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      Sean Combs Is Denied Bail and Held at M.D.C., a Troubled Brooklyn Jail

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      The music mogul, who is charged with sex trafficking and racketeering conspiracy, was denied bail and ordered held at a federal detention center. His lawyers are appealing.When Sean Combs flew from Miami to New York this month to prepare for an expected federal indictment, he left behind his expansive mansion with multiple pools, a spa and a guesthouse on a man-made island.Going forward, though, home for Mr. Combs will most likely be the Metropolitan Detention Center, a hulking concrete structure in Brooklyn that houses more than 1,200 people and has a reputation for poor conditions.Mr. Combs was ordered held in federal detention on Tuesday and taken to the Brooklyn jail after a judge denied him bail. A grand jury had indicted him on sex trafficking and racketeering charges, and prosecutors said he was a dangerous person who would be at risk to flee if released.It was a sudden change of circumstances for a music producer, known in the industry as Diddy and Puff Daddy, who has been wealthy since becoming one of the most prominent record label founders of the 1990s. Jail records now have him registered under the number 37452-054.The M.D.C., as it is known, has been troubled by deaths and suicides and an electrical fire that once left inmates without heat for days in the dead of winter. A lawyer for Edwin Cordero, a detainee who died there in July from injuries he sustained in a fight, called the prison “an overcrowded, understaffed and neglected federal jail that is hell on earth.”The Bureau of Prisons responded to criticism in a statement that said it “takes seriously our duty to protect the individuals entrusted in our custody, as well as maintain the safety of correctional employees and the community.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      The Enduring Simplicity of Galaxie 500

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      The pioneering 1980s dream-pop band has now unveiled its entire studio catalog, mistakes and all.Dean Wareham has a Google Alert set for his first full-time band, Galaxie 500, named after a friend’s vintage Ford. With Wareham as its guitarist and lead singer, the band lasted a little over three years — from 1987 to early 1991 — and made just three albums for an indie label that went bankrupt.Galaxie 500’s biggest headlining gigs were appearances for only club-sized audiences. Its music never reached the American album charts. And Wareham and the other two band members, the bassist and singer Naomi Yang and the drummer Damon Krukowski — who are married — haven’t spoken or been in the same room since 1991, when Wareham quit the band on the verge of a tour of Japan. (They deal with Galaxie 500 business via email.)But decades later, Google Alerts for Galaxie 500 keep arriving.“Sometimes it’s a car for sale, but a lot of times it’s a review,” Wareham said in a video interview from his home studio in Los Angeles. “And yeah, every week there’s a review of something that thinks it sounds like Galaxie 500. There’s a lot of that. But they don’t, really.”This Friday, the final remnants of Galaxie 500’s brief but luminous studio recording career will be released as “Uncollected Noise New York, ’88-’90.” The new album adds eight previously unreleased songs to a group of non-album tracks that were included in 1996 as part of a Galaxie 500 boxed set, then reissued separately in 2004 as the album “Uncollected.”“When we made these records, if you had told me that 30 years later, 35 years later, people would still be excited about them, I would be most surprised,” Wareham said.The added tracks reveal how rigorously Galaxie 500 judged its music, even from the beginning. “I think we were good editors. I still think these were the right tracks to reject,” Krukowski said by video from his and Yang’s home in Cambridge, Mass. “I don’t think it’s hidden gems. It’s more like telling the story in a different way. It’s a narrative thing, which I think is why we were all OK with it.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      In the Sean Combs Case, Echoes of the Tack Taken Against Other Powerful Men

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      Federal authorities are prosecuting Mr. Combs under sex trafficking and racketeering laws, which were used to successfully prosecute R. Kelly and Keith Raniere in earlier abuse cases.Though graphic and startling in its details, the indictment of Sean Combs reflects a familiar playbook for federal prosecutions against high-profile men accused of a long-running history of abuse against women.The Combs indictment, which was unsealed on Tuesday, resembles the prosecution strategy employed in two other major sexual abuse cases brought by federal investigators in recent years against Keith Raniere, the Nxivm sex cult leader, and R. Kelly, the R&B singer.Both of those men were convicted on some of the same sex trafficking and racketeering charges now facing Mr. Combs, who has pleaded not guilty.Racketeering charges are attractive to prosecutors pursuing powerful defendants because they are designed to present an “enterprise,” a complex web of individuals who helped the defendants carry out alleged crimes that can date back many years. In Mr. Combs’s case, for example, prosecutors have assembled their racketeering conspiracy charge by accusing him of crimes dating as far back as 2008, including arson, kidnapping, bribery and narcotics distribution.In some instances, the federal racketeering and sex trafficking charges allow prosecutors to cite crimes for which a state’s statute of limitations has expired.And the federal laws carry stiff punishments: The most severe sex trafficking law that Mr. Combs has been charged under carries a 15-year mandatory minimum prison sentence. The racketeering conspiracy charge, which accuses defendants of carrying out crimes as part of an “enterprise,” carries up to life in prison.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      JD Souther, Who Wrote Hits for the Eagles, Dies at 78

