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    ‘Adam’ Review: Beginning of a Beautiful Friendship

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main story‘Adam’ Review: Beginning of a Beautiful FriendshipA widow welcomes a pregnant stranger into her home in this sentimental story mostly told unsentimentally.Lubna Azabal and Nisrin Erradi in “Adam.”Credit…Strand ReleasingMarch 4, 2021, 7:00 a.m. ETAdamDirected by Maryam TouzaniDramaNot Rated1h 38mFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.In Maryam Touzani’s “Adam,” certain stylistic choices — a muted palette, the absence of a melodramatic score, hand-held camerawork — help temper sentimentality with verisimilitude. The movie tells a story of kindness given and returned. It opens with Samia (Nisrin Erradi) seeking a job as a hairdresser, and then as a maid, or really as anything. As a pregnant woman alone in Casablanca, she needs work and a place to stay — and encounters mainly indifference and judgment.But after Abla (Lubna Azabal), a widow who initially refuses her, watches Samia sleep on the street outside, she takes her in on a temporary basis. Abla emphasizes that she doesn’t want problems from gossipy neighbors. But Abla’s young daughter, Warda (Douae Belkhaouda), likes Samia a lot, and Samia begins making a pastry that becomes a hit at Abla’s bakery.[embedded content]Rather than repay Abla with quiet gratitude, Samia forces her to listen a cassette tape of the singer Warda, for whom Abla’s daughter is named. Abla hasn’t listened to the music since her husband died. Samia also pushes Abla to give a would-be suitor (Aziz Hattab) a chance.This symmetry — how each needs the other to fulfill a need — flirts with being overly tidy. But Touzani has said that “Adam” was inspired by a real stranger her parents welcomed into their home, and there’s a fine sense of ambiguity — of what-ifs — in the closing moments. The ending hedges against the screenplay’s dramaturgical shorthand.AdamNot rated. In Arabic, with subtitles. Running time: 1 hour 38 minutes. In virtual cinemas and available to rent or buy on Amazon, Apple TV and other streaming platforms and pay TV operators.AdvertisementContinue reading the main story More

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    Michael B. Jordan Goes on Vendetta in First 'Without Remorse' Trailer

    [embedded content]

    The ‘Black Panther’ star plays a highly-effective soldier who takes matter into his own hands after his pregnant wife was killed in an attack by Russian soldiers.

    Mar 4, 2021
    AceShowbiz – Michael B. Jordan goes full action movie hero in the first official trailer of “Without Remorse”. Set in Tom Clancy’s Jack Ryan universe, the original movie from Amazon Studios follows the “Creed” star’s John Kelly (a.k.a. John Clark), a highly-effective soldier who goes on a vendetta after his wife was killed in an attack that also targeted him.
    While he survived the assassination attempt, Jordan’s character couldn’t help holding grudge. “They took everything from me,” he says in the trailer. “I’m gonna make it right.” Set by the rage, John seeks to avenge the death of his loved one only to find himself inside a larger conspiracy.
    According to the official synopsis, “Without Remorse” tells the origin story of “John Kelly (a.k.a. John Clark), a U.S. Navy SEAL, who uncovers an international conspiracy while seeking justice for the murder of his pregnant wife by Russian soldiers. When Kelly joins forces with fellow SEAL Karen Greer and shadowy CIA agent Robert Ritter, the mission unwittingly exposes a covert plot that threatens to engulf the U.S. and Russia in an all-out war.”

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    The explosive action thriller film is directed by Stefano Sollima (“Sicario: Day of the Soldado”) with the script written by Taylor Sheridan and Will Staples. It is based on the 1993 novel of the same name by Tom Clancy and a spin-off of the “Jack Ryan” film series.
    Brett Gelman, Jodie Turner-Smith, Jamie Bell, Jacob Scipio, Jack Kesy, Todd Lasance, Luke Mitchell and Cam Gigandet join the cast of the movie, which is set to launch globally on April 30 on Amazon Prime Video. Akiva Goldsman, Josh Appelbaum, Andre Nemec and Jordan serve as producers.
    John Kelly is Clancy’s second most famous creation, after Jack Ryan. The character previously has been played by Willem Dafoe in 1994’s “Clear and Present Danger” and Liev Schreiber in 2002’s “The Sum of All Fears”.

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    Lupita Nyong’o Seeks to Empower Children Through ‘Super Sema’ Series

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    'Soul' Leads Nominations at 2021 Annie Awards

    Walt Disney Pictures

    The Pixar animated movie, which features the star-studded voice cast members like Jamie Foxx and Tina Fey, dominates this year’s Annie nominations with 10 nods.

