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    Sean Combs’s Son and Kanye West Release New Song, ‘Diddy Free’

    The track, which also features North West, includes a chorus where the rapper known as King Combs promises not to sleep “’til we see Diddy free.”Marketing prowess may run in the family.On the day Sean Combs’s defense was set to present its closing argument to jurors, the music mogul’s son Christian, who raps as King Combs, released a long-teased set of seven new songs, including one track called “Diddy Free.”The song, credited to King Combs and Ye, the artist formerly known as Kanye West, includes lyrics about those who “try to play the victim” and states plainly “[expletive] the world, critics and the witness.” Later, King Combs, 27, raps, “this Bible might come in handy / this rifle might come in handy” with a chorus that promises not to sleep “’til we see Diddy free.”A previous demo version of the song by Ye — without King Combs — had leaked online last month. The superstar rapper and producer, who has become a pariah in the music industry for his persistent, button-pushing antisemitism, has been the highest-profile celebrity to offer public support for Mr. Combs, who is charged with sex trafficking and racketeering conspiracy. Earlier this month, he briefly appeared at the Manhattan courthouse where the trial is being held in a show of solidarity.Ye is credited as the executive producer of King Combs’s new music, the “Never Stop” EP, which uses a photo that appears to depict the dilapidated headquarters for Bad Boy Worldwide, Mr. Combs’s entertainment company, as its cover art. The EP also includes a featured appearance by North West, Ye’s eldest daughter with his former wife, Kim Kardashian. Her appearance on an earlier version of the song had, according to Ye, been a source of contention between the two parents.King Combs was among the six of Mr. Combs’s seven children who appeared in court to support the mogul on Friday. (The seventh, Mr. Combs’s lawyer pointed out, is an infant.) He wore a jacket that includes an illustration of his late mother, Kim Porter, who died in 2018 and has been evoked at trial as Mr. Combs’s “soul mate.”“You always told me to chase my dreams and be a go-getter,” King Combs raps on another track, titled “Kim.”“In this studio right now, I feel alone in it.” More

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    Sean Combs’s defense pokes at witness testimony about kidnappings and arson.

    Sean Combs’s lawyer made a final appeal to the jury at his racketeering and sex trafficking trial in New York on Friday, arguing in often sarcastic tones that the government’s evidence contradicted its case against the hip-hop mogul.The lawyer, Marc Agnifilo, portrayed his client as a deeply flawed man who led a swinger’s lifestyle, had a drug problem and sometimes physically assaulted his girlfriends. But he argued government’s accusation that Mr. Combs was a sex trafficker or the ringleader of a racketeering organization was “badly exaggerated.”“He did what he did,” Mr. Agnifilo said. “But he’s going to fight to the death to defend himself from what he didn’t do.”Here are some takeaways from the defense’s closing argument.The defense focused on consent, credibility and overreach.Friday’s summation was the most substantive argument made to date by the defense, which called no witnesses during the trial and declined to put Mr. Combs on the stand.Mr. Agnifilo devoted long stretches of his four-hour closing argument to highlighting testimony, texts and video evidence, that he said demonstrated that Casandra Ventura and “Jane,” who testified under a pseudonym, consensually participated in the marathon sex parties that are central to the government’s claim that the women were sex trafficked.