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    Tom Hanks Recalls Clashing with Director Paul Greengrass on Set of Their New Movie

    WENN

    The ‘Saving Private Ryan’ actor remembers stopping the filming to hash out disagreement with the director on the set of their new project ‘News of the World’.

    Dec 20, 2020
    AceShowbiz – Tom Hanks and director Paul Greengrass had to pause filming on new movie “News of the World” to hash out a disagreement about a vital element of the actor’s role.
    The “Saving Private Ryan” star portrays American Civil War veteran Captain Jefferson Kyle Kidd in the western, in which he travels from town to town delivering readings of the national news.
    However, the manner in which Hanks’ character delivers the headlines to locals was a real sticking point for the actor and Greengrass because they didn’t see eye-to-eye.
    “We were halfway through the shooting day, and we ended up sitting on the wooden sidewalk of one of our Western towns. And we went at it, he and I, about what these performances of readings of the news meant,” Hanks recalled to CinemaBlend.com.

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    “I was hell bent on authenticity and the real news and the real stories, and almost a dry perspective and presentation of them. And he was bent on the connecting of the audience, of the inspiring of the audience, of the reading of the audience and of the enthrallment of the audience with what this news was.”
    Hanks continued, “He was saying, ‘You must understand: you are putting on a show to bring people together.’ And I was saying, ‘Paul, you’ve got to understand: I am reading the news to bring people together.’ And we had to find this thing that was in there.”
    The double Oscar winner doesn’t reveal who got their way, but the clash of words didn’t dampen Greengrass’ experience of working on the set of the 1870s survival drama, which is based on the 2016 novel of the same name by Paulette Jiles.
    Greengrass, who previously worked with Hanks on 2013’s “Captain Phillips”, said, “It is a dream come true for me. In my many years as a filmmaker, I’ve done tough films about where we are today; I’ve done entertaining films about spies on the run, all sorts of things, but I had never made a classical, beautiful Western. That is what I’ve tried to do here.”

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    Goldie Hawn Hated Kissing Kurt Russell in 'Christmas Chronicles 2'

    Netflix

    The ‘Private Benjamin’ actress explains why she was not really fond of kissing her real-life partner as they played a couple in their new Netflix Christmas movie.

    Dec 20, 2020
    AceShowbiz – Actress Goldie Hawn “hated” the bushy beard her longtime love Kurt Russell grew for “The Christmas Chronicles: Part Two” because it made kissing him on set no fun.
    The real life couple played Santa and Mrs Clause in the original 2018 Netflix holiday movie, and they reprise their roles for the sequel.
    And although Goldie admired the facial hair Kurt sported, she was thrilled when production wrapped and he was able to shave off his whiskers.
    “I thought it (beard) was a work of art, I really did,” the mum of actors Kate and Oliver Hudson told U.S. talk show “Live with Kelly and Ryan”.
    “I mean, I looked at it, I got lost in it. I thought it was just beautifully designed…”

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    “Ask me how I liked that beard,” she laughed. “I hated it. It wasn’t fun to kiss.”
    But that’s the only complaint Goldie has about the project, and she had so much fun otherwise, she’s taking another souvenir to the pair’s regular home for the holidays, in Colorado, to remind her of the happy shoot.
    “I loved going to work every day. I have a little sign that they gave me that I’m going to put in my little house in Aspen. It’s a sign painting from outside one of Santa’s stores where they make everything,” she added.
    “I just wanted a piece of the (film’s) village.”
    The actress also loved making the family movie because she knew her six grandchildren would get to see it. She previously said, “I love the thought that they might one day grow up to like other things Kurt and I have done, but right now it’s fun to have them watch this and go to school knowing their friends have seen it too.”

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    Mark Wahlberg’s New Movie ‘Arthur the King’ Finds New Director

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    Mark Wahlberg's New Movie 'Arthur the King' Finds New Director

    WENN

    The upcoming big screen project fronted by the ‘Deepwater Horizon’ actor has got Simon Cellan Jones as a new helmer after the previous one left due to scheduling conflicts.

    Dec 20, 2020
    AceShowbiz – British director Simon Cellan Jones has taken charge of Mark Wahlberg’s “Arthur the King” adaptation after scheduling conflicts forced Baltasar Kormakur to step down.
    The survival story is inspired by real-life events chronicled by Swedish adventurer Mikael Lindnord in his 2017 book “Arthur: The Dog Who Crossed the Jungle to Find a Home”, in which he recalled how he met and befriended a wounded stray while racing through the Ecuadorian jungle.
    Wahlberg signed on to play Lindnord last year (19) while actor Simu Liu, who stars in Marvel Studios’ forthcoming blockbuster “Shang Chi and the Legend of the Ten Rings”, has now been added to the main cast, reports Deadline.
    Production is expected to begin in the Dominican Republic in January (21).