    Mar 4, 2021
    AceShowbiz – “Soul” and “Wolfwalkers” will be the films to beat at the 48th annual Annie Awards after landing 10 nominations apiece.
    The Disney/Pixar movie about a music teacher with jazz ambitions, which features the voices of Jamie Foxx and Tina Fey, is up for the coveted Best Feature, alongside “Onward”, “The Croods: A New Age”, “The Willoughbys”, and “Trolls World Tour” while “Wolfwalkers”, based in 1650s Ireland, will compete for Best Indie Feature.
    Also included in that category are “A Shaun the Sheep Movie: Farmageddon”, “Calamity Jane”, “Ride Your Wave”, and “On-Gaku: Our Sound”.
    Together, the top two nominees will also battle it out for Best Direction – Feature, Best Music – Feature, Best Production Design – Feature, Best Storyboarding – Feature, and Best Writing – Feature, among other honours.
    Meanwhile, Tom Holland (“Onward”), Nicolas Cage (“The Croods: A New Age”), and Eva Whittaker (“Wolfwalkers”) are going face-to-face for Best Voice Acting – Feature, and Ashley Tisdale has scored a nod in the TV/Media equivalent for “Phineas and Ferb the Movie”.
    The winners will be unveiled at a virtual ceremony on 16 April (21).
    The list of selected nominees:
    Best Feature:

    Best Indie Feature
    “A Shaun the Sheep Movie: Farmageddon”
    “Calamity Jane”
    “On-Gaku: Our Sound”
    “Ride Your Wave”
    “Wolfwalkers”

    Best Special Production
    “Baba Yaga”
    “Libresse/Bodyform – #WombStories”
    “Nixie & Nimbo”
    “Shooom’s Odyssey”
    “The Snail and the Whale”

    Best Direction – Feature
    “Calamity Jane” – Remi Chaye
    “Over the Moon” – Glen Keane
    “Ride Your Wave” – Masaaki Yuasa
    “Soul” – Pete Docter, Kemp Powers
    “Wolfwalkers” – Tomm Moore, Ross Stewart

    Best Music – Feature
    “Onward” – Mychael Danna, Jeff Danna
    “Over the Moon” – Steven Price, Christopher Curtis, Marjorie Duffield, Helen Park
    “Soul” – Trent Reznor, Atticus Ross, Jon Batiste
    “The Willoughbys” – Mark Mothersbaugh, Alessia Cara, Jon Levine, Colton Fisher
    “Wolfwalkers” – Bruno Coulais, Kila

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    Best FX for Feature

    Best Character Animation – Feature

    Best Character Animation – Live Action

    Best Character Design – Feature

    Best Production Design – Feature

    Best Storyboarding – Feature

    Best Voice Acting – Feature

    Best Writing – Feature

    Best Editorial – Feature

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    Meghan Markle Awarded Legal Fees After Winning Court Battle Against Tabloid

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    Children’s Film Festival Pushes Boundaries, Mixing Somber and Sweet

