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      Kingsley Ben-Adir’s Breakthrough Year Didn’t Come Easily

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyThe ProjectionistKingsley Ben-Adir’s Breakthrough Year Didn’t Come EasilyPlaying Malcolm X in “One Night in Miami” is a dream realized for the British actor, but drama school didn’t prepare him for all the disappointments along the way.Ben-Adir has been the subject of awards chatter for his turn as Malcolm X.Credit…Danny Kasirye for The New York TimesFeb. 24, 2021Updated 3:43 p.m. ETOver the past year, all the pieces finally began to fit together for Kingsley Ben-Adir.Foremost among them was the British actor’s breakthrough performance as Malcolm X in Regina King’s “One Night in Miami,” in which he movingly mines the human, vulnerable side of an icon. But there were also roles as varied as Barack Obama in “The Comey Rule” and Zoë Kravitz’s love interest in “High Fidelity.” And then, the most unambiguous sign of “making it”: Ben-Adir even popped up as a character played by guest host Regé-Jean Page on the latest “Saturday Night Live.”But this sudden rush of attention, success and awards buzz is a heady development for Ben-Adir, who had begun to question everything about his approach to acting only three years ago. “I felt like I was just making it up as I was going along, sometimes hitting and sometimes missing,” the 35-year-old actor said on video chat from his home in London. “And I really got to a point where I won’t say what show it was, but I saw something I had done on television and I felt so depressed by the work. I was like, ‘Is that it? All of the work that went into it, and that’s what it was?’”Raised on a steady diet of “Inside the Actors Studio” episodes — “I’ve seen every one of those two or three times,” he said — the London-born Ben-Adir expected his passion for acting to be stoked at the Guildhall School of Music and Drama, which he graduated from in 2011. Instead, Ben-Adir got a stiff, technical education meant mainly to prepare him for big British stages. “The training that I had and the training that I dreamed about, they were two completely different things,” he said.Ben-Adir as Malcolm X in a scene from “One Night in Miami.”Credit…Patti Perret/Amazon StudiosThat left Ben-Adir feeling disconnected as he began to put together his career. But acting classes he began taking three years ago with the teacher Victor Villar-Hauser taught him how to better marry head and heart, and without that renewed commitment, Ben-Adir said he couldn’t have made it through “One Night in Miami.” Directed by Regina King, the film imagines a quartet of Black icons — Malcolm X, Sam Cooke (Leslie Odom Jr.), Muhammad Ali (Eli Goree) and Jim Brown (Aldis Hodge) — as they spend one tumultuous night together hashing out their issues.Ben-Adir was the last to be cast in the film after the original actor playing Malcolm dropped out, and had only 14 days to get ready before the shoot began. “It was a complete whirlwind,” he said.These are edited excerpts from our conversation.Why did you have so little time to prep for “One Night in Miami”?After I auditioned, I kept being promised that I was going to find out in a few days, and those few days turned into a couple of weeks. I was really losing faith that the part was going to come to me, and then we got to the 21st of December, and I said to my team, “Guys, we’re shooting on the 3rd of January. This is insane. What’s going on?” I told them, “I’m out, because I’ve been robbed of my preparation time.” That message didn’t get passed on, so when the offer came, it was a real surprise.How different would this role have been if you’d had a year to prepare for it?I would have had an encyclopedic knowledge of Malcolm that I didn’t have going in — I was learning as I was going along. But I don’t necessarily think that’s always helpful, to know too much. There’s something about not knowing and feeling unsure that’s very, very useful to being vulnerable in the moment and just having to trust in everything that’s going on around you. You should be flying into those scenes with your chin out, in full surrender. Ben-Adir on what he hadn’t been prepared for when he left drama school:  “I saw something I had done on television and I felt so depressed by the work. I was like, ‘Is that it? All of the work that went into it, and that’s what it was?’”Credit…Danny Kasirye for The New York TimesIn this case, it probably helped that you knew the other characters well: You’ve auditioned to play Sam Cooke in different projects, and you spent years attached to star in a Muhammad Ali movie for Ang Lee