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    Florida Georgia Line Team Up With Monarch Media to Make Original Country Musical Movie

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    Tyler Hubbard and Brian Kelley have also expressed their excitement to be joining forces with their frequent music video director TK McKamy to produce the new movie.

    Nov 21, 2020
    AceShowbiz – Florida Georgia Line are heading to Hollywood to work on a feature-length country musical.
    Bandmates Tyler Hubbard and Brian Kelley are joining forces with their frequent music video director TK McKamy to produce the new movie, which will feature original songs penned by the “Cruise” hitmakers, as well as covers of country music classics.
    They have also been collaborating with Monarch Media studio officials Steve Barnett and Alan Powell to develop the storyline, although details have yet to be revealed.
    According to Deadline, McKamy is considering taking charge of the film, which would mark his big screen directorial debut.
    “We are so excited to bring a wholly original country musical to the big screen for the very first time,” Hubbard and Kelley share in a joint statement.

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    “In TK McKamy and the team at Monarch Media, we’ve found the perfect partners that will help us bring the emotion and storytelling of country music to the movies for the most passionate music fans in the world to enjoy.”
    Powell adds, “There is a feeling that only a great country song can give you. It can make you smile bigger or cry harder than any other genre and frankly, our goal is to create a film that captures those feelings and puts them on screen in a way that’s never been done before.”
    “We believe Florida Georgia Line is the best partner to do that and are thrilled to work with them on this project.”
    The movie news will be welcomed by fans after Hubbard shut down rumours suggesting the pair was heading for a split. He briefly unfollowed Kelley on social media after disagreeing with the Republican supporter’s politics.
    “It wasn’t a big deal… We’re on great terms,” Hubbard told SiriusXM’s “Exit 209 with Storme Warren” show this week (ends November 20). “We’re feeling stronger than ever. We’re loving and supporting each other… and excited for the future.”

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    'Black Panther' Sequel Gets Start Date, Finds Its Villain

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    Words are ‘Narcos: Mexico’ actor Tenoch Huerta is in talks to play one of the antagonists, while Letitia Wright’s Shuri may have a bigger role in the wake of Chadwick Boseman’s death.

    Nov 21, 2020
    AceShowbiz – Marvel Studio is moving forward with its “Black Panther” sequel following the untimely passing of its supposed lead actor Chadwick Boseman. The follow-up to the 2018 movie is reportedly slated to start filming in Atlanta in July and last for upwards of six months.
    According to multiple source who provided the info to The Hollywood Reporter, Letitia Wright, Lupita Nyong’o, Winston Duke and Angela Bassett are all expected to reprise their roles for the sequel. Wright’s Shuri is also said to have a more prominent role in the upcoming feature.
    Besides those returning actors, the project is about to add a new cast member, with Mexican actor Tenoch Huerta reportedly in talks to play one of the antagonists. The 39-year-old actor appeared in Cary Joji Fukunaga’s 2009 film “Sin Nombre” and is currently starring on Netflix’s crime drama series “Narcos: Mexico”.
    “Black Panther 2” was initially hoped to kick off production in March 2021 with Ryan Coogler returning as director. However, the project was sidelined as the filmmaker and Marvel tried to navigate grief over the unexpected death of Boseman in August.

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    “We’re just still mourning Chad, so it’s not something I even want to think about,” Wright told Porter magazine in an interview for its October issue, revealing she’s not even sure there is a “Black Panther” franchise without Boseman. “The thought of doing it without him is kinda strange,” she added. “We’re just grieving at the moment, so it’s trying to find the light in the midst of it.”
    Marvel has not revealed how it would handle Boseman’s absence in the sequel, but Marvel’s Executive Vice President Victoria Alonso has ruled out using CGI to replace the late actor. “No. There’s only one Chadwick and he’s not with us,” she told Argentinian newspaper Clarin when asked about the prospect of a digital recreation of the star.
    “Our king, unfortunately, has died in real life, not just in fiction, and we are taking a little time to see how we return to the story and what we do to honor this chapter of what has happened to us that was so unexpected, so painful, so terrible, really,” she stated.
    Alonso explained, “Because Chadwick was not only a wonder of a human being every day for the five years that we spent together. But it also seems to me that as a character what he did elevated us as a company and has left his moment in history.”