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyChildren’s Film Festival Pushes Boundaries, Mixing Somber and SweetFrom a feature just for teenagers to short movies for toddlers, this groundbreaking New York event will stream for the first time nationwide.The documentary “Curtain Up!” followed the production of “Frozen KIDS” at Public School 124 in Chinatown. This year, the festival has 14 features, seven programs of short films and more than a dozen livestreamed events.Credit… Hui Tong and Kelly NgMarch 3, 2021, 2:28 p.m. ETThe New York International Children’s Film Festival faced unusual challenges in developing a cinematic celebration during a pandemic. Now the festival, which will present its first all-streaming version from Friday through March 14, is offering its audience some unusual challenges, too.In addition to unblinking views of young people grappling with fractured families, bullying and puberty, the festival is showing what may be its most serious and mature feature yet: “Beans,” a fictionalized autobiography by the Canadian filmmaker Tracey Deer. The action unfolds during what is now known as the Oka crisis, a conflict in 1990 between the Mohawk people and the Canadian authorities over land rights.The central character, a 12-year-old Mohawk girl nicknamed Beans, played by Kiawentiio Tarbell, begins a personal rebellion that parallels her community’s uprising. Recommended for viewers 14 and older, the film includes obscene language, violence and a harrowing scene in which an older boy tries to pressure Beans into performing oral sex. It’s hardly what you expect at a children’s festival, but the organizers, who this year are delivering 14 features, seven programs of short films and more than a dozen livestreamed events — all available for the first time to families across the country — found the movie too accomplished and relevant to put aside.Kiawentiio Tarbell in “Beans,” a fictionalized autobiography by the Canadian filmmaker Tracey Deer. It is recommended for viewers 14 and over.Credit…EMA Films“It was a way to have great Indigenous storytelling, great female-led filmmaking and an extraordinary young lead actress — it was like, how can we not do this?” said Maria-Christina Villaseñor, the festival’s programming director. “It’s our responsibility to be mindful and not afraid.”Villaseñor said she felt particularly obligated after a year dominated by a public-health crisis and a racial reckoning. The initial inclination was “let’s just make it as lighthearted as possible,” she said of the festival. “But I don’t think that fully does justice to kids. Kids need time to process grief and think about loss in ways that are developmentally appropriate.”One of the most affecting evocations of a child’s experience with death is among the festival’s short films, which compete to receive prizes from an adult jury that includes the filmmakers Sofia Coppola and Peter Ramsey. Martina Lee’s “Black Boy Joy,” part of the new shorts program Celebrating Black Stories, focuses on a bereaved fictional family — a grandfather, a father and a 10-year-old autistic son — whose struggles are an affirmation of love as much as an exploration of mourning.Evan Alex in “Black Boy Joy,” part of the new shorts program Celebrating Black Stories.Credit…HBO MaxThe 24-year-old festival, however, also offers comedy, fantasy and another new shorts program, about young people who are reinterpreting their gender identity, as well as titles for audiences as young as 3. Its opening livestreamed event, on Friday evening, is a behind-the-scenes look at the new Netflix animated television series “City of Ghosts,” in which a diverse club of enterprising elementary school students investigate Los Angeles’s supernatural side. The ghosts, all friendly, are not Casper types so much as spirits that illuminate immigrant history.“My hope is that people who are looking for something more calming and intellectually stimulating will enjoy this show,” said Elizabeth Ito, the series’s creator, who will take part in Friday’s event. She said she was aiming for a tone like that of “old ‘Mister Rogers’” episodes.The festival will include a special screening of Don Hall and Carlos López Estrada’s “Raya and the Last Dragon,” a Disney movie.Credit…DisneyThe films, which will mostly be available to stream on demand throughout the festival, also include the cheerful New York City-centered documentary “Curtain Up!” Its directors, Hui Tong and Kelly Ng, visited Public School 124 in Chinatown to chronicle its production of “Frozen KIDS,” a half-hour adaptation of the Disney musical “Frozen,” for the 2019 Junior Theater Festival. The filmmakers and two of the students will take part in a discussion on March 13. Disney fans can also look forward to a special screening of Don Hall and Carlos López Estrada’s animated “Raya and the Last Dragon,” accompanied by a Q. and A., on March 12.Even the festival’s more somber films have moments of joy and triumph. Kenza (Tiara Richards), the 11-year-old protagonist of Eché Janga’s “Buladó,” a feature from the Netherlands and Curaçao, may be adrift without a mother, but she is also a car mechanic, a dead aim with a slingshot and unafraid to embrace the spiritual traditions of her enslaved ancestors. She draws on an inner strength that the heroine of “Beans” discovers as well.“Just because we’re young, it doesn’t mean that we’re powerless,” said Deer, who will discuss “Beans” online with festivalgoers on March 13. “I hope that message gets to them. And that they matter, they have a voice, and the importance of standing up for what they believe in.”“Nahuel and the Magic Book,” a feature from Brazil and Chile that will be screened in a special event.Credit…Punkrobot Animation StudioFilms like these reveal a continuing theme of children connecting to their cultural roots. Sometimes that bond is mystical, as in Germán Acuña’s animated “Nahuel and the Magic Book,” a feature from Brazil and Chile, which will be screened in a special event on Saturday. At other times it involves unearthing forgotten history, as when a teenage Canadian hockey player in Sandi Rankaduwa’s short documentary “Ice Breakers” learns about the Colored Hockey League of the Maritimes.Knowing how much young moviegoers have missed being in theaters, the festival’s organizers have tried to make the experience feel authentic. Cinephiles will still vote for their favorite titles, but with digital ballots, and while the festival participants won’t meet filmmakers face to face, they will have increased opportunities for live discussions online. (Those events will be recorded for later viewing on the festival’s Facebook page.)“Every year we talk about the opportunity to explore the world, to explore ideas, to explore identity through the festival,” said Nina Guralnick, its executive director. Right now, she added, “that feels particularly poignant.”The New York International Children’s Film FestivalThrough March 14; 212-349-0330, nyicff.org.AdvertisementContinue reading the main story More

