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      ‘Joker: Folie à Deux’ to Compete at Venice Film Festival

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      Pedro Almodóvar’s first English-language feature and new movies from Luca Guadagnino and Pablo Larraín will also debut at this year’s event.“Joker: Folie à Deux,” Todd Phillips’s comic-book sequel starring Joaquin Phoenix and Lady Gaga, will compete for the Golden Lion at this year’s Venice International Film Festival.The movie’s participation, which festival organizers announced during a news conference on Tuesday to reveal the lineup, comes five years after Phillips’s “Joker” — which told the Batman villain’s origin story — won the same prize at Venice’s 76th edition, paving the way for its two Oscar wins.Phillips’s movie will face starry competition for the Golden Lion, including from Pedro Almodóvar’s first English-language feature, “The Room Next Door,” starring Julianne Moore and Tilda Swinton, and Pablo Larraín’s “Maria,” a biopic of the opera singer Maria Callas with Angelina Jolie in the lead.Also in competition will be Luca Guadagnino’s “Queer,” an adaptation of a short novel by William S. Burroughs that follows a drug addict (Daniel Craig) as he undergoes withdrawal in Mexico City and becomes infatuated with an American drifter (Drew Starkey); Halina Reijn’s erotic thriller “Babygirl” starring Nicole Kidman as a manager who starts an affair; and Justin Kurzel’s “The Order,” with Jude Law as an F.B.I. agent investigating a white supremacist terrorist organization.Altogether, 21 movies will compete for the top prize at Venice’s 81st edition, which is scheduled to run Aug. 28 through Sep. 7. A nine-person jury led by Isabelle Huppert, the French actor, will choose the Golden Lion winner, which is announced on the festival’s final day.This year’s competition will include, from top left, “The Room Next Door,” “Maria,” “The Order,” and “Queer.”Iglesias Más; Michelle Faye; Yannis DrakoulidisThis year’s star-studded lineup suggests the impact of last year’s Hollywood strikes on the movie industry’s schedules is waning. Those strikes wrought havoc at last year’s festival, with the MGM studio pulling Guadagnino’s tennis drama “Challengers” from the lineup, and many actors and directors staying away to avoid breaking strike terms.At Tuesday’s news conference, Alberto Barbera, the festival’s artistic director, said that “Joker: Folie à Deux” showed Phoenix and Lady Gaga’s characters stuck in an asylum awaiting trial.“Nobody can imagine what Todd and his screenwriters have imagined,” Barbera said, adding that Phoenix’s performance was “incredible.”Venice’s organizers had announced some of this year’s lineup before Tuesday’s news conference, including this year’s opening movie, which won’t compete for the Golden Lion: “Beetlejuice Beetlejuice,” Tim Burton’s sequel to his 1988 comedy horror. The new movie has Michael Keaton return to play the title role, and also stars Winona Ryder and Catherine O’Hara.Another high-profile movie appearing out of competition is Jon Watts’s comedic thriller “Wolfs,” starring George Clooney and Brad Pitt as professional fixers who are hired to cover up the same crime. There are also movies by directors less familiar to Western audiences, including the Japanese director Kiyoshi Kurosawa, with “Cloud,” and the Georgian filmmaker Dea Kulumbegashvili, who is showing “April.”In recent years, the Venice Film Festival has gained a reputation for debuting Oscar contenders. Last year, Yorgos Lanthimos’s “Poor Things,” starring Emma Stone, won the Golden Lion for best film and Stone went on to win best actress at this year’s Academy Awards. More

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      ‘Barb and Star Go to Vista Del Mar’ Deserves a Second Chance

