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    Daisy Ridley Opens Up About the Not So Good Side of Joining 'Star Wars'

    Walt Disney Pictures

    The 28-year-old actress who plays the lead heroine in the new ‘Star Wars’ trilogy talks about the downside of being in one of the biggest movie franchises in Hollywood.

    Jan 10, 2021
    AceShowbiz – Daisy Ridley has been left scared by “Star Wars” fans turning up at her house.
    The 28-year-old actress became a household name when she was cast as Rey in the most recent “Star Wars” trilogy and, although she had the “best time” making the movies, she admitted such a high-profile role brought with it a lot of unwanted attention.
    She told Tatler magazine, “Star Wars was ‘This Thing.’ And then it was ‘This Thing That Came to an End.’ It hasn’t always been easy.”
    “There are things (about being in Star Wars) I don’t like talking about, because it’s not the good side. People turn up at your doorstep, that’s scary.”
    “And I’ve been followed, that’s a bit ‘woah.’ But in terms of the actual experience?”

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    “I had the best time. And now I’m out of it, I feel like I want to work really hard and honour the decision of the people that cast me.”
    The star went on to admit she will always be baffled as to why she was chosen for the role.
    She said, “I just think there will always be a question, ‘why was it me? That will always be there. Why me?’ ”
    However, she’s reached a point where she needs to stop questioning her success and just accept her luck was in.
    She added, “I know there were a thousand other actresses who could have done it. I guess ultimately it came to a point where I decided I have to be OK with this.”
    “I got this magical piece of luck. The stars aligned. I have to be OK with the amazing chance. That’s it.”

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    Gal Gadot Burst Into Tears Watching 'Wonder Woman 1984' for First Time

    Warner Bros. Pictures

    The Diana Prince depicter has a very reaction to the ‘Wonder Woman’ sequel, claiming that she was overwhelmed with emotions when she was watching it for the first time.

    Jan 10, 2021
    AceShowbiz – Gal Gadot was “caught off guard” by her emotions the first time she saw “Wonder Woman 1984”.
    The 35-year-old actress was so transported by the film – in which she plays Diana Prince and her titular alter ego – that she didn’t even think about her own involvement.
    She told HELLO! Magazine, “I can’t tell you about the moment in the movie that made me cry other than it happens at the very beginning.”
    “I’ve never experienced that before. I was watching and all of a sudden I wasn’t the actress, the producer, or anything on set.”
    “I was a little girl from a suburb in Israel watching this amazing character doing such incredible things. And I’m not an easy crier. I’m not the kind of woman who watches commercials and cries.”

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    “I just had such a strong reaction to this movie and it caught me off guard. Usually, I save my crying for special occasions… like when I’m pregnant!”
    Gadot is proud her character has proven to be inspirational for so many people.
    She said, “It’s something I wasn’t really prepared for, so to see and hear the reaction from women, men, boys and girls, is just incredible.”
    And one fan, in particular, has stuck with her.
    She said, “There was one little boy I will always remember. He saw the movie and told his mother, ‘When I grow up, I want to be a woman.’ ”
    “It was all because of Wonder Woman and everything she stands for and symbolises.”

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    David Hasselhoff on Working on New 'Knight Rider' Movie: I Have 'Emotional Hand' and 'Passion'

    Instagram

    Despite not knowing whether he will appear in the upcoming movie, the 68-year-old actor portraying Michael Knight on the original TV action series admits to having invested in the conception of the flick.

    Jan 9, 2021
    AceShowbiz – David Hasselhoff had an “emotional hand” in the conception of the new “Knight Rider” movie.
    The 68-year-old actor starred as crime-fighter Michael Knight in the TV action series between 1982 and 1986.
    Speaking to Consequence of Sound, the star revealed that he is invested in the upcoming movie – despite not knowing if he will have a role in the flick.
    He said, “The details I can share are I have an emotional hand in it and I have a passion.”
    “The guy who’s writing it is a major ‘Knight Rider’ fan. He sent me a picture of him in the ‘Knight Rider’ car. His name is T.J. Fixman.”