“You want to call it swingers, you want to call it threesomes,” he said, “whatever you want to call it, that is what it is — that’s what the evidence shows.”Mr. Agnifilo cast doubt on the credibility of some of the government’s witnesses, taking particular aim at Capricorn Clark, a former assistant to Mr. Combs who testified that she had been kidnapped twice at his direction. In one of those instances, she said, Mr. Combs was in possession of a gun, a statement that the defense said was not supported by other witnesses.At one point, Mr. Agnifilo suggested that the racketeering charge was an overreach and that Mr. Combs had been targeted by the government because the case began with a lawsuit, not anyone making a report to law enforcement. “He’s indicted by himself,” Mr. Agnifilo said, noting that no witnesses testified to being part of such an enterprise.The prosecution later objected, arguing that Mr. Agnifilo’s suggestion that Mr. Combs had been targeted was improperly made in front of the jury. Judge Arun Subramanian agreed and told jurors that the decision-making of the government or a grand jury on whether to charge a defendant was “none of your concern.”The defense offered an alternative view of the infamous video of a hotel assault.Mr. Agnifilo presented an alternative narrative for a critical piece of evidence in the case: a security-camera video that showed Mr. Combs beating Ms. Ventura in a hallway of a Los Angeles hotel in 2016.The jury has seen this footage numerous times during the seven-week trial, and witnesses described it from multiple angles, as well as what happened before and after the attack. The video also shaped public opinion of the case after CNN aired a version of it last year, prompting Mr. Combs to apologize, calling his behavior “inexcusable.”The government contends the video shows Mr. Combs beating Ms. Ventura when she tried to leave a marathon sex session with a male prostitute. That would be evidence he had physically compelled her to participate, a key element in proving sex trafficking.One of the sexual encounters took place at the InterContinental Century City hotel in Los Angeles. Video of Mr. Combs dragging Ms. Ventura down a hallway has been cited as part of the abusive conduct.Hunter Kerhart for The New York TimesBut Mr. Agnifilo characterized the attack as flowing from a quarrel over a phone, not punishment for leaving the “freak-off.” Early in the video, Ms. Ventura is seen walking down a hallway with a phone in her right hand, heading toward an elevator bank. Later, after Mr. Combs attacks her, he appears to retrieve the phone from her and walks back to the room with it.A gap in the time code on the video, Mr. Agnifilo said, suggests that Ms. Ventura went back in their hotel room for three minutes and 42 seconds before a security guard arrived. “The point is,” Mr. Agnifilo said, “the room is not a scary place.”Mr. Combs’s family was a focal point.Mr. Agnifilo pointed out that six of the music mogul’s seven children were in the courtroom to offer support — “the seventh being an infant.” Mr. Combs’s mother, Janice, a frequent presence at the trial, was also in the gallery.“You should know that,” ​M​r. Agnifilo told the jury. “You should know who he is,” he added, “the man takes care of people — that’s what’s in the evidence.”Wrapping his closing statement, Mr. Agnifilo returned to Mr. Combs’s family ties to add stakes to his potential acquittal. “He sits there innocent,” he said of his client. “Return him to his family who have been waiting for him.”Mr. Combs’s sons, Christian​ Combs and Justin​ Combs, arriving at court in Manhattan on Friday.John Lamparski/Getty ImagesOn Friday morning, one of Mr. Combs’s sons, Christian​ Combs, released new music under the name King Combs. The seven-song EP includes a track with Ye, formerly known as Kanye West, called “Diddy Free.”On it, King Combs, 27, raps about those who “try to play the victim” and states “[expletive] the world, critics and the witness.” Later, he says: “this Bible might come in handy / this rifle might come in handy” and repeats a chorus on which he promises not to sleep “’til we see Diddy free.”​A​nother of Mr. Combs’s sons, Justin​ Combs, arrived at court wearing a shirt that read “Free Sean Combs” ​on Friday, but a court officer quickly tapped him on the shoulder — those kinds of visible messages of support are not allowed. He left the courtroom and the message was not visible when he returned.Mr. Agnifilo’s closing was marked by animated, often sarcastic, statements.Mr. Agnifilo, who opened his closing argument with a warning to the jurors that he likes to pace while he talks, used an energetic delivery to hammer home the defense’s skepticism of the government’s case. Speaking forcefully, gesticulating and pacing, he reacted to the idea that Mr. Combs was in charge of a racketeering enterprise: “Are you kidding me?”His demeanor