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    'Protective' Julie Andrews to Executive Produce Remake of Late Husband's Movie '10'

    Warner Bros.

    The ‘Sound of Music’ actress will be involved as an executive producer for the upcoming remake of Blake Edwards’ classic movie because she feels ‘rather protective’ about it.
    May 18, 2020
    AceShowbiz – Julie Andrews will step behind the camera to executive produce a remake of her late husband Blake Edwards’ hit 1979 movie “10”.
    The 84-year-old actress will work on the new version of the film, a Hollywood composer going through a mid-life crisis who becomes infatuated with a newly married woman, which she starred in alongside Dudley Moore and Bo Derek.
    The new version will take a comedic look at the question of what defines a “perfect 10” in today’s world, reported Deadline.
    Karen McCullah and Kirsten ‘Kiwi’ Smith will write the script, with Sue Kroll, Jeff Nathanson, and Ashok Amritraj also producing.
    “10 holds a special place in my heart. It captures Blake’s charisma and his special humor that I so adore,” Julie shared in a statement.
    “I have long been rather protective about which of Blake’s brilliant works should be re-imagined. I am pleased that today’s film goers will have an opportunity to enjoy a new interpretation of this classic.”
    Further details surrounding the production remain unknown.

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    Rod Stewart Would Love to See Rhys Ifans Play Him in Biopic

    WENN

    The ‘Maggie May’ singer says the actor who once dated his daughter will be a perfect choice to play him if a movie about his life and career is ever being made.
    May 17, 2020
    AceShowbiz – Rod Stewart wants his daughter Kimberly’s ex, actor Rhys Ifans, to play him in his own biopic.
    The British rocker is keen on seeing his life depicted in celluloid after witnessing the success of movies about fellow ’70s stars Elton John and Freddie Mercury.
    And if a film does make it to the big screen, the “Maggie May” hitmaker, 75 believes Rhys, 52, who had an on-off relationship with Kimberly, 40, more than a decade ago, would be perfect for the role – so long as he has the right haircut.
    “Rhys would be a very good idea. (But) he has got to do something with his barnet (hair),” Rod tells BBC Radio 2.
    The musician also floated the idea of his son Alastair, 14, playing him in younger scenes due to having a “remarkable similarity” in their looks.
    Speaking about his hopes for a biopic, Rod adds, “If it does not happen it does not matter but I would be ­flattered if it did. But I tell you what, the Freddie Mercury one was so good. It was rock and roll. It would be hard to get ­something better than that but I would give it a shot.”
    The rock legend is also desperate to get back on the road when the Covid-19 crisis passes.
    “I miss work. I am itching to get back,” he says. “I keep in contact with the band and they keep saying, ‘See you at the ­soundcheck.’ But we don’t know when that is going to be.”

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    Josh Trank Says His Life Is in Shambles After 'Fantastic Four' Remake Flopped

    The ‘Chronicle’ director claims his friends fell away and his career prospects in the entertainment industry diminished following the disastrous superhero movie back in 2015.
    May 17, 2020
    AceShowbiz – “Capone” director Josh Trank’s “Fantastic Four ” disaster inspired his latest movie, revealing he felt like a broken man after his blockbuster flopped.
    Like gangster Al Capone in his final days, Trank started chain-smoking as friends fell away and his career prospects diminished – and it reminded him of Deirdre Capone’s recollections of her uncle at the end of his life.
    “The story paralleled my own life,” he says. “Fantastic Four had just come out and it was a massive box office disaster on a historically unprecedented scale. My career went down in flames. Before that movie fell apart I was in a very enviable position in the industry, where my first movie (Chronicle) came out and it was a number one movie at the box office and was a huge success. I was getting the opportunity to engage with all the biggest franchises and was working at the highest level in our business, and everything fell to pieces.”
    “Before I knew it, I was sitting in my backyard in eerie silence, chain-smoking two packs a day of cigarettes without anyone really calling me, save for some few close friends and family. I was dealing with my own personal trauma from that experience, facing it every day without any sense of my life going in any direction after that.”
    “I remembered the stories about the end of Al Capone’s life, when he was released from Alcatraz (prison) and sitting in his backyard in Palm Island puffing on cigars in his near vegetative state, reflecting on his own self-inflicted drama and all of the unresolved loose ends from a life that he led, maybe 10 years prior when he was the king of the world so to speak.”
    “There he was with his bank account dwindling, his life in shambles and being haunted by memories from his past. I wanted to be able to write about that because I knew that what I was feeling was from a fairly unique experience that needed some sort of a cinematic documentation.”
    The film, which stars Tom Hardy as Capone, is now available on-demand in the U.S.