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    Hasselhoff continued, “The concept, I don’t really know. I threw my hat into the ring as ‘nostalgia meets Knight Rider of today’, which is not a new ‘Knight Rider’, but a continuation of it.”
    “They want to do a script that has my approval on it. Whether I’m in it or not, or whether I approve of it, the answer is: I don’t know.”
    The “Baywatch” star had been hoping to bring “Knight Rider” – which follows the adventures of Michael Knight and his assistant KITT, an almost indestructible talking car – to the big screen for several years and is keen that this adaptation remains faithful to the TV series.
    “I had the rights for about 10 years to ‘Knight Rider’, and I couldn’t get a bite. And these guys have it now because of the timing, because of the resurgence of nostalgia, because the guy who’s doing it gets it,” he explained.
    “It’s not about a talking car. It’s about the relationship between Michael and KITT. And it’s also about the action and ‘one man can make a difference’. And if they do that, I’ll probably support it. If they don’t do that, they’ve hassled The Hoff.”

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    Amy Adams to Have 'The Woman in the Window' Released on Netflix in First Half of 2021

    20th Century Fox

    Director Joe Wright reveals that the upcoming thriller, which has been delayed multiple times due to COVID-19, had to undergo reshooting over the complexity of its original story.

    Jan 9, 2021
    AceShowbiz – Amy Adams’ “The Woman in the Window” will arrive on Netflix “in the first half of the year”.
    The much-delayed thriller was initially set to be released by Disney before being transferred to the streaming giant. It will no longer undergo a cinematic release amid the Covid-19 pandemic.
    According to Entertainment Weekly, the motion picture is due out on the service in the coming months.
    Amy is set to play the role of Dr. Anna Fox in the film, who hides away in her New York home, where she drinks excessively and spends time spying on her neighbours.

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    After observing the close bond between the family who move in next door, she longs for a reunion with her own loved ones.
    However, things take a turn when she witnesses an act of violence.
    In addition to delays faced due to the global health crisis, director Joe Wright also had to reshoot some scenes because early viewers found the story too complex at times.
    “There were some plot points that people found a bit confusing — I would say possibly too opaque maybe,” the filmmaker told the publication. “So we had to go back and clarify certain points, but I think also we tried to make sure we didn’t oversimplify anything and make things too clear. “There’s an enjoyment in not knowing what’s going on, but at the same time, you have to give the audience something to hold on to — you have to lead them through the labyrinth of mystery and fear.”
    The cast also features Gary Oldman, Julianne Moore, Anthony Mackie and Tracy Letts – who also wrote the script for the project.

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    Michael Apted, Versatile Director Known for ‘Up’ Series, Dies at 79

