More stories

  • in

    At the Sean ‘Diddy’ Combs Trial, Jurors Are Ready to Deliberate

    The panel of 12 will be asked to decide whether the music mogul is guilty of racketeering conspiracy and sex trafficking.A jury in the federal trial of the music mogul Sean Combs will begin deliberating on Monday after receiving legal instructions from the judge in the complex sex-trafficking and racketeering conspiracy case.The panel, made up of eight men and four women, heard closing arguments from the government prosecutors on Thursday, followed by a presentation by the defense and a final rebuttal from the government on Friday.Judge Arun Subramanian, who is overseeing the trial, then opted to send the jurors home for the weekend so they could “come back fresh on Monday morning” to receive his directions. The judge estimated it would take him a few hours to go over the fine points of the laws at the core of the government’s case, a process known as “charging the jury,” before the jurors could start deliberations.The anonymous group was not sequestered throughout the trial and spent the weekend at home following the passionate final pleas from both sides last week.“You’ve heard the closing arguments, but I will ask you to continue to keep an open mind about the case,” Judge Subramanian told jurors on Friday, before adding the standard instructions he has given throughout the trial: “Do not speak with each other about the case. Do not speak with anyone else about the case. Do not read or research or look up anything about the case.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Beyoncé Pauses Houston Concert After Car Prop Malfunction Left Her Dangling Over Crowds

    She was singing “16 Carriages,” as she sat in the back of a red convertible prop high above the crowds on Saturday, when it suddenly slanted in the air.The superstar singer Beyoncé gave thousands of fans a scare during a concert in Houston on Saturday, as a car prop in which she sang high above the crowds suddenly tilted sharply to one side in an apparent malfunction.The moment, which was caught on video, showed Beyoncé wearing a white cowboy hat with an American flag by her side performing her song “16 Carriages” from the back of a red convertible when it slanted in the air over the crowds.“Stop. Stop, stop, stop, stop. Stop,” the singer calmly announced as she paused the performance over the roaring crowd, which called for her to be brought down.The car and Beyoncé were harnessed to cables and she could be seen gripping one as the vehicle continued to dangle over concertgoers, who held up their illuminated smartphones like candles.In April in Los Angeles, Beyoncé appeared in a car similar to the one that malfunctioned on Saturday in Houston.The New York TimesThe singer, 43, was slowly lowered to safety, much to the joy and relief of her fans who cheered her.“OMG she scared me,” one fan shared in a video.In another clip when she was back onstage, Beyoncé told the crowd, “If ever I fall, I know y’all would catch me.”It was not clear what led to the mishap. Parkwood Entertainment, the singer’s management company, said in an Instagram post that “a technical mishap caused the flying car, a prop Beyoncé uses to circle the stadium, and see her fans up close, to tilt.” The company said, “She was quickly lowered and no one was injured.” A representative for the stadium did not give further details.In a compilation of images from the show, the company also included one of Beyoncé performing from the dangling prop.The concert was held at the NRG Stadium in Houston, her hometown, and was the first of two shows there this weekend.The concerts are part of her international Cowboy Carter Tour, which opened in April in Los Angeles, to support her 2024 album “Cowboy Carter,” which won album of the year at the Grammys this year. More

  • in

    Kneecap Brings Pro-Palestinian Politics Back Onstage at Glastonbury

    The band landed in trouble over anti-Israel statements, and a member faces a terrorism charge. But at Britain’s biggest music festival, tens of thousands cheered it.About 20 minutes into Kneecap’s set at the Glastonbury music festival on Saturday, the Irish-language rap group stopped the show to discuss a topic that has made it one of Britain’s most talked about — and infamous — pop acts.“I don’t have to lecture you people,” Mo Chara, one of the band’s rappers, told tens of thousands of onlookers at the festival. “Israel are war criminals,” he said.He then led the crowd in a chant of “Free, free, Palestine.”Kneecap’s set at Britain’s largest music festival on Saturday was so popular that organizers had to shut access to the arena to stop overcrowding. But it came after two head-spinning months for the group.In April, Kneecap lost its U.S. visa sponsor after making anti-Israel statements at Coachella. The police in Britain then charged Mo Chara with a terrorism offense for displaying the flag of Hezbollah, the militant group based in Lebanon, onstage at a London show. Several festivals and venues dropped the band from their lineups.The Board of Deputies of British Jews wrote to Glastonbury urging it not to give Kneecap a platform that could make the band’s views appear acceptable, and Prime Minister Keir Starmer said last week that it was “not appropriate” for Kneecap to play at the festival, or for the BBC to broadcast the performance. (The BBC, which provides live coverage from Glastonbury, did not broadcast Kneecap’s set, and the festival press office did not respond to a request for comment.)Yet unlike lawmakers, Jewish groups and prosecutors, few in the crowd on Saturday appeared to have concerns about the band or its politics. Amy Pepper, 46, a health worker from Northern Ireland, said the band was “really inspirational, particularly for my kids.” She had seen Kneecap live several times before, she said.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    What Happened in the Closing Arguments of the Sean Combs Trial