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      JD Souther, who crafted many of the biggest hits to come out of the Southern California country-rock scene of the 1970s, including for the Eagles, Linda Ronstadt and James Taylor, and who later played a wizened music industry veteran — in other words, a version of himself — on the hit television show “Nashville,” died on Tuesday at his home in Sandia Park, N.M., in the hills east of Albuquerque. He was 78.His death was announced on his website. A cause was not provided.Beginning in the late 1960s, Mr. Souther was part of a coterie of musicians around Los Angeles who found themselves circling the same sort of peaceful, easy, country-inflected rock sound. They played at the same venues — among them the Troubadour, the famous West Hollywood nightclub — and lived and partied in the same canyons in the Hollywood Hills.Mr. Souther played with or wrote for most of them. Though he was brought up on jazz and classical music, he easily mastered the country-rock vernacular on songs like “Faithless Love” and “White Rhythm and Blues,” for Ms. Ronstadt; “The Heart of the Matter,” which he wrote with Don Henley; and “Her Town Too,” a collaboration with Mr. Taylor that they sang as a duet.He also played a central role in the formation of the Eagles, encouraging Ms. Ronstadt, his girlfriend at the time, to hire his friend Glenn Frey as part of her backup band. After Mr. Henley joined, he and Mr. Frey decided to form their own group, along with two other members of Ms. Ronstadt’s ensemble, Bernie Leadon and Randy Meisner.Mr. Souther, third from left, onstage with the Eagles in San Diego in 1979. With him are, from left, Joe Vitale, Timothy B. Schmit, Glenn Frey, Don Henley, Joe Walsh and Don Felder.George Rose/Getty ImagesMr. Souther was almost the fifth Eagle: He joined the quartet for an afternoon tryout at the Troubadour, but he decided that the band was already perfect, and that he’d rather write for them.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean Combs Must Remain in Jail Until Trial After Judge Denies Bail Appeal

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      The judge said Mr. Combs posed a risk of witness tampering and was a danger to the community while awaiting his sex trafficking and racketeering conspiracy trial.A federal judge on Wednesday ordered Sean Combs to remain in jail until his trial for sex trafficking and racketeering conspiracy, rejecting an appeal by the music mogul’s lawyers requesting that he be released on bail.Judge Andrew L. Carter Jr. said at a hearing in Lower Manhattan that Mr. Combs posed a risk of witness tampering and was a danger to the safety of the community. He rejected an unusual proposal from Mr. Combs’s legal team in which he would have remained at his mansion in Florida, monitored around the clock by a private security force. The lawyers had offered a $50 million bond for his release.Arguing that Mr. Combs was prone to violence, prosecutors spoke at length about a leaked surveillance video from 2016 in which he was seen physically assaulting Casandra Ventura, his former girlfriend, who is known as Cassie. She filed a sexual assault lawsuit against him last year that was quickly settled.The judge said “that video is quite disturbing,” after which Mr. Combs, seated between his lawyers, nodded several times.Marc Agnifilo, one of Mr. Combs’s lawyers, said his client should not be detained based on an assault from eight years ago that led him to go to rehab. “Mr. Combs has the unfortunate reality that the worst thing he ever did is on videotape,” the lawyer said.The government’s concern that Mr. Combs might intimidate witnesses was a theme of the hearing.“His influence makes it so difficult for witnesses to share their experiences and trust that the government can keep them safe from him,” said Emily A. Johnson, one of the prosecutors.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Sean Combs, Music Mogul Known as Diddy, Denied Bail on Sex Trafficking Charges

