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    Stan Lee's 'Monkey Master' Turned Into Live-Action Movie With John Woo

    WENN

    The ‘Face/Off’ director has always been interested in making ‘a film based on the Monkey King story of China but have struggled with a new way to present it,’ before moving forward with the adaptation of Stan Lee’s superhero character.

    Apr 2, 2021

    AceShowbiz –
    Filmmaker John Woo is swinging into action to tackle a live-action adaptation of Stan Lee’s superhero character Monkey Master.

    The late Marvel legend co-created “Monkey Master” with Graphic India boss Sharad Devarajan, about a New York City archeologist named Li Yong, who travels to India to find out more about the ancient Chinese prophecy of The Monkey King, and subsequently discovers a hidden power which transforms him into the titular superhero, a powerful martial arts expert.

    The comic book series was never released, but Woo is excited at the prospect of bringing the lesser-known creation to life onscreen with Sevarajan and Gill Champion, Lee’s longtime business partner and POW! Entertainment president, also onboard as producers.

    The “Face/Off” director told Variety, “I have always wanted to make a film based on the Monkey King story of China but have struggled with a new way to present it.”

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    “The story by Stan Lee was such a unique version of it that incorporated the mythological character’s unexplored journey to India and had all the elements I enjoy in filmmaking – great characters, action, and adventure. I am excited to work with Sharad and Gill to bring Stan’s vision for this new superhero character to the screen.”

    Casting details have yet to be released.

    In 2016, Lee had discussed “Monkey Master” as saying, “I have always been fascinated by the Chinese and Indian cultures which are so philosophical and rich in tradition and morality. I’ve written countless superheroes of every nationality and every part of the world before, I’ve even created many heroes from other planets and galaxies, but ‘Monkey Master’ will be unique in how it interweaves myth to create a modern day hero that will entertain fans across the world with his martial arts skills and unstoppable super-powers.”

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    Tara Reid Assures Fans 'American Pie 5' Will Happen and the Script Is 'Amazing'

    Universal Pictures

    The ‘Sharknado’ actress is confident that the fifth ‘American Pie’ installment is coming as she describes the script as ‘one of the best ones’ in the franchise.

    Apr 2, 2021

    AceShowbiz –
    Actress Tara Reid is convinced it’s only a matter of time before a new “American Pie” sequel moves into production, because the script is “amazing.”

    The star played Vicky Lathum in the 1999 sex comedy and reprised the role for three follow-up films – 2001’s “American Pie 2”, “American Wedding” in 2003, and 2012’s “American Reunion”.

    Plans for a fifth movie in the main franchise have been discussed ever since the last project’s release, and Tara reveals a script has already been circulated among the castmembers – and it’s so good, she’s sure the film will soon be given the green light.

    She told Entertainment Tonight, “It might happen. OK, I can’t tell you when, because I don’t really know when, because we have to get all the actors and at the same time to get our schedules together (sic)…”

    “There is a script out there, I’ll put it that way,” Tara added, insisting it’s “one of the best ones” in the outrageous teen series.

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    “It’s amazing,” she smiled. “(It) will happen, I just don’t know when.”

    The original American Pie movie also starred Jason Biggs, Alyson Hannigan, Chris Klein, Shannon Elizabeth, Seann William Scott, and Eugene Levy, and Tara is still in contact with the crew.

    She said, “We all stay in touch in different ways. When you grow up with someone and you get your first breaks with someone, you can never forget that.”

    While she’s optimistic for another “American Pie” film, the same can’t be said for the horror comedy “Sharknado”, in which she played April Wexler for six TV movies, concluding with 2018’s “The Last Sharknado: It’s About Time”.

    She explained, “I’ve been a robot, I gave birth inside a shark, I’ve done everything you could possibly do (in that franchise). I don’t see where my character would go again. But I think we took a great thing and ran on it…”

    “They all went great. But sometimes, you know when to hang up the flag and I think we ended it at a perfect beat (sic).”

