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    Josh Trank Says His Life Is in Shambles After 'Fantastic Four' Remake Flopped

    The ‘Chronicle’ director claims his friends fell away and his career prospects in the entertainment industry diminished following the disastrous superhero movie back in 2015.
    May 17, 2020
    AceShowbiz – “Capone” director Josh Trank’s “Fantastic Four ” disaster inspired his latest movie, revealing he felt like a broken man after his blockbuster flopped.
    Like gangster Al Capone in his final days, Trank started chain-smoking as friends fell away and his career prospects diminished – and it reminded him of Deirdre Capone’s recollections of her uncle at the end of his life.
    “The story paralleled my own life,” he says. “Fantastic Four had just come out and it was a massive box office disaster on a historically unprecedented scale. My career went down in flames. Before that movie fell apart I was in a very enviable position in the industry, where my first movie (Chronicle) came out and it was a number one movie at the box office and was a huge success. I was getting the opportunity to engage with all the biggest franchises and was working at the highest level in our business, and everything fell to pieces.”
    “Before I knew it, I was sitting in my backyard in eerie silence, chain-smoking two packs a day of cigarettes without anyone really calling me, save for some few close friends and family. I was dealing with my own personal trauma from that experience, facing it every day without any sense of my life going in any direction after that.”
    “I remembered the stories about the end of Al Capone’s life, when he was released from Alcatraz (prison) and sitting in his backyard in Palm Island puffing on cigars in his near vegetative state, reflecting on his own self-inflicted drama and all of the unresolved loose ends from a life that he led, maybe 10 years prior when he was the king of the world so to speak.”
    “There he was with his bank account dwindling, his life in shambles and being haunted by memories from his past. I wanted to be able to write about that because I knew that what I was feeling was from a fairly unique experience that needed some sort of a cinematic documentation.”
    The film, which stars Tom Hardy as Capone, is now available on-demand in the U.S.

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    Lynn Shelton, Director of Intimate Comic Dramas, Dies at 54

    Lynn Shelton, the acclaimed director of “Humpday,” “Sword of Trust” and numerous other independent films, died on Friday at a hospital in Los Angeles. She was 54.The cause was a previously unidentified blood disorder, said a spokesman, Adam Kersh.Ms. Shelton was best known for her work as a writer and director of independent films, intimate serio-comic dramas focused on relationships and family, often with complicated women at their centers. She worked in a shaggy, freewheeling style, encouraging actors to improvise and contribute, drawing freely from their own experiences to craft their characters and tell her stories.Lynn Shelton was born on Aug. 27, 1965, in Oberlin, Ohio, and grew up in Seattle, the daughter of Wendy Roedell, a developmental psychologist specializing in early childhood education, and David Shelton, a trial lawyer and mediator-arbitrator. They divorced in 1974.Like her parents, Ms. Shelton attended Oberlin College before returning to the Pacific Northwest to attend the University of Washington School of Drama. She then moved to New York, studying photography and related media at the School of Visual Arts in Manhattan.She was already interested in filmmaking, she told The Times in 2009, but “I just did not have the confidence to do it.” In 2003, she attended a Q&A with the French filmmaker Claire Denis and found herself inspired not only by Ms. Denis’s talent, but also by her tenacity. “I thought: ‘Oh, my God. She was 40 when she made her first film. I thought it was too late for me, so in my head I was, ‘Oh, I still have three more years.’”Ms. Shelton “had to find a backdoor way in,” she said.“I couldn’t even go to film school,” she added, “I had to start making my little movies and learning about editing.”A number of like-minded filmmakers, including her future collaborators Greta Gerwig, the Duplass brothers and Joe Swanberg, were doing the same thing — crafting microbudget, dialogue-driven, semi-improvised features on digital video. Ms. Shelton directed her first, “We Go Way Back,” in 2006; its follow-up, “My Effortless Brilliance,” won her the Someone to Watch Award at the 2009 Film Independent Spirit Awards.But it was “Humpday” that put her on the indie map: It won a Special Jury Prize at the 2009 Sundance Film Festival, was screened as part of the Directors Fortnight program at Cannes and won the John Cassavetes Award (for films costing less than $500,000) at the 2010 Indie Spirits. Stephen Holden of The Times wrote, “The movie’s unblinking observation of a friendship put to the test is amused, queasy making, kindhearted and unfailingly truthful.”Mr. Holden also called it “a Judd Apatow or Kevin Smith buddy film turned inside out,” but Ms. Shelton resisted the temptation to parlay its success into a career in the Hollywood mainstream.Instead, she maintained a home base in Seattle and kept her stories, and budgets, modest, continuing to focus on the interpersonal dynamics of richly drawn characters in subsequent works like “Your Sister’s Sister,” “Laggies” and “Sword of Trust.”That movie, Glenn Kenny wrote in The Times, “is more concerned with its people — marginal folks — and their dreams and disappointments, their fervent belief that with just a bit more dough in their pockets, they could get ahead enough to relax a little.”“The humor,” he added, “has a persistent goofy streak, but what sticks to the ribs is the poignant stuff.”Ms. Shelton subsidized her small-scale film efforts with copious work as a director-for-hire in television, overseeing episodes of “Fresh Off the Boat,” “Mad Men” and “Little Fires Everywhere,” among others.She is survived by her parents; her son, Milo Seal; her husband, Kevin Seal; her brothers, David Shelton and Robert Rynd; a sister, Tanya Rynd; and the comedian and podcaster Marc Maron, with whom she spent the last year of her life.Ms. Shelton met Mr. Maron while directing episodes of his series “Maron” and “G.L.O.W.”; she also directed his two most recent stand-up specials, and she cast him in “Sword of Trust.” In a May 7 interview, Ms. Shelton and Mr. Maron revealed that they were collaborating on a screenplay while sheltering in place.“She was a beautiful, kind, loving, charismatic artist,” Mr. Maron said in a statement. “Her spirit was pure joy.” He added, “This is a horrendous, sad loss.” More