loosened as he continued, and at one point Mr. Agnifilo made a reference to the 50th anniversary of “Jaws” and its quotable line “We’re going to need a bigger boat,” while poking fun at the investigators in the case: “We need a bigger roll of crime-scene tape!” Regarding the lubricant found in the raids of Mr. Combs’s homes, Mr. Agnifilo also gave a passionate “Whoo!” reminiscent of Al Pacino onscreen.In the first 30 minutes of his summation, Mr. Agnifilo appealed to the jury’s emotions, throwing in personal asides, laugh lines and detailed characterizations of the witnesses in colloquial terms, working to keep them engaged while broadly brushing away the legitimacy of the charges.At other times, his mockery was more direct. In referring to Ms. Ventura’s brief relationship with the rapper Kid Cudi, the defense lawyer became especially animated: “Cassie’s keeping it gangster!” he said, arguing that she was brazenly lying to both men, with no apparent fear of Mr. Combs.“I’m getting myself a burner phone,” Mr. Agnifilo said, imagining Ms. Ventura’s mind-set at the time. “Whooooaaaa — a burner phone!” the lawyer added. “Someone’s got a burner phone!” More

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    An Unearthed Joni Mitchell Jazz Demo, and 11 More New Songs

    Hear tracks by Sarah McLachlan, Camilo, Us3 and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Joni Mitchell, ‘Be Cool’The first preview of “Joni’s Jazz,” an archival collection of Joni Mitchell’s collaborations with jazz musicians, is this 1980 demo of “Be Cool,” a song that featured Wayne Shorter on saxophone when it was released in 1982 on “Wild Things Run Fast.” This version — two guitars, drums and a click track — doesn’t have all its lyrics yet. It doesn’t need them. Instead, Mitchell flaunts some bold, sure-footed scat-singing. The groove and the attitude — “50-50 fire and ice” — were already fully formed.Sarah McLachlan, ‘Better Broken’Sarah McLachlan ponders giving a second chance to a fraught, long-ago relationship in “Better Broken,” her first new song since 2016 and the title track of a coming album. It’s in vintage McLachlan style: a stately piano ballad with a melody that climbs gradually and holds some aching notes. She knows the possible rationalizations, envisioning “a jagged edge worn smooth by time”; she also, it seems, knows better.Caroline Polachek, ‘On the Beach’It was probably inevitable that Caroline Polachek — whose pop pushes toward the posthuman without losing physical connection — would fulfill a videogame commission. With the hyperpop producer Danny L Harle, she created “On the Beach” for Hideo Kojima’s game Death Stranding 2: On the Beach. She sings about Sanzu — the Japanese analog of the river Styx, dividing life and death — in a slow march with a melody that leaps to superhuman, computer-tuned peaks and valleys. She still sounds awe-struck.Us3, ‘Resist the Rat Race’In the 1990s and early 2000s, the British group Us3, led by Geoff Wilkinson, backed rappers with jazz grooves, mixing samples — primarily vintage Blue Note jazz tracks — with performances. Now Us3 has returned as Wilkinson’s instrumental band, still merging loops, beats and live musicians — now with arrangements for 18 brasses and reeds. A low-slung piano vamp and programmed trap drums run throughout “Resist the Rat Race,” topped by tootling synthesizer melodies and dense horn-section outbursts worthy of Gil Evans and Henry Mancini. It’s a swaggering alliance of human and machine.Camilo, ‘Maldito ChatGPT’Artificial intelligence matchmaking fails completely in Camilo’s “Maldito ChatGPT” (“Damned ChatGPT”). When he tells ChatGPT the attributes of his ideal partner, the system insists he’s chosen the wrong person, sabotaging his confidence. “I make a list of everything I’ve always dreamed of / And it looks nothing like the person next to me,” he sings. The track feels transparent, with a steady, subdued beat and skeletal piano chords. But as with an A.I. interface, there’s a lot going on under the surface: percussion, vocals, pizzicato strings, echoes. True to chatbot conventions, the A.I. ends its response with a question; Camilo can barely sputter an incredulous reply.

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    Sean Combs’s lawyer, in an animated closing argument, calls it ‘a tale of two trials.’