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    Ava DuVernay's 'New Gods', James Wan's 'Aquaman' Spin-Off 'The Trench' Shelved by Warner Bros.

    WENN/Avalon/FayesVision

    The studio assures both filmmakers will be on board should it decide to move forward with the adaptation of Jack Kirby’s comic books and the horror project centering on the ‘Aquaman’ sea monsters in the future.

    Apr 2, 2021

    AceShowbiz –
    Though there’s always room in fans’ heart for DC Comics adaptations, Warner Bros. has so much on its slate that it cannot go on will all projects that have been proposed. Narrowing down its upcoming movies, the studio has put Ava DuVernay’s “The New Gods” and James Wan’s “The Trench” on the chopping block.

    “As part of our DC slate, some legacy development titles including ‘New Gods’ and ‘The Trench’ will not be moving forward,” Warner Bros. and DC announced their decision in a statement on Thursday, April 1. “We thank our partners Ava DuVernay, Tom King, James Wan and Peter Safran for their time and collaboration during this process.”

    Making it clear that they always appreciate DuVernay and Wan’s creative minds, they added that they “look forward to our continued partnership with them on other DC stories” and assure “the projects will remain in their skillful hands if they were to move forward in the future.”

    DuVernay herself took to Twitter to react to the news. “Tom, I loved writing NEW GODS with you. I’m upset that the saga of Barda, Scott, Granny, Highfather and The Furies ends this way,” she expressed her disappointment. “Diving into Kirby’s Fourth World was the adventure of a lifetime. That can’t be taken away. Thank you for your friendship. And remember… #DarkseidIs.”

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    Ava DuVernay reacted to WB’s decision to cancel ‘New Gods’.

    Her fans were equally upset over learning of the news, with one admitting, “I’m so bummed about this.” Another weighed in, “Sad about the project been cancelled, i know you and King would deliver a killer movie.”

    “Well, this is awful. I was looking forward to see you bring Jack Kirby’s Fourth World to the big screen,” a third commenter reacted. Someone else echoed the sentiment, “How immensely upsetting. Sorry to hear this.”

    DuVernay had been developing “New Gods” with Tom King since 2018 based on the comic book characters created by the late and legendary artist Jack Kirby. The “A Wrinkle in Time” director remains in the DC fold as she’s currently working on DC series “Naomi” for The CW.

    As for “The Trench”, the “Aquaman” spin-off was supposed to put the spotlight on the deadly amphibious creatures that attacked the titular superhero and Mera in the 2018 movie. The horror-tinged project was planned to be made on a much more modest budget than a normal DC superhero tentpole, with Noah Gardner and Aidan Fitzgerald being tapped to write the script.

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    Millie Bobby Brown Hasn't Watched Marvel, DC or 'Harry Potter' Movies

    WENN

    Instead of watching comic book superhero blockbusters or the wizarding movies, the ‘Stranger Things’ actress is more interested in romantic films like ‘The Notebook’.

    Apr 2, 2021

    AceShowbiz –
    Millie Bobby Brown has never watched any Marvel, DC, or “Harry Potter” films.

    The 17-year-old actress – who stars in new blockbuster “Godzilla vs. Kong” – has been asked about other franchise battles in the spirit of the movie, and she revealed there’s a lot she hasn’t seen.

    “So I haven’t watched a Marvel film, ever, and I’ve never watched a DC film. News, I know,” she told MTV. “It’s not (my thing) but I’m open to it. I’ve just never been like, ‘Oh I’m going to put on this film.’ ”

    The “Stranger Things” star – who is more into “The Notebook” and “romance films” – admitted her friends can’t believe she’s not watched a “Harry Potter” film.

    Asked to choose between the wizarding franchise and “Jurassic Park”, she picked the latter and explained, “I’ve never watched Harry Potter… I know, I know, I know. I have so many friends that just look at me and they’re like, ‘How?’ I’m like, I don’t know.”

