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    James Gunn Calls Zac Efron Casting Rumors for 'Guardians of the Galaxy 3' Nonsense

    WENN

    The Marvel filmmaker has responded to the internet chatters suggesting he’s looking for ‘a Zac Efron type’ for the upcoming third ‘Guardians of the Galaxy’ installment.

    Mar 11, 2021
    AceShowbiz – Filmmaker James Gunn has dismissed rumours suggesting Zac Efron has been cast as Adam Warlock in the next “Guardians of the Galaxy” sequel.
    Gold-skinned cosmic character Warlock was introduced in a post-credits scene in 2017’s “Guardians of the Galaxy Vol. 2”, and is expected to play a major role in the story for the follow-up, which Gunn is expected to begin filming later this year (21).
    A questionable report recently emerged online, indicating he was seeking “a thirty year-old Caucasian man, who is described as both a super hero type and a Zac Efron type,” for the part, but the director has shot down the claims.
    “There is no casting underway for Vol. 3,” he tweeted in response to the article.

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    “And in what world would I only cast a ‘Caucasian’ if the character has gold skin? And if I wanted a Zac Efron type wouldn’t I go to Zac Efron? Where do you get this nonsense?”
    Gunn’s post tickled celebrity fans Seth Rogen and Josh Gad, who went on to joke about missing out on the gig themselves.
    “S**t I was gonna submit myself for the Zac Efron type,” quipped Rogen, who worked with Efron in the “Neighbors” comedy franchise.
    And Frozen’s Gad remarked, “This was not the way I wanted to find out I’m out of the running for Adam Warlock.”
    The Disney/Marvel blockbuster, fronted by Chris Pratt, is currently set for release in 2023.

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    Louis Valray Made Only 2 Movies. But Both Are Incredible.

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyLouis Valray Made Only 2 Movies. But Both Are Incredible.After “La Belle de Nuit” and “Escale,” the French director went on to become an engineer and died in obscurity. A virtual release gives these moody, sensual films new life.Jacques Dumesnil and Véra Korène in “La Belle de Nuit” (1934).Credit…Lobster FilmsMarch 10, 2021Updated 4:19 p.m. ETSomething old is sometimes new as with the rediscovery of French director Louis Valray (1896-1972), whose hitherto unknown films enrich the era of Jean Vigo, Jean Renoir, Sacha Guitry and Marcel Carné.Two of Valray’s features, “La Belle de Nuit” (1934) and “Escale” (1935), restored and subtitled by Lobster Films, are currently streaming for members via the Museum of Modern Art’s Virtual Cinema.Included last year in MoMA’s annual series, “To Save and Project,” the movies are surprisingly fresh period pieces — infusing the moody atmosphere of French “poetic realism” with a breath of plein-air cinema and a jaunty music-hall energy. Valray’s distinctive style is marked by off-center compositions and elliptical storytelling as well as a near-documentary obsession with the seamy side of Mediterranean ports like his hometown, Toulon. Both movies lavish attention on waterfront dives, roistering sailors and back-alley hôtels de passe.“La Belle de Nuit” (“The Beauty of the Night”) adapts a late work by the boulevard playwright Pierre Wolff and features Véra Korène, a star of the Comédie Française, in a juicy double role. Cleverly theatrical, the movie is a backstage tale of erotic revenge in which a cuckolded dramatist stage-manages his rival’s comeuppance. Life is a performance, heard as much as seen. “To encounter ‘La Belle de Nuit’ is to see a film stunningly ahead of its time,” Ben Kenigsberg wrote in The New York Times last year, comparing Valray’s use of sound to that of Orson Welles.Samson Fainsilber in “Escale.”Credit…Lobster FilmsLesser but more eccentric with its blunt shifts in tone and showy transitions, “Escale” (translated as “stopover”) details the unhappy love affair between an upright ship’s officer and a moll (Colette Darfeuil) associated with a waterfront tough (Samson Fainsilber). Among other things, the film includes a romantic idyll on a jungle isle whose animating spirit is the hero’s servant, played to the hilt by the Senegalese dancer Féral Benga.Many of Valray’s innovations are a function of his frugality. Clearly low-budget, “Escale” makes economical use of music and sound effects to power a scene and then cuts back, trading in close-ups, for the emotional climax. When the movie was released in the U.S. in 1942 as “Thirteen Days of Love,” The New York Times reviewer found it grotesquely, rather than boldly, anachronistic: “Perhaps there was some procrustean age when this languidly sentimental trash may have seemed important.” Perhaps that age is now.Unmentioned in the review is the movie’s most obviously retro element. Good-looking, athletic and professionally underdressed, Benga was the male equivalent of Josephine Baker with whom he sometimes partnered at the Folies-Bergère. Jean Cocteau cast him as an angel in “The Blood of a Poet”; Pavel Tchelitchew painted his portrait. Whether or not Benga is camping on his clichéd role, he turns the movie to his own exhibitionist purpose — even referring to his trademark “saber dance.”After the war, Benga opened a Left Bank club that featured Senegalese music, dance and poetry and, according to Boris Vian’s Manual of Saint-Germain-des-Prés, attracted a youthful, significantly African clientele. For his part, Valray made one more short film, became a radio announcer, then a chemical engineer and died in obscurity.La Belle de NuitEscaleMuseum of Modern Art Virtual Cinema, through March 18.AdvertisementContinue reading the main story More

