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    Steven Spielberg's Youngest Son Makes Feature Film Debut in 'Honeydew'

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    The horror film, which will see Sawyer Spielberg starring alongside Malin Barr and Barbara Kingsley, will be presented to buyers at the European Film Market in Berlin, Germany.
    Feb 15, 2020
    AceShowbiz – Steven Spielberg’s son has made his lead movie debut in new horror film “Honeydew”.
    Sawyer Spielberg, the moviemaker’s youngest son, appears alongside Malin Barr and Barbara Kingsley in director Devereux Milburn’s movie, which will be presented to buyers at the European Film Market in Berlin, Germany next week (begins February 17).
    Milburn calls the film “a modern-day Hansel and Gretel story.”
    Sawyer, 27, made a brief appearance in his dad’s 2017 movie “The Post” and has also directed a video short, titled “Breathe”.

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    Zoe Kravitz: Filming 'The Batman' With Robert Pattinson Is Going to Be Such an Adventure

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    The ‘Big Little Lies’ actress, who will be seen as Catwoman in the superhero movie, reveals that she and her ‘delightful’ co-star have been training and rehearsing together.
    Feb 15, 2020
    AceShowbiz – Zoe Kravitz loves working with Robert Pattinson on “The Batman” and described the actor as “perfect” for the role.
    The 31-year-old actress, who plays Catwoman alongside the 33-year-old actor’s Caped Crusader, opened up in a new interview with Variety about teaming up with the star on the project, and confessed he’s “just a delightful person and such a wonderful, thoughtful actor.”
    “I’ve never worked with him before, but we’ve been together for the last few weeks, I had to camera test with him and now we’ve been training together and rehearsing together,” she said.
    “I think he’s perfect for the role and it’s going to be such an adventure,” she added. “I’m excited to have him as my partner in crime and to be there to support each other, because it’s intense. It’s going to be a long shoot and there’s a lot of pressure, and I know he has my back and I have his.”
    After Pattinson’s costume was revealed in a clip from a screen test shared online, Zoe opened up on the pressure she feels following in the footsteps of stars including Michelle Pfeiffer and Halle Berry, who also played the role.
    “It was a little scary, but also whenever I get nervous about something, I feel it pushes me to a better place anyway, so I welcome the nerves,” she reflected. “If you start focusing too much on what people are going to think you’re doing yourself a disservice, it’s almost like you’re putting your energy in the wrong place.”
    “Of course, I want to honor the fans and hope they like what I do with the role, but in order to do what I think I need to do with Catwoman I have to go internal and forget about the rest of the world.”

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    ‘Blumhouse’s Fantasy Island’ Review: The Pain, the Pain

    This is a confusing time to be alive. Take this film, for instance. It’s a horror reboot and slight sendup of a television series that is best remembered by the parents of its target audience. “Fantasy Island” ran on ABC from 1977 to 1984; it was an anthology series in which guests at the title resort learned life lessons in down-market O. Henry scenarios demonstrating how careful one ought to be when wishing for things.[embedded content]The new “Fantasy Island,” directed by Jeff Wadlow from a script he wrote with Jillian Jacobs and Christopher Roach, begins with the cry “The plane, the plane,” made popular by the actor Hervé Villechaize on the show. But this island’s overseer, called Mr. Roarke as he was on television, is played by Michael Peña in a mild misterioso vibe, in contrast with the kitsch suavity of his original portrayer, Ricardo Montalbán. The fantasists have won a contest. Two bros want the beer-commercial party/orgy of their collegiate dreams; a single woman wants the mate she regretfully turned down; another single woman wants payback for school bullying; a dog-tagged dude wants to be a war hero. As they embark on their adventures, one anticipates multiple variants on the 1972 horror film “Tales From the Crypt.”The film seems to pull imagery (like bleeding-eyed undead killers) from Euro-horror maestros like Jean Rollin and also cribs story elements from not one, but two different Tarkovsky classics (really). The sex and violence components, which are best served hot and lurid in exercises such as these, are here puréed into PG-13 pulp.This is all interesting from a pro-am cinema semiotics perspective, but none of it is in the least bit scary. This, really, is what happens when you take all the wrong lessons out of film school.Blumhouse’s Fantasy IslandRated PG-13 for bland sex and violence stuff. Running time: 1 hour 50 minutes. More

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    Weinstein Has the ‘Mark of a Predator,’ Prosecutor Says as Trial Nears End