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      “Barb and Star Go to Vista Del Mar” has been woefully neglected. Maybe it was the culottes? But it will fill the “Barbie”-size hole in your summer.Three years ago, deep in the bleak pandemic winter, we were blessed with a strange, movie-shaped gift. Starring and written by two of our most talented comedians, it was at once satirical, sincere, good-hearted and neon-colored. It took place mostly on a Florida beach. There were some dance numbers, a remix of “My Heart Will Go On,” a bunch of colorful sugar-bomb cocktails and an obsessive attention to culottes. The jokes came fast and furiously. A crab talked in a voice that sounded like Morgan Freeman. It was, in a word, perfect.I’m writing, of course, of “Barb and Star Go to Vista Del Mar,” one of the more criminally underrated films in recent years. That fate was mostly inevitable; theaters weren’t open in many markets in February 2021, and matters like “time” and “release schedules” were nebulous, mushy concepts. The fact that “Barb and Star” was written by its leads, Kristen Wiig and Annie Mumolo, the same pair of friends who wrote the paradigm-shifting “Bridesmaids” 10 years earlier, somehow didn’t propel it into the spotlight. (We were all too busy obsessing over “WandaVision.”)But I’ve found myself thinking about “Barb and Star” (available to buy or rent on most major platforms) in the years since, in part because of last year’s megahit “Barbie.” That movie’s greatest pleasure was its tone: zany, bright, heightened, self-aware, a little meta and very sweet. It had winking jokes and magical realism and a heartfelt message, and that made it feel fresh and unusual which, indeed, it was.Crank up the “Barbie” tone by a factor of five, toss in a bag of glitter and a blue cocktail in a huge fishbowl, add just a tiny touch of raunch, and you get “Barb and Star.” The tale concerns the titular middle-aged Midwesterners, played by Mumolo and Wiig, best friends who live in Soft Rock, Neb., and work at Jennifer Convertibles — the couch store. Barb is a widow, and Star (short for “Starbara”) is divorced. They have identical poofy haircuts and they sleep in twin beds; they belong to a Talking Club run by an imperious woman (Vanessa Bayer) and have never really left their hometown.A transcendent Jamie Dornan stars alongside Wiig and Mumolo.LionsgateBut after an unfortunate layoff at Jennifer Convertibles, Barb and Star are inspired to do something unexpected to get their shimmer back. A chance encounter with a tanned acquaintance leads in one direction: a week in Vista Del Mar, Fla. What they don’t know is that Edgar (Jamie Dornan, transcendent) will be there too, at the behest of a villainess named Sharon Gordon Fisherman, also played by Wiig. He worships her; she barely tolerates him, but has promised that if they can pull off her evil plot, they can be an “official couple.” Which is all he wants in all the world.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Barbra Streisand, Spike Lee and Other Stars Endorse Harris

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      Barbra Streisand lent her support to Vice President Kamala Harris on Monday, becoming the latest in a series of high-profile stars and celebrities who have coalesced around her candidacy since President Biden endorsed her as his successor.“President Biden and Vice President Harris ushered this nation out of the Trump chaos,” she said in a statement to The New York Times on Monday. “I’m so grateful to President Biden and so excited to support Kamala Harris. She will work to restore women’s reproductive freedom and continue with the accomplishments begun in the Biden-Harris administration.”Ms. Streisand praised Mr. Biden as “an honorable and compassionate leader” and called former President Donald J. Trump “a convicted felon” and a “pathological liar” who had been found liable for sexual assault and who had “incited an insurrection against our democracy.”Endorsements from Hollywood’s most recognizable figures can add cultural cache to candidates, and have traditionally helped campaigns raise money, turn out crowds at rallies and generate excitement on social media. Some campaigns have been leery of appearing too close to celebrities, fearing accusations of elitism. Both parties seek them; at the Republican National Convention last week, Hulk Hogan, Kid Rock and Dana White were among the celebrities supporting Mr. Trump.Since Mr. Biden announced he would not seek re-election, some stars have praised his decision, others have gotten behind Ms. Harris, and a few who made their views known earlier in the cycle have stayed quiet. Here’s a look at where some notable names in Hollywood now stand:George ClooneyMr. Clooney’s essay in The New York Times this month calling on Mr. Biden to not seek re-election rattled the Biden team and dealt a highly visible blow to the campaign at a particularly vulnerable moment, underscoring the power that stars can wield.A spokesman for Mr. Clooney said on Monday that the actor was not commenting on the latest developments in the race.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      ‘Barbie’ Was Supposed to Change Hollywood. Many See ‘No Effect.’