    Sean Combs’s lawyer made a final appeal to the jury at his racketeering and sex trafficking trial in New York on Friday, arguing in often sarcastic tones that the government’s evidence contradicted its case against the hip-hop mogul.The lawyer, Marc Agnifilo, portrayed his client as a deeply flawed man who led a swinger’s lifestyle, had a drug problem and sometimes physically assaulted his girlfriends. But he argued government’s accusation that Mr. Combs was a sex trafficker or the ringleader of a racketeering organization was “badly exaggerated.”“He did what he did,” Mr. Agnifilo said. “But he’s going to fight to the death to defend himself from what he didn’t do.”Here are some takeaways from the defense’s closing argument.The defense focused on consent, credibility and overreach.Friday’s summation was the most substantive argument made to date by the defense, which called no witnesses during the trial and declined to put Mr. Combs on the stand.Mr. Agnifilo devoted long stretches of his four-hour closing argument to highlighting testimony, texts and video evidence, that he said demonstrated that Casandra Ventura and “Jane,” who testified under a pseudonym, consensually participated in the marathon sex parties that are central to the government’s claim that the women were sex trafficked.“You want to call it swingers, you want to call it threesomes,” he said, “whatever you want to call it, that is what it is — that’s what the evidence shows.”Mr. Agnifilo cast doubt on the credibility of some of the government’s witnesses, taking particular aim at Capricorn Clark, a former assistant to Mr. Combs who testified that she had been kidnapped twice at his direction. In one of those instances, she said, Mr. Combs was in possession of a gun, a statement that the defense said was not supported by other witnesses.At one point, Mr. Agnifilo suggested that the racketeering charge was an overreach and that Mr. Combs had been targeted by the government because the case began with a lawsuit, not anyone making a report to law enforcement. “He’s indicted by himself,” Mr. Agnifilo said, noting that no witnesses testified to being part of such an enterprise.The prosecution later objected, arguing that Mr. Agnifilo’s suggestion that Mr. Combs had been targeted was improperly made in front of the jury. Judge Arun Subramanian agreed and told jurors that the decision-making of the government or a grand jury on whether to charge a defendant was “none of your concern.”The defense offered an alternative view of the infamous video of a hotel assault.Mr. Agnifilo presented an alternative narrative for a critical piece of evidence in the case: a security-camera video that showed Mr. Combs beating Ms. Ventura in a hallway of a Los Angeles hotel in 2016.The jury has seen this footage numerous times during the seven-week trial, and witnesses described it from multiple angles, as well as what happened before and after the attack. The video also shaped public opinion of the case after CNN aired a version of it last year, prompting Mr. Combs to apologize, calling his behavior “inexcusable.”The government contends the video shows Mr. Combs beating Ms. Ventura when she tried to leave a marathon sex session with a male prostitute. That would be evidence he had physically compelled her to participate, a key element in proving sex trafficking.One of the sexual encounters took place at the InterContinental Century City hotel in Los Angeles. Video of Mr. Combs dragging Ms. Ventura down a hallway has been cited as part of the abusive conduct.Hunter Kerhart for The New York TimesBut Mr. Agnifilo characterized the attack as flowing from a quarrel over a phone, not punishment for leaving the “freak-off.” Early in the video, Ms. Ventura is seen walking down a hallway with a phone in her right hand, heading toward an elevator bank. Later, after Mr. Combs attacks her, he appears to retrieve the phone from her and walks back to the room with it.A gap in the time code on the video, Mr. Agnifilo said, suggests that Ms. Ventura went back in their hotel room for three minutes and 42 seconds before a security guard arrived. “The point is,” Mr. Agnifilo said, “the room is not a scary place.”Mr. Combs’s family was a focal point.Mr. Agnifilo pointed out that six of the music mogul’s seven children were in the courtroom to offer support — “the seventh being an infant.” Mr. Combs’s mother, Janice, a frequent presence at the trial, was also in the gallery.