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    Millie suggested her epic TV and movie roles could be the reason she doesn’t delve into the same kind of thing in her spare time.

    “I’m not crazy on that – because I’m in it, I think that’s why. I’m doing that stuff already. I want to see stuff that’s real,” she mused.

    She was also asked about her preference on the small screen with “Friends” going up against “The Office” and, while she hasn’t seen the latter, she is a huge fan of the other classic sitcom.

    “I’ve watched every episode of Friends,” she grinned. “I like grew up eating dinner and watching Friends. Like, you know in Matilda when they eat dinner in front of the TV? That was me and my family with Friends.”

    She’s already met Jennifer Aniston – who played Rachel Green in the show – but Millie doesn’t think she’d be able to resist quoting Ross Gellar if she ever met actor David Schwimmer.

    “If I met Ross I would scream ‘pivot!’ ” she giggled.

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    'Black Panther' Director Ryan Coogler Rejected Offer to Become Oscars Voter

    WENN

    The ‘Creed’ helmer reveals he turned down the chance to become a voter for the Academy Awards following backlash over the lack of diversity at the Oscars.

    Apr 2, 2021

    AceShowbiz –
    Ryan Coogler turned down the chance to become an Academy Awards voter following the #OscarsSoWhite controversy because he didn’t want to have to pick favourites.

    The “Black Panther” director has revealed he declined an opportunity to join the Academy in 2016 and now insists he has no intention of ever joining the Academy of Motion Picture Arts and Sciences (AMPAS).

    “I don’t buy into this versus that, or ‘this movie wasn’t good enough to make this list,’ ” the filmmaker tells The Hollywood Reporter. “I love movies…”

    “For me, that’s good enough. If I’m going to be a part of organisations, they’re going to be labour unions, where we’re figuring out how to take care of each other’s families and health insurance.”

    Meanwhile, Coogler has landed an Oscars nod this year (21) as a producer of “Judas and the Black Messiah”.

    Also in the same interview, the director talked about his upcoming Marvel superhero sequel.

    He’s keen to continue the story to honour Chadwick Boseman.

    The 34-year-old filmmaker is developing a sequel to his 2018 Marvel Cinematic Universe (MCU) movie without lead star Chadwick, who died aged 43 in August, 2020 after a private battle with cancer, and wants to press on with the flick as it is what Boseman – who played T’Challa/Black Panther – would have wanted.

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    Ryan said, “You’ve got to keep going when you lose loved ones. I know Chad wouldn’t have wanted us to stop.”

    “He was somebody who was so about the collective. Black Panther, that was his movie. He was hired to play that role before anybody else was even thought of, before I was hired, before any of the actresses were hired.”

    Ryan also recalled Chadwick’s selflessness on set and how he would try and help other cast members with their performances.

    In an interview with The Hollywood Reporter, he said, “On that set, he was all about everybody else. Even though he was going through what he was going through, he was checking in on them, making sure they were good.”

    “If we cut his coverage, he would stick around and read lines off-camera (to help other actors). So it would be harder for me to stop. Truthfully, I’d feel him yelling at me, like, ‘What are you doing?’ So you keep going.”

    Coogler adds that he misses the star as “a friend and collaborator” and is saddened that he won’t be able to see Chadwick on the big screen any more.

    He said, “I miss him in every way that you could miss somebody, as a friend, as a collaborator. And it sucks because I love watching movies, and I don’t get to watch the next thing he would have made.”

    “So it’s grief on a lot of levels, but then, it’s a deep sense of gratitude because I can close my eyes and hear his voice.”