that fell apart.I had a huge understanding of Sam’s history, and I know Muhammad Ali’s story probably better than I do Malcolm’s — that’s how many years I spent working on Muhammad Ali. But without getting too witchy-woo about it, genuinely I feel like it was the accumulation of all the projects and experiences that I’d had up to that point really allowed me to connect with Regina in a way that was equal and collaborative. And what you have in Regina is someone who understood that it needed to be a different Malcolm, a vulnerable Malcolm. A Malcolm we haven’t seen before, a Malcolm in private with his friends.As an actor, you have to call upon that vulnerability a lot, but at the same time, doesn’t this profession require a thick skin?Yeah, absolutely. Last week, I realized that my accountant here has been [screwing] me over for six years, and it was a really big wake-up call, because I realized the business and the creative are linked and you have to be on top of both of them. It’s no good to just be like, I’m an artist. No, you need to get a real handle on the business so that you can be really free within your art. In drama school, no one expressed the importance of being sensible with money and how much impact that has on you creatively.How much impact does it have when you get your hopes up for a big project and it falls through? That Ang Lee film was supposed to be your breakthrough, and then it didn’t happen.I feel like 95 percent of this job is dealing with disappointments and getting your energy up only to be let down. Something fell through last week that I’ve been working on and off for a year, but I made that work about me and my journey as an actor, and I learned something about myself through that process. Yes, it hurt, and you have to cope, but I feel like working with Ang for those two years was a major lesson in how you do not get your hopes up about anything until you’ve wrapped, it’s edited and it’s out.You go, “That door’s closed, another one will open. Show gets canceled, that means you’re available for other stuff.” Lots of people I’ve come up with through the years aren’t able to do that, and you’ll become resentful, bitter, and depressed. I feel real disappointment sometimes, but the bigger the disappointments, the better the highs will be when you get them.If this success had happened when you graduated from drama school, how different would it feel?I don’t think I would have been ready for this when I was 24, I really don’t.For years Ben-Adir was set to play Muhammad Ali for an Ang Lee film, but that project is no longer on.Credit…Danny Kasirye for The New York TimesBut I’m sure that at 24, you felt ready for this, right?More than ready! I was convinced that I should have been walking out of that drama-school building on to playing No. 2 with Brad Pitt. That’s not what happened, but I’m so glad it didn’t, because I know a lot of people who got huge opportunities too early, and they’re not around anymore.The first time I went to L.A., I was scared away and I didn’t go back for four years because I just wasn’t ready. I hadn’t done enough work on the dialect, and I had some really bad experiences with being stopped halfway through auditions because it wasn’t working. I was really lonely — L.A., if you don’t know people, can be really isolating — and I had no money and a terrible manager who ignored me the whole time I was there.So I was like, “Let me just go home.” And then I stayed onstage for a few years and let it happen more naturally. All those small parts where I got to be on set watching Brenda Blethyn, Mark Rylance, Michael Fassbender … you take bits.You’ve said before that part of the reason you came to L.A. in the first place is because your options were limited as a Black actor in the U.K. After the year you’ve had, is that changing at all?Yeah, massively. It’s hard to talk about offers and stuff without it sounding arrogant, but in the last few weeks since the movie’s come out, there’s 16 scripts. It’s really confusing, and it takes you a second. I was like, This is what you dreamed about. This is it.I’m so grateful, man. Yesterday, I had a teaching session at 9 on Zoom, and then I had a singing lesson, four hours of script reading, and two movies that I had to watch. How lucky am I? I really don’t need much. My agents hate me saying it, but I know how to live off $200 a week. I don’t want a big car, although I’d like a garden one day. But I am turned on and excited by the possibilities of my life, which is to be with the people I love, traveling and seeing the world, and then making cool movies.AdvertisementContinue reading the main story More