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    Sia Furious as She's Criticized for Not Casting Autistic Star to Play Lead in Her Autism Movie

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    The ‘Chandelier’ hitmaker drops F bomb as she’s ‘bummed’ by the criticisms, claiming people were quick to jump to conclusions without even watching the film.

    Nov 21, 2020
    AceShowbiz – Sia has hit back at critics who have slammed her for not casting an autistic actress as a lead character with the condition in her new movie, “Music”.
    The trailer for her directorial debut dropped on Thursday (19Nov20), with her protege, dancer Maddie Ziegler, 18, taking the main role as a teenager with special needs, with Kate Hudson and Leslie Odom Jr. also joining the cast.
    Sia’s casting decisions drew criticism from disability activists and autistic creatives – but the star hit back by claiming she had cast “neuroatypical” actors in the film and had done her research.
    “I cast thirteen neuroatypical people, three trans folk, and not as f**king prostitutes or drug addicts but as doctors, nurses and singers. F**king sad nobody’s even seen the dang movie. My heart has always been in the right place,” she tweeted. When asked, “Did you do any research or consult the community at all? It’s very condescending to say it would be cruel to consult a disabled actor,” she responded, “Duh. I spent three f**king years researching, I think that’s why I’m so f**king bummed.”

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    The musician later tweeted, “Grrrrrrrrrr. F**kity f**k why don’t you watch my film before you judge it? FURY.”
    Sara Gibbs, a British comedy writer with autism, a developmental condition that leads to anxiety in social situations, difficulty in communication, and atypical behaviour, explained why she was worried about the film on the social media site.
    “Every time a non-autistic person makes a project about us for art, it sets us back in numerous ways,” she wrote. “The first is obvious – that it inevitably, no matter how hard it tries, mistranslates the experience of being autistic. This is harmful to us because it puts disinformation out into the world.”
    She, like other social media users, also criticised the “Chandelier” hitmaker for taking on a project that would block autistic creatives from realising theirs, and for working with Autism Speaks, a U.S. charity many people with the disorder reject as harmful.

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    Mahershala Ali Refused to Do Sex Scene With Taraji P. Henson Due to Religious Belief More

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    Mahershala Ali Refused to Do Sex Scene With Taraji P. Henson Due to Religious Belief

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    The two-time Oscar winner tried to ‘hold a space of respect for [his] religion’ as he said ‘no’ to perform a sex scene in ‘The Curious Case of Benjamin Button’.

    Nov 21, 2020
    AceShowbiz – Mahershala Ali refused to perform a sex scene with Taraji P. Henson in “The Curious Case of Benjamin Button” on religious grounds.
    The Muslim actor agreed to star in director David Fincher’s 2008 fantasy romance on the condition he would not have to simulate intercourse in a scene featured in the original script.
    “So my old agent called me and said, ‘Mahershala, you got the part.’ And I said, ‘There’s just one thing… There is that one sex scene where they kiss… If there’s a sex scene, I can’t do it,'” he recalled during an appearance on rapper Common’s “Mind Power Mixtape” podcast. “I don’t do simulated sex.”

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    And the two-time Oscar-winner Mahershala didn’t dare take things beyond a certain point when the time came to film the sexy scene with Taraji during the shoot.
    “(In the final shoot) Taraji and I begin to kiss, and we fall out of the frame… It wasn’t clear if (Fincher) was trying to have like some bumping and grinding… which I doubt he was. But for me even… at that time, 15 years ago, I was still like, ‘OK, I can only go up to this point,’ just because of – just trying to hold a space of respect for my religion.”
    The movie was fronted by Brad Pitt and Cate Blanchett. It was also supported by the likes of Julia Ormond, Jason Flemyng, Elias Koteas, and Tilda Swinton. It received 13 nominations at the Academy Awards and won three for Best Art Direction, Best Makeup, and Best Visual Effects.