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    ‘Roe v. Wade’ Review: A Physician’s Change of Heart

    This hammy period drama tells the story of Dr. Bernard Nathanson, a pioneering abortion provider who later became an anti-abortion campaigner.Directed by Nick Loeb and Cathy Allyn, “Roe v. Wade” tells the story of Dr. Bernard Nathanson, a pioneering abortion provider from the 1960s who later became an anti-abortion campaigner. Loeb has said that the movie doesn’t take sides and tries simply to “lay out the facts” surrounding the titular 1973 Supreme Court ruling.But it doesn’t take long for the film’s agenda to become clear. A confused, sepia-tinted cross between a mafia thriller, a courtroom drama and a saga of prophetic redemption, “Roe v. Wade” paints Nathanson and the abortion rights activist Lawrence Lader (Jamie Kennedy) as the masterminds of a mercenary anti-Catholic conspiracy. They were in cahoots, we’re told, with Hollywood, the news media, Protestant clergy and rabbis, with the latter singled out in a caricaturish scene.Featuring turns by Stacey Dash, Jon Voight, Tomi Lahren, Milo Yiannopoulos and other prominent conservatives, the film lobs a series of “gotcha” moments at the abortion rights movement. These range from references to the documented eugenicist beliefs of Margaret Sanger, the founder of Planned Parenthood, to flimsier claims that Supreme Court justices were unfairly pressured by female relatives to vote in favor of Roe v. Wade.But the film’s coup de grâce — Nathanson’s tearful change of heart upon seeing his first sonogram — dispenses with political arguments for crude sentimentality. Those who disagree that abortion is akin to murder are unlikely to be persuaded, and even those on the fence might struggle to sit through the hammy acting and poor production values.Roe v. WadeRated PG-13 for gory descriptions and images of surgical procedures. Running time: 1 hour 52 minutes. Available to rent or buy on Apple TV, Google Play and other streaming platforms and pay TV operators. More

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    The Best Movies and TV Shows Coming to Amazon, HBO Max, Hulu and More in April