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      The film was a global phenomenon and seemed to herald a new era of embracing stories by, about and for women. What happened?When “Barbie” was released in 2023, it quickly became a phenomenon. It was the top box office film of the year, earning $1.4 billion worldwide, and it became Warner Bros.’s highest-grossing film ever, outpacing both “Dark Knight” movies, “Wonder Woman” and every chapter in the “Harry Potter” franchise.It was a DayGlo-pink rebuttal to decades of conventional Hollywood thinking, and its success seemed to herald a new paradigm for the film industry. Movies written and directed by women and focused on female protagonists could attract enormous audiences to multiplexes around the world.Yet in the 12 months since the movie’s release, little has changed in Hollywood. Buffeted by dual labor strikes that went on for months and a general retrenchment by entertainment companies trying to navigate the economics of the streaming era, the industry has retreated to its usual ways of doing business.The box office is down 17 percent from last year at this time, and studios spooked by a fickle audience (yes to “Twisters,” no to “Fall Guy”) are again questioning the reliability of the theatrical marketplace. Films released in 2023 featured the same number of girls or women in a leading role as in 2010, according to a report from the University of Southern California’s Annenberg Inclusion Initiative. Ask around Hollywood and the consensus seems to be that “Barbie” is a singular success, a gargantuan feat helmed by particular talents, the writer-director Greta Gerwig and the star Margot Robbie. Translation: Don’t expect a lot of movies like that in theaters anytime soon.“‘Barbie’ had no effect,” said Stacy L. Smith, the founder of the inclusion initiative, which studies inequality in Hollywood. “It’s perceived cognitively as a one-off. They have individuated the Margot Robbie, Greta Gerwig success and haven’t thought about how their own decision-making could be different and inclusive to create a new path forward.“Like most things with this industry, they’re like, ‘Oh, this is neat and shiny,’ and then they go right back to the way they’ve always been.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      A New Era for the Teenage Mutant Ninja Turtles Begins

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      As a comic book series to honor the Turtles’ 40th anniversary debuts, here’s a look back at their milestones.The Teenage Mutant Ninja Turtles are getting a new comic book series Wednesday, from IDW Publishing, to commemorate their 40th anniversary. Leonardo, Donatello, Raphael and Michelangelo have come a long way from their early comics days as turtles who, after being exposed to a mysterious green ooze, turned into sewer-dwelling heroes. They made the leap to animation, video games and merchandise. Here’s a look at some significant moments in Turtle history — and a glimpse at what lies ahead.WHERE IT BEGANThe cover of the first Teenage Mutant Ninja Turtles, from 1984. “We took our favorite things and kind of put it into a blender,” a creator, Kevin Eastman, said.Kevin Eastman/IDW PublishingThe Turtles were created by Kevin Eastman and Peter Laird, two die-hard comic book fans in New Hampshire whose influences included ninjas by Frank Miller, the X-Men and the work of the comic book artist Jack Kirby. In imagining the Turtles, “we took our favorite things and kind of put it into a blender,” Eastman said in a phone interview, adding that they never thought the Turtles would be such a huge success. There is no “To Be Continued” at the end of the first issue, which was published in 1984, because “we never thought there’d be a second,” Eastman said. (They were wrong, of course. They both eventually quit their day jobs to focus on the Turtles.)THE FIRST ANIMATED SERIESThe animated series introduced the Turtles’ love of pizza.ParamountThe “Teenage Mutant Ninja Turtles” animated TV series came out in December 1987, and it aired until 1996. It took a lighter tone than the comic, making it more suitable for younger audiences. In another instance of how far-fetched the success seemed at the time, Eastman recalled proudly telling his mother about the series, which would premiere around Christmas. But, he said in the interview, she didn’t believe him until she read it in TV Guide. The cartoon helped cement Turtles as a cultural and commercial phenomenon — and added pizza to their routine. And “by 1990, if you wanted to have a complete Ninja Turtles day, you could wake up in Turtles bedsheets wearing your Turtles pajamas, have your Turtles toothbrush and eat your cereal out of a Turtles bowl,” said Andrew Farago, the curator of the Cartoon Art Museum in San Francisco and the author of a Turtles visual history.FEMALE TURTLESJennika went from human enemy to turtle ally.Brahm Revel/IDW PublishingWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Leslie Uggams of ‘Deadpool & Wolverine’ Is a Fan of Nat King Cole and Billie Eilish