    The jurors will begin deliberating on Monday. The music mogul has pleaded not guilty to sex trafficking and racketeering conspiracy.The federal government and Sean Combs’s defense team presented their closing arguments this week after extensive testimony in which the music mogul’s ex-girlfriends said they were pressured to have sex with male escorts in drug-dazed marathon sessions.Mr. Combs is charged with sex trafficking, racketeering conspiracy and transportation to engage in prostitution, and has pleaded not guilty, saying the sexual encounters were consensual. Jurors are expected to begin deliberating on Monday, which will mark the eighth week of the trial in Federal District Court in Manhattan.Here are some key observations from the closing arguments:The ChargesSex TraffickingThe federal prosecutor who delivered the government’s closing argument on Thursday, Christy Slavik, emphasized to jurors that convicting Mr. Combs of sex trafficking required only one example of him coercing his girlfriends into sex with prostitutes.For examples of such coercion, Ms. Slavik pointed to Mr. Combs’s 2016 assault on Casandra Ventura at a Los Angeles hotel that was captured on surveillance video, and a fight between “Jane” and Mr. Combs in 2024 before he directed her to have sex with another man.Jane, who was identified by a pseudonym, testified that she repeatedly said “I don’t want to” before Mr. Combs asked, “Is this coercion?”The next day, the defense lawyer Marc Agnifilo argued that Ms. Ventura, the singer known as Cassie, was a willing participant in the frequent sex sessions that Mr. Combs called “freak-offs.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Oasis Ends a 15-Year Pause With a Familiar Goal: Conquering America

    Last August, when Oasis announced a reunion for its first tour since 2009, the fractious British band led by the brothers Liam and Noel Gallagher released a statement filled with exactly the sort of full-throated grandeur and bravado that marked its rise in the 1990s: “The guns have fallen silent. The stars have aligned. The great wait is over. Come see. It will not be televised.”When the band trumpeted the North American leg of the tour a few weeks later, the tone was a bit more passive-aggressive: “America. Oasis is coming. You have one last chance to prove that you loved us all along.”The distance between those two proclamations says a lot about the trans-Atlantic legacy of this combative band, which performs the first show of its sold-out reunion tour in Cardiff, Wales, on Friday. Oasis will play 17 stadium concerts in the U.K. and Ireland before arriving in North America in late August for a nine-show run; two additional London gigs will follow, then dates in Asia, Australia and South America.When tickets went on sale for the U.K. shows last August, a reported 14 million people tried to buy them, crashing ticketing websites and angering fans. In October, seats for the gigs in North America went fast too, selling out in an hour. Michael Rapino, the chief executive of Live Nation, later called it “the biggest on-sale in history.”Reunions generate interest, and the improbability of this one, with the Gallaghers sniping at each other for a decade-plus, almost certainly turbocharged it. The music has also aged well: So much of the band’s seven-album catalog, which stretched from 1994 to 2008, already sounded like classic rock when it first emerged.“Wonderwall,” in particular, has become an inescapable anthem. On Spotify, it’s the third-most played song from the 1990s, with over 2.3 billion streams. Covers of the track in every imaginable style — rap-rock, country-soul, punk-pop, chillwave, metalcore, big band, lounge-pop, electro-funk, cool jazz, bossa nova, dubstep, mariachi — have tallied hundreds of millions more plays. The wistful singles “Don’t Look Back in Anger” and “Champagne Supernova” are nearly as popular and have proven similarly durable to wide-ranging reinterpretation.We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    Sean ‘Diddy’ Combs Trial: Takeaways From Defense’s Closing Arguments