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      Ava DuVernay and Regina King React After HFPA Confirm They Have No Black Members

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      WENN

      The ‘Selma’ director and the ‘Watchmen’ actress suggest the fact that the Golden Globe organizers have no black members has been widely known for a long time.

      Feb 25, 2021
      AceShowbiz – The Hollywood Foreign Press Association (HFPA) has confirmed they don’t have any black members.
      Following an investigation by the Los Angeles Times into the make-up of the group – who nominate and select the winners of the annual Golden Globe awards – the HFPA told the newspaper that the report is true, but it’s an issue they’re “committed to addressing.” They gave no indication as to how they would be addressing their lack of diversity.
      The Los Angeles Times piece found that while some of the 87 members of the HFPA are people of colour, there are no black members.

        See also…

      Reflecting on the findings of the investigation on Twitter, director Ava DuVernay – who was nominated for a Golden Globe for her movie “Selma” back in 2015 – wrote alongside a link to a Hollywood Reporter article about the news, “Reveals? As in, people are acting like this isn’t already widely known? For YEARS?”
      Meanwhile, Regina King – whose movie “One Night In Miami…” has seen her nominated for the Best Director gong at this year’s Globes – responded to DuVernay’s tweet with a picture of rapper Drake pointing into the camera with a smile on his face. DuVernay then replied using a GIF featuring the text “those are the facts.”
      The upcoming Golden Globe Awards will be hosted by Tina Fey and Amy Poehler.
      Herman J. Mankiewicz biopic “Mank”, directed by David Fincher and fronted by Gary Oldman, led the movie nominations with six nods. Netflix’s hit royal drama series “The Crown” dominated the TV categories with a total of six mentions as well.

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      History Meets the Present on the ‘Judas and the Black Messiah’ Album

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main storyCritic’s PickHistory Meets the Present on the ‘Judas and the Black Messiah’ AlbumThe songs inspired by Shaka King’s film about the 1969 police killing of the Illinois Black Panther Party chairman Fred Hampton mostly don’t appear in the movie, but they expand its story.“Judas and the Black Messiah” arrived with an ambitious soundtrack stocked with songs featuring a soulful, somber and retro aesthetic.Credit…Glen Wilson/Warner BrosFeb. 24, 2021, 12:10 p.m. ETJudas and the Black Messiah: The Inspired AlbumNYT Critic’s PickA movie’s message doesn’t have to end with the closing credits. Black filmmakers and musicians have been making the most of “inspired by” albums that are anything but afterthoughts; they boldly extrapolate from the story told onscreen. “Black Panther,” “The Lion King” and now “Judas and the Black Messiah” — the director Shaka King’s film about the 1969 police killing of the Illinois Black Panther Party chairman Fred Hampton — arrived with companion albums that connect fantasy and history to their repercussions in the here and now.“Judas and the Black Messiah: The Inspired Album” overflows with music and ideas: 22 tracks, many of them collaborative. With Hit-Boy as one of the executive producers (and the rapper on a track of his own), the album gathers past and current hip-hop hitmakers, with Nas, Jay-Z and the Roots’ Black Thought alongside Pooh Shiesty, Polo G, Lil Durk and BJ the Chicago Kid.Although the album is a compilation from dozens of rappers, singers, producers and songwriters, it has a coherent sound: soulful, somber and retro like the film’s closing song, H.E.R.’s “Fight for You,” which is steeped in Marvin Gaye’s mournful determination. Much of the album looks back toward 1990s hip-hop: relying on instruments and samples of full bands, laced with melodic hooks and firmly enunciating the lyrics.H.E.R. provides the movie’s closing song, “Fight for You.”Credit…Amy Harris/Invision, via Associated PressSome tracks directly address the film’s particulars. The album opens with an appearance by Fred Hampton Jr. in “Cointelpro/Dec. 4”: memorializing his father, reminding listers about Cointelpro (the F.B.I.’s illegal covert 1960s Counterintelligence Program aimed at civil rights groups and other perceived subversives) and firmly connecting political oratory to hip-hop; the track ends with a loop of the elder Hampton proclaiming, “I am a revolutionary!”Rakim’s “Black Messiah” delivers a terse, magisterial biography of Hampton over samples of a 1967 soul single, Them Two’s “Am I a Good Man.” In “Somethin’ Ain’t Right,” over bluesy guitar chords, Masego sings about corruption and Rapsody vows, “Cointelpro got the target on me/But we don’t stand down till the people all free.”But the focus inevitably widens to encompass the present. Polo G’s “Last Man Standing” — with bleak piano chords and a shivery vocal sample — bitterly connects thoughts of Hampton and the Black Panthers to deep-seated systemic racism, police brutality and the Black Lives Matter movement. Smino and Saba collaborate on “Plead the .45th,” sketching paranoia and resentment in brisk, jazzy phrases. Black Thought’s “Welcome to America,” with gritty vocal choruses from C.S. Armstrong and flashes of a gospel choir, is a vehement reminder of centuries of exploitation, remembering “every lost body crossed, tarred, feathered and tossed” and insisting, “This American cloth has never been soft/while history was running its course.”Memorial and news flash combine in “What It Feels Like” by Nipsey Hussle — who was killed in 2019 — and Jay-Z, a hip-hop march with foreboding piano, horn-section chords and hovering choral vocals. The song warns that success turns Blacks into targets: “You get successful, then it get stressful,” Hussle rapped. Then Jay-Z’s verse pivots from similar ideas — “You know they hate when you become more than they expect” — to the inadequate police response to the insurrection on Jan. 6: “You let them crackers storm your Capitol, put they feet up on your desk/And yet you talkin’ tough to me, I lost all my little respect.” Jay-Z was born December 4, 1969, the day Hampton was killed in a police raid. The history sounds personal.Various Artists“Judas and the Black Messiah: The Inspired Album”(Six Course Music Group/RCA)AdvertisementContinue reading the main story More