“You should know that,” ​M​r. Agnifilo told the jury. “You should know who he is,” he added, “the man takes care of people — that’s what’s in the evidence.”Wrapping his closing statement, Mr. Agnifilo returned to Mr. Combs’s family ties to add stakes to his potential acquittal. “He sits there innocent,” he said of his client. “Return him to his family who have been waiting for him.”Mr. Combs’s sons, Christian​ Combs and Justin​ Combs, arriving at court in Manhattan on Friday.John Lamparski/Getty ImagesOn Friday morning, one of Mr. Combs’s sons, Christian​ Combs, released new music under the name King Combs. The seven-song EP includes a track with Ye, formerly known as Kanye West, called “Diddy Free.”On it, King Combs, 27, raps about those who “try to play the victim” and states “[expletive] the world, critics and the witness.” Later, he says: “this Bible might come in handy / this rifle might come in handy” and repeats a chorus on which he promises not to sleep “’til we see Diddy free.”​A​nother of Mr. Combs’s sons, Justin​ Combs, arrived at court wearing a shirt that read “Free Sean Combs” ​on Friday, but a court officer quickly tapped him on the shoulder — those kinds of visible messages of support are not allowed. He left the courtroom and the message was not visible when he returned.Mr. Agnifilo’s closing was marked by animated, often sarcastic, statements.Mr. Agnifilo, who opened his closing argument with a warning to the jurors that he likes to pace while he talks, used an energetic delivery to hammer home the defense’s skepticism of the government’s case. Speaking forcefully, gesticulating and pacing, he reacted to the idea that Mr. Combs was in charge of a racketeering enterprise: “Are you kidding me?”His demeanor loosened as he continued, and at one point Mr. Agnifilo made a reference to the 50th anniversary of “Jaws” and its quotable line “We’re going to need a bigger boat,” while poking fun at the investigators in the case: “We need a bigger roll of crime-scene tape!” Regarding the lubricant found in the raids of Mr. Combs’s homes, Mr. Agnifilo also gave a passionate “Whoo!” reminiscent of Al Pacino onscreen.In the first 30 minutes of his summation, Mr. Agnifilo appealed to the jury’s emotions, throwing in personal asides, laugh lines and detailed characterizations of the witnesses in colloquial terms, working to keep them engaged while broadly brushing away the legitimacy of the charges.At other times, his mockery was more direct. In referring to Ms. Ventura’s brief relationship with the rapper Kid Cudi, the defense lawyer became especially animated: “Cassie’s keeping it gangster!” he said, arguing that she was brazenly lying to both men, with no apparent fear of Mr. Combs.“I’m getting myself a burner phone,” Mr. Agnifilo said, imagining Ms. Ventura’s mind-set at the time. “Whooooaaaa — a burner phone!” the lawyer added. “Someone’s got a burner phone!” More

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    Who is Cassie, and what did she say on the stand?

    The term first came to public awareness in November 2023, when the singer Cassie filed a lawsuit accusing Sean Combs, her onetime boyfriend and record label boss, of years of sexual and physical abuse: “freak-off.”According to the suit by Cassie, who was born Casandra Ventura, a freak-off was what Mr. Combs called the highly choreographed sexual encounters that he directed “to engage in a fantasy of his called ‘voyeurism.’” They involved costumes, like masks and lingerie. “Copious amounts of drugs,” including Ecstasy and ketamine. The hiring of male prostitutes. Mr. Combs watched and recorded the events on a phone while he masturbated.Freak-offs have become a central part of the government’s case, which charges Mr. Combs with sex trafficking, racketeering conspiracy and transportation to engage in prostitution. (Other witnesses have referred to the events as “hotel nights,” “debauchery” or “wild king nights.”) Mr. Combs pleaded not guilty, and his lawyers have strongly denied that any of his sexual encounters with women were not consensual.In testimony last month, Ms. Ventura described the freak-offs in sometimes excruciating detail. The first one happened when she was 22, she said, when Mr. Combs hired a male stripper from Las Vegas to come to a home that Mr. Combs was renting in Los Angeles. Ms. Ventura said she wore a masquerade-style mask and provocative clothing from a “sex store” She and the man took Ecstasy and drank alcohol before they had sex while Mr. Combs watched, she said.Freak-offs soon became nearly weekly occurrences, Ms. Ventura testified. They took place in homes and hotels across the United States and in international locales like the Spanish island of Ibiza. Mr. Combs had his employees make travel arrangements for the men to come to him and Ms. Ventura — a key point in the government’s case for sex trafficking. The events also became more elaborately staged, with candles and studio-style lighting, and Ms. Ventura said she would sometimes take an entire day to prepare herself for them. Mr. Combs controlled that process too, she said, down to the color of her nails.She testified that she took part in the sex partly because