    #masthead-section-label, #masthead-bar-one { display: none }The Best of 2020Best ComedyBest TV ShowsBest BooksBest MoviesBest AlbumsAdvertisementContinue reading the main storySupported byContinue reading the main storyMichael Apted, Versatile Director Known for ‘Up’ Series, Dies at 79His output included “Coal Miner’s Daughter” and a James Bond film. But he was best known for his long-running documentary series about life in Britain.The director Michael Apted with, from left, Jackie Bassett, Lynn Johnson and Susan Davis, three of the subjects of his documentary “28 Up” (1984), the fourth in a series that began with “Seven Up!” in 1964 and followed the lives of a group of British people in roughly seven-year intervals. (Ms. Johnson died in 2013.)Credit…Granada TelevisionJan. 8, 2021, 7:01 p.m. ETMichael Apted, a versatile director whose films were as varied as the James Bond picture “The World Is Not Enough” and the biographical dramas “Gorillas in the Mist” and “Coal Miner’s Daughter,” and who made his most lasting mark with the “Up” documentary series, which followed the lives of a group of British people in seven-year intervals for more than a half century, died on Thursday at his home in Los Angeles. He was 79.His agent in the United States, Roy Ashton, confirmed the death but did not specify a cause.Mr. Apted, who was British, was a researcher at Granada Television in England when he helped pick the 14 children, all of them 7, who became the subjects of “Seven Up!,” the initial documentary in the “Up” series, which was directed by Paul Almond and shown on British television in 1964.The film was intended as a one-off, but Mr. Apted picked up the ball seven years (more or less) later, acting as director of “7 Plus Seven,” broadcast in England in late 1970, in which he interviewed the same children, now at a more developed stage of life.Then came “21 Up” in 1977, “28 Up” in 1984 and so on, with new installments arriving every seven years, all directed by Mr. Apted. “63 Up” was released in 2019.Collectively, the films became a serial portrait of a group of ordinary people advancing through life, from childhood through adulthood, charting their different paths, changing perspectives and various fates (one participant, Lynn Johnson, died in 2013). The New York Times in 2019 called it “the most profound documentary series in the history of cinema.”The intent of the original program in 1964 was to look at different segments of Britain’s class system. Thanks to Mr. Apted’s persistence, “Up” became something more.“I realized for the first time, after 20 years on the project, that I really hadn’t made a political film at all,” he wrote in 2000. “What I had seen as a significant statement about the English class system was in fact a humanistic document about the real issues of life.”Mr. Apted in Los Angeles in 2012. His “Up” series, The New York Times said in 2019, was “the most profound documentary series in the history of cinema.”Credit…Robert Yager for The New York TimesManohla Dargis, summarizing “63 Up” in The Times, wrote, “There’s great pleasure in revisiting this series, seeing who turned out just fine and sometimes better than you might have expected or hoped.”While revisiting “Up” periodically across six decades, Mr. Apted worked in television and commercial film.“Agatha” (1979), a fictional drama about the novelist Agatha Christie, starred Vanessa Redgrave in the title role. Mr. Apted had particular success in the 1980s, beginning in 1980 with “Coal Miner’s Daughter,” about the country singer Loretta Lynn, played by Sissy Spacek, who won the best-actress Oscar.Sissy Spacek as Loretta Lynn in Mr. Apted’s “Coal Miner’s Daughter” (1980). She won an Oscar for her performance.Credit…Universal StudiosThe next year he directed the John Belushi-Blair Brown comedy “Continental Divide”; two years later came the crime drama “Gorky Park,” based on the Martin Cruz Smith novel, starring William Hurt. In 1988 there was “Gorillas in the Mist,” the story of the naturalist Dian Fossey; its five Oscar nominations included one for Sigourney Weaver, who played Ms. Fossey.Mr. Apted’s 1990s films included “Thunderheart” (1992), a thriller with Val Kilmer, and the drama “Nell” (1994), a vehicle for Jodie Foster. Then came his entry in the James Bond franchise — “The World Is Not Enough” (1999), with Pierce Brosnan as agent 007.In a 2010 interview with The Times, Mr. Apted reflected on his one regret about the “Up” series — that his initial choice of children was unbalanced, 10 boys but only 4 girls — and how his choices of mainstream films might have been a way to compensate for that.“The biggest social revolution in my life, growing up in England, has been the change in the role of women in society,” he said. “We didn’t have civil rights and Vietnam in England, but I think that particular social revolution is the biggest thing, and I missed it by not having enough women. And because I didn’t have enough women, I didn’t have enough choice of what options were in front of women who were building careers and having families and all this sort of stuff.”He continued: “Looking at everything from ‘Agatha’ through ‘Coal Miner’s Daughter,’ from ‘Nell’ and “Continental Divide,’ they’re all to do with women’s role in society and what women have to do to have a role in society, or the choices women have to make to stay in society or have a voice in society, in both straightforward and eccentric ways. That’s always interested me. And that, I think, stems from the feeling that I slightly missed out.”Alex Traub contributed reporting.A complete obituary will appear shortly.AdvertisementContinue reading the main story More

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    Vanessa Kirby Defends Tom Cruise's Covid-19 Safety Rant on 'MI:7' Set

    Paramount Pictures

    The actress who plays White Widow in the ‘Mission: Impossible’ franchise insists her co-star was angry because he’s just trying to ensure everyone was safe on the set.

    Jan 9, 2021
    AceShowbiz – Vanessa Kirby has defended Tom Cruise for his now infamous rant on the “Mission: Impossible 7” set last month (Dec20), insisting the actor was just trying to ensure everyone’s safety amid the Covid-19 pandemic.
    In a clip shared online by Britain’s The Sun newspaper, Tom lost his cool when he spotted two assistants huddled around a monitor, watching playback and ignoring social distancing rules he had helped to introduce.
    “If I see you do it again, you’re f**king gone. And if anyone in this crew does it, that’s it,” he was heard shouting in the audio clip.
    The outburst saw five staff members quit the project, according to reports, but Vanessa – who stars alongside Tom in the film franchise – insisted he was just doing his bit to keep everyone safe.