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    Sam Heughan Learned How to Kill Someone With Cellphone When Filming 'SAS: Red Notice'

    Altitude Film Entertainment

    The ‘Outlander’ actor reveals he learned ‘scary’ military skills as he prepared for his role as a special forces operator for a new British action thriller.

    Mar 11, 2021
    AceShowbiz – Sam Heughan knows how to kill someone with a mobile phone after learning military skills from author Andy McNab.
    “The Outlander” star plays special forces operator Tom Buckingham in action-thriller “SAS: Red Notice”, based on the book of the same name by McNab.
    He prepped for the role by meeting up with McNab and was stunned by his incredible skills.
    “It’s in the movie – killing someone with a mobile phone. How do you do that? Andy will tell you exactly how to do that. He’ll show you as well – which is awful,” he told Digital Spy.

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    “It’s kind of scary to be with someone who has these abilities, who has this experience. But also someone who’s so charming and outgoing and open about it. It’s fascinating. You can’t help but be swept up and intrigued by his world. I know that we worked really hard to make the movie really authentic.”
    He continued, “This is all very true, you know? These mercenaries, these grey areas of political manoeuvring. And then the characters as well – which side they fight on. It’s really dictated by the game, and the rules of the game.”
    “SAS: Red Notice” is due for release on Friday (12Mar21).
    The movie is also supported by the likes of Ruby Rose, Andy Serkis, and Tom Wilkinson.
    It follows a SAS operator trying to save hostages captured by a small army of well trained criminals who have hijacked the Eurostar deep beneath the English Channel. The group plan to blow up the English Channel declaring economic war on a government with plenty of their own secrets.

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    Jennifer Garner Admits 'Yes Day' Has Been Her Family Tradition Before She Stars in the Film

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    During an interview on ‘Live with Kelly and Ryan’, the ‘Peppermint’ star reveals that the tradition began when her middle daughter fell in love with Amy Krouse Rosenthal’s book at the age of 3.

    Mar 10, 2021
    AceShowbiz – Jennifer Garner knows all about the subject of her new film, “Yes Day”, because she and her family have celebrated the fun tradition for years. The actress reveals she has been trading places with her three children for years, picking a day where she has to follow their lead.
    “My middle daughter, at the age of three, loved this book [by author Amy Krouse Rosenthal]… and she would dream of having her own Yes Day, so we started it then and she’s 12 now,” Jennifer tells “Live with Kelly and Ryan”. “We’ve been doing them every since – it’s our family tradition.”
    Garner explains the kids have to adhere to some “basic guidelines” for the special day, “You can’t get a dog, you can’t pierce your ears, it’s not about spending money. But [it’s OK] if they want to do your hair and makeup, if they want to have ice cream for breakfast, if they stay up late.”
    [embedded content]

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    And though the “Peppermint” star admits she really gets into the fun of the demanding day, she has limited it to an annual event. “Once a year is plenty, believe me, you’re so tired,” she laughs. “It’s a lot just to say yes to everything they come up with.”
    [embedded content]
    In the new film, which drops on Netflix this weekend, Garner plays a strict mum-of-three who allows her kids to make all the family decisions for a day. She stars opposite Edgar Ramirez and Jenna Ortega.
    Elsewhere during the interview, Jennifer admits to doing silly things with her longtime assistant Maureen “Mo” Grosser while quarantining for 14 days straight in a Vancouver condo. At one point, she also talks about playing with snow. “It was just fun to be able to go out on the balcony and play in the snow,” she says.

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    In Australia, Hollywood Stars Have Found an Escape From the Virus. Who’s Jealous?