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      A day after his arrest, the music mogul known as Diddy was accused of running a “criminal enterprise” that threatened and abused women. He pleaded not guilty.Sean Combs, the embattled music mogul, was denied bail on Tuesday after pleading not guilty to charges of sex trafficking, racketeering conspiracy and transportation to engage in prostitution.In a federal indictment unsealed on Tuesday, Mr. Combs, 54, was described as the boss of a yearslong criminal enterprise that threatened and abused women, coercing them to participate against their will in drug-fueled orgies with male prostitutes and threatening them with violence or the loss of financial support if they refused.The 14-page indictment against Mr. Combs, a producer, record executive and performer who is also known as Diddy and Puff Daddy, came a day after he was arrested in a Manhattan hotel room, following an investigation that has been active since at least early this year. Prosecutors said Mr. Combs and his employees engaged in kidnapping, forced labor, arson and bribery, and kept firearms at the ready.In asking a magistrate to deny Mr. Combs’s request to be released on bail, prosecutors argued that he was a threat to the community. One of the prosecutors, Emily A. Johnson, called him a “serial abuser and a serial obstructer,” and said his wealth would make it easy for him to escape undetected. She noted that after Mr. Combs was arrested, law enforcement found what they suspected to be narcotics in his hotel room, in the form of pink powder.Mr. Combs’s lawyers suggested a $50 million bond. But Judge Robyn F. Tarnofsky denied their request, citing Mr. Combs’s anger issues and history of substance abuse, and ordered Mr. Combs detained while he awaits trial.“My concern,” the judge said, “is that this is a crime that happens behind closed doors.”As Mr. Combs walked out of the courtroom, he looked toward his supporters in the room, including his three adult sons, and put his hand on his heart.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Why Was Sean Combs Arrested? Read the Full Indictment.

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      commit at least two acts of racketeering activity in the conduct of the affairs of the Combs
      Enterprise.
      Notice of Special Sentencing Factor
      15. From at least in or about 2009, up to and including in or about 2018, in the Southern
      District of New York and elsewhere, as part of his agreement to conduct and participate in the
      conduct of the affairs of the Combs Enterprise through a pattern of racketeering activity, SEAN
      COMBS, a/k/a “Puff Daddy,” a/k/a “P. Diddy,” a/k/a “Diddy,” a/k/a “PD,” a/k/a “Love,” the
      defendant, agreed to, in and affecting interstate and foreign commerce, knowingly recruit, entice,
      harbor, transport, provide, obtain, advertise, maintain, patronize, and solicit by any means a person,
      knowing and in reckless disregard of the fact that means of force, threats of force, fraud, and
      coercion, as described in Title 18, United States Code, Section 1591(e)(2), and any
      combination
      of such means, would be used to cause the person to engage in a commercial sex act, in violation
      of Title 18, United States Code, Section 1591(a)(1) and (b)(1).
      (Title 18, United States Code, Section 1962(d).)
      COUNT TWO
      (Sex Trafficking by Force, Fraud, or Coercion)
      (Victim-1)
      The Grand Jury further charges:
      16.
      From at least in or about 2009, up to and including in or about 2018, in the Southern
      District of New York and elsewhere, SEAN COMBS, a/k/a “Puff Daddy,” a/k/a “P. Diddy,” a/k/a
      “Diddy,” a/k/a “PD,” a/k/a “Love,” the defendant, in and affecting interstate and foreign
      commerce, knowingly recruited, enticed, harbored, transported, provided, obtained, advertised,
      maintained, patronized, and solicited by any means a person, knowing and in reckless disregard of
      the fact that means of force, threats of force, fraud, and coercion, as described in Title 18, United
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      New York Philharmonic Opens Its Season Amid Labor Talks and Troubles

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      The orchestra is working to negotiate a new contract with musicians, resolve a misconduct inquiry and hire a new chief executive.On a recent night at Lincoln Center, a group of New York Philharmonic musicians, dressed in matching black shirts and carrying union leaflets, fanned out and began to evangelize.“Support the musicians!” Thomas Smith, a trumpet player, told a crowd of concertgoers.It was one of the New York Philharmonic’s first concerts of the fall, and the musicians, in the middle of high-stake labor talks, were alerting their audience to what they hoped would be embraced as startling facts.The orchestra’s players have not had a raise since 2019, and they are paid substantially less than colleagues in Boston, Chicago and Los Angeles.“We need your help,” Alina Kobialka, a violinist, said as she handed out leaflets.The scene was a reminder of the stark challenges this season for the Philharmonic, which not so long ago seemed to be beginning a vibrant new chapter.The labor agreement between management and the musicians expires on Friday, only a few days before the orchestra’s opening gala, a major fund-raising event.The Philharmonic lacks a permanent president and chief executive, after the sudden resignation in July of its leader, Gary Ginstling. An investigation into sexual harassment and misconduct at the Philharmonic has dragged on. And the ensemble, which is awaiting the arrival in 2026 of the star conductor Gustavo Dudamel, has no full-time music director this season or next.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More