    Mr. Combs’s lead lawyer made a final appeal to the jury, arguing in often sarcastic tones that the government’s evidence contradicted its case against the hip-hop mogul.Sean Combs’s lawyer made a final appeal to the jury at his racketeering and sex trafficking trial in New York on Friday, arguing in often sarcastic tones that the government’s evidence contradicted its case against the hip-hop mogul.The lawyer, Marc Agnifilo, portrayed his client as a deeply flawed man who led a swinger’s lifestyle, had a drug problem and sometimes physically assaulted his girlfriends. But he argued government’s accusation that Mr. Combs was a sex trafficker or the ringleader of a racketeering organization was “badly exaggerated.”“He did what he did,” Mr. Agnifilo said. “But he’s going to fight to the death to defend himself from what he didn’t do.”Here are some takeaways from the defense’s closing argument.The defense focused on consent, credibility and overreach.Friday’s summation was the most substantive argument made to date by the defense, which called no witnesses during the trial and declined to put Mr. Combs on the stand.Mr. Agnifilo devoted long stretches of his four-hour closing argument to highlighting testimony, texts and video evidence, that he said demonstrated that Casandra Ventura and “Jane,” who testified under a pseudonym, consensually participated in the marathon sex parties that are central to the government’s claim that the women were sex trafficked.“You want to call it swingers, you want to call it threesomes,” he said, “whatever you want to call it, that is what it is — that’s what the evidence shows.”We are having trouble retrieving the article content.Please enable JavaScript in your browser settings.Thank you for your patience while we verify access. If you are in Reader mode please exit and log into your Times account, or subscribe for all of The Times.Thank you for your patience while we verify access.Already a subscriber? Log in.Want all of The Times? Subscribe. More

  • in

    In court, Combs has adopted an easygoing, subdued demeanor.

