ‘Emilia Pérez’Karla Sofía Gascón in “Emilia Pèrez.” She is up for a best actress Oscar, but her chances of winning may have been derailed by recent scandals.Shanna Besson/NetflixJust a few weeks ago, “Emilia Pérez” was on top of the world. The Spanish-language musical out of France had earned 13 Oscar nominations, the most of any film this year (and nearly the most ever), and its lead, Karla Sofía Gascón, made history as the first openly transgender actress to be nominated for an Academy Award, in the best actress category no less.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      My Red Carpet Quest: A Two-Year Search for Steve

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      Times Insider explains who we are and what we do and delivers behind-the-scenes insights into how our journalism comes together.Steve Olive was my white whale.I had been trying for two years to write a profile of Mr. Olive, the co-founder of Event Carpet Pros, the California-based company responsible for custom-making the colorful, though not always red, carpets for thousands of movie premieres, the Golden Globes, the Grammy Awards, the Super Bowl and, since 1997, the Academy Awards.I learned about Mr. Olive in 2023, while reporting an article about why the organizers of the Oscars were rolling out a champagne-colored carpet that year. My editor, Katie Van Syckle, and I had found the Event Carpet Pros website and we took turns calling the listed number in an effort to reach someone. Finally, Katie connected with Mr. Olive, and briefly interviewed him.But this mysterious, matter-of-fact, low-key man at the heart of the glitz and glamour of awards season stuck in my mind. I wanted to know more about him. How does one become a rug guy? What had he wanted to be when he grew up? Had he ever attended an award show himself?Last year, when the Oscars returned to a classic red carpet, Katie and I again agreed that I should pursue a story on Mr. Olive, but he was hesitant. But this year, with the encouragement of the Academy of Motion Picture Arts and Sciences, he agreed. It was three weeks before the ceremony.Mission: Steve, as I termed it, had officially begun.I sent a barrage of frantic texts and placed several calls to Brooke Blumberg, a publicist for the academy, trying to nail down when the carpet, which was manufactured at a mill in Dalton, Ga., would arrive at the company’s warehouse in La Mirada, Calif., a city in Los Angeles County.My goal was to be there when the approximately 30 rolls, each weighing 630 pounds, were unloaded in the Event Carpet Pros parking lot, from a truck that had been driven about 35 hours, from Dalton. The scene, I imagined, would be akin to the arrival of the Rockefeller Center Christmas tree in New York City.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A New Age of Iranian Cinema Is on Display at the Oscars

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      “The Seed of the Sacred Fig,” an Oscar-nominated movie filmed in secret in Iran, highlights the Iranian film world’s groundbreaking new work, inspired by the women-led protests in 2022.A wife, wearing a nightgown and her hair uncovered, lies down next to her husband in bed. An older man and woman, drunk on red wine, dance wildly and discuss the complexities of sex and nudity at their age. A distressed young woman navigates the sexual advances of a male employer in a job interview.These scenes may seem to be simply ordinary life snippets on the big screen. But their existence — in three Iranian films released over the last few years — is nothing short of extraordinary, representing a new era of filmmaking in Iran’s storied cinema.These movies, and the trend they represent, have gained recognition and accolades internationally. One of them, “The Seed of the Sacred Fig,” written and directed by Mohammad Rasoulof, will compete for best international feature film at the Academy Awards on Sunday.Mr. Rasoulof, 52, is among a number of prominent Iranian directors and artists who are flouting government censorship rules enforced for nearly five decades since the 1979 Islamic revolution. These rules ban depictions of women without a hijab, the consumption of alcohol, and men and women touching and dancing; they also prevent films from tackling taboo subjects like sex.In a collective act of civil disobedience and inspired by the 2022 women-led uprising in Iran and many women’s continued defiance of restrictive social laws, Iranian filmmakers say they have decided to finally make art that imitates real life in their country.Director Mohammad Rasoulof’s movie “The Seed of the Sacred Fig” is up for an Oscar in the international movie category on Sunday.Kristy Sparow/EPA, via ShutterstockWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      How to Watch the Oscars 2025: Date, Time and Streaming

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      Conan O’Brien will host the annual awards, which will be available to watch live on a streaming service for the first time.It seems like a lifetime ago that Sean Baker’s screwball comedy “Anora” first emerged as the favorite in the best picture race (no one was yet even thinking about holding space for “Wicked”).But we’re now right back where we started in the fall with both math and our Projectionist columnist, Kyle Buchanan, predicting that “Anora” will emerge triumphant. It’s by no means a sure thing — last weekend’s big Screen Actors Guild Awards winner, the papal thriller “Conclave,” could play spoiler.In the acting races, Demi Moore appears to be the one to beat after notching another win at the SAGs (though Buchanan says not to count out Fernanda Torres, who delivers a tour de force performance in the quiet Brazilian drama “I’m Still Here”).But could Adrien Brody, who plays a Jewish architect who survives the Holocaust in “The Brutalist,” be in for an upset from the 29-year-old Timothée Chalamet, who has embarked on a decidedly unconventional — and very online — Oscar campaign for his lead role in the Bob Dylan biopic “A Complete Unknown”?Here’s everything you need to know.What time does the show start and where can I watch?This year’s show is again one for the early birds: The ceremony is set to begin at 7 p.m. Eastern, 4 p.m. Pacific, at the Dolby Theater in Los Angeles.On TV, ABC is the official broadcaster. Online, you can watch the show live on the ABC app, which is free to download, or at abc.com, though you’ll need to sign in using the credentials from your cable provider. There are also a number of live TV streaming services that offer access to ABC, including Hulu + Live TV, YouTube TV, AT&T TV and FuboTV, which all require subscriptions.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Best Picture Oscar Nominees: Behind the Scenes of ‘Anora,’ ‘Conclave’ and More