    A prosecutor said on Friday that the Hollywood producer Harvey Weinstein was “an abusive rapist” and “a predator” who used his power to manipulate and assault several women in the movie business, then stayed in touch with them to ensure their silence and compliance.“He had a surefire insurance policy: That the witnesses were standing in line to get into his universe,” Joan Illuzzi, an assistant district attorney, told the jury during her closing arguments at Mr. Weinstein’s rape trial.“The universe is run by me,” she added, adopting Mr. Weinstein’s point of view, “therefore they don’t get to complain when they’re stepped on, spit on, demoralized and yes, raped and abused by the defendant.”Ms. Illuzzi’s summation of Mr. Weinstein’s tactic — “trick and surprise,” she called it — was a dramatic finale to the trial in State Supreme Court in Manhattan, which has emerged as a watershed moment for the #MeToo movement.In her presentation, Ms. Illuzzi returned repeatedly to the difference in power between Mr. Weinstein — “a giant” in the film industry — and his accusers, who worked as cocktail waitresses or models and were trying to break into the film industry.“It is a complete dichotomy,” she said. “Here is the defendant with everything using and abusing people who he knows has nothing.”Mr. Weinstein, 67, has pleaded not guilty to five felony charges in the case — including rape, criminal sexual assault and predatory sexual assault — which carry a maximum penalty of life in prison.Six women testified at trial that he had sexually assaulted them, though he faces charges in connection with only two of them. The others were allowed to testify to establish a pattern of behavior.On Thursday, his lawyers made their own closing pitch to the jury, claiming that he himself had been the victim of an “overzealous prosecution” and that the six women who took the stand to accuse him of assault and other crimes were not passive victims, but active participants in ongoing and often transactional relationships.Standing before the jury on Friday, Ms. Illuzzi sought to counter that narrative, arguing that Mr. Weinstein purposefully maintained ties with his victims to keep them under his control.“He made sure he had contact with the people he was worried about,” Ms. Illuzzi said, adding, “That’s the mark of a predator.”The indictment rests on the accusations of two women: Miriam Haley, a former reality television show production assistant who testified that Mr. Weinstein forcibly performed oral sex on her at his TriBeCa apartment in 2006; and Jessica Mann, an aspiring actress from a small town in Washington State, who claimed he raped her in a Midtown Manhattan hotel room in 2013.Both women acknowledged during cross-examination that they not only had friendly interactions with Mr. Weinstein after their alleged attacks, but later had consensual sex with him.Four other women also testified that Mr. Weinstein attacked them in various ways — among them, the actress Annabella Sciorra, best known for her role in “The Sopranos.” She testified last month that Mr. Weinstein pushed his way into her Gramercy Park apartment in the winter months of 1993 or 1994 then violently raped her even as she kicked and punched him.Prosecutors are using her testimony to support the top charge of predatory sexual assault, which carries a possible life sentence.The accusations of Ms. Sciorra and three other accusers were barred by the statute of limitations from being charged as separate crimes. Still, the presiding judge, Justice James M. Burke allowed them to take the stand to bolster the prosecution’s contention that Mr. Weinstein engaged in a pattern of abusive behavior over decades.Ms. Illuzzi stood directly in front of the jury delivering closing remarks in a conversational style and the occasional lighthearted quips. She began her closing remarks with the prosecution’s strongest witness: Ms. Sciorra.The prosecutor acknowledged Ms. Sciorra never reported the alleged rape to the police, but she did tell her friend and fellow actress, Rosie Perez, though in veiled terms.Not reporting the assault left Ms. Sciorra, who soon began self-harming, a damaged woman and made her vulnerable to further abuse by Mr. Weinstein, the prosecutor said. “The defendant knew her now as a weak link, a weak mark he could get again,” Ms. Illuzzi said.Mr. Weinstein sought to control Ms. Sciorra again in August 2017, Ms. Illuzzi said, as rumors began to swirl that journalists were going to expose his sexual misconduct. That month, Mr. Weinstein hired an Israeli intelligence firm, Black Cube, to investigate certain “red flags” like Ms. Sciorra, whom Mr. Weinstein believed were speaking to reporters.Ms. Illuzzi focused the jury’s attention on an email dated Oct. 26, 2017. In it, Mr. Weinstein instructed a subordinate to handle questions from Ronan Farrow of The New Yorker about his relationship with Ms. Sciorra by saying, “We are going to say it was consensual or deny it.”“Truth be damned,” Ms. Illuzzi said, referring to his email. Then she told the jury, “I submit to you, that’s a confession.”In the defense’s closing arguments on Thursday, Donna Rotunno, Mr. Weinstein’s lead lawyer, said several times that the accusers in the case had chosen to engage in consensual sex with him to advance their careers, and their decisions to visit Mr. Weinstein in hotels and at his apartment supported that argument.On Friday, however, Ms. Illuzzi took direct issue with that position. “When an adult goes to another adult’s home, should they expect that they’re going to have to engage in sex?” she asked the jury.Ms. Illuzzi was talking about Ms. Haley, who testified that when she visited Mr. Weinstein at his Manhattan loft, he pulled her into a bedroom, pushed her onto a bed, held her down and forcibly performed oral sex on her.“This is a crime and a wanton disregard for other people,” Ms. Illuzzi said.She later suggested that Mr. Weinstein could have hired sex workers, but had instead targeted women who badly wanted to break into the business: “Maybe his kink,” she said, “is the fear in their eyes.”Toward the end of her statement, Ms. Illuzzi turned her attention toward Ms. Mann, the aspiring actress who earlier this month gave a complicated and emotional account of how Mr. Weinstein raped her during a long relationship that included some consensual sex.Ms. Mann’s testimony was emblematic of the difficult questions that the jury will ultimately have to wrestle with when they begin their deliberations as early as Tuesday. Did the fact that some of the women benefited professionally from their association with Mr. Weinstein suggest their relationships with him were consensual and transactional? And does the fact some of his accusers also had consensual sex with him undermine their claim that he on other occasions sexually assaulted them?Ms. Illuzzi addressed those questions head-on.“The question is not whether or not Jessica made a bad decision,” Ms. Illuzzi told the jury. “The question for you is whether or not Jessica Mann is lying about it. She’s telling you the truth. She’s the victim of rape.”“She could have been writing him love notes every single day,” Ms. Illuzzi added. “She could have been married to him. It still wouldn’t make a difference. He still would not be allowed to rape her.” More