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    New Buddy Holly Biopic Gets 'Driving Miss Daisy' Director

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    The upcoming true-story movie ‘Clear Lake’ about the 1950s rock and roll icon has secured Oscar-winning filmmaker Bruce Beresford to sit behind the lens.
    May 17, 2020
    AceShowbiz – Filmmaker Bruce Beresford will direct new Buddy Holly biopic, “Clear Lake”.
    The director, who picked up four Academy Awards for his 1989 historical drama “Driving Miss Daisy”, has been drawn out of a three-year hiatus to lead the project about the 1950s rock and roll legend.
    “I found myself attracted to Clear Lake because the script tells the tragic story of Buddy Holly and his era in fascinating detail and with vivid characterizations,” Bruce tells The Hollywood Reporter in a statement. “Needless to say, the added plus of all the wonderful music was also a major lure.”
    “Clear Lake” will chart Buddy’s life from the time he was a teenager up until the tragic plane crash that killed him at the tender age of 22 in Clear Lake, Iowa on February 3, 1959. The film will also focus on Holly’s groundbreaking 1958 Biggest Show of Stars trek with Clarence Collins, one of the first truly racially integrated tours in American history, as well as his marriage to Maria Elena Holly, who serves as associate producer on the project.
    Stuart Benjamin, a producer of music biopics “Ray” and “La Bamba”, about Ray Charles and Ritchie Valens, respectively, has also boarded the film, which is being created in tandem with Buddy Holly estate bosses from a script by Patrick Shanahan.
    “Clear Lake” has a tentative autumn 2020 production start date pending approval of new filming safety measures amid the coronavirus pandemic.

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    Tom Hardy Uses Real Gun for Mobster Movie 'Capone'

    Bron Studios

    According to director Josh Trank, he employed a professional weapons wrangler to handle the gun on the movie set when it’s not being used for filming or rehearsal.
    May 17, 2020
    AceShowbiz – Director Josh Trank was so intent on having a real 1920s Tommy gun in his new movie “Capone” a weapons wrangler had to be on set at all times.
    The gun was a real, functioning automatic weapon that would have been lethal if loaded.
    “That was pretty much what everyone wanted to take from the set,” Trank tells WENN. “It was a real gun that they made.”
    “Because it’s a functioning automatic weapon, which is illegal for a civilian to own, we had to have a professional gun wrangler, who was the only person allowed to handle it unless Tom Hardy was carrying it for the scene or to rehearse with it.”
    “The gun wrangler would stand from a safe distance and just observe. At one point I was allowed to hold it for a picture, which is on my Instagram. It’s a great picture.”
    The gun helped Hardy get into character as ruthless gangster Al Capone as did the contact lenses and makeup created by Audrey Doyle, who won a BAFTA award for her work with Hardy on the series “Taboo”.
    “We spent a good year and a half throwing ideas back and forth about every aspect of his (Capone) physicality, and the voice and the wardrobe,” Trank explains. “We played around with the different phases of the syphilitic scarring. What I did notice as we got into a more refined place with the look of Tom in the film, for me in an observational way it was undeniable how Brando-like he looks. In addition to a prosthetic make-up look that we had formed, there were a series of contact lenses specifically designed for the various stages of his physical decline throughout the film.”
    “I believe there were about four different contact lenses, starting out with a little bit of red in the eyes, then more darkness to the red and by the very last scene in the movie they were fully inflamed (bloodshot). They don’t seem to be comfortable from what I could tell. In some way that lack of comfort contributed to the performance in a lot of ways.”
    “Then he had five hours of prosthetics caked onto his face where there’s a certain amount of brain sensation that comes with the kind of chemicals (for the adhesive) they need to get it on him. I’m certain all of that led him to portray somebody who’s in a physically degenerative state.”
    “Capone” is now available as an on-demand release in the U.S.