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    The actor recently posted a new picture on Instagram with a caption, “Arthur the King training.” He donned a helmet while posing with his bike.

    Earlier this month, he was reportedly in Australia for work. He quarantined in a luxury retreat outside of Byron Bay to complete a two-week quarantine period implemented by the government Down Under.
    Mark Wahlberg’s new movies, an action comedy “Spenser Confidential” and a new animated Scooby Doo movie, came out earlier this year. His next film, “Joe Bell”, is expected to hit theaters early next year after premiering at Toronto International Film Festival in September.
    Besides “Arthur the King”, his upcoming big screen projects include sci-fi action “Infinite” and action adventure “Uncharted”.

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    Chadwick Boseman Wins Best Supporting Actor at New York Film Critics Circle Awards

    WENN

    The late ‘Black Panther’ actor has been awarded the Best Supporting Actor title by the members of the New York Film Critics Circle, thanks to his role in ‘Da 5 Bloods’.

    Dec 20, 2020
    AceShowbiz – Chadwick Boseman has been posthumously honoured as Best Supporting Actor by members of the New York Film Critics Circle.
    The tragic star, who lost his secret cancer battle in August (20), was recognised for his work in Spike Lee’s “Da 5 Bloods”, which also earned Delroy Lindo the Best Actor prize.
    Teen drama “Never Rarely Sometimes Always” was a double winner, picking up Best Actress for Sidney Flanigan and Best Screenplay for writer/director Eliza Hittman, and “Borat Subsequent Moviefilm” star Maria Bakalova won Best Supporting Actress.
    The top award for Best Picture went to director Kelly Reichardt’s “First Cow”, about a skilled cook who crosses paths with a Chinese immigrant while travelling with a group of fur trappers in Oregon and decides to work together on a new business.

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    Last year’s Best Picture accolade went to “The Irishman”.
    Chadwick Boseman’s win at the New York Film Critics Circle came after he was hailed Hero for the Ages at the virtual MTV Movie & TV Awards – Special recently.
    The late actor additionally receives two nominations at the Chicago Film Critics Association, Best Actor for “Ma Rainey’s Black Bottom” and Best Supporting Actor for “Da 5 Bloods”. His role in the “Black Bottom” movie also earns him a Best Actor nod at the upcoming Gotham Independent Film Awards.
    Last year, he got multiple accolades for his onscreen performance in Marvel’s “Black Panther”. It became the first superhero film to receive a Best Picture nomination at the Oscars and the first MCU film to win an Academy Award.

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    Boba Fett Spin-Off Series Confirmed by Disney

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    Barbara Windsor, Beloved British TV and Film Star, Dies at 83