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    The Dos and Don’ts of Staging a Pandemic-Era Awards Show

    #masthead-section-label, #masthead-bar-one { display: none }Awards SeasonGolden Globes: What HappenedBest and Worst MomentsWinners ListStream the WinnersRed Carpet ReviewAdvertisementContinue reading the main storySupported byContinue reading the main storyThe ProjectionistThe Dos and Don’ts of Staging a Pandemic-Era Awards ShowThe Oscars have nearly two months to get right what has gone oh-so-wrong at other ceremonies.Joaquin Phoenix was onstage Sunday night at the Globes while the best-actress nominees and their supporters loomed behind him. (Top, from left, Viola Davis, Andra Day and Vanessa Kirby; bottom, Frances McDormand, left, and Carey Mulligan.)Credit… NBC/NBCU Photo Bank via Getty ImagesMarch 3, 2021, 2:12 p.m. ETAre awards shows merely the perk for a fully functioning society, or is there a way to make them work even while the world around us in still in dire straits? These are the questions that many in Hollywood are asking after Sunday’s disastrous Golden Globes ceremony brought in 6.9 million viewers, a free-fall plunge from last year’s tally of 18.3 million.Certainly, people have more pressing matters on their minds than whether “Nomadland” can beat “The Trial of the Chicago 7,” but even casual movie fans surely cringed (or changed the channel) when technical difficulties nearly torpedoed the speech given by Golden Globe winner Daniel Kaluuya at the top of the show. We’re all tired of buggy Zoom calls by now, even when those thumbnails are filled with Hollywood’s best and brightest.There are still nearly two more months before the Oscar telecast on April 25, which will be produced by the often innovative Steven Soderbergh alongside Stacey Sher and Jesse Collins. It won’t be easy for them to mount a glitzy gala during a still-raging pandemic, but here are the lessons that can be learned from the awards shows that were unlucky enough to go first.DO a sound check.In too many of the ceremonies I’ve watched this year, from the Gotham Awards to the Golden Globes, the first big winner of the night either had no idea when to speak or was still on mute when they finally began to. Clearly, some more robust preshow prep is necessary: If you’ve already got the stars on standby, keep drilling them offscreen until they know their cue to come in. (And send them better cameras and microphones, when possible.) An acceptance speech ought to begin with emotion, not technical difficulties.DON’T do improv comedy.The Golden Globes booked two sets of consummate vampers — the “Saturday Night Live” vets Maya Rudolph and Kenan Thompson, and the “Barb and Star” leads Kristen Wiig and Annie Mumolo — but each duo’s improvised patter only made a ramshackle show feel even more chaotic. Improv comedy works better as a palate cleanser during a tightly scripted ceremony, and it feels perverse to let comedians churn through show time in pursuit of a punchline when some of the biggest winners then have their speeches quickly curtailed by wrap-it-up music.DO some short, pretaped bits.Live award ceremonies still feel hemmed in by awkward social distancing, but plenty of movies and television shows are back in full production all over the world. The Oscars could take advantage of their long lead time and ask some of Hollywood’s wittiest to shoot pretaped bits, running no more than thirty seconds, to help expand the breadth of the show in safe and creative ways. Call up Taika Waititi and have him improvise something funny with Chris Hemsworth! Tell Judd Apatow that yes, it has to be 30 seconds — not 60! And any shorts that are cut for time can easily be released online the next day to extend Oscar’s golden afterglow.Awards Season More

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    Kingsley Ben-Adir and Bukky Bakray Nominated for 2021 BAFTA Rising Star Award

    Amazon Studios/Netflix

    The ‘One Night in Miami…’ star and the ‘Rocks’ actress are among the nominees for this year’s Rising Star title at the upcoming 74th annual British Academy Film Awards.