    Sean Combs’s lawyer made a final appeal to the jury at his racketeering and sex trafficking trial in New York on Friday, arguing in often sarcastic tones that the government’s evidence contradicted its case against the hip-hop mogul.The lawyer, Marc Agnifilo, portrayed his client as a deeply flawed man who led a swinger’s lifestyle, had a drug problem and sometimes physically assaulted his girlfriends. But he argued government’s accusation that Mr. Combs was a sex trafficker or the ringleader of a racketeering organization was “badly exaggerated.”“He did what he did,” Mr. Agnifilo said. “But he’s going to fight to the death to defend himself from what he didn’t do.”Here are some takeaways from the defense’s closing argument.The defense focused on consent, credibility and overreach.Friday’s summation was the most substantive argument made to date by the defense, which called no witnesses during the trial and declined to put Mr. Combs on the stand.Mr. Agnifilo devoted long stretches of his four-hour closing argument to highlighting testimony, texts and video evidence, that he said demonstrated that Casandra Ventura and “Jane,” who testified under a pseudonym, consensually participated in the marathon sex parties that are central to the government’s claim that the women were sex trafficked.“You want to call it swingers, you want to call it threesomes,” he said, “whatever you want to call it, that is what it is — that’s what the evidence shows.”Mr. Agnifilo cast doubt on the credibility of some of the government’s witnesses, taking particular aim at Capricorn Clark, a former assistant to Mr. Combs who testified that she had been kidnapped twice at his direction. In one of those instances, she said, Mr. Combs was in possession of a gun, a statement that the defense said was not supported by other witnesses.At one point, Mr. Agnifilo suggested that the racketeering charge was an overreach and that Mr. Combs had been targeted by the government because the case began with a lawsuit, not anyone making a report to law enforcement. “He’s indicted by himself,” Mr. Agnifilo said, noting that no witnesses testified to being part of such an enterprise.The prosecution later objected, arguing that Mr. Agnifilo’s suggestion that Mr. Combs had been targeted was improperly made in front of the jury. Judge Arun Subramanian agreed and told jurors that the decision-making of the government or a grand jury on whether to charge a defendant was “none of your concern.”The defense offered an alternative view of the infamous video of a hotel assault.Mr. Agnifilo presented an alternative narrative for a critical piece of evidence in the case: a security-camera video that showed Mr. Combs beating Ms. Ventura in a hallway of a Los Angeles hotel in 2016.The jury has seen this footage numerous times during the seven-week trial, and witnesses described it from multiple angles, as well as what happened before and after the attack. The video also shaped public opinion of the case after CNN aired a version of it last year, prompting Mr. Combs to apologize, calling his behavior “inexcusable.”The government contends the video shows Mr. Combs beating Ms. Ventura when she tried to leave a marathon sex session with a male prostitute. That would be evidence he had physically compelled her to participate, a key element in proving sex trafficking.One of the sexual encounters took place at the InterContinental Century City hotel in Los Angeles. Video of Mr. Combs dragging Ms. Ventura down a hallway has been cited as part of the abusive conduct.Hunter Kerhart for The New York TimesBut Mr. Agnifilo characterized the attack as flowing from a quarrel over a phone, not punishment for leaving the “freak-off.” Early in the video, Ms. Ventura is seen walking down a hallway with a phone in her right hand, heading toward an elevator bank. Later, after Mr. Combs attacks her, he appears to retrieve the phone from her and walks back to the room with it.A gap in the time code on the video, Mr. Agnifilo said, suggests that Ms. Ventura went back in their hotel room for three minutes and 42 seconds before a security guard arrived. “The point is,” Mr. Agnifilo said, “the room is not a scary place.”Mr. Combs’s family was a focal point.Mr. Agnifilo pointed out that six of the music mogul’s seven children were in the courtroom to offer support — “the seventh being an infant.” Mr. Combs’s mother, Janice, a frequent presence at the trial, was also in the gallery.“You should know that,” ​M​r. Agnifilo told the jury. “You should know who he is,” he added, “the man takes care of people — that’s what’s in the evidence.”Wrapping his closing statement, Mr. Agnifilo returned to Mr. Combs’s family ties to add stakes to his potential acquittal. “He sits there innocent,” he said of his client. “Return him to his family who have been waiting for him.”Mr. Combs’s sons, Christian​ Combs and Justin​ Combs, arriving at court in Manhattan on Friday.John Lamparski/Getty ImagesOn Friday morning, one of Mr. Combs’s sons, Christian​ Combs, released new music under the name King Combs. The seven-song EP includes a track with Ye, formerly known as Kanye West, called “Diddy Free.”On it, King Combs, 27, raps about those who “try to play the victim” and states “[expletive] the world, critics and the witness.” Later, he says: “this Bible might come in handy / this rifle might come in handy” and repeats a chorus on which he promises not to sleep “’til we see Diddy free.”​A​nother of Mr. Combs’s sons, Justin​ Combs, arrived at court wearing a shirt that read “Free Sean Combs” ​on Friday, but a court officer quickly tapped him on the shoulder — those kinds of visible messages of support are not allowed. He left the courtroom and the message was not visible when he returned.Mr. Agnifilo’s closing was marked by animated, often sarcastic, statements.Mr. Agnifilo, who opened his closing argument with a warning to the jurors that he likes to pace while he talks, used an energetic delivery to hammer home the defense’s skepticism of the government’s case. Speaking forcefully, gesticulating and pacing, he reacted to the idea that Mr. Combs was in charge of a racketeering enterprise: “Are you kidding me?”His demeanor loosened as he continued, and at one point Mr. Agnifilo made a reference to the 50th anniversary of “Jaws” and its quotable line “We’re going to need a bigger boat,” while poking fun at the investigators in the case: “We need a bigger roll of crime-scene tape!” Regarding the lubricant found in the raids of Mr. Combs’s homes, Mr. Agnifilo also gave a passionate “Whoo!” reminiscent of Al Pacino onscreen.In the first 30 minutes of his summation, Mr. Agnifilo appealed to the jury’s emotions, throwing in personal asides, laugh lines and detailed characterizations of the witnesses in colloquial terms, working to keep them engaged while broadly brushing away the legitimacy of the charges.At other times, his mockery was more direct. In referring to Ms. Ventura’s brief relationship with the rapper Kid Cudi, the defense lawyer became especially animated: “Cassie’s keeping it gangster!” he said, arguing that she was brazenly lying to both men, with no apparent fear of Mr. Combs.“I’m getting myself a burner phone,” Mr. Agnifilo said, imagining Ms. Ventura’s mind-set at the time. “Whooooaaaa — a burner phone!” the lawyer added. “Someone’s got a burner phone!” More