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    'Slumdog Millionaire' Director Danny Boyle Tapped for Michael B. Jordan's Biblical Film 'Methuselah'

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    After getting a director, the long-delayed ‘Methuselah’ adaptation is now allegedly seeking ‘Slumdog Millionaire’ screenwriter Simon Beaufoy to rework the script.
    May 17, 2020
    AceShowbiz – Moviemaker Danny Boyle has signed on to take charge of Michael B. Jordan’s planned “Methuselah” adaptation.
    “Spider-Man: Homecoming” director Jon Watts had been in talks for the gig last year 2019 when the film was described as a Biblical epic starring Jordan as the titular protagonist, who has managed to survive for over 400 years, while maintaining his youthful appearance.
    However, according to Variety, the project’s concept has since changed, and Warner Bros. studio bosses are now seeking to bring Boyle’s “Slumdog Millionaire” screenwriter Simon Beaufoy onboard to revamp the script, which was previously drafted by “The Bourne Legacy” writer/director Tony Gilroy.
    “Methuselah” has been in development for several years and at one time had Tom Cruise attached as its leading man.
    “Black Panther” actor Jordan was recruited to star in early 2019 and he will also co-produce the movie via his Outlier Society company.

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    Kevin Hart Offers Movie Role to Coronavirus Frontline Doctor

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    The ‘Get Hard’ movie surprises a coronavirus frontliner with a role in his new movie and reveals the doctor will also get a full star treatment on the set.
    May 16, 2020
    AceShowbiz – Kevin Hart surprised a doctor battling the coronavirus on the frontline with the prize of a lifetime – a role in his next movie.
    Kevin offered the reward as part of the All In Challenge – for which a host of stars have offered up incredible prizes to those who donate $10 or more to help those going hungry during the Covid-19 pandemic.
    Anaesthesiologist Henry Law from New Jersey won the role in the draw and Kevin jumped on a video call to offer him the speaking part in his next film in person.
    The comedian, who shared a video of the encounter on Instagram, told the bewildered doctor that in addition to the speaking part he would get full star treatment, including a stay in a five star hotel and his own trailer and assistant on set.
    The “Get Hard” star added, “Look, this makes us friends, man. I’m glad that you won, I couldn’t have asked for a better winner. You look like the part that you are about to get.”

    Henry said he was “so excited” to work on the film and meet Hart and explained how before entering he had found it “heartbreaking” seeing patients battle the virus in hospital and millions of Americans lose their jobs due to the economic damage caused by the pandemic.

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    George Miller Ditches Charlize Theron for Younger Actress in 'Mad Max' Spin-Off

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    The ‘Mad Max: Fury Road’ director prefers casting a younger star as he abandons plans to make the original Furiosa depicter look younger for the upcoming spinoff.
    May 16, 2020
    AceShowbiz – Charlize Theron’s dreams of reprising her “Mad Max: Fury Road” character Furiosa for a new spin-off has been dashed by director George Miller.
    The filmmaker admits he did consider making the Oscar winner look younger, using the same computer-generated technology that made Robert De Niro look younger in last year’s 2019 “The Irishman”, but realised he couldn’t make a whole movie that way – and now he has abandoned the idea.
    “For the longest time, I thought we could just use CG de-ageing on Charlize, but I don’t think we’re nearly there yet,” Miller said in an interview with The New York Times. “Despite the valiant attempts on The Irishman, I think there’s still an uncanny valley. Everyone is on the verge of solving it, particular Japanese video-game designers, but there’s still a pretty wide valley, I believe.”
    But Theron has seen the script for the “Furiosa” spin-off as she was given that to help her create a background for her character. “It was purely a way of helping Charlize and explaining it to ourselves,” Miller explains.
    Rosie Huntington-Whiteley, who appeared in “Fury Road”, says, “I got to read it when I was cast. It’s genius. I’ve always wondered if that movie’s going to get made.”
    Reports suggest Anya Taylor-Joy is the front-runner to play the younger version of Charlize’s “Furiosa”.
    Meanwhile, “Mad Max” star Tom Hardy has revealed there are plans for him to star in another two films and Theron has stated she’d return for another film if Miller directs.
    The two actors recently went public with their feud on the set, telling The New York Times they both could have done more to be better castmates.

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    SAG Awards Follows Oscars to Adjust Movie Eligibility Rules Amid Pandemic

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    The Screen Actors Guild is taking a page out of the Academy’s book to allow movies released on streaming platforms for submission amid the ongoing coronavirus pandemic.
    May 16, 2020
    AceShowbiz – Officials at the Screen Actors Guild Awards will consider movies not released in theatres as part of the 2021 ceremony.
    After Oscars bosses made a similar move for next year’s 2021 event, the SAG organisation informed studios that they will now be considering movies with a planned theatrical release to be eligible if streamed or released first.
    The change comes after a number of high profile movies, including “No Time to Die” starring Daniel Craig, “Top Gun: Maverick”, “Mulan”, and “Black Widow”, were pushed back amid the coronavirus shutdown.
    “We are still revising our film release criteria but will be following the Academy’s rule change to allow titles with a planned theatrical release to be eligible if streamed or released on VOD first,” a statement from the organisation confirmed, reported Variety.
    “Full language will be announced in June along with the rest of our rules.”
    The official film rules for the 2021 SAG Awards won’t be fully released until next month, June 2020, and the 2021 SAG Awards do not have a scheduled air date yet.

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