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    Lynn Shelton, Director of Intimate Comic Dramas, Dies at 54

    Lynn Shelton, the acclaimed director of “Humpday,” “Sword of Trust” and numerous other independent films, died on Friday at a hospital in Los Angeles. She was 54.The cause was a previously unidentified blood disorder, said a spokesman, Adam Kersh.Ms. Shelton was best known for her work as a writer and director of independent films, intimate serio-comic dramas focused on relationships and family, often with complicated women at their centers. She worked in a shaggy, freewheeling style, encouraging actors to improvise and contribute, drawing freely from their own experiences to craft their characters and tell her stories.Lynn Shelton was born on Aug. 27, 1965, in Oberlin, Ohio, and grew up in Seattle, the daughter of Wendy Roedell, a developmental psychologist specializing in early childhood education, and David Shelton, a trial lawyer and mediator-arbitrator. They divorced in 1974.Like her parents, Ms. Shelton attended Oberlin College before returning to the Pacific Northwest to attend the University of Washington School of Drama. She then moved to New York, studying photography and related media at the School of Visual Arts in Manhattan.She was already interested in filmmaking, she told The Times in 2009, but “I just did not have the confidence to do it.” In 2003, she attended a Q&A with the French filmmaker Claire Denis and found herself inspired not only by Ms. Denis’s talent, but also by her tenacity. “I thought: ‘Oh, my God. She was 40 when she made her first film. I thought it was too late for me, so in my head I was, ‘Oh, I still have three more years.’”Ms. Shelton “had to find a backdoor way in,” she said.“I couldn’t even go to film school,” she added, “I had to start making my little movies and learning about editing.”A number of like-minded filmmakers, including her future collaborators Greta Gerwig, the Duplass brothers and Joe Swanberg, were doing the same thing — crafting microbudget, dialogue-driven, semi-improvised features on digital video. Ms. Shelton directed her first, “We Go Way Back,” in 2006; its follow-up, “My Effortless Brilliance,” won her the Someone to Watch Award at the 2009 Film Independent Spirit Awards.But it was “Humpday” that put her on the indie map: It won a Special Jury Prize at the 2009 Sundance Film Festival, was screened as part of the Directors Fortnight program at Cannes and won the John Cassavetes Award (for films costing less than $500,000) at the 2010 Indie Spirits. Stephen Holden of The Times wrote, “The movie’s unblinking observation of a friendship put to the test is amused, queasy making, kindhearted and unfailingly truthful.”Mr. Holden also called it “a Judd Apatow or Kevin Smith buddy film turned inside out,” but Ms. Shelton resisted the temptation to parlay its success into a career in the Hollywood mainstream.Instead, she maintained a home base in Seattle and kept her stories, and budgets, modest, continuing to focus on the interpersonal dynamics of richly drawn characters in subsequent works like “Your Sister’s Sister,” “Laggies” and “Sword of Trust.”That movie, Glenn Kenny wrote in The Times, “is more concerned with its people — marginal folks — and their dreams and disappointments, their fervent belief that with just a bit more dough in their pockets, they could get ahead enough to relax a little.”“The humor,” he added, “has a persistent goofy streak, but what sticks to the ribs is the poignant stuff.”Ms. Shelton subsidized her small-scale film efforts with copious work as a director-for-hire in television, overseeing episodes of “Fresh Off the Boat,” “Mad Men” and “Little Fires Everywhere,” among others.She is survived by her parents; her son, Milo Seal; her husband, Kevin Seal; her brothers, David Shelton and Robert Rynd; a sister, Tanya Rynd; and the comedian and podcaster Marc Maron, with whom she spent the last year of her life.Ms. Shelton met Mr. Maron while directing episodes of his series “Maron” and “G.L.O.W.”; she also directed his two most recent stand-up specials, and she cast him in “Sword of Trust.” In a May 7 interview, Ms. Shelton and Mr. Maron revealed that they were collaborating on a screenplay while sheltering in place.“She was a beautiful, kind, loving, charismatic artist,” Mr. Maron said in a statement. “Her spirit was pure joy.” He added, “This is a horrendous, sad loss.” More

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    New Buddy Holly Biopic Gets 'Driving Miss Daisy' Director

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    The upcoming true-story movie ‘Clear Lake’ about the 1950s rock and roll icon has secured Oscar-winning filmmaker Bruce Beresford to sit behind the lens.
    May 17, 2020
    AceShowbiz – Filmmaker Bruce Beresford will direct new Buddy Holly biopic, “Clear Lake”.
    The director, who picked up four Academy Awards for his 1989 historical drama “Driving Miss Daisy”, has been drawn out of a three-year hiatus to lead the project about the 1950s rock and roll legend.
    “I found myself attracted to Clear Lake because the script tells the tragic story of Buddy Holly and his era in fascinating detail and with vivid characterizations,” Bruce tells The Hollywood Reporter in a statement. “Needless to say, the added plus of all the wonderful music was also a major lure.”
    “Clear Lake” will chart Buddy’s life from the time he was a teenager up until the tragic plane crash that killed him at the tender age of 22 in Clear Lake, Iowa on February 3, 1959. The film will also focus on Holly’s groundbreaking 1958 Biggest Show of Stars trek with Clarence Collins, one of the first truly racially integrated tours in American history, as well as his marriage to Maria Elena Holly, who serves as associate producer on the project.
    Stuart Benjamin, a producer of music biopics “Ray” and “La Bamba”, about Ray Charles and Ritchie Valens, respectively, has also boarded the film, which is being created in tandem with Buddy Holly estate bosses from a script by Patrick Shanahan.
    “Clear Lake” has a tentative autumn 2020 production start date pending approval of new filming safety measures amid the coronavirus pandemic.