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    Tracey Davis, Chronicler of Ups and Downs With Her Famous Father, Dies at 59

    Tracey Davis, who turned her often painful experience as the child of the entertainer Sammy Davis Jr. into a tale of reconciliation across two memoirs, died on Nov. 2 at her home in central Tennessee. She was 59.Her ex-husband Guy Garner confirmed the death but said he did not know the cause.In “Sammy Davis Jr.: My Father,” written with Dolores A. Barclay and published in 1996, Ms. Davis described growing up with a frequently absent father well known for his workaholism and his nightlife exploits; the anger she felt over the years when reflecting on her childhood; and the ability she gained, toward the end of Mr. Davis’s life, to forgive him and reconnect.Mr. Davis died in 1990 at 64.“I said things like, ‘Dad, I always loved you, but I didn’t like you that much,’” Ms. Davis told The Los Angeles Times in 2014. “He said, ‘Well, I didn’t like you that much either.’ It turned out the air needed to be cleared.”Her second book, “Sammy Davis Jr.: A Personal Journey With My Father” — written with Nina Bunche Pierce and published in 2014 — quoted from conversations the two had during that period, when, Ms. Davis wrote, “my father became particularly nostalgic about the past.”In addition to attaining fame as a singer, dancer and actor, Mr. Davis led a much-scrutinized social life. He belonged to the crew of rakish midcentury celebrities known as the Rat Pack, which included his longtime pal Frank Sinatra, who was the best man at Mr. Davis’s wedding in 1960, when he married Tracey’s mother, the actress May Britt. Mr. Davis was Black and Ms. Britt was white, and their union brought applause from supporters of interracial marriage and bomb threats from others.MGM announced plans last month to make a movie about Mr. Davis based on Ms. Davis’s first book.“I am thrilled to know my father’s life, both private and public, will be brought to the big screen with this team of storytellers,” Ms. Davis said in a statement when the deal was announced. “He and my mother, May Britt, took on the world, choosing love and compassion over hatred and bigotry, and I am a product of that decision.”Tracey Hillevi Davis was born on July 5, 1961, in Los Angeles. She grew up in Nevada in the region around Lake Tahoe, where her mother moved after her parents divorced. She graduated from California State University, Northridge, in the mid-1980s and married Mr. Garner in 1986. They divorced in 2001. Another marriage, to Jim Cotta, also ended in divorce.Ms. Davis worked in advertising.In addition to her mother, May Britt Ringquist, she is survived by two brothers, Mark and Jeff Davis; two children from her first marriage, Sam and Montana Garner; and two children from her second marriage, Greer and Chase Cotta.The New York Times contributed reporting. More

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    ‘Belushi’ Review: A Comic in Full

    John Belushi’s entrances onstage raise a grin with the promise of unruly energy. But his early exit from life after a drug overdose in 1982 left a legend that tends to seal his tomb. So it’s touching to learn something new from “Belushi,” R.J. Cutler’s warmly told documentary: the man who once impersonated a zit also wrote soul-bearing (and sometimes adorable) love letters.Judith Belushi Pisano (formerly Jacklin) was the comic’s lifelong sweetheart, and Cutler’s biography hits home hardest as a kind of love story. But Belushi’s career trajectory is faithfully charted — from Second City to “The National Lampoon Radio Hour” to “Saturday Night Live” to “Animal House” and the Blues Brothers. The gang’s all here, in audio interviews: close pal Dan Aykroyd, Harold Ramis, a peevish Lorne Michaels, Jane Curtin, brother Jim, Carrie Fisher, and more, musing candidly on Belushi’s magnetism and many drives. (Some excerpts come from Judy’s 2005 book, “Belushi: A Biography.”)[embedded content]Belushi’s incredible Joe Cocker routine underlines his origins in a counterculture that soon served the purposes of mass entertainment. Cutler also includes illuminating stories of Belushi’s background. The Illinois native was the son of an Albanian restaurant owner, and his mother once ran away to act in a play. Who knew the classic cheeseburger sketch had a poignant echo with his father’s workplace?Belushi’s confident physicality in the moment was paired with an underappreciated cleverness (which might not give all generations the same rebellious kick). But “Belushi” taps the sweetness in a cultural fixture with an irreplaceably wild sense of fun.BelushiNot rated. Running time: 1 hour 48 minutes. Watch on Showtime. More