    Every month, streaming services add movies and TV shows to its library. Here are our picks for some of April’s most promising new titles.(Note: Streaming services occasionally change schedules without giving notice. For more recommendations on what to stream, sign up for our twice-weekly Watching newsletter here.)Ann Skelly in “The Nevers.”Keith Bernstein/HBONew to HBO Max‘Exterminate All the Brutes’Starts streaming: Apr. 7The filmmaker Raoul Peck, perhaps best-known for his Oscar-nominated 2016 documentary “I Am Not Your Negro,” tackles his most ambitious project yet with the four-part cinematic essay “Exterminate All the Brutes,” based in part on Sven Lindqvist’s book of the same name about Europe’s domination of Africa and in part on the scholarly work of the historian and Indigenous rights activist Roxanne Dunbar-Ortiz and the Haitian anthropologist Michel-Rolph Trouillot. Relying on a mix of clips from old movies and new dramatizations of historical incidents — all overlaid with the director’s discursive narration — Peck considers how pop culture and the literary canon have shaped the narratives around Indigenous people and their colonial invaders. Equal parts informative and provocative, this project is aimed at changing the way viewers think about who history’s heroes and villains are.‘The Nevers’Starts streaming: Apr. 11There’s a bit of steampunk and a lot of X-Men-like energy in “The Nevers,” a semi-comic action-adventure series created by Joss Whedon, the man behind “Buffy the Vampire Slayer” and “Firefly.” Whedon’s contributions have been downplayed by HBO’s promotional departments, in part because he left the production in the middle of its first season — and perhaps because of recent accusations of mental abuse from his past employees. Nevertheless, “The Nevers,” set in Victorian Britain, very much feels like one of his shows, with its alternately angsty and witty characters. Laura Donnelly plays Amalia True, a superhero who leads a team of strange and powerful women referred to by London aristocrats as “the touched.” As the ladies tackle supernatural phenomena, they also clash with an establishment that wants to keep them marginalized, because of what they can do and because of who they are.‘Mare of Easttown’Starts streaming: Apr. 18Kate Winslet plays a dogged small-town Pennsylvania police detective with a messy home life in “Mare of Easttown,” a crime drama created by Brad Ingelsby, a screenwriter of the films “Out of the Furnace” and “The Way Back.” As with Ingelsby’s movies, this mini-series uses a pulpy premise — a murder mystery — as an entry point to a complex and absorbing study of a place at once familiar and unique. The director Craig Zobel and a top-shelf cast (including Jean Smart as the heroine’s opinionated mother and Julianne Nicholson as her former high school basketball teammate) capture the limitations and comforts of a community where everyone knows each other’s painful secrets. The gray tones and the procedural plot resemble those of a grim European cop show, but the performances and dialogue exhibit a lot of vitality.Also arriving:Apr. 1“Made for Love”Apr. 13“Our Towns”Apr. 15“Infinity Train” Season 4Apr. 16“Mortal Kombat”Supposed Sasquatch footprints, as seen in “Sasquatch.”HuluNew to Hulu‘WeWork: Or the Making and Breaking of a $47 Billion Unicorn’Starts streaming: Apr. 2Like many stories about cutting-edge business ideas, the saga of the real-estate-sharing company WeWork ultimately comes down to the disconnect between its bosses’ public ideals and the ugly practical realities of making money. Directed by Jed Rothstein, “WeWork: Or the Making and Breaking of a $47 Billion Unicorn” features a wealth of insider interviews and behind-the-scenes footage, all describing a start-up that began by touting a clever solution to the modern urban problem of overpriced office space but then tried to evolve into an entire unwieldy lifestyle brand. Rothstein’s film focuses mainly on the charismatic co-founder Adam Neumann, and how Neumann and his fellow execs were spending like billionaires while misrepresenting — even to their faithful employees — what was really happening.‘Sasquatch’Starts streaming: Apr. 20The journalist David Holthouse has spent much of his career investigating odd American subcultures, spending time with people whose lives have revolved around drugs, violence or the arcane. In the three-part docu-series “Sasquatch,” Holthouse heads into Northern California’s so-called Emerald Triangle — one of the most storied cannabis-growing regions of the world — to look into a legend he heard decades ago, about a trio of farmers who were dismembered by the infamous cryptid known as Bigfoot. The director Joshua Rofé follows Holthouse into the wild as he interviews locals who are enthusiastic about both marijuana and the paranormal. The stories they unearth are partly about eerie phenomena and partly about the very real dangers of a community teeming with crime.Also arriving:Apr. 3“Hysterical”Apr. 8“Glaad Media Awards”Apr. 9“The Standard”Apr. 12“Spontaneous”Apr. 15“Younger” Season 7Apr. 16“Fly Like a Girl”“Songbird”Apr. 21“Cruel Summer”Apr. 22“Greta Thunberg: A Year to Change the World”Apr. 25“Wild Mountain Thyme”Apr. 28“The Handmaid’s Tale” Season 4From left, Deborah Ayorinde, Melody Hurd, Shahadi Wright and Ashley Thomas in “Them.”Amazon StudiosNew to Amazon‘Them’Starts streaming: Apr. 9The first season of the new horror anthology series “Them” has the subtitle “Covenant,” referring to the rules for residents of a middle-class suburban subdivision in the early 1950s. Deborah Ayorinde and Ashley Thomas play a married couple with two young daughters, who move from North Carolina to an all-white neighborhood in Los Angeles looking for their piece of the American dream. They meet open hostility from their new neighbors (including the local housewives’ cruel ringleader, played by Alison Pill), while also being haunted by strange supernatural forces. Created by Little Marvin and produced by Lena Waithe, “Them” uses the discomfiting facts of racial discrimination to unsettle the audience, even before the nonhuman monsters arrive.Also arriving:Apr. 2“Moment of Truth”Apr. 16“Frank of Ireland”Apr. 30“Without Remorse”Justin Theroux and Melissa George in “The Mosquito Coast.”Apple TV+.New to Apple TV+‘The Mosquito Coast’Starts streaming: Apr. 30Justin Theroux is both a producer and the star of the mini-series “The Mosquito Coast,” an adaptation of an acclaimed 1981 novel by his uncle Paul Theroux. The show’s co-writers Neil Cross and Tom Bissell, with the director Rupert Wyatt, have updated the story to the 21st century, but its still about the idealistic and eccentric inventor Allie Fox, who hates modern technology as much as he detests American materialism. Chasing his dreams — and dodging the federal authorities — Allie packs his family onto a rickety boat and floats them down to Latin America, where he plans to live off the land. The TV version deviates sometimes significantly from the book, but its heart is the same: a rich portrait of a brilliant madman, and of the people he’s dragged into his delusions.Also arriving:Apr. 2“Doug Unplugs” More