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    Tom Hardy Uses Real Gun for Mobster Movie 'Capone'

    Bron Studios

    According to director Josh Trank, he employed a professional weapons wrangler to handle the gun on the movie set when it’s not being used for filming or rehearsal.
    May 17, 2020
    AceShowbiz – Director Josh Trank was so intent on having a real 1920s Tommy gun in his new movie “Capone” a weapons wrangler had to be on set at all times.
    The gun was a real, functioning automatic weapon that would have been lethal if loaded.
    “That was pretty much what everyone wanted to take from the set,” Trank tells WENN. “It was a real gun that they made.”
    “Because it’s a functioning automatic weapon, which is illegal for a civilian to own, we had to have a professional gun wrangler, who was the only person allowed to handle it unless Tom Hardy was carrying it for the scene or to rehearse with it.”
    “The gun wrangler would stand from a safe distance and just observe. At one point I was allowed to hold it for a picture, which is on my Instagram. It’s a great picture.”
    The gun helped Hardy get into character as ruthless gangster Al Capone as did the contact lenses and makeup created by Audrey Doyle, who won a BAFTA award for her work with Hardy on the series “Taboo”.
    “We spent a good year and a half throwing ideas back and forth about every aspect of his (Capone) physicality, and the voice and the wardrobe,” Trank explains. “We played around with the different phases of the syphilitic scarring. What I did notice as we got into a more refined place with the look of Tom in the film, for me in an observational way it was undeniable how Brando-like he looks. In addition to a prosthetic make-up look that we had formed, there were a series of contact lenses specifically designed for the various stages of his physical decline throughout the film.”
    “I believe there were about four different contact lenses, starting out with a little bit of red in the eyes, then more darkness to the red and by the very last scene in the movie they were fully inflamed (bloodshot). They don’t seem to be comfortable from what I could tell. In some way that lack of comfort contributed to the performance in a lot of ways.”
    “Then he had five hours of prosthetics caked onto his face where there’s a certain amount of brain sensation that comes with the kind of chemicals (for the adhesive) they need to get it on him. I’m certain all of that led him to portray somebody who’s in a physically degenerative state.”
    “Capone” is now available as an on-demand release in the U.S.

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    'Slumdog Millionaire' Director Danny Boyle Tapped for Michael B. Jordan's Biblical Film 'Methuselah'

    WENN

    After getting a director, the long-delayed ‘Methuselah’ adaptation is now allegedly seeking ‘Slumdog Millionaire’ screenwriter Simon Beaufoy to rework the script.
    May 17, 2020
    AceShowbiz – Moviemaker Danny Boyle has signed on to take charge of Michael B. Jordan’s planned “Methuselah” adaptation.
    “Spider-Man: Homecoming” director Jon Watts had been in talks for the gig last year 2019 when the film was described as a Biblical epic starring Jordan as the titular protagonist, who has managed to survive for over 400 years, while maintaining his youthful appearance.
    However, according to Variety, the project’s concept has since changed, and Warner Bros. studio bosses are now seeking to bring Boyle’s “Slumdog Millionaire” screenwriter Simon Beaufoy onboard to revamp the script, which was previously drafted by “The Bourne Legacy” writer/director Tony Gilroy.
    “Methuselah” has been in development for several years and at one time had Tom Cruise attached as its leading man.
    “Black Panther” actor Jordan was recruited to star in early 2019 and he will also co-produce the movie via his Outlier Society company.

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    Kevin Hart Offers Movie Role to Coronavirus Frontline Doctor

    Instagram

    The ‘Get Hard’ movie surprises a coronavirus frontliner with a role in his new movie and reveals the doctor will also get a full star treatment on the set.
    May 16, 2020
    AceShowbiz – Kevin Hart surprised a doctor battling the coronavirus on the frontline with the prize of a lifetime – a role in his next movie.
    Kevin offered the reward as part of the All In Challenge – for which a host of stars have offered up incredible prizes to those who donate $10 or more to help those going hungry during the Covid-19 pandemic.
    Anaesthesiologist Henry Law from New Jersey won the role in the draw and Kevin jumped on a video call to offer him the speaking part in his next film in person.
    The comedian, who shared a video of the encounter on Instagram, told the bewildered doctor that in addition to the speaking part he would get full star treatment, including a stay in a five star hotel and his own trailer and assistant on set.
    The “Get Hard” star added, “Look, this makes us friends, man. I’m glad that you won, I couldn’t have asked for a better winner. You look like the part that you are about to get.”

    Henry said he was “so excited” to work on the film and meet Hart and explained how before entering he had found it “heartbreaking” seeing patients battle the virus in hospital and millions of Americans lose their jobs due to the economic damage caused by the pandemic.

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