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    Key testimony for the defense: a disputed timeline and lots of texts.

    A federal prosecutor summed up the government’s case against the music mogul Sean Combs on Thursday, weaving strands of evidence from his seven-week trial on sex-trafficking and racketeering charges to portray him as the head of a criminal enterprise who “used power, violence and fear to get what he wanted.”The prosecutor, Christy Slavik, focused much of her closing argument on the methods Mr. Combs used to coerce two women he dated — Casandra Ventura (the singer Cassie) and a woman who testified under the pseudonym “Jane” — to have sex with hired men while he watched in drug-fueled sessions known as “freak-offs,” “hotel nights” or “wild king nights.”Here are four takeaways from the prosecution’s closing argument:The prosecution said proving that women were coerced into one ‘freak-off’ was enough for a sex trafficking conviction.A key point of contention has been whether Mr. Combs coerced the two women at the heart of the case into having sex with hired men, or if they were willing participants. In cross-examinations during the trial, the defense highlighted text messages in which the women expressed enthusiasm or excitement for the sessions.Ms. Slavik clarified for jurors that the government is not arguing that all of the sex nights with male escorts constitute sex trafficking. She said the women had initially been willing to engage to please Mr. Combs, but later became unwilling participants who complied either because they feared he would hurt them physically or cut them off financially.Christy Slavik, one of the prosecutors, delivered the government’s closing argument in Mr. Combs’s federal trial.Ted Shaffrey/Associated Press“If there is one time — one single freak-off that jurors find were the product of force, threats of force, fraud or coercion, Mr. Combs should be found guilty of sex trafficking,” Ms. Slavik said.To underscore her point, she laid out several examples for each woman.Those included a time in June 2024, Ms. Slavik said, that Jane and Mr. Combs physically fought before he directed her to have sex with an escort. Jane testified that she repeatedly said “I don’t want to,” but Mr. Combs — his face close to hers — asked “is this coercion?”Ms. Slavik also pointed to Mr. Combs’s 2016 assault on Ms. Ventura at a Los Angeles hotel that was captured on surveillance video. “He was using force to cause Cassie to continue engaging in a freak-off,” Ms. Slavik said.The prosecution laid out its theory of how Mr. Combs’s employees operated as a criminal enterprise.Much of Ms. Slavik’s summation in the morning was devoted to arguing that Mr. Combs did not merely lead a typical celebrity entourage but instead ran an enterprise responsible for years of crimes.To convict Mr. Combs on the racketeering charge, jurors need to find that he knowingly joined an unlawful conspiracy, and that Mr. Combs agreed that he or a co-conspirator would commit at least two criminal acts on that list to further the enterprise.Ms. Slavik said an loyal inner circle of Mr. Combs’s employees carried out various crimes over more than a decade, most of them aimed at facilitating the freak-offs or covering them up. Those crimes, she said, include drug distribution, kidnapping, arson, bribery, sex trafficking, interstate transportation for prostitution and even forced labor.She identified several employees as being part of the criminal enterprise, none of whom have been charged with a crime or testified. They included Kristina Khorram, Mr. Combs’s former chief of staff, often referred to as “K.K.,” and a group of security officers known as D-Roc, Faheem Muhammad, Uncle Paulie and Roger Bonds.Examples of drug distribution alone, Ms. Slavik argued, were sufficient evidence to convict Mr. Combs of the racketeering charge because she said the trial testimony had established that he directed his employees to transport drugs several times for use in the sex sessions.The evidence also showed instances of kidnapping by the group, Ms. Slavik told jurors. Ms. Ventura, for instance, was taken to a hotel to heal after a beating by Mr. Combs and spent more than a week there, watched over by members of Mr. Combs’s staff to ensure she did not leave.Ms. Slavik also said Ms. Khorram and D-Roc were involved in bribing a hotel security officer to obtain incriminating security camera footage that showed Mr. Combs assaulting Ms. Ventura.Mr. Combs tampered with two witnesses after settling a lawsuit, the prosecution said.For the first time, the jurors heard details of allegations that Mr. Combs had committed witness tampering and obstruction, one of the eight potential crimes that are part of his racketeering charge. Ms. Slavik provided two allegations connected with women who had testified under pseudonyms during the trial.The prosecutor said that after Ms. Ventura filed her bombshell lawsuit that precipitated the criminal investigation, Jane was stunned by its similarities to her experience.Shortly after Mr. Combs settled the lawsuit with Ms. Ventura, Ms. Slavik said, he called Jane twice in an effort to feed a “false narrative” that Jane was a willing participant in the sex marathons with male escorts in hotel rooms.The jury heard recordings of the calls, in which Mr. Combs described the nights as “kinky” encounters “that I thought we both enjoyed.” In the second call, he told her, “I really need your friendship right now,” and assured her that if she “needed” him too, she “ain’t got worry about nothing else.” Around that same time, he texted an employee to ensure that Jane’s rent was being paid.Ms. Slavik said Mr. Combs also tampered with “Mia,” one of his former assistants. Mia testified that after Ms. Ventura’s lawsuit, a bodyguard known as D-Roc called her and began to discuss Ms. Ventura’s relationship with Mr. Combs, saying something to the effect of “they would just like fight like a normal couple.”Mia said D-Roc “sounded nervous” and said Mr. Combs missed her. Mr. Combs tried calling her, but she did not pick up, Mia said. Later, as Mr. Combs’s legal troubles were deepening, D-Roc texted her, “let me know how I can send you something.” She declined.Mr. Combs brought a book to court.Mr. Combs entered the courtroom wearing a baby-blue sweater and a smile, waving to family and friends who filled two rows near the front of the courtroom. The beginning of closing arguments drew perhaps the largest crowd yet to the courthouse over the trial’s seven weeks, and administrators were forced to open four courtrooms to handle those interested in watching the proceedings on closed circuit television.As Ms. Slavik spoke for nearly five hours, presenting Mr. Combs as a violent, abusive man who was used to getting his way and deployed aides to help him secure it, he was an attentive defendant, shaking his head at one point, and often passing notes to his lawyers.He did not have time to focus much attention on a book he had brought into the courtroom with him: “The Happiness Advantage,” by Shawn Anchor, described as “an engaging, deeply researched guide to flourishing in a world of increasing stress and negativity.” More