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    Minka Kelly Added to the Cast of Harvey Keitel's 'Lansky'

    WENN/Judy Eddy

    Directed by Eytan Rockaway, this gangster biopic focuses on real-life Jewish mobster Meyer Lansky, who helped develop a worldwide gambling empire in the 1930s and 40s.
    Feb 14, 2020
    AceShowbiz – Minka Kelly is the latest star to join Harvey Keitel’s epic gangster biopic, “Lansky”.
    The actress will team up with Sam Worthington and AnnaSophia Robb for director Eytan Rockaway’s film about real-life Jewish mobster Meyer Lansky, who helped develop a worldwide gambling empire in the 1930s and 40s.
    Jackie Cruz, John Magaro, David Cade, David James Elliot, and Alon Aboutboul, round out the cast for the movie.
    Filming for “Lansky” is currently underway in Atlanta, Georgia.

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    Rufus Sewell to Bring Elvis Presley's Father to Life in Baz Luhrmann's Biopic

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    The actor, who recently played Judy Garland’s estranged husband Sid Luft in ‘Judy’, is joining Maggie Gyllenhaal, Austin Butler and Tom Hanks in the cast ensemble.
    Feb 14, 2020
    AceShowbiz – Rufus Sewell will play Elvis Presley’s father in Baz Luhrmann’s new biopic.
    The Brit will join Maggie Gyllenhaal, who was announced as Elvis’ mother, Gladys, earlier this week (begin February 10).
    Austin Butler was previously cast as Elvis, while Tom Hanks is set to play the King’s longtime manager, Colonel Tom Parker.
    The movie will focus on the rock icon’s relationship with the man who steered his career.
    Sewell recently won acclaim for playing Judy Garland’s estranged husband Sid Luft in another biopic, “Judy”.

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    Bradley Cooper In Talks for Bee Gees Biopic

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    The ‘A Star Is Born’ actor is expected to portray one of the legendary Gibb brothers in the upcoming true-story movie revolving around the iconic British band.
    Feb 14, 2020
    AceShowbiz – Bradley Cooper is reportedly in talks to play Bee Gees’ star Barry Gibb in a biopic about the British band.
    According to the Daily Mail’s Baz Bamigboye, the Oscar-winning actor is having “informal discussions” with bosses about portraying the late singer and guitarist in a new movie (“Untitled Bee Gees Biopic”).
    Cooper has already shown off his vocal talents in “A Star Is Born”, which he starred in and directed, and would be required to sing if he took on the gig. However, Bamigboye added that the 45-year-old will “receive help” – presumably from a vocal coach – to reach the Bee Gees’ infamous high notes.
    The film, which doesn’t have a director as yet, is set to follow the Bee Gees – brothers Barry, Robin Gibb, and Maurice Gibb – as they arrive back in London from Australia, after emigrating Down Under from their original home in the Isle of Man.
    It’s being written by Anthony McCarten, who has enjoyed massive success with films including “Bohemian Rhapsody”, “The Theory of Everything”, and “The Two Popes”.