    #masthead-section-label, #masthead-bar-one { display: none }At HomeFall in Love: With TenorsConsider: Miniature GroceriesSpend 24 Hours: With Andra DayGet: A Wildlife CameraAdvertisementContinue reading the main storySupported byContinue reading the main storyIn Australia, Hollywood Stars Have Found an Escape From the Virus. Who’s Jealous?Dozens of international film productions have been lured to the country, where cases of the coronavirus are few. In turn, actors have found almost paradise.Chris Hemsworth is filming “Thor: Love and Thunder” in Australia.Credit…Getty Images for The Critics Choice AssociationMarch 10, 2021Updated 4:52 a.m. ETMELBOURNE, Australia — In the photo posted to Instagram, the actors Chris Hemsworth, Idris Elba and Matt Damon, all wearing 1980s-style sweats, embrace. They are maskless. Touching. Happy, even. The caption reads: “A little 80s themed party never did any harm!”Their fans, indignant, peppered the post with comments. What of the pandemic? Social distancing? Masks? We are still, after all, suffering through a pandemic that has all but crippled the travel industry and blocked most people from casually taking off for vacation in paradise.But the Hollywood brigade was in Australia, a country that has effectively stamped out the coronavirus, allowing officials to ease restrictions for most gatherings, including parties (with dancing and finger food). As a result of the near-absence of the virus, plus generous subsidies from the Australian government, the country’s film industry has been humming along at an enviable pace for months compared to other locales.Australia has managed to lure several Hollywood directors and actors to continue film production. In effect, many celebrities, including Natalie Portman, Christian Bale and Melissa McCarthy, have found freedom from the pandemic there.As one person wrote on Mr. Hemsworth’s Instagram post: “Before you comment, remember that not everyone lives in America.”Though the quickened pace of vaccinations in the United States has raised hope of returning to some semblance of normalcy by the summer, the country still leads the world in the number of coronavirus cases and deaths. Movie theaters reopened only last week in New York City. Some fans are cautiously creeping back, while others are still wary of contracting the virus.But thousands of miles away, many stars who appear on the big screens can be seen frolicking, or filming, on location in Australia. (Mr. Hemsworth is himself a permanent fixture — he moved back to Australia in 2017 after several years of living in Los Angeles.) In the United States, where hundreds are still dying every day, some fans have looked on with envy.“These Hollywood stars have been transported to another world where the problems of this world aren’t,” said Robert Thompson, a professor of popular culture at Syracuse University in New York. He added that the temporary exodus from the United States revealed a further crumbling of the myth that Hollywood was the endgame for celebrities.Village Roadshow Studios in Gold Coast, Australia.Credit…Bradley Kanaris/Getty ImagesAustralia has become the “hip place” where “fabulous people want to go,” Professor Thompson said. “When you’re trying to be a star, you’ve got to go out to the West Coast to make your bones.” When you become “a really big star,” you buy property somewhere exotic, like Australia, he added.“It definitely feels like a time machine,” Ms. Portman, calling in from Sydney, told the late-night host Jimmy Kimmel in December. “It’s so different, all the animals are different, all the trees are different, I mean even the birds, like, there’s like multicolored parrots flying around like pigeons,” she added. “It’s wild.”A spokeswoman said the government had helped 22 international productions inject hundreds of millions into the local economy. Paul Fletcher, the federal minister for communications, said, “There’s no doubt it’s a very significant spike on previous levels of activity.”But even as celebrities preen and pose on social media, some Australians grumble that the country’s strategy for stamping out the virus has left tens of thousands of citizens stranded overseas. Several tennis players and 2021 Australian Open staff were allowed into the country for the tournament. And now, they say, Hollywood’s rich and famous are turning up during the pandemic, angering critics who see a clear bending of the rules for those with money and power.“Everyone knows there’s a separate set of rules, it seems, for everyone that’s a celebrity or has money,” said Daniel Tusia, an Australian who was stuck overseas with his family for several months last year. “There are still plenty of people who haven’t been able to get home, who don’t fall into that category, who are still stranded,” he added.In an emailed statement, the Australian Border Force said that travel exemptions for film and television productions were “considered where there is evidence of the economic benefit the production will bring to Australia and support from the relevant state authority.”A year ago, Tom Hanks, Hollywood’s everyman, made all-too-real the threat of the pandemic when he and his wife, Rita Wilson, tested positive for the coronavirus in Queensland, Australia, while he was filming an unnamed Elvis biopic. Their illness made personal a threat whose seriousness was only beginning to become crystallized at the time.The actors Tom Hanks and Rita Wilson at the Academy Awards in Los Angeles last year. They tested positive for the coronavirus in Queensland, Australia, about a month later.Credit…Robyn Beck/Agence France-Presse — Getty ImagesBut by May, Australia appeared to be on track to quashing the first wave of the virus, and the soap opera “Neighbors” became one of the world’s first scripted TV series to resume production. The federal government has committed more than $400 million to international productions, which, together with existing subsidies, provides film and television producers with a rebate of up to 30 percent to shoot in the country.More than 20 international productions, including “Thor: Love and Thunder,” a Marvel film starring Mr. Hemsworth, Mr. Damon, Ms. Portman, Taika Waititi, Tessa Thompson and Mr. Bale; “Three Thousand Years of Longing,” a fantasy romance starring Mr. Elba and Tilda Swinton; and “Joe Exotic,” a spinoff of the podcast made following the popular Netflix series “Tiger King,” starring the “Saturday Night Live” actress Kate McKinnon as the big-cat enthusiast Carole Baskin, are all either in production or set to be filmed in the coming year.Ron Howard is directing “Thirteen Lives,” a dramatization of the 2018 Thai rescue of a soccer team from a cave, in Queensland (the coast of Australia makes a good stand-in for the tropics). And later this year, Julia Roberts and George Clooney are set to arrive in the same state to shoot “Ticket to Paradise,” a romantic comedy.Though a number of American stars have landed in the country for temporary work, some like Ms. McCarthy, originally in Australia to work on “Nine Perfect Strangers,” have decided to stay on to shoot other projects, said those in the industry. “Oh, the birds!” she gushed in a YouTube video. “I love that I’ve seen a spider the size of my head.”Others, like Zac Efron, appear to have settled here permanently.Zac Efron has been spotted all over Australia.Credit…Lucy Nicholson/ReutersHis Instagram is flush with Australiana: Here he is in a hammock, in the red-earth desert, appearing to participate in an Indigenous ceremony or wearing the Australian cowboy hat, an Akubra. Last year, Mr. Efron even got what an Adelaide hairdresser described as a “mullet,” a much-maligned hairstyle popular in Australia.“Home sweet home,” he captioned one image of himself in front of a camper worth more than $100,000.Chances are the stars will keep showing up. They’ve been spotted camping under the stars, heading out to dinner sans masks, and partying (yes, like it’s 1989). Mr. Damon said in January that Australia was definitely a “lucky country.”But locals in Byron Bay — the seaside town that in recent years has been transformed from hippie to glittering — have complained that the influx of stars in the past year has irreparably changed the town.“The actors and the famous people are the tip of the iceberg,” said James McMillan, a local artist and the director of the Byron Bay Surf Festival. He added that the large cohort of production crew member from Melbourne and Sydney was pricing locals out of real estate.“It’s definitely changed more than I’ve ever seen it change in the past 12 months,” Mr. McMillan, who has lived in Byron Bay for two decades, added. “People have got stars in their eyes.”AdvertisementContinue reading the main story More