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      ‘My Zoe’ Review: Julie Delpy’s Provocative Family Drama

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      #masthead-section-label, #masthead-bar-one { display: none }What to WatchBest Movies on NetflixBest of Disney PlusBest of Amazon PrimeBest Netflix DocumentariesNew on NetflixAdvertisementContinue reading the main storySupported byContinue reading the main story‘My Zoe’ Review: Julie Delpy’s Provocative Family DramaThe characters can be confoundingly self-involved, but Delpy finds unusual threads to pull you closer to them and their crises.From left, Richard Armitage, Sophia Ally and Julie Delpy in “My Zoe.”Credit…Blue Fox EntertainmentFeb. 24, 2021, 7:00 a.m. ETMy ZoeDirected by Julie DelpyDramaR1h 40mFind TicketsWhen you purchase a ticket for an independently reviewed film through our site, we earn an affiliate commission.The French filmmaker Julie Delpy is still best known as an actor, but she’s been building a varied and impressive filmography as a feature writer and a director since the early part of the century. Her new picture, “My Zoe,” in which she also stars, is an unusually compelling domestic drama with sharp ears, a sharp eye, and up to a point, sharp teeth.Delpy plays Isabelle, a geneticist living in Berlin with her young and adorable daughter Zoe. Her ex-husband, James (Richard Armitage), seems a perpetual and arbitrary thorn in her side, constantly needling her about visitation days and the competence of babysitters. The bickering doesn’t stop when disaster strikes. While their daughter has surgery to relieve the pressure on her brain caused by an aneurysm, Isabelle and James argue about their married sex life.[embedded content]Sounds like something to be appalled by. But Delpy writes these characters with such depth, and stages their interactions with such sensitivity, that you understand them without necessarily approving of them.The movie takes a likely unexpected turn from the conventional bad marriage story. Isabelle travels to Russia, appealing to a controversial medical researcher, Thomas Fischer (the frequent Delpy collaborator Daniel Bruhl), for a radical solution to a family tragedy.For nonspoiler purposes, let’s call that solution “the shiny object” — a project of dubious ethics, and little probability of succeeding, that nevertheless proves irresistible to all who contemplate it. As it happens, it proves irresistible to filmmaker Delpy as well. It’s in her embrace of it that the movie, so tart and assured up to a certain point, goes wrong. But Delpy is a sufficiently assertive cinematic voice that she’s well worth arguing — and maybe ultimately disagreeing — with.My ZoeRated R for language and themes. Running time: Running time: 1 hour 40 minutes. In theaters. Please consult the guidelines outlined by the Centers for Disease Control and Prevention before watching movies inside theaters.AdvertisementContinue reading the main story More

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      Tom Holland Blames His Fit of Giggles for Failing 'Star Wars' Audition

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      Instagram

      Admitting that he was once vying for John Boyega’s role of Finn, the ‘Spider-Man’ star recalls losing his cool in front of casting directors while trying to act with a woman playing a drone.