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeHoliday TVBest Netflix DocumentariesAdvertisementContinue reading the main storySupported byContinue reading the main storyBarbara Windsor, Beloved British TV and Film Star, Dies at 83She went from bubbly sex symbol in the “Carry On” films to working-class hero on “EastEnders.” Her private life was often as troubled as her “EastEnders” character’s.The actress Barbara Windsor at the British Academy Television Awards in London in 2009. She was a star of the series “EastEnders” on and off from 1994 to 2016.Credit…Luke Macgregor/ReutersDec. 18, 2020Updated 4:07 p.m. ETLONDON — Barbara Windsor, a star of the “Carry On” films and the long-running BBC soap opera “EastEnders,” whose dirty staccato laugh and ability to embody working-class life seared her into Britain’s collective memory, died on Dec. 10 at a care home here. She was 83.Her death was announced in a statement by Scott Mitchell, her husband and only immediate survivor, who said the cause was Alzheimer’s disease.Ms. Windsor with Prime Minister Boris Johnson last year in London. Mr. Johnson wrote on Twitter that Ms. Windsor had “cheered the world up with her own British brand of harmless sauciness and innocent scandal.”Credit…Pool photo by Simon DawsonIn a sign of the impact Ms. Windsor had on Britain’s cultural life over the last six decades, members of the royal family were among those who paid tribute on social media, as was Prime Minister Boris Johnson, who wrote on Twitter that Ms. Windsor “cheered the world up with her own British brand of harmless sauciness and innocent scandal.”Ms. Windsor also had an impact in the United States, albeit briefly, when she appeared on Broadway in 1964 in “Oh! What a Lovely War,” Joan Littlewood’s music-hall-style show that used irreverent songs from World War I to mock the absurdity of conflict.Some American theatergoers might have found Ms. Windsor’s cockney accent hard to understand — one of her first movies, “Sparrows Can’t Sing,” played with subtitles at some screenings in New York — but she was nominated for a Tony Award for best featured actress in a musical.In 1970, she told a BBC interviewer that she really wanted to make a film in Hollywood, preferably a comedy with Jack Lemmon. “That’d be smashing, wouldn’t it?” she said. She didn’t achieve that particular ambition, but she was soon immortalized in British movie theaters thanks to her roles in the farcical, innuendo-laden — and hugely successful — “Carry On” movies.Later, she became even more well known for her role as the matriarchal pub landlady Peggy Mitchell on “EastEnders,” a character she portrayed on and off from 1994 to 2016. She stopped once her Alzheimer’s made it impossible to continue.Ms. Windsor with her “EastEnders” co-stars in 1999, during the filming of an episode that included the wedding of her character, Peggy Mitchell.Credit…John Stillwell/PA, via Associated PressMs. Windsor was born Barbara Ann Deeks on Aug. 6, 1937, in Shoreditch, then a working-class part of East London. Her father, John, a bus driver, and her mother, Rose, a dressmaker, had a tumultuous marriage, and at 15 Ms. Windsor was made to testify about their rows at a divorce hearing.As a child in World War II, she was evacuated to Blackpool, a seaside resort in northern England. There, she revealed in her 2001 autobiography, “All of Me: My Extraordinary Life,” she first stayed with a family that tried to abuse her sexually, before moving in with a friend whose mother sent them both to dance lessons. The mother was so impressed by her talent that she wrote a letter to Ms. Windsor’s parents begging them to let her take lessons in London. “She’s a proper show-off,” the letter said, Ms. Windsor recalled in the 1970 BBC interview.Back in London, Ms. Windsor was spotted by a talent agent who tried to cast her in a pantomime, the peculiarly British form of theater popular at Christmas, but her school refused to give her time off. She eventually left to go to acting school, where the teachers repeatedly tried — and failed — to get her to lose her accent.Ms. Windsor became celebrated for her bawdy roles in the “Carry On” comedy movies. She is seen here with Sid James, as King Henry VIII, in a scene from “Carry On Henry” (1971).Credit…Bob Dear/Associated PressFor all the promise Ms. Windsor showed, her break didn’t come until 1960, when she traveled to East London to audition for a role with Ms. Littlewood’s Theater Workshop, a company whose works often brought working-class life and humor onstage. The acclaim she got for her work there soon led to appearances on TV and then in film, where she became celebrated for her bawdy roles in the “Carry On” comedies.In those films, the camera often focused on the short (4-foot-11) but buxom Ms. Windsor’s figure. She is probably best remembered for a scene in “Carry On Camping” (1969) in which her bikini top flies off during an outdoor aerobics class (during filming an assistant pulled the top off using a fishing line). That clip has been shown numerous times on British television ever since.Ms. Windsor in 1980 with Ronnie Knight, her first husband, who had just been released on bail after more than two weeks in custody. He was accused (and later acquitted) of ordering a hit man to murder his brother’s killer.Credit…Associated PressAlthough Ms. Windsor found success onscreen, her private life was troubled. She had liaisons with a series of famous men, including the soccer player George Best and the East London gangsters Reggie and Charlie Kray. In 1964 she married Ronnie Knight, another gangster, who in 1980 was tried for ordering a hit man to murder his brother’s killer (he was acquitted), and in 1983 was involved in stealing six million pounds (more than 17 million pounds, or about $23 million, in today’s money) from a security depot and fled to Spain.Her relationship with Mr. Knight caused her to have a nervous breakdown, she told the BBC in the 1990 interview. That marriage and a subsequent one ended in divorce.Her life got back on track on the 1990s after she was cast as Peggy Mitchell on “EastEnders,” the wildly popular kitchen-sink soap opera whose story lines often reflected social issues.She quickly became one of the show’s stars, known for slapping her co-stars when the plot demanded a climatic moment and for story lines that could be far darker than anything one would find in a “Carry On” movie. (In 2010, one of her character’s sons burned down the pub in the middle of a crack cocaine binge.)In the 1990s, her character had breast cancer twice and underwent a mastectomy, a plot that led hundreds of viewers to write to the BBC to express gratitude for how sensitively she handled the subject. In 2016, in her final appearance on the show, her character killed herself because her cancer had returned.Whatever happened to Ms. Windsor, onscreen or off, she never lost the joy of performing.“I don’t think negatively,” she told the BBC in 1990 when asked how she would look back on her life. “I’ll pick out all those wonderful things that have happened, and how lucky that I got paid — paid! — for doing something that I absolutely adored.”AdvertisementContinue reading the main story More

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    Gal Gadot Confirms She's Included in Very Thorough 'Justice League' Investigation

    WENN

    The Wonder Woman star reveals she was interviewed as a part of a ‘very thorough’ inquiry into the misconduct allegations made by Ray Fisher against Joss Whedon.