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    Asked for her opinion on Tom’s rant during an interview with “Extra”, Vanessa replied, “I think being safe is the message for everybody, really.”
    The actress’ sister works as part of the assistant’s director’s team on the film, with Vanessa adding, “For me, seeing my sister doing it on the ground and every day coming home from work and it all going well, it was all inspiring. The whole industry has been shut down – cinemas, theatres, film sets. Seeing her go and do it and be one of the first ones up gave me hope.”
    Vanessa also revealed she’s going to be returning to the “Mission: Impossible 7” set “next week or something” and is looking forward to getting stuck back into the physically-demanding role.
    “I’m really excited. I think with every Mission… the stunts get riskier and there’s ones on this that have been terrifying, and there’s many more to be filmed… It’s a pleasure for all of us to be back,” she smiled.

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    Laverne Cox Exits Sex Industry Doc Following 'Outrage' for the Sake of Her 'Mental Health'

    Instagram

    As one of the executive producers alongside Meryl Streep and Rashida Jones, the ‘Orange Is the New Black’ alum is under fire for supporting Sarah Jones’ project that would examine the sex industry.

    Jan 8, 2021
    AceShowbiz – Laverne Cox has parted ways with Sarah Jones (II) in making a documentary about sex workers. The actress has decided to pull out from “Sell/Buy/Date”, in which she was originally set to serve as executive producer alongside Meryl Streep and Rashida Jones, following a string of criticism from the sex industry workers.
    “Just what the world needs,” one person sarcastically wrote on Twitter. “Another movie where non SWers debate whether sex work is exploitative or empowering.” Tagging @Lavernecox, the critic added, “this project is everything you’re supposedly against. Stop trying to tell sw stories by ignoring and doxxing them.”
    Another voiced disapproval of the project, “As a sex worker– I get being misrepresented. I mean– people in Hollywood are still doing SWer documentaries without talking to actual sexworkers.”
    Noticing the negative feedback, Laverne took to Twitter to announce her withdrawal from the documentary. “When I agreed to come on as an executive producer of ‘Sell, Buy Date’ I did so because I was so deeply moved by Sarah Jones’ brilliant play and her unbelievable, undeniable talent as an artist, as an actor. I signed on to support her incredible talent,” she began her statement.
    She explained her decision to exit the project, “I have so much love for her as a human being. But I am not in an emotional place to deal with the outrage by some around my participation in this project. So I have decided to pull out.”
    “To be clear I am no longer involved in any capacity in ‘Sell. Buy, Date.’,” she stressed, citing her mental health as her priority, “I have to take care of my mental, physical and emotional health, This is all I have to say on the matter.”

    Laverne Cox announced her exit from ‘Sell/Buy/Date’.

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    Respecting Cox’s decision, Jones responded to the “TRANSform Me” co-host’s announcement. “I’m so grateful to you Laverne for coming on the journey with me thus far, and I’m looking forward to continuing my work on the film,” she wrote back to the actress, before asking “that everyone give Laverne her space while keeping an open mind about the project before judging it.”

    Sarah Jones responded to Cox’s tweet.
    Jones herself has addressed people’s concern about misinterpretation of sex workers in her upcoming movie. “As a Black feminist artist, I have always centered the stories of traditionally marginalized people, especially women and femmes struggling for liberation and self-determination. My sisters in the sex industry are no exception,” she said in her own statement. “I am committed to deep listening to folks with lived experience, not only in my interviews but also in those we hire behind the scenes.”

    She added in a statement to THR, “As I do with all my work, I’m approaching this documentary with compassion and in an attempt to understand the nuance and complexity of how sex work affects everybody, especially women of color. For too long, BIPOC women have had our narratives controlled by others. Thanks to this new moment, I have the opportunity to finally share mine.”
    She went on assuring, “I am committed to making this an inclusive, respectful documentary about my personal experience as a Black woman, informed by various voices of people with lived experience around this topic. As a feminist who cares deeply about the wellbeing and freedom of ALL people, I am looking forward to sharing my story in the creative way I know how. I hope those who have never lived in my shoes allow me the chance to express my own experience as a Black woman.”
    “Sell/Buy/Date” is billed as a documentary that will tackle the themes of “inequality (criminal justice, race, sexism, poverty) through the lens of the debate around the sex industry. The documentary asks the question, ‘Is sex work exploitative or empowering?’ ”

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