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    ‘Malmkrog’ Review: Now You’re Talking

    Welcome to a three-hour, multilingual 19th-century house party, organized by the Romanian filmmaker Cristi Puiu.It’s winter, sometime in the late 19th century, somewhere in Russia or Eastern Europe. A small group has gathered at a country estate to discourse — over Champagne, tea, brandy, lunch and dinner, supplied by a squadron of silent maids and waiters — about matters of the utmost seriousness. How can we distinguish good from evil? Is killing ever justified? What is the future of Europe?Imagine a Chekhov play without drama, an Oscar Wilde farce without humor, a Visconti film without desire, or a very long party at the home of a distant acquaintance, and you will have some idea of “Malmkrog,” Cristi Puiu’s latest film.Drawing on works by the 19th-century Russian mystical poet and thinker Vladimir Solovyov — once a friend of Dostoyevsky and reportedly a favorite of President Vladimir V. Putin — Puiu makes no concessions to modern sensibilities. This movie is an extravagant, elegant gesture of intellectual and artistic nonconformity, a gauntlet flung at the viewer’s feet. It’s also a bit of a puzzle. You might be transfixed by the long and passionate arguments depicted onscreen, and intrigued by the larger argument the film itself is making, without having much sense of what all the fuss is about.The hosts are a young, aristocratic couple (unless they are siblings): Nikolai (Frédéric Schulz-Richard) and Olga (Marina Palii). They speak French to their guests and German to their servants, who speak Hungarian to one another. “Malmkrog” may refer to the movie’s setting, but this too is ambiguous. With short breaks to tend to an older relative in a back room, to listen to Christmas carols or to step outside to look at the snow, Olga and Nikolai convene a daylong seminar with Ingrida (Diana Sakalauskaité), Edouard (Ugo Broussot) and Madeleine (Agathe Bosch), slightly older friends of varied backgrounds, all possessing strong and complicated opinions.To summarize their respective views on metaphysics, ethics and world history would be a spoiler, and would require more space than this newspaper could possibly provide. And while some of them — Edouard, in particular — can drone on a bit, the charisma and skill of the actors and the exquisiteness of Puiu’s eye prevent the proceedings from collapsing into absolute tedium.The rooms and costumes are beautiful, the people are interesting to look at, and the camera observes everything with a discreetly sensual gaze. At times it stands at a distance, pivoting slightly from side to side like a watchful butler. Occasionally it moves closer, studying faces and hands like an attentive guest.The images and the words, in whatever language, possess an alluring clarity. The filmmaker’s intentions are more opaque. Puiu — whose second feature, “The Death of Mr. Lazarescu” (2005), is a touchstone of contemporary Romanian cinema — has moved from that film’s rigorous naturalism into more esoteric realms. Not that the concerns of “Malmkrog” are obscure, exactly. It seems like a faithful representation of what people like Olga and Nikolai, and their friends, might have thought in the 1890s, and it doesn’t condescend to them or flaunt the easy ironies of hindsight. Nor, however, does it make an especially compelling case for why we should listen now.MalmkrogNot rated. In French, Russian, German, Hungarian, English and Romanian, with subtitles. Running time: 3 hours 21 minutes. Watch on Mubi. More