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    Key testimony for the prosecution: Cassie and ‘Jane,’ violence and the role of employees.

    A federal prosecutor summed up the government’s case against the music mogul Sean Combs on Thursday, weaving strands of evidence from his seven-week trial on sex-trafficking and racketeering charges to portray him as the head of a criminal enterprise who “used power, violence and fear to get what he wanted.”The prosecutor, Christy Slavik, focused much of her closing argument on the methods Mr. Combs used to coerce two women he dated — Casandra Ventura (the singer Cassie) and a woman who testified under the pseudonym “Jane” — to have sex with hired men while he watched in drug-fueled sessions known as “freak-offs,” “hotel nights” or “wild king nights.”Here are four takeaways from the prosecution’s closing argument:The prosecution said proving that women were coerced into one ‘freak-off’ was enough for a sex trafficking conviction.A key point of contention has been whether Mr. Combs coerced the two women at the heart of the case into having sex with hired men, or if they were willing participants. In cross-examinations during the trial, the defense highlighted text messages in which the women expressed enthusiasm or excitement for the sessions.Ms. Slavik clarified for jurors that the government is not arguing that all of the sex nights with male escorts constitute sex trafficking. She said the women had initially been willing to engage to please Mr. Combs, but later became unwilling participants who complied either because they feared he would hurt them physically or cut them off financially.Christy Slavik, one of the prosecutors, delivered the government’s closing argument in Mr. Combs’s federal trial.Ted Shaffrey/Associated Press“If there is one time — one single freak-off that jurors find were the product of force, threats of force, fraud or coercion, Mr. Combs should be found guilty of sex trafficking,” Ms. Slavik said.To underscore her point, she laid out several examples for each woman.Those included a time in June 2024, Ms. Slavik said, that Jane and Mr. Combs physically fought before he directed her to have sex with an escort. Jane testified that she repeatedly said “I don’t want to,” but Mr. Combs — his face close to hers — asked “is this coercion?”Ms. Slavik also pointed to Mr. Combs’s 2016 assault on Ms. Ventura at a Los Angeles hotel that was captured on surveillance video. “He was using force to cause Cassie to continue engaging in a freak-off,” Ms. Slavik said.The prosecution laid out its theory of how Mr. Combs’s employees operated as a criminal enterprise.Much of Ms. Slavik’s summation in the morning was devoted to arguing that Mr. Combs did not merely lead a typical celebrity entourage but instead ran an enterprise responsible for years of crimes.To convict Mr. Combs on the racketeering charge, jurors need to find that he knowingly joined an unlawful conspiracy, and that Mr. Combs agreed that he or a co-conspirator would commit at least two criminal acts on that list to further the enterprise.Ms. Slavik said an loyal inner circle of Mr. Combs’s employees carried out various crimes over more than a decade, most of them aimed at facilitating the freak-offs or covering them up. Those crimes, she said, include drug distribution, kidnapping, arson, bribery, sex trafficking, interstate transportation for prostitution and even forced labor.She identified several employees as being part of the criminal enterprise, none of whom have been charged with a crime or testified. They included Kristina Khorram, Mr. Combs’s former chief of staff, often referred to as “K.K.,” and a group of security officers known as D-Roc, Faheem Muhammad, Uncle Paulie and Roger Bonds.Examples of drug distribution alone, Ms. Slavik argued, were sufficient evidence to convict Mr. Combs of the racketeering charge because she said the trial testimony had established that he directed his employees to transport drugs several times for use in the sex sessions.The evidence also showed instances of kidnapping by the group, Ms. Slavik told jurors. Ms. Ventura, for instance, was taken to a hotel to heal after a beating by Mr. Combs and spent more than a week there, watched over by members of Mr. Combs’s staff to ensure she did not leave.Ms. Slavik also said Ms. Khorram and D-Roc were involved in bribing a hotel security officer to obtain incriminating security camera footage that showed Mr. Combs assaulting Ms. Ventura.Mr. Combs tampered with two witnesses after settling a lawsuit, the prosecution said.For the first time, the jurors heard details of allegations that Mr. Combs had committed witness tampering and obstruction, one of the eight potential crimes that are part of his racketeering charge. Ms. Slavik provided two allegations connected with women who had testified under pseudonyms during the trial.The prosecutor said that after Ms. Ventura filed her bombshell lawsuit that precipitated the criminal investigation, Jane was stunned by its similarities to her experience.Shortly after Mr. Combs settled the lawsuit with Ms. Ventura, Ms. Slavik said, he called Jane twice in an effort to feed a “false narrative” that Jane was a willing participant in the sex marathons with male escorts in hotel rooms.The jury heard recordings of the calls, in which Mr. Combs described the nights as “kinky” encounters “that I thought we both enjoyed.” In the second call, he told her, “I really need your friendship right now,” and assured her that if she “needed” him too, she “ain’t got worry about nothing else.” Around that same time, he texted an employee to ensure that Jane’s rent was being paid.Ms. Slavik said Mr. Combs also tampered with “Mia,” one of his former assistants. Mia testified that after Ms. Ventura’s lawsuit, a bodyguard known as D-Roc called her and began to discuss Ms. Ventura’s relationship with Mr. Combs, saying something to the effect of “they would just like fight like a normal couple.”Mia said D-Roc “sounded nervous” and said Mr. Combs missed her. Mr. Combs tried calling her, but she did not pick up, Mia said. Later, as Mr. Combs’s legal troubles were deepening, D-Roc texted her, “let me know how I can send you something.” She declined.Mr. Combs brought a book to court.Mr. Combs entered the courtroom wearing a baby-blue sweater and a smile, waving to family and friends who filled two rows near the front of the courtroom. The beginning of closing arguments drew perhaps the largest crowd yet to the courthouse over the trial’s seven weeks, and administrators were forced to open four courtrooms to handle those interested in watching the proceedings on closed circuit television.As Ms. Slavik spoke for nearly five hours, presenting Mr. Combs as a violent, abusive man who was used to getting his way and deployed aides to help him secure it, he was an attentive defendant, shaking his head at one point, and often passing notes to his lawyers.He did not have time to focus much attention on a book he had brought into the courtroom with him: “The Happiness Advantage,” by Shawn Anchor, described as “an engaging, deeply researched guide to flourishing in a world of increasing stress and negativity.” More

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    Six prosecutors presented the case against Sean Combs.