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    Eddie Murphy Blames Career Break on His Worst Actor Ever Win at Razzie Award

    WENN/HRC

    In a new podcast interview, the ‘Coming 2 America’ actor reveals that he originally planned to take a one year break after a string of flops, before it turned into a six-year hiatus.

    Mar 10, 2021
    AceShowbiz – Eddie Murphy’s Worst Actor of Decade ‘win’ at the Golden Raspberry Awards in 2010 prompted him to take a break from Hollywood.
    The “Coming 2 America” star’s feelings were hurt when he was named the worst actor after a string of flops, and he tells Marc Maron’s “WTF” podcast the Razzies mention really got to him.
    “I was making s**tty movies. I was like, ‘This s**t ain’t fun. They’re giving me Razzies…,” he says. “Motherf**kers gave me the ‘worst actor ever’ Razzie, [so I thought], ‘Maybe it’s time to take a break’.”
    “I was only gonna take a break for a year, then all of a sudden six years go by, and I’m sitting on the couch, and I could sit on the couch and not get off it, but I don’t want the last bunch of s**t they see me do [to be] bulls**t.”

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    He adds, “The plan was to go do Dolemite [Is My Name], [host] ‘Saturday Night Live’, ‘Coming 2 America’ and then do stand-up and see how I felt afterwards. At least then they’ll know I’m [still] funny.”
    Murphy is well on his way – his new “Coming to America” sequel is a hit and his turn as filmmaker Rudy Ray Moore in “Dolemite Is My Name” earned Eddie the Redeemer Award at the 2019 Razzies and a Golden Globe nomination.

