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      Maurice Williams, Whose ‘Stay’ Was a Hit for Him and Others, Dies at 86

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      A chart topper in 1960 for him and his doo-wop group the Zodiacs, it inspired several notable cover versions and was heard in the 1987 film “Dirty Dancing.”Maurice Williams, the singer and songwriter whose 1960 single “Stay,” recorded with his doo-wop group the Zodiacs, shot to No. 1 and became a cover-song staple for a long line of musical acts, including the Four Seasons, the Hollies and Jackson Browne, died on Aug. 6 in Charlotte, N.C. He was 86.His death, in a hospital, was confirmed by Ron Henderson, a former member of the Zodiacs.Mr. Williams owed a considerable career debt to a girl he dated when he was 15. She provided the inspiration for his two biggest hits: “Little Darlin’,” recorded when his group was called the Gladiolas, which hit No. 41 on the Billboard pop chart in 1957; and “Stay,” which briefly topped the chart in 1960.Mr. Williams recalled the origins of “Stay,” his only chart-topping single, in a 2018 video interview. “This young lady I was going with, she was over to my house, and this particular night, her brother was supposed to pick her up at 10,” he said. “So he came, and I said, ‘Well, you can stay a little longer.’ And she said, ‘No, I gotta go.’”The next morning he woke up and wove that and other snippets from their conversation — “Now, your daddy don’t mind/And your mommy don’t mind” — into song form, building to its indelible signature line, which, seven years later, the Zodiacs’ Henry Gaston would render in a celestial falsetto: “Oh, won’t you stay, just a little bit longer.”Maurice Williams and the Zodiacs’ recording of the song stood out not only for its infectious hooks but also for its eye-blink length — slightly over 90 seconds.“We wanted to make it short so it would get more airplay,” Mr. Williams said. And, he added, “It worked.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Missouri Woman Charged in Scheme to Defraud Presleys and Sell Graceland

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      A woman named Lisa Jeanine Findley was arrested and accused of a brazen effort to foreclose on Elvis Presley’s home in Memphis.Federal authorities arrested a Missouri woman on Friday and accused her of orchestrating a brazen effort to shake down the Presley family by threatening to fraudulently foreclose on Graceland, Elvis’s home in Memphis, which is now a popular tourist attraction.The authorities said that they had arrested Lisa Jeanine Findley, 53, of Kimberling City, Mo., on charges of mail fraud and aggravated identity theft.“The defendant orchestrated a scheme to conduct a fraudulent sale of Graceland, falsely claiming that Elvis Presley’s daughter had pledged the historic landmark as collateral for a loan that she failed to repay before her death,” said Nicole M. Argentieri, the principal deputy assistant attorney general at the Justice Department.The arrest was made on the anniversary of the death of Elvis Presley, who was found unresponsive at Graceland on Aug. 16, 1977, and pronounced dead soon after at a hospital in Memphis. He was 42.If convicted, Ms. Findley faces a mandatory minimum of two years in prison for aggravated identity theft and a maximum penalty of 20 years in prison for mail fraud. A spokesman for the Justice Department said Friday afternoon that she had been detained and was in the custody of the U.S. Marshals pending extradition to Memphis.Exactly who was behind the threat to sell Graceland, a popular and lucrative tourist attraction that draws 600,000 visitors a year, had been a mystery.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Lady Gaga and Bruno Mars’s Throwback Duet, and 8 More New Songs

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      Hear tracks by the Linda Lindas featuring Weird Al Yankovic, Chlöe and Anderson .Paak, Lou Reed’s early band and others.Every Friday, pop critics for The New York Times weigh in on the week’s most notable new tracks. Listen to the Playlist on Spotify here (or find our profile: nytimes) and at Apple Music here, and sign up for The Amplifier, a twice-weekly guide to new and old songs.Lady Gaga and Bruno Mars, ‘Die With a Smile’Lady Gaga and Bruno Mars — two superstars who have been relatively quiet on the music front in recent years — team up for the first time on “Die With a Smile,” a romantic, lightly apocalyptic slow-dance that offers both the opportunity to belt to the rafters. Despite the music video’s George & Tammy cosplay, there’s not much of that ever-so-trendy twang to be heard on the actual track. Instead, “Die With a Smile” is a lush, soft-rock torch song accentuated by weightless, trebly guitar. “If the world was ending, I’d wanna be next to you,” they sing together on an anthemic chorus, striking the right balance between grit and polish — just two consummate professionals doing their thing. LINDSAY ZOLADZPost Malone featuring Chris Stapleton, ‘California Sober’Post Malone and Chris Stapleton sound like they’re having a blast on the rollicking “California Sober,” one of many country duets featured on Posty’s new album “F-1 Trillion.” The twangy foot-stomper spins a classic country yarn: picking up a good-looking hitchhiker who drinks all your whiskey, picks your pockets and leaves you with a lingering kiss goodbye. “Damn bottle was dry,” Post Malone croons in a voice that blends well with Stapleton’s gravely drawl. “Kinda wanted to cry.” ZOLADZThe Primitives, ‘The Ostrich’We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      7 Hot Tracks From a New Generation of Female Rappers

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      Listen to recent songs from Megan Thee Stallion, Ice Spice, Latto and more.Megan Thee StallionCharles Sykes/Invision, via Associated PressDear listeners,In April 2018, the same week that the Bronx superstar Cardi B released her debut album, “Invasion of Privacy,” Complex magazine published an essay by the writer Kiana Fitzgerald that explored a longstanding question: “Why can there only be one dominant woman in rap?”The answer, naturally, was sexism. It was the same old story: The rivalry between Cardi and Nicki Minaj just felt like a new generation’s Foxy Brown vs. Lil’ Kim. Male rappers, Fitzgerald argued, “have free rein in the genre and — consciously or subconsciously — want to keep it that way.” She added, “when women are pitted against each other, they’re occupied and out of the way, ensuring they take up as little space as possible.”It’s remarkable how much has changed since then. In the six years since that essay was published, an entire vanguard of female rappers has come to the fore, proving that more is more. Megan Thee Stallion and Ice Spice have become household names — and done so with markedly different styles that rep their respective hometowns of Houston and New York City. The St. Louis rapper Sexyy Red has transcended her initial co-sign from Drake to become a solo star on her own. Latto, from Atlanta, has commanded airplay with catchy hooks and lively bars; the Memphis-born GloRilla has found success with a harder-edged approach, leaning into the gravelly grit of her signature drawl.Today’s playlist celebrates the many female voices in the current rap game. And I do mean current: It’s composed entirely of songs released in the past few months, a testament to the fact that one of the most notable trends in music right now is the steady plurality of female rappers on the charts.It’s 7 p.m. Friday, it’s 95 degrees,LindsayListen along while you read.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jerry Fuller, Writer of ‘Young Girl’ and Other Hit Songs, Dies at 85

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      He located a musical sweet spot between the romantic and the risqué for Ricky Nelson, Johnny Mathis and most famously Gary Puckett and the Union Gap.Jerry Fuller, a songwriter who helped give the sexual revolution a Top 40 soundtrack, died on July 18 at his home in Los Angeles. He was 85.The cause was complications of lung cancer, his wife, Annette Fuller, said.Mr. Fuller had a brief solo career as a crooner, starting in the late 1950s. Though he would become well known as a songwriter a decade later, his compositions retained some of the earnestness of this earlier period.Gary Puckett and the Union Gap had a hit with Mr. Fuller’s song “Young Girl” in 1968. In later decades the song would draw scorn for its upbeat treatment of an older man’s flirtation with an underage girl.Columbia RecordsHe specialized in love songs, and in songs about lustful desire that sounded like love songs. His first major hit was “Travelin’ Man,” about a globe-trotter who sings, “In every port I own the heart/Of at least one lovely girl.” Ricky Nelson took it to the top of the Billboard Hot 100 in 1961.The song — which boasts of “a pretty señorita waiting for me down in old Mexico,” “my sweet fräulein down in Berlin town” and “my cute little eskimo” in Alaska — emphasizes the yearning behind each affair rather than conquest.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      One of Classical Music’s Great Builders Prepares for the Next Step

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      Over 25 years, through crises and a changing world, Michael Haefliger has made the Lucerne Festival in Switzerland as we know it.Michael Haefliger has made a life out of building music festivals.A Juilliard-trained violinist, he came up with the idea not long after finishing school to create the Davos Festival in Switzerland for young artists. Then, a quarter century ago, he took over the established, expansive Lucerne Festival, which opens on Friday with a performance by the orchestra he founded.Now 63, Haefliger has enjoyed rare success in classical music: His long tenure at Lucerne has been defined not only by sustainability and survival through crises like the coronavirus pandemic, but also by enormous growth.He started the Lucerne Festival Orchestra with the eminent conductor Claudio Abbado; with the iconoclast Pierre Boulez, he created the festival’s academy; when Japan was hit by a catastrophic earthquake and tsunami in 2011, he spearheaded Ark Nova, an inflatable, portable concert hall that brought the festival to Matsushima.Over time, Haeflinger has lost major collaborators. Abbado died in 2014; Boulez, two years later. Wolfgang Rihm, Boulez’s successor, died last month. (Riccardo Chailly, who took over the Festival Orchestra after Abbado, will lead Rihm’s “Ernster Gesang” at the opening concert.)“He was quite a strong figure,” Haefliger said of Rihm in a recent phone interview. “The way he saw things and programming was very open. He didn’t remain in his own school and tradition, which is important today in contemporary music.”Rihm’s contributions to the 2025 festival were already settled before his death. That year will also be Haefliger’s farewell; he steps down as artistic and executive director next summer. What comes after that for the academy, and Lucerne in general, will be up to the next leader, Sebastian Nordmann, from the Konzerthaus in Berlin.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      An Undersung and Unruly Woodstock in Pictures, 30 Years On

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      A new photography show celebrates the 30th anniversary of Woodstock 1994, middle child to the festivals of 1969 and 1999.Nestled between the instantly legendary festival in 1969 and the violence of the 1999 incarnation, Woodstock 1994 — a 25th anniversary celebration of the original — can be easy to overlook.That installment, in Saugerties, N.Y., was supposed to be a slightly more grown-up (or, depending who you ask, commercial) version. But, as in 1969, attendees saw severe traffic jams, fences that could not contain the crowd and rainy weather that turned the festival grounds into a muddy slog.Then, five years later, fires, rioting and reports of sexual assault at the 1999 festival made national headlines, and gave “Woodstock” a whole new meaning.Members of the band Green Day, at Woodstock 1994, in a photo by Danny Clinch.Danny ClinchNow, for the 30th anniversary of ’94, a photography exhibition places the middle child of the festivals at center stage. The show, at the Opus 40 gallery in Saugerties, opens on Friday and runs for three weeks. It features work from Albert Watson, Henry Diltz, Cheryl Dunn and Danny Clinch, who remember the festival as messy yet rewarding.That the show is taking place at all is thanks to Watson, who is known for black-and-white portraits of luminaries including Steve Jobs. The show was put together by Tyler Harte, a Manhattan property manager who moonlights as an organizer of concerts and skateboard events — and manages the building where Watson’s photography studio is. Harte realized that the anniversary was coming up and contacted Watson about potentially doing something with his 1994 photography.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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      Jack Russell, Great White Singer and Survivor of Nightclub Fire, Dies at 63

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      At a show in 2003 with his “Jack Russell’s Great White,” a pyrotechnics display ignited a fire that killed 100 people, including the band’s guitarist.Jack Russell, the singer who led the popular 1980s hard rock band Great White, as well as a spinoff group that set off one of the deadliest nightclub fires ever, has died. He was 63.The cause of death was lewy body dementia and multiple system atrophy, said K.L. Doty, the author of Mr. Russell’s autobiography. No other details were given.Mr. Russell’s death was announced in a post on his official Instagram profile on Thursday and confirmed by Ms. Doty. Great White also paid tribute to his death on its Instagram page.Mr. Russell co-founded Great White with guitarist Mark Kendall. The band, originally called Dante Fox, began playing in small clubs in Southern California in the early 1980s. It became Great White in 1984. The group’s first big hit, “Rock Me,” landed the No. 60 spot on the Billboard Top 100 Chart in 1987.Great White found success with its third album, which featured its biggest hit, “Once Bitten Twice Shy.” The song reached No. 5 in 1989 and earned the band a 1990 Grammy nomination.Mr. Russell briefly left Great White in 1996 to build a solo career but returned in 1999. By 2001, Great White had disbanded.In 2002, Mr. Russell and Mr. Kendall hired three new musicians and began touring as Jack Russell’s Great White, playing in small clubs. In February 2003, while performing at the Station Nightclub in West Warwick, R.I., the band’s pyrotechnics ignited a deadly fire that killed 100 people, including Great White’s guitarist, and left 230 injured. It was one of the worst club fires in U.S. history.The two brothers who owned the club, and installed the highly flammable soundproofing foam around its stage, and the band’s tour manager, who lit the blaze, were charged in connection with the fire.Mr. Russell was not charged, but members of the band agreed to pay a $1 million settlement.By 2005, Jack Russell’s Great White parted ways after “the stress from lawsuits, inner band turmoil, and Russell’s substance abuse problems, had taken its toll,” according to the All Music Guide.Great White reunited in 2007, but it was short-lived. Mr. Russell continued making music with Jack Russell’s Great White. He announced in an Instagram post in July that he was retiring because of his health problems.“I am unable to perform at the level I desire and at the level you deserve,” Mr. Russell wrote. “Words cannot express my gratitude for the many years of memories, love, and support.”Jack Patrick Russell was born on Dec. 5, 1960 in Montebello, Calif. He grew up in Whittier, Calif., and dropped out of high school to pursue music.He is survived by his wife, Heather Ann Russell, and his son, Matthew Hucko. More