she wanted to make Mr. Combs happy. “When you’re in love with someone you don’t want to disappoint them,” she said.But she also said she feared he would beat her if she refused and recounted episodes of him assaulting her. When Mr. Combs became angry, she said, his eyes would “go black” and “the version of him that I was in love with was no longer there.”The sexual marathons drained her, she said, and it sometimes took days to recover: “The freak-offs became a job where there was no space to do anything else but to recover and just try to feel normal again.”The videos Mr. Combs made, she said, became “blackmail materials” that were used to pressure her to agree to continue participating, she testified. She feared the videos might be released on the internet.Fueled by drugs, the freak-offs could last from 36 hours to four days, Ms. Ventura testified. They also became more “humiliating,” she said: Mr. Combs would direct her and the men on sexual positions, and he would order them to continually apply baby oil to keep themselves “glistening.” Blood was sometimes left on bedding because Ms. Ventura was compelled to perform while menstruating, she said. There was also urine, as Mr. Combs sometimes ordered the men to urinate into her mouth while she lay on the floor.In her testimony, Ms. Ventura said that a freak-off was underway in March 2016 at the InterContinental Century City hotel in Los Angeles, where a hallway security camera captured her trying to take the elevator before Mr. Combs assaulted her and dragged her away.The freak-offs, she said, continued until she finally left Mr. Combs in 2018.When Jane, another former girlfriend who dated Mr. Combs from 2021 until his arrest last year, took the stand, she described similar events and said her love affair with the music mogul turned into a pattern of unwanted sex with male prostitutes that she struggled to end: “It was a door that I was unable to shut for the remainder of the relationship.”Describing herself as a single mother who made her living as a social media influencer, Jane said she became financially dependent on Mr. Combs after he began sending her thousands of dollars and paying her rent.She described one night when she had sex with two men, then retreated to a bathroom and vomited. Mr. Combs said the vomiting would make her feel better, Jane testified, and then he told her a third prostitute was ready for her. “Let’s go,” he said. She complied and had sex with the third man.Jane also read aloud a private note from her phone that she wrote about Mr. Combs in 2022: “I don’t want to do drugs for days and days and have you use me to fulfill your freaky, wild desires in hotel rooms.” She said she suffered from urinary tract and yeast infections as a result of frequent sex with other men.After news about Ms. Ventura’s lawsuit broke, Jane said she recognized that Ms. Ventura’s account mirrored her own “sexual trauma.”“I almost fainted,” Jane testified. “In fact I think I did.”“There was a whole other woman feeling the same thing,” she added. More

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    Telemann’s Comic Opera Was a Delight. Why Is It Ignored?

    Georg Philipp Telemann’s overlooked intermezzo “Pimpinone” is being presented by the Boston Early Music Festival this weekend.In the standard repertoire, comic opera more or less starts with Mozart. Of course, others came before him, but his towering command of the form — the way he fully realizes characters from high and low backgrounds and gives them personal dignity, quirky foibles and exquisite arias — casts a long shadow over all of them.Still, there’s a two-hander from the first half of the 18th century, a few decades before Mozart’s birth, that anticipates the comic style to come. Pitting a wily maid against a buffoonish master — stock types that Mozart, Rossini and Donizetti would continue to mine for the next 100-plus years — it entertained audiences with its delightful music, relatable characters and reversal of the traditional power dynamics accorded by gender and social station.This is Georg Philipp Telemann’s “Pimpinone,” from 1725, which came eight years before Pergolesi’s better-known piece with the same premise, “La Serva Padrona,” but is rarely heard today. The Boston Early Music Festival, though, is presenting it in a rare staging at Mahaiwe Performing Arts Center, in Great Barrington, Mass., on Friday and Saturday, then at Caramoor in Katonah, N.Y., on Sunday.“It’s one of those quirks of history that ‘Pimpinone’ hasn’t become a repertory piece, because it really deserves to be,” said Steven Zohn, a Telemann scholar.“Pimpinone” belongs to a long-obsolete genre of classical music, the intermezzo, a short comedy intended to be broken up and performed between the acts of a dramatic or tragic opera. Its everyday characters have jobs, worry about money and fall prey to gossip, in stark contrast to the noble bearing and life-or-death stakes of the mythological and historical personages of opera seria.From left, Immler, Marie-Nathalie Lacoursière and Danielle Reutter-Harrah in “Pimpinone.”Kathy WittmanWe are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Live Updates: Sean Combs Committed ‘Crime After Crime,’ Prosecutor Tells Jurors