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      The actress, nominated for an Emmy and Golden Globe for her performance in “Roots,” is still going strong with appearances in the TV series “Fallout” and the upcoming movie “Deadpool & Wolverine.”The veteran singer and actress Leslie Uggams likes to be busy.“Even when I’m home and I get to relax,” she said in a phone interview from her home in New York, “I have to be doing something — cooking, doing a puzzle — something.”The 81-year-old has kept busy since she made her debut at age 6 as Ethel Waters’s niece in the 1950s sitcom “Beulah.” The career that followed included an adolescence spent singing and dancing at the Apollo Theater; hosting her own televised variety show in 1969 (Sammy Davis Jr. and Dick Van Dyke were among her guests); winning a lead actress Tony in 1968 for the musical “Hallelujah, Baby!”; and earning an Emmy and Golden Globe nomination for portraying Kizzy in the 1977 mini-series “Roots.”Keeping ever current, Uggams appeared in the 2023 film “American Fiction,” performed in “Jelly’s Last Jam” at New York City Center last winter, then did a cabaret run at 54 Below.”After seven decades, I am still going strong,” she said.Uggams’s latest role, as the Vault official Betty Pearson on the TV series “Fallout,” has attracted a new wave of sci-fi devotees. (“I’m getting a lot of fan mail about Betty.”) And she’s returning as the feisty, foul-mouthed Blind Al in “Deadpool & Wolverine,” opening July 26.“I am still riding the wave,” Uggams said, while reminiscing about her family, the author of “Roots” and the way the Apollo toughened her up as a performer. These are edited excerpts from the conversation.1Alex Haley, ‘Roots’ AuthorHe changed my life, not just because of being cast in “Roots.” He gave me and the world an understanding of ancestry and the importance of knowing our true history, not just what’s taught (or not taught) in schools.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sundance Institute Announces Six Finalists for Its New Home

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      The organization, and its influential film festival, may stay in Park City, Utah, or move to another location like Atlanta or Cincinnati.The Sundance Institute announced on Friday that its search for a home has been narrowed to six finalists: Atlanta; Cincinnati; Boulder, Colo.; Louisville, Ky.; Santa Fe, N.M.; and its current locale, Park City, Utah, which would team up with the city down the mountain, Salt Lake City.Sundance, whose annual influential film festival has made the organization synonymous with the snowy mountain town of Park City for the past 40 years, announced in April that it was reviewing whether it should move when its current contract with the city ended after the 2026 event, which traditionally takes place in January. (The timing of the festival will remain the same no matter where it is held.)The 10-day event often pushes Park City to its limits, with snarled traffic and exorbitant rental prices.When evaluating the individual locations, Sundance said it focused on logistical concerns, infrastructure issues and a city’s commitment to artistic endeavors and its ability to capitalize on its local film community.“Each of these cities has a vibrant creative ecosystem, either expanding or established, and has enabled creativity to flourish in their cities through their support of the arts,” Eugene Hernandez, Sundance’s festival director and director of public programming, said in a statement.Sundance, which was founded by Robert Redford in 1981 and moved to Park City in 1985, continues to be the dominant festival for independent film. When Steven Soderbergh’s film “Sex, Lies and Videotape” debuted there in 1989, it was seen as a transformational moment for independent moviemakers. For the 2024 edition, the festival received a record number of submissions, over 17,000 from 153 countries. More

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      How Accurate Is the Science in ‘Twisters’?

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      Sean Waugh holds a laptop with green, red and yellow weather radar looping as his driver rumbles down an Oklahoma highway in their government-issued truck. The vehicle holds 50 gallons of fuel, so they can chase storms all day. A rectangular cage with metal mesh covers the truck in an attempt to protect the team from hail. Hanging off the front of the hail cage are weather instruments that look like the horn of a rhinoceros charging into a storm.The truck, called Probe One, points in one direction, and a companion, Probe Two, points in another. Tall grass flows like ocean waves, and the stop sign at a crossroads wobbles. The sky is dark gray with a hint of green. Lightning flashes on all sides.The radio cracks. “Probe One, you want us to go?”“Yes, go now,” says Dr. Waugh, a researcher with the National Severe Storms Laboratory.As they disappear into the mist, another storm chaser emerges: Reed Timmer, who has a large social media following, pulls in front in one of his tank-like trucks, called the Dominator.It’s just the scientist, the YouTube star and a lonely farmhouse.Sean Waugh’s job is to get close to storms. He’s lately become a Hollywood movie consultant in his spare time.Reto Sterchi for The New York TimesReto Sterchi for The New York TimesWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More