      Feb 24, 2021
      AceShowbiz – Tom Holland missed out on a role in “Star Wars” because he giggled all the way through his audition.
      The Brit was “four or five auditions in” for the part of Finn when he lost his cool in front of casting directors, while trying to act with a woman playing a drone.
      “I remember doing this scene with this lady, bless her, and she was just a drone,” Tom tells Backstage. “So I was doing all of this, like, ‘We gotta get back to the ship!’ And she was going, ‘Bleep, bloop. bloop, bleep, bloop.’ ”
      “I just couldn’t stop laughing. I found it so funny. And I felt really bad, because she was trying really hard to be a convincing android or drone or whatever they’re called. I obviously didn’t get the part. That wasn’t my best moment.”

        See also…

      John Boyega eventually landed the role of Finn.
      Holland, who went on to land the role of Spider-Man, admits the “Star Wars” audition wasn’t his only nightmare try-out.
      “I’ve read the wrong lines at the wrong audition before,” Tom shares.
      In the same interview, Holland admits he used to pull a little trick to draw more attention from casting directors during his early days of audition. “I would get something really wrong in the first take in the room, so that the casting director would be like, ‘You should try and do it a little bit more like this.’ And then I would do it how I’d actually planned on doing it, and it would show them that I was really good at taking direction,” he reacalls. “That’s a little trick that I used to do, just to kind of show people that I was malleable and able to work with others.”

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      'Spider-Man 3' Stars Unveil First Official Photos, Tease Fans With Hilarious Possible Titles

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      Columbia Pictures

      While Tom Holland, Zendaya and Jacob Batalon confuse fans with the so-claimed titles of the upcoming movie, the first-look pics fuel speculation about rumored ‘Doctor Strange’ crossover.

      Feb 24, 2021
      AceShowbiz – “Spider-Man 3” still has months to go before it’s completed in post-production, but the first official pictures have been uncovered to tide fans over the movie’s winter release. Making their way out via the cast’s social media accounts, they also came with possible titles of the film.
      Tom Holland, Zendaya Coleman and Jacob Batalon made use of their Instagram pages to share a pic of the movie and a title treatment each. The images show their characters, Peter Parker, MJ and Ned, entering a sort of basement of what looks like an old building. In one of the photos, Ned is seen working in front of his laptop with his two friends standing next to him and looking at his laptop screen.

      While the three images are similar to each other and appear to be taken on the same set, it’s not the case with the title treatments. Each of them reveals different title, “Spider-Man: Phone Home”, “Spider-Man: Home Slice” and “Spider-Man: Home-Wrecker”, which the stars all claimed to be the official title of the movie.

      “So excited to announce the new Spider-Man title. Can’t wait for you lot to see what we have been up to. Love from Atlanta,” Holland captioned his post. Zendaya wrote on her own, “So excited to announce the new Spider-Man title. So proud of this one…FOS is back!” Batalon, meanwhile, declared, “We’re so excited to share the TITLE of our new movie!! Swipe right for the big reveal!! also enjoy this exclusive still from the movie, just an extra gift from us.”

        See also…

      The hilarious possible titles aside, the photos have fueled the speculation about a possible “Doctor Strange” crossover. Fans have been guessing if the images show the three “Spider-Man” characters in the Sanctum Sanctorum, which has served as the personal residence of Doctor Strange.
      In related news, Holland appeared on “The Tonight Show Starring Jimmy Fallon” on Tuesday night, February 23 to talk about his upcoming movies, including “Spider-Man 3”. He managed to keep tight-lipped and avoid to spoil any secrets from the movie during his virtual interview with Jimmy Fallon.
      “It would be a miracle if they could have kept that from me,” he said when asked whether Tobey Maguire and Andrew Garfield would have cameos in the movie, though he admitted that he’s obviously read the script from beginning to end.
      The British actor, however, confirmed that his brother Harry Holland has a cameo in the movie, which came about after he played the part of a drug dealing “shaker kid” in “Cherry”. “We kind of had this idea that in every film I would be in, Harry would reprise his role as the shaker kid,” he spilled. “So he is back again in his own sort of, MCU Cinematic Universe as the ecstasy dealing shaker kid.”
      [embedded content]
      The yet-to-be-titled third Spider-Man movie is set for December 17 release in the United States.