    A federal prosecutor summed up the government’s case against the music mogul Sean Combs on Thursday, weaving strands of evidence from his seven-week trial on sex-trafficking and racketeering charges to portray him as the head of a criminal enterprise who “used power, violence and fear to get what he wanted.”The prosecutor, Christy Slavik, focused much of her closing argument on the methods Mr. Combs used to coerce two women he dated — Casandra Ventura (the singer Cassie) and a woman who testified under the pseudonym “Jane” — to have sex with hired men while he watched in drug-fueled sessions known as “freak-offs,” “hotel nights” or “wild king nights.”Here are four takeaways from the prosecution’s closing argument:The prosecution said proving that women were coerced into one ‘freak-off’ was enough for a sex trafficking conviction.A key point of contention has been whether Mr. Combs coerced the two women at the heart of the case into having sex with hired men, or if they were willing participants. In cross-examinations during the trial, the defense highlighted text messages in which the women expressed enthusiasm or excitement for the sessions.Ms. Slavik clarified for jurors that the government is not arguing that all of the sex nights with male escorts constitute sex trafficking. She said the women had initially been willing to engage to please Mr. Combs, but later became unwilling participants who complied either because they feared he would hurt them physically or cut them off financially.Christy Slavik, one of the prosecutors, delivered the government’s closing argument in Mr. Combs’s federal trial.Ted Shaffrey/Associated Press“If there is one time — one single freak-off that jurors find were the product of force, threats of force, fraud or coercion, Mr. Combs should be found guilty of sex trafficking,” Ms. Slavik said.To underscore her point, she laid out several examples for each woman.Those included a time in June 2024, Ms. Slavik said, that Jane and Mr. Combs physically fought before he directed her to have sex with an escort. Jane testified that she repeatedly said “I don’t want to,” but Mr. Combs — his face close to hers — asked “is this coercion?”Ms. Slavik also pointed to Mr. Combs’s 2016 assault on Ms. Ventura at a Los Angeles hotel that was captured on surveillance video. “He was using force to cause Cassie to continue engaging in a freak-off,” Ms. Slavik said.The prosecution laid out its theory of how Mr. Combs’s employees operated as a criminal enterprise.Much of Ms. Slavik’s summation in the morning was devoted to arguing that Mr. Combs did not merely lead a typical celebrity entourage but instead ran an enterprise responsible for years of crimes.To convict Mr. Combs on the racketeering charge, jurors need to find that he knowingly joined an unlawful conspiracy, and that Mr. Combs agreed that he or a co-conspirator would commit at least two criminal acts on that list to further the enterprise.Ms. Slavik said an loyal inner circle of Mr. Combs’s employees carried out various crimes over more than a decade, most of them aimed at facilitating the freak-offs or covering them up. Those crimes, she said, include drug distribution, kidnapping, arson, bribery, sex trafficking, interstate transportation for prostitution and even forced labor.She identified several employees as being part of the criminal enterprise, none of whom have been charged with a crime or testified. They included Kristina Khorram, Mr. Combs’s former chief of staff, often referred to as “K.K.,” and a group of security officers known as D-Roc, Faheem Muhammad, Uncle Paulie and Roger Bonds.Examples of drug distribution alone, Ms. Slavik argued, were sufficient evidence to convict Mr. Combs of the racketeering charge because she said the trial testimony had established that he directed his employees to transport drugs several times for use in the sex sessions.The evidence also showed instances of kidnapping by the group, Ms. Slavik told jurors. Ms. Ventura, for instance, was taken to a hotel to heal after a beating by Mr. Combs and spent more than a week there, watched over by members of Mr. Combs’s staff to ensure she did not leave.Ms. Slavik also said Ms. Khorram and D-Roc were involved in bribing a hotel security officer to obtain incriminating security camera footage that showed Mr. Combs assaulting Ms. Ventura.Mr. Combs tampered with two witnesses after settling a