    Throughout his career, the 59-year-old actor has been nominated multiple times at Razzie Awards. His performances in such movies as “I Spy”, “Norbit”, “Meet Dave” and “A Thousand Words” brought him Worst Actor and Worst Supporting Actor nods.

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    Lady GaGa and Adam Driver Look Posh in First Official Photo of Biopic 'House of Gucci'

    Twitter

    The ‘A Star Is Born’ actress and the ‘Star Wars’ actor play Patrizia Reggiani and her husband Maurizio Gucci, the former head of the Gucci fashion house, respectively, in the Ridley Scott-directed crime film.

    Mar 10, 2021
    AceShowbiz – Lady GaGa and Adam Driver go high-fashion in their first official look from Ridley Scott’s upcoming film “House of Gucci”. The two stars look posh as they portray Patrizia Reggiani and her husband Maurizio Gucci, the former head of the Gucci fashion house, respectively, in the crime film.
    GaGa made use of her social media account on Tuesday, March 9 to share the photo from the biopic. In the image, the “A Star Is Born” actress is dressed in a black turtleneck and black pants while accessorizing with a black belt, gold necklaces, earrings and bracelets as well as a white fur hat.
    The Golden Globe-winning actress stands next to her co-star, Driver, who contrasts her look in a beige turtleneck sweater with white salopettes with the sleeves tied around his waist. He also wears wide-rimmed black glasses as he smiles with his arm around his on-screen leading lady.
    “Signore e Signora Gucci #HouseOfGucci,” so GaGa captioned the image taken with the backdrop of the Italian Alps. It translates into “Mr. and Mrs. Gucci.”

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    “House of Gucci” tells the real-life account of the tumultuous Gucci family fashion dynasty and the murder of Maurizio, the grandson of founder Guccio Gucci. Patrizia, the ex-wife of Maurizio, was tried and convicted of orchestrating her ex-husband’s assassination on the steps of his office in 1995. She served 18 years before being let out of jail in 2016.
    The movie is scripted by Roberto Bentivegna, based on the Sara Gay Forden book “The House of Gucci: A Sensational Story of Murder, Madness, Glamour, and Greed”. Production on the film began in February, with Scott serving as director. He is also producing the pic with Giannina Scott.
    The movie has additionally enlisted Al Pacino, Jared Leto, Jack Huston, Reeve Carney and Jeremy Irons in the cast, with Camille Cottin being added in January. The movie is scheduled to be released in theaters across the U.S. on November 24.

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    Rupert Grint Found 'Harry Potter' Filming 'Quite Suffocating' and 'Heavy'

    Warner Bros. Pictures

    The Ron Weasley depicter says, while filming the ‘Harry Potter’ movie series was a ‘great experience,’ he couldn’t deny that it was ‘quiet suffocating’ and ‘heavy going.’

    Mar 10, 2021
    AceShowbiz – Rupert Grint has admitted filming “Harry Potter] was “quite suffocating.”
    The actor played Ron Weasley in the wizard film franchise from 2001 to 2011 and admitted, while it was “a great experience,” there were times where he wanted more for his life and career.
    Appearing on Dax Shepard’s “Armchair Expert” podcast, he said, “There was a time where it felt quite suffocating, because it was heavy going, because it was every day for 10 years in the end.”
    “It was a great experience. Such a nice kind of family atmosphere. It was always the same crew we kind of grew up with, so it was a great place to be.”
    “But sometimes it definitely felt like, ‘I want to do something else. See what else is out there.’ ”

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    Rupert compared the shoots to Groundhog Day with the days and weeks blending into one.
    “It just never ended. Every year, we came back. And it was kind of like Groundhog Day because it was the same sets. It was the same people. But it was great. I loved it,” he added.
    And although he’s only seen each movie once – besides recently rewatching the first film “Harry Potter and the Philosopher’s Stone” for a second time – he has no immediate plans to rectify that.
    “It still feels too soon really. I can’t detach myself fully,” he explained. “I can’t face it… (But) I’ve got a very different perspective of it now that a long time has passed. I can appreciate what a feat it was.”
    Rupert noted how he prefers to work on a project and move on while also admitting he is particularly embarrassed about one aspect of his “Potter” stint.
    He said, “My (shoulder-length) hair in film four (The Goblet of Fire) is one of my biggest regrets. I think everyone actually had a phase of having this really long hair. They liked it – it was kind of wizardy. We went through our puberty on camera.”

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