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    Watch a Harrowing Escape in ‘Run’

    In “Anatomy of a Scene,” we ask directors to reveal the secrets that go into making key scenes in their movies. See new episodes in the series on Fridays. You can also watch our collection of more than 150 videos on YouTube and subscribe to our YouTube channel.A teenager’s bedroom becomes an escape room in the thriller “Run,” streaming on Hulu. Kiera Allen plays Chloe, a wheelchair-user whose mother (Sarah Paulson) has locked her in. The stakes are high for her escape, and the how of it involves a different set of techniques than would be needed for a nondisabled person.In this video, the film’s director, Aneesh Chaganty, says the sequence is something of a microcosm for what he was trying to do with the entire film: “take a normal house and turn every single element of that house into a massive, Burj Khalifa-scale obstacle.”Chloe “MacGyvers” several objects from her room to aid her in breaking free. Chaganty discusses the meticulous storyboarding of the scene, as well as how he took cues from Hitchcock, M. Night Shyamalan and, for one nifty trick, a friend’s glassblower father.Read the “Run” review.Sign up for the Movies Update newsletter and get a roundup of reviews, news, Critics’ Picks and more. More

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    ‘The Real Right Stuff’ Review: A Movie Still Waiting for Liftoff

    Project Mercury’s mission to blast the first American astronauts into space was fastidiously undramatic. NASA’s founding administrator T. Keith Glennan — still introducing the agency by its initials like a proper debutante — aimed to send his seven pilots up and down in a metal pillbox that even a chimp couldn’t crash. From engineering to public relations, there was no room for human malfunction. It took two decades for the journalist Tom Wolfe’s “The Right Stuff” to reveal the frizzed wires underneath the capsule’s smooth exterior: the ego clashes, the stress and depression, and the wives who took tranquilizers so they could serve cheery can-do-isms to Life Magazine.[embedded content]Tom Jennings’s documentary “The Real Right Stuff,” produced by National Geographic and streaming on Disney+, hammers the unruliness back under the hood. Alan Shepard’s philandering, for example, is polished to a quick mention of his appetite for “cookies,” as the astronauts’ female fans were nicknamed, over shots of women boating Cocoa Beach in modest swimsuits, as though all involved parties were merely hot for wholesome fun in the sun. With the meaty Mercury 7 gossip cleaved to Disney+’s concurrent fictionalized series, “The Right Stuff,” the documentary is a bland chronology of successful launches and minor mishaps, constructed from scraps of archival newscasts, home videos and book excerpts read by Wolfe himself. The only dissonant note is from the synthetic, heavy-panting score, which seems anxious that an alien might — just might! — decide to cling to the heat shield.Sixty years have not dimmed the Mercury crew’s courageous, telegenic appeal. In another life, the dimpled John Glenn could have poached James Cagney’s career of playing bruiser priests and boxers with a heart of gold. Alas, the film’s polished heroics let the astronauts’ humanity whiz by out of reach. Instead, it’s the anonymous spectators who shoulder the film’s emotional power. These lesser mortals are constrained by gravity and fate to remain on the ground. Yet, the heart swells to see a crowd united in celebration of an America that delivered on a sky-high scientific ambition.The Real Right StuffNot rated. Running time: 1 hour 29 minutes. Watch on Disney+. More