lawsuit, the prosecution said.For the first time, the jurors heard details of allegations that Mr. Combs had committed witness tampering and obstruction, one of the eight potential crimes that are part of his racketeering charge. Ms. Slavik provided two allegations connected with women who had testified under pseudonyms during the trial.The prosecutor said that after Ms. Ventura filed her bombshell lawsuit that precipitated the criminal investigation, Jane was stunned by its similarities to her experience.Shortly after Mr. Combs settled the lawsuit with Ms. Ventura, Ms. Slavik said, he called Jane twice in an effort to feed a “false narrative” that Jane was a willing participant in the sex marathons with male escorts in hotel rooms.The jury heard recordings of the calls, in which Mr. Combs described the nights as “kinky” encounters “that I thought we both enjoyed.” In the second call, he told her, “I really need your friendship right now,” and assured her that if she “needed” him too, she “ain’t got worry about nothing else.” Around that same time, he texted an employee to ensure that Jane’s rent was being paid.Ms. Slavik said Mr. Combs also tampered with “Mia,” one of his former assistants. Mia testified that after Ms. Ventura’s lawsuit, a bodyguard known as D-Roc called her and began to discuss Ms. Ventura’s relationship with Mr. Combs, saying something to the effect of “they would just like fight like a normal couple.”Mia said D-Roc “sounded nervous” and said Mr. Combs missed her. Mr. Combs tried calling her, but she did not pick up, Mia said. Later, as Mr. Combs’s legal troubles were deepening, D-Roc texted her, “let me know how I can send you something.” She declined.Mr. Combs brought a book to court.Mr. Combs entered the courtroom wearing a baby-blue sweater and a smile, waving to family and friends who filled two rows near the front of the courtroom. The beginning of closing arguments drew perhaps the largest crowd yet to the courthouse over the trial’s seven weeks, and administrators were forced to open four courtrooms to handle those interested in watching the proceedings on closed circuit television.As Ms. Slavik spoke for nearly five hours, presenting Mr. Combs as a violent, abusive man who was used to getting his way and deployed aides to help him secure it, he was an attentive defendant, shaking his head at one point, and often passing notes to his lawyers.He did not have time to focus much attention on a book he had brought into the courtroom with him: “The Happiness Advantage,” by Shawn Anchor, described as “an engaging, deeply researched guide to flourishing in a world of increasing stress and negativity.” More

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    Sean ‘Diddy’ Combs Trial: Takeaways From Prosecution’s Closing Argument

    After seven weeks of testimony, the government detailed to jurors why it says the mogul is guilty of sex trafficking and racketeering.A federal prosecutor summed up the government’s case against the music mogul Sean Combs on Thursday, weaving strands of evidence from his seven-week trial on sex-trafficking and racketeering charges to portray him as the head of a criminal enterprise who “used power, violence and fear to get what he wanted.”The prosecutor, Christy Slavik, focused much of her closing argument on the methods Mr. Combs used to coerce two women he dated — Casandra Ventura (the singer Cassie) and a woman who testified under the pseudonym “Jane” — to have sex with hired men while he watched in drug-fueled sessions known as “freak-offs,” “hotel nights” or “wild king nights.”Here are four takeaways from the prosecution’s closing argument:The prosecution said proving that women were coerced into one ‘freak-off’ was enough for a sex trafficking conviction.A key point of contention has been whether Mr. Combs coerced the two women at the heart of the case into having sex with hired men, or if they were willing participants. In cross-examinations during the trial, the defense highlighted text messages in which the women expressed enthusiasm or excitement for the sessions.Ms. Slavik clarified for jurors that the government is not arguing that all of the sex nights with male escorts constitute sex trafficking. She said the women had initially been willing to engage to please Mr. Combs, but later became unwilling participants who complied either because they feared he would hurt them physically or cut them off financially.Christy Slavik, one of the prosecutors, delivered the government’s closing argument in Mr. Combs’s federal trial.Ted Shaffrey/Associated Press“If there is one time — one single freak-off that jurors find were the product of force, threats of force, fraud or coercion, Mr. Combs should be found guilty of sex trafficking,” Ms. Slavik said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More