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    Revisiting ‘Fantasy Island’: What to Watch

    On “Fantasy Island,” the weird-wonderful ABC series that aired from 1977 to 1984, fantasies were to die for. In the new horror film “Blumhouse’s Fantasy Island,” fantasies are to die in.First, a look back. On the series, guests traveled to the bucolic Pacific Ocean location to find a lost love, be a playboy or live out some elaborately produced dreamscape that ended in an uplifting life lesson. They were welcomed by the island’s mysterious overseer, Mr. Roarke (played by the dashing actor Ricardo Montalbán), who had godlike powers to predict outcomes and turn back time. His sidekick, Tattoo (Hervé Villechaize), provided aggressively sexist comic relief.“Blumhouse’s Fantasy Island,” directed by Jeff Wadlow and now in theaters, reimagines the lush title isle as a playground of terrors. The place is again overseen by Mr. Roarke (Michael Peña), but this time he has more nefarious plans for his guests, including fantasies of torture and revenge from the grave.Unlike the recent horror movie reboot of “The Banana Splits Adventure Hour,” a children’s TV show, it’s easy to imagine “Fantasy Island” as a horror property. The fantasies depicted were encyclopedic in their macabre scope, including murder, séances, ghost hunts, telekinesis, black magic, Nazis, lycanthropy and a visit by Jack the Ripper.For horror fans, “Fantasy Island” remains an oasis of scares told in the style of old-school, family-friendly Hollywood horror. Here are five creepy story lines from the fifth and sixth seasons of the original series, now streaming on Crackle. Spoilers ahead!SEASON FIVE (1981-82)‘The Lady and the Monster’Horror Genres: MonstersDr. Carla Frankenstein (Lynda Day George), a genetic researcher, visits a reconstruction of Baron von Frankenstein’s castle and learns that he was real when she meets Frankenstein’s monster (William Smith), who has lived there for 150 years. She and the monster become friends, and thwart a plan by bumbling spies from a competing genetic laboratory to kidnap and turn the creature into a sideshow attraction. Carla leaves the island knowing that in Mr. Roarke’s hands the monster will care for his chickens in peace.‘The Ghost’s Story’Horror Genre: Spirits, cursesAmanda (Tanya Roberts), a Baltimore secretary, has a fantasy to win the $100,000 offered to the person who can stay two hours in a haunted manor. Undeterred by screaming skulls that accost her inside the mansion, Amanda meets Timothy (Dack Rambo), a handsome 18th-century ghost who has haunted the home since his admiral father cursed him for fleeing a duel. Winning the prize money, Amanda gives Timothy a handsome makeover. Mr. Roarke summons Timothy’s dead father and they reconcile, lifting the curse. Timothy is made human and, forgetting he was once a spirit, leaves the island with Amanda.‘Night of the Tormented Soul’Horror Genres: Haunted houses, creepy kidsShipwrecked as children, Jason and Beth (Stephen Shortridge and Dianne Kay) were raised by their uncle, Richard Martinique (Richard Anderson). Their fantasy is to learn what happened the night their uncle and his housekeeper, Blanche (Elinor Donahue), were murdered. At their uncle’s creepy mansion, the ghosts of Richard and Blanche re-enact the fateful night when Blanche accidentally shoots and kills Richard after he laughs when she tells him she loves him. In her haste to protect the children from seeing the body, she falls to her death. Mr. Roarke appears and tells Blanche that Richard actually loved her back, and the two ghosts make peace and disappear arm in arm. Then, Mr. Roarke reveals that Jason and Beth are not siblings after all, and they express their own love for each other.SEASON SIX (1982-83)‘The Devil Stick’Horror genres: Plagues, witchcraftCarl’s fantasy is to find Ally (Crystal Bernard), a young woman who disappeared soon after they met. When he (Dean Butler) finds her in a small town on Fantasy Island, she urges him to leave. It turns out that a witch who was burned at the stake put a spell on Ally’s family and the only way to break it is to put an arrow through Carl’s heart. When Mr. Roarke diverts an arrow that someone shoots at Carl, it plunges into a monument that spews plague-healing water. (It’s a long story.) The curse lifted, Carl and Ally become lovers.‘Island of Horrors’Horror Genres: Zombies, mind controlErica (Gayle Hunnicutt) travels to a small island in search of her fiancé, Richard (Christopher Connelly), who she suspects is in the nefarious hands of his scientist partner, Lewis (Randolph Mantooth). On the island, she escapes from a barefoot warlock who summons zombies with a flash of light from his forehead. Mr. Roarke reveals that Lewis controls Richard’s mind and practices “a black art that turns its victims into the walking dead.” Erica breaks Lewis’s spell by applying a rare salt, found only on Fantasy Island, to Richard’s lips. Erica and Richard leave the island again a couple. More