    Dec 19, 2020
    AceShowbiz – Gal Gadot was interviewed as part of WarnerMedia’s investigation into alleged misconduct on the “Justice League” set.
    The actress has confirmed she was included in the “very thorough investigation” into allegations made by actor Ray Fisher, who previously accused Joss Whedon and producers Geoff Johns and Jon Berg of engaging in misconduct.
    Gal – who starred as Wonder Woman in the 2017 movie – said, “I know that they’ve done a very thorough investigation, even just by how much time I spent with them.”
    WarnerMedia recently confirmed it had concluded its investigation and that remedial action has been taken. However, the company refused to elaborate on what action had been taken.
    Speaking to “The Big Ticket”, Gal confessed, “I don’t know what that means either. I’m curious to know what’s going to be the outcome.”

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    Earlier this year, Ray alleged that racial issues played a role in determining the film’s final cut.
    The actor – who played the part of Cyborg in the movie – suggested the decision to give his character a diminished role in the film “was neither an accident nor coincidence.”
    Speaking about his experience of making the movie, Ray explained, “The erasure of people of colour from the 2017 theatrical version of Justice League was neither an accident nor coincidence.”
    The Hollywood star also blasted the director’s attitude on Twitter, writing his “treatment of the cast and crew of Justice League was gross, abusive, unprofessional, and completely unacceptable.”
    “He was enabled, in many ways, by Geoff Johns and Jon Berg… Accountability >Entertainment. (sic)”
    Meanwhile, Ray confirmed earlier this month (Dec20) he’d received a statement from WarnerMedia about the investigation, but stressed there are “still conversations that need to be had and resolutions that need to be found.”

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    Film Academy Museum Delays Its Opening Again

    #masthead-section-label, #masthead-bar-one { display: none }The Coronavirus OutbreakliveLatest UpdatesMaps and CasesThe Latest Vaccine InformationU.S. Deaths Surpass 300,000F.A.Q.AdvertisementContinue reading the main storySupported byContinue reading the main storyFilm Academy Museum Delays Its Opening AgainThe Academy Museum of Motion Pictures pushed back its opening to Sept. 30, 2021, from April 30, citing the difficulty of forecasting when public life may begin to normalize.The museum recently installed a 1,208-pound model of the shark featured in “Jaws” above an escalator.Credit…Chris Pizzello/Invision, via Associated PressDec. 18, 2020, 1:00 p.m. ETLOS ANGELES — The Academy Museum of Motion Pictures is starting to feel a little cursed. Since the project was announced in 2012 — with an opening expected in 2017 — setbacks have included sparring architects, the discovery of mastodon fossils by excavation crews, a budget that ballooned by roughly 90 percent, the ouster of its founding director and now, for the second time, the coronavirus pandemic.On Friday, the museum pushed back its opening to Sept. 30, 2021, from April 30, citing the virus and difficulty forecasting when public life may begin to normalize. The pandemic already scuppered a planned opening this week. “With the current surge of Covid-19, it would be irresponsible to maintain an April opening,” Bill Kramer, the museum’s director and president, said by phone. “It’s not because we aren’t ready. Work has been moving forward. We’re completely on track.”Ted Sarandos, chairman of the museum’s board of trustees and Netflix’s co-chief executive, added in a statement: “It’s just a matter of patience, for all of us, as we look ahead to opening our doors on Sept. 30.” A private gala was set for Sept. 25.How did the museum select those dates? This month, for instance, Warner Bros. said it would still be too difficult to release movies normally by next December because of the pandemic.Mr. Kramer said summer was not an ideal time to inaugurate a cultural institution (too many people scattered here and there). An early September opening would collide with the Telluride and Toronto film festivals.Had the $482 million museum stuck to its April plan, a marketing campaign would have started next month. Hiring was also set to begin for gallery guards and ticket takers.For all of its stops and starts, the museum has gotten its act together under Mr. Kramer, who was hired last year. (He previously served as vice president of development for the Brooklyn Academy of Music.) In recent months, the museum has hired the film scholar and Turner Classic Movies host Jacqueline Stewart as its chief artistic and programming officer; repaired relationships with Hollywood collectors; attained LEED eco-friendly certification; and reached its pre-opening fund-raising goal of $388 million. Despite difficult working conditions because of the coronavirus, crews have installed exhibits, including a 25-foot-long, 45-year-old fiberglass model of the mechanical shark that Steven Spielberg used to film “Jaws.”Mr. Kramer called the shark, nicknamed Bruce, “shockingly cool.”AdvertisementContinue reading the main story More