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      Viggo Mortensen Kept Close Lid on Funding Issue During 'Falling' Production

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      WENN/Adriana M. Barraza

      During a chat on the ‘Armchair Expert with Dax Shepard’ podcast, the ‘Lord of the Rings’ actor opens up about having just enough money to cover two weeks of filming for his directorial debut.

      Feb 24, 2021
      AceShowbiz – Viggo Mortensen kept the cast and crew of his directorial debut “Falling” in the dark about funding issues after starting production with just enough money to cover two weeks of filming.
      “The Lord of the Rings” actor stars in and directs the new drama, about a man learning to live with his ageing father as he battles dementia, and he reveals no one, apart from his fellow producers, knew that funding was so tight when they started the shoot.
      “Falling took me two, three times [of pitching] really to finally get enough money,” he shared on the “Armchair Expert with Dax Shepard” podcast.
      “When it came right down to it, I’d hoped for a seven week shoot, I ended up with five, and we started shooting knowing – or I knew, I didn’t tell the actors – that we had enough [money] for two weeks and we were gonna keep looking. You know, typical thing in movies.”
      Luckily, the rest of the funding came through just as the existing finances were running out.

        See also…

      “Two weeks in, my co-producer came over to me and said…, ‘You can finish the movie… You can finish shooting’,” he recalled.
      “I said, ‘Of course I’m gonna finish shooting…, it’s going really well’. He goes, ‘No, no, you have the money’, and I go, ‘Oh, oh!’ I’d completely forgot. But sometimes you have to just go for it.”
      Mortensen, who also wrote the screenplay for “Falling”, admits he had been yearning to make his own movies for years, but they were never picked up.
      “It wasn’t for lack of trying,” he admitted of waiting to make his directorial debut. “First time I think I tried to get a movie made that I wanted to direct from a screenplay I’d written once; it was about 25 years ago. I’ve tried many times with different screenplays I’ve written over the years.”

      “Falling” also co-stars Laura Linney, Lance Henriksen, and Sverrir Gudnason.

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      Robbie Williams Enlists 'The Greatest Showman' Helmer to Direct His Biopic

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      Instagram

      The former Take That member has found a director to step behind the lens for the upcoming movie ‘Better Man’ which is going to chronicle his life and career.

      Feb 24, 2021
      AceShowbiz – “The Greatest Showman” director Michael Gracey has signed on to direct a biopic about former Take That star Robbie Williams.
      The filmmaker co-wrote “Better Man” with first-time screenwriters Oliver Cole and Simon Gleeson, according to Deadline, and now the film, which will detail the pop superstar’s life and career highs and lows, including his substance abuse issues, has been given the go-ahead.
      Production is scheduled to begin this summer (21).
      Gracey tells Deadline he and Williams started talking about the film project shortly after the release of “The Greatest Showman”.

        See also…

      “As for how we represent Robbie in the film, that bit is top secret,” the director says. “I want to do this in a really original way. I remember going to the cinema as a kid and there were films that blew me away and made me say as I sat there in the cinema, ‘I’ve never seen this before’. I just want the audience to have that feeling.”
      “It’s so important when they watch this story, and look at the screen, that they literally think, ‘I’ve never seen this before’. All I can say is the approach is top secret, but the goal is to generate that feeling I just described. It’s this fantastical story, and I want to represent it in its harsh reality all the way to these moments of pure fantasy.”
      Gracey, who refuses to confirm or deny if “Angels” singer Williams will appear in the film as himself, insists the movie will be nothing like recent hit biopics “Bohemian Rhapsody” and “Rocketman”.
      “Unlike some people, who were born prodigies or musical geniuses and you follow the narrative of the world catching up to their brilliance, this isn’t that story,” Gracey adds. “Robbie is that everyman, who just dreamed big and followed those dreams and they took him to an incredible place.”
      “Because of that, his is an incredibly relatable story. He’s not the best singer, or dancer, and yet, he managed to sell 80 million records worldwide. You can relate to the guy who doesn’t see himself as having any extraordinary talent, even though of course, he does. What he did have is the will, vision and confidence to say, ‘I’m going to pursue my dream’. For us as an audience, it’s a window into the world, of, ‘What if we just went for it and chased that impossible dream that so many of us put to one side.’ ”

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