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      In these videos, directors walked us through pivotal scenes from their 2025 Academy Award-nominated films.Sometimes all it takes is one scene. One scene to understand where a movie may take you. One scene to connect with its characters. One scene to give a sense of its style.In this collection of sequences from the 10 movies nominated for best picture at the 2025 Academy Awards (airing Sunday, March 2), you will hear director commentary that illuminates each nominee. A few scenes play out largely in one shot, others build out their world from a song. But each one required an intensive combination of craft and planning to pull off. Watch those narrated scenes below.Sean Baker on ‘Anora’The writer, director and editor Sean Baker narrates a sequence from his comedy featuring Mikey Madison and Mark Eydelshteyn.NeonBrady Corbet on ‘The Brutalist’The director Brady Corbet narrates a sequence from his film, starring Adrien Brody. The movie is nominated for 10 Academy Awards.Lol Crawley/A24James Mangold on ‘A Complete Unknown’James Mangold narrates a sequence from his film, starring Timothée Chalamet.Macall Polay/Searchlight PicturesEdward Berger on ‘Conclave’The director Edward Berger narrates a sequence from his film, featuring Ralph Fiennes.Philippe Antonello/Focus FeaturesDenis Villeneuve on ‘Dune: Part Two’The director Denis Villeneuve narrates a battle sequence from his film, featuring Austin Butler.Niko Tavernise/Warner Bros. PicturesJacques Audiard on ‘Emilia Pérez’The director Jacques Audiard narrates a sequence featuring the song “El Mal” from his film, with Zoe Saldaña and Karla Sofía Gascón.Shanna Besson/NetflixWalter Salles on ‘I’m Still Here’The director Walter Salles narrates a scene from his film, which has an Oscar nomination for best picture.Alile Onawale/Sony Pictures ClassicsRaMell Ross on ‘Nickel Boys’The director RaMell Ross narrates a sequence from his film, which has been nominated for best picture.Orion PicturesCoralie Fargeat on ‘The Substance’The writer and director Coralie Fargeat narrates a sequence from her film starring Demi Moore.MubiJon M. Chu on ‘Wicked’The director Jon M. Chu narrates a scene in “Wicked” that features the song “Popular,” with Ariana Grande and Cynthia Erivo.Universal Pictures More

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      The Best Movies and TV Shows Coming to Disney+, Amazon, Max, Apple TV+ and More in March

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      “Anora” and “Happy Face” arrive, and “‘Dark Winds,” “The Wheel of Time,” “The Righteous Gemstones” and more return.Every month, streaming services add movies and TV shows to their libraries. Here are our picks for some of March’s most promising new titles. (Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our Watching newsletter here.)New to Amazon Prime Video‘The Wheel of Time’ Season 3Starts streaming: March 13Season 1 of this handsome-looking fantasy series introduced the major characters and concepts from the first book of the novelist Robert Jordan’s hefty “The Wheel of Time” saga. Season 2 adapted parts of the second and third books, moving pieces into place for the grand apocalyptic battle prophesied at the start of the story. In Season 3, adapting “The Shadow Rising,” the heroes are tested by a journey into a desert wasteland. Rosamund Pike returns as the mystic Moiraine, who is helping a group of young people escape the shadowy forces pursuing them, leading them on a journey across a magical realm in danger of falling into ruin — just as it did thousands of years ago. Josha Stradowski plays Rand al’Thor, who could be his land’s last best hope to stand up against The Dark One, or the one to usher in a new age of chaos.Also arriving:March 6“For the Win: NWSL”“Picture This”March 11“Iliza Shlesinger: A Different Animal”March 27“Bosch: Legacy” Season 3“Holland”Zahn McClarnon in “Dark Winds.”Michael Moriatis/AMCNew to AMC+‘Dark Winds’ Season 3Starts streaming: March 9The novelist Tony Hillerman’s “Leaphorn and Chee” series provides the inspiration for this combination neo-western and neo-noir. Zahn McClarnon plays Joe Leaphorn, a lieutenant in the Navajo Tribal Police, who looks after his own people while holding a healthy suspicion of outsiders. Kiowa Gordon plays Jim Chee, Joe’s deputy, who used to work undercover for the F.B.I., gaining intelligence on Indigenous political groups. “Dark Winds” combines complex mystery plots with an insider’s take on Navajo culture. Season 3 finds Joe and Jim investigating a mysterious disappearance in their jurisdiction while their colleague Bernadette Manuelito (Jessica Matten) begins a new job with the Border Patrol. Guest stars include Jenna Elfman and Bruce Greenwood, in a story that will leave Joe questioning his life’s purpose.Also arriving:March 3“Recipes for Love and Murder” Season 2March 7“Starve Acre”March 10“The Gone” Season 2March 18“Wicked City” Seasons 1 and 2We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More