    Mar 4, 2021
    AceShowbiz – Bukky Bakray and Kingsley Ben-Adir are among the nominees for BAFTAs 2021 EE Rising Star award.
    The nominees were announced at a special virtual event on Wednesday (03Mar21), with Conrad Khan, Sope Dirisu, and Morfydd Clark rounding out the hopefuls.
    Bukky’s role as Olushola ‘Rocks’ in the film “Rocks” saw the 16-year-old named as a contender for the gong – which is voted for by the public – while Kingsley, 35, was nominated for his role in Regina King helmed “One Night in Miami…”

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    Speaking of the honour, Bukky said, “I told my brothers, and when I told them they were just really shocked. They were all shocked. When my agents told me I told them they were lying but I remember my brothers telling me ‘it’s your time champ.’ ”
    “I honestly feel so blessed to be recognised so early on in my career. I still can’t believe this, I’m not sure I ever will either. All the warmth and love from BAFTA and EE is beautiful and I’m grateful. Thank you.”
    Morfydd was nominated for “Saint Maud”, Kingsley earned his nomination thanks to his role in Regina King’s “One Night In Miami…”, Conrad for “County Lines”, and Sope was named for his role in horror movie “His House”.
    The winner will be announced at the BAFTA Film Awards on 11 April (21). Previous winners include James McAvoy, John Boyega, Letitia Wright, Kristen Stewart, and Daniel Kaluuya.

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    Keanu Reeves Comic Book Arrives Wednesday

    AdvertisementContinue reading the main storySupported byContinue reading the main storyKeanu Reeves Comic Book Arrives WednesdayBRZRKR, a new comic book created and co-written by the actor, has a character who looks a lot like him. It’s also receiving high orders from comic-book shops.“I’ve loved comics since I was a kid and they’ve been a significant influence artistically throughout my career,” said Keanu Reeves, the creator and co-writer of the new comic.Credit…Ron Garney/Boom! StudiosMarch 3, 2021, 10:22 a.m. ETA comic book created and co-written by the actor Keanu Reeves arrives in stores on Wednesday, with more than 615,000 copies ordered by comic book retailers. (The order is notably high: Last March, Marvel released a new Spider-Woman No. 1 that sold 142,000 copies in North America, according to Comichron.)The comic, BRZRKR (pronounced “berserker”), is about an immortal warrior, with a look inspired by Reeves, on a quest to discover his origin and to end his long, 80,000-plus-year life.BRZRKR, from Boom! Studios, is co-written by Matt Kindt and drawn by Ron Garney. “I’ve loved comics since I was a kid and they’ve been a significant influence artistically throughout my career,” Reeves said in a video interview for Boom! posted in January. The series will run for 12 issues.Boom! had a good inkling of interest for the book last year. In September, the company ran a Kickstarter for supporters to pre-order collected editions of the comic. The campaign had a goal of $50,000 and ended at $1.45 million. The first volume is due in October. (Excellent.)AdvertisementContinue reading the main story More

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    ‘Moxie’ Review: Rebel With a Cause

    #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main story‘Moxie’ Review: Rebel With a CauseAmy Poehler directs this Netflix high-school drama inspired by the relics of punk feminism.Hadley Robinson in “Moxie.”Credit…NetflixMarch 3, 2021, 7:00 a.m. ETMoxieDirected by Amy PoehlerComedy, Drama, MusicPG-131h 51mFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.Unfocused and too often unbelievable, Amy Poehler’s “Moxie” feels like a battle between two competing visions: go-girl crowd-pleaser and serious high-school harassment drama. Neither wins.Based on Jennifer Mathieu’s young-adult novel of the same name, the story centers on Vivian (Hadley Robinson), 16, a quiet girl who transforms into a rebel when a new student (Alycia Pascual-Peña) challenges their school’s sexist culture. Vivian’s nascent feminism goes into overdrive when, inspired by a collection of 1990s riot-grrrl mementos belonging to her single mother (Poehler), she creates an anonymous zine, names it Moxie and dumps copies in the girls’ bathrooms. Just like that, a revolution is born.[embedded content]Despite an appealing young cast — Nico Hiraga, as Vivian’s sweetly respectful love interest, is a standout — “Moxie” needs fewer stereotypes and infinitely more nuance. The characters are underwritten and the screenplay (by Tamara Chestna and Dylan Meyer) overstuffed. Transgender and immigrant issues, as well as gender inequality in sports, are all superficially checked off in a plot that nostalgically suggests a homemade pamphlet from last century is more likely to raise consciousness than a wall-to-wall culture of #MeToo.Burdened by oversimplification and a troubling coarseness — one young woman’s devastating revelation is a mere steppingstone to the film’s ra-ra finale — “Moxie” is a CliffsNotes guide to fighting the patriarchy. In its hyper-condensed view, all you need is a tank top, a Bikini Kill song and a mass walkout and voilà! The struggle is over.MoxieRated PG-13 for vulgar language and sexist behavior. Running time: 1 hour 51 minutes. Watch on Netflix.AdvertisementContinue reading the main story More