    Jurors will soon be asked to deliberate over a complex list of charges facing Sean Combs.He has been indicted on five separate counts, and in order to convict him on any of them, the jurors must agree unanimously that he committed the crime beyond a reasonable doubt. Mr. Combs has pleaded not guilty to all of the charges.Two counts of sex traffickingMr. Combs has been charged with sex trafficking two former girlfriends — Casandra Ventura and a woman who testified under the pseudonym “Jane.” Prosecutors have charged that the women were compelled to participate in marathon sex sessions with male escorts in hotel rooms and other locations across the country and at times overseas.To convict on this count, the jury must decide whether Mr. Combs used force, threats of force, fraud, or coercion to cause the women to engage in a “commercial sex act.”Before deliberating, jurors will be instructed at length on the specifics of the law. For example, “coercion” can amount to threats of serious harm, including physical, psychological, financial or reputational. “Commercial sex” could mean that money was exchanged for sex, but it could also refer to the exchange of an intangible thing of value, such as promises to help with career advancement.Mr. Combs’s lawyers have argued that the sexual encounters were entirely consensual.Potential sentence if convicted: a minimum of 15 years; a maximum of life in prisonTwo counts of transportation to engage in prostitutionThese lesser counts focus on the same events: the sexual encounters in hotel rooms involving men who prosecutors say were paid for sex. One count relates to the testimony of Ms. Ventura, and the other to the testimony of Jane.To convict Mr. Combs of these charges, the government must prove that he knowingly arranged for the transportation of a person across a state or foreign border with the intent that the individual would engage in prostitution.In seeking to rebut these charges, the defense has argued that Mr. Combs was paying various men “for their time and an experience” — not for sex.Potential sentence if convicted: up to 10 years in prisonOne count of racketeering conspiracyThe most complex charge jurors will have to consider is one that hangs over the entire case.Under the legal terminology of this count, Mr. Combs has been accused of “conspiring with others to conduct and participate in the affairs of an enterprise through a pattern of racketeering activity.”Prosecutors have sought to prove that Mr. Combs and an inner circle of bodyguards and high-ranking employees were part of a criminal enterprise and that they conspired to commit a series of crimes over a period of two decades, many of them related to his relationships with the two women at the center of the case.Jurors will be asked to consider a set of alleged criminal acts to determine whether such a pattern existed. That list includes sex trafficking and transportation to engage in prostitution, as well as possession of drugs with the intent to distribute.The jurors must also look at allegations of kidnapping and arson related to accounts of Mr. Combs’s jealous rage after he learned that Ms. Ventura had begun a relationship with the rapper Kid Cudi. In addition, a former assistant, who testified under the pseudonym “Mia,” has been put forward by prosecutors as a victim of forced labor.To convict Mr. Combs on the racketeering charge, jurors need to find that he knowingly joined an unlawful conspiracy, and that Mr. Combs agreed that he or a co-conspirator would commit at least two criminal acts on that list to further the enterprise.The defense has denied the existence of any criminal conspiracy and argues Mr. Combs is not responsible for the alleged crimes outlined by the government.Potential sentence if convicted: up to life in prison More

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    Here are the charges against Sean Combs and the potential sentence for each one.

    Jurors will soon be asked to deliberate over a complex list of charges facing Sean Combs.He has been indicted on five separate counts, and in order to convict him on any of them, the jurors must agree unanimously that he committed the crime beyond a reasonable doubt. Mr. Combs has pleaded not guilty to all of the charges.Two counts of sex traffickingMr. Combs has been charged with sex trafficking two former girlfriends — Casandra Ventura and a woman who testified under the pseudonym “Jane.” Prosecutors have charged that the women were compelled to participate in marathon sex sessions with male escorts in hotel rooms and other locations across the country and at times overseas.To convict on this count, the jury must decide whether Mr. Combs used force, threats of force, fraud, or coercion to cause the women to engage in a “commercial sex act.”Before deliberating, jurors will be instructed at length on the specifics of the law. For example, “coercion” can amount to threats of serious harm, including physical, psychological, financial or reputational. “Commercial sex” could mean that money was exchanged for sex, but it could also refer to the exchange of an intangible thing of value, such as promises to help with career advancement.Mr. Combs’s lawyers have argued that the sexual encounters were entirely consensual.Potential sentence if convicted: a minimum of 15 years; a maximum of life in prisonTwo counts of transportation to engage in prostitutionThese lesser counts focus on the same events: the sexual encounters in hotel rooms involving men who prosecutors say were paid for sex. One count relates to the testimony of Ms. Ventura, and the other to the testimony of Jane.To convict Mr. Combs of these charges, the government must prove that he knowingly arranged for the transportation of a person across a state or foreign border with the intent that the individual would engage in prostitution.In seeking to rebut these charges, the defense has argued that Mr. Combs was paying various men “for their time and an experience” — not for sex.Potential sentence if convicted: up to 10 years in prisonOne count of racketeering conspiracyThe most complex charge jurors will have to consider is one that hangs over the entire case.Under the legal terminology of this count, Mr. Combs has been accused of “conspiring with others to conduct and participate in the affairs of an enterprise through a pattern of racketeering activity.”Prosecutors have sought to prove that Mr. Combs and an inner circle of bodyguards and high-ranking employees were part of a criminal enterprise and that they conspired to commit a series of crimes over a period of two decades, many of them related to his relationships with the two women at the center of the case.Jurors will be asked to consider a set of alleged criminal acts to determine whether such a pattern existed. That list includes sex trafficking and transportation to engage in prostitution, as well as possession of drugs with the intent to distribute.The jurors must also look at allegations of kidnapping and arson related to accounts of Mr. Combs’s jealous rage after he learned that Ms. Ventura had begun a relationship with the rapper Kid Cudi. In addition, a former assistant, who testified under the pseudonym “Mia,” has been put forward by prosecutors as a victim of forced labor.To convict Mr. Combs on the racketeering charge, jurors need to find that he knowingly joined an unlawful conspiracy, and that Mr. Combs agreed that he or a co-conspirator would commit at least two criminal acts on that list to further the enterprise.The defense has denied the existence of any criminal conspiracy and argues Mr. Combs is not responsible for the alleged crimes outlined by the government.Potential sentence if convicted: up to life in prison More

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    Cannonball With Wesley Morris: My Love Affair With Bruno Mars

    Wesley Morris has a confession to make: He loves Bruno Mars. Nothing wrong with that, right? With the help of the culture writer Niela Orr, Wesley untangles his crush from his discomfort with the pop star’s cozy relationship to Blackness.You can listen to the show on your favorite podcast app, including Apple Podcasts, Spotify, Amazon Music and iHeartRadio, and you can watch it on YouTube:Cannonball is hosted by Wesley Morris and produced by Janelle Anderson, Elyssa Dudley, and John White with production assistance from Kate LoPresti. The show is edited by Wendy Dorr. The show is engineered by Daniel Ramirez and recorded by Maddy Masiello, Kyle Grandillo and Nick Pitman. It features original music by Dan Powell and Diane Wong. Our theme music is by Justin Ellington.Our video team is Brooke Minters And Felice Leon. This episode was filmed by Alfredo Chiarappa, and edited by Jamie Hefetz and Pat Gunther.Special thanks to everyone who helped launch this show: Daniel Harrington, Lisa Tobin, Sasha Weiss, Max Linsky, Nina Lassam, Jeffrey Miranda, Mahima Chablani, Katie O’Brien, Christina Djossa, Kelly Doe, Shu Chun Xie, Dash Turner, Benjamin Tousley, Julia Moburg, Tara Godvin, Elizabeth Bristow, Lynn Levy, Victoria Kim, Jordan Cohen, Clinton Cargill, Bobby Doherty, Dahlia Haddad, Paula Szuchman, and Sam Dolnick.And an extra special thanks to J Wortham. More

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    Pam Tanowitz’s Dance ‘Pastoral’ Weaves Beethoven and More

    Tanowitz’s new dance, made with the painter Sarah Crowner and the composer Caroline Shaw, premieres at the Fisher Center at Bard College.What exactly is the pastoral, that tradition from about Virgil to Wendell Berry and beyond that devotes itself to nature? And can it even exist in a honking, smoggy metropolis?The choreographer Pam Tanowitz welcomes questions like these in her latest work, “Pastoral,” which premieres on Friday at the Fisher Center at Bard College. In her signature blend of classical ballet and free-form modern dance, it is set to a reworking of Beethoven’s Sixth Symphony, nicknamed the “Pastoral,” by the composer Caroline Shaw, with décor by the painter Sarah Crowner that puts nature front and center.All three of these artists live in New York City, and while “Pastoral” draws from Beethoven in name, it pulls equally from their daily work and lives. It is also, for a dance, uncommonly engaged with the vocabulary of visual art. One late spring morning, with the fog low and cow daisies high in the Hudson Valley, Tanowitz strode into rehearsal with a book under her arm of Nicolas Poussin, the 17th-century French painter of allegorical and historical scenes.“We have two tableaus in this dance,” Tanowitz said, describing scenes in which her dancers arrange themselves into a particular formation and hold it, facing the audience. “And this is what I want those moments to feel like,” she said, flipping to Poussin’s “A Dance to the Music of Time.”From left, the artist Sarah Crowner, the composer Caroline Shaw and Tanowitz.Lauren Lancaster for The New York TimesIn that painting, four youthful figures frolic in a hillside clearing. They are mid-hop, the hands joined into a maypole ring, backs to one another, togas billowing in colors not too far from the lavenders and combinations evoking pink lemonade and smoked salmon that are used by Reid Bartelme, the costumer for “Pastoral.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    Wet Leg Became Indie Superheroes Overnight. Now They’re Acting Like It.

    Taking the stage in a muscled power pose is a declaration of frontwoman confidence. And Rhian Teasdale is gleaming with it.When her band Wet Leg played at Market Hotel in Brooklyn this spring, she strode up in a dingy undershirt and some glorified tighty-whities, and flexed her biceps at the crowd — a stance somewhere between bodybuilder and Wonder Woman.Launching into the come-at-me lyrics of “Catch These Fists,” the pulsing lead single from the band’s upcoming album — “I don’t want your love, I just wanna fight” the chorus snarls — Teasdale, the rhythm guitarist, dropped her custom-made, bubble gum pink instrument, and flashed her guns again. Beside her, Hester Chambers, the college friend she started the band with, was playing lead guitar with her back to the audience (her version of a power move). When they got into “Chaise Longue,” the underground hit that put them on the map, they were both dancing and grinning.Since Wet Leg emerged three years ago, its trajectory into indie-rock stardom has been a series of almost absurd feats. Pals from the Isle of Wight, England — a far reach from a musical hot spot — the group saw its self-titled debut LP explode, a chart-topper in the United Kingdom that also earned two Grammys. “Chaise Longue,” perhaps history’s catchiest track about a grandfather’s upholstered chair, had vocal fans in Elton John, Lorde and Dave Grohl; seemingly overnight, Wet Leg ascended from dingy clubs to stadiums, opening for Foo Fighters and Harry Styles.This is a heady place to activate a sophomore album, “Moisturizer,” out July 11. Especially because, unlike the debut, which was mostly written by Teasdale and Chambers, the latest effort is the work of a five-piece — including Henry Holmes, the drummer; Ellis Durand, the bassist; and the multi-instrumentalist Joshua Mobaraki, who is also Chambers’s boyfriend.And though Chambers, the lead guitarist, is still a full-fledged member of the group, she has stepped back from the sort of promotion she did for the first album, when the two women were featured as soft-spoken musical partners in matching cottagecore dresses. They were billed as a duo, and now, “we’re definitely a band,” Teasdale said decisively.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

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    The Edge, U2’s Guitarist, Becomes Irish Citizen After 62 Years There

    The musician born David Evans was one of more than 7,500 people who became citizens in a series of ceremonies in southwest Ireland this week.The Edge, the U2 guitarist known for his omnipresent black beanie and his chiming, echoey sound, became an Irish citizen this week. It only took him 62 years.“I’m a little tardy on the paperwork,” the English-born musician, whose real name is David Evans, told reporters at the ceremony on Monday. “I’ve been living in Ireland now since I was 1 year old, but the time is right and I couldn’t be more proud of my country for all that it represents and all that it’s doing.”A representative for U2 did not immediately respond to a request for comment on Wednesday.More than 7,500 people were granted citizenship in a series of ceremonies Monday and Tuesday in Killarney in County Kerry, nearly 200 miles southwest of Dublin, according to the Irish government. Applicants from over 140 countries made a declaration of fidelity and loyalty to the state. Since 2011, more than 200,000 people have received Irish citizenship.Evans, 63, was born in Essex to Welsh parents and moved to Ireland as a young child.The band formed in 1976 when Larry Mullen Jr. tacked a “musicians wanted” ad to a bulletin board in Dublin, according to the band’s website. The group — Bono, the Edge, Adam Clayton (bass) and Mullen (drums), then all teenagers — practiced in Mullen’s kitchen.U2 became perhaps the most recognizable and successful rock group from Ireland and is considered by many fans there to be something of a national treasure. At the citizenship ceremony, Evans said that Ireland was showing “real leadership” on the world stage and that his becoming a citizen couldn’t have come at a better moment. “I have always felt Irish,” he told reporters, saying he was happy “to be in even deeper connection with my homeland.”Evans said the application process took a couple of years but was ultimately straightforward.“Honestly there were many moments in the past when I could have done it, with just the form to be filled out, but I’m happy it’s now,” he said. “